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Air Histories opens with a poem about a neolithic arrowhead uncovered by manmade environmental damage after lying for millenia in a Welsh mountaintop. It closes with a rollicking poem urging action to heal the wounds of the same piece of earth. In a dazzling range of styles and registers and diverse poems, Christopher Meredith explores the power of human ingenuity for good or ill, for making music or making war, and our fragile grasp of this ingenuity. The blind Oedipus makes a tortured, fragmentary speech to Antigone; a medieval chronicler is unable to write a word when history seems to stand still; a baffled Spanish priest in the 19th century tries to penetrate the mystery of how a guitar is made; an old woman who has forgotten almost everything else holds on to the secret alchemy of making gravy. Threading the collection are poems relating to landscape, especially to the Black Mountains. Air Histories is Christopher Meredith's fourth collection of poems. He is also is the author of four novels. "The defining feature of Christopher Meredith's poetry is an exquisite, almost painful precision. But there is also beauty and a bright, self-deprecating wit" Sarah Crown, The Guardian
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Seitenzahl: 41
Veröffentlichungsjahr: 2013
Air Histories
Also by Christopher Meredith
Poems
This
Snaring Heaven
The Meaning of Flight
Black Mountains: poems & images
from the Bog~Mawnog Project
Novels
Shifts
Griffri
Sidereal Time
The Book of Idiots
For children
Nadolig bob Dydd
Christmas Every Day
As editor
Moment of Earth
Five Essays on Translation (with Katja Krebs)
Translation
Melog a novel by Mihangel Morgan
Air Histories
Christopher Meredith
Seren is the book imprint of
Poetry Wales Press Ltd.
57 Nolton Street, Bridgend, Wales, CF31 3AE
www.serenbooks.com
Facebook: facebook.com/SerenBooks
Twitter: @SerenBooks
The right of Christopher Meredith to be identified as
the author of this work has been asserted in accordance
with the Copyright, Designs and Patents Act, 1988.
© Christopher Meredith 2013
ISBN: 978-1-78172-074-5
ISBN e-book: 978-1-78172-076-9
A CIP record for this title is available from the British Library.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
The publisher acknowledges the financial assistance of the Welsh Books Council.
Cover photograph: ‘Daedalus with a paramotor’ © V. Meredith.
Printed in Bembo by Berforts Group, Stevenage.
Author’s Website: http://christophermeredith.webs.com/
Contents
Arrowhead
Borderland
Trees on Castell Dinas
What earth thought
The record keepers
Y grib
Ridge
At Colonus
The churches
The guitar maker Antonio de Torres in old age described by the priest Juan Martínez Sirvent
The ones with the white hats
Birth myth
The slurry pond
Daniel’s piano
Guitar
Not quite Apollo
Think of this
The strange music
Seeing the birds
Stori’r mynydd
Under the mountain
Alchemical
Peth doeth
You were right to come
Twobeat deathsong
Dream
Dim byd
Nothing
Bro Neb: yr arweinlyfr
An outline description of Nihilia
This late
An empty chair, the old man’s face
Birch
Thaws and disappointments
We dream of snow
The fiddler’s frown
Daedalus with a paramotor
Earth air
The near myth
The wool of the sheep that bit you
Acknowledgements
Notes
Arrowhead
fire
unlock
ed the mou
ntain and rain
and wind brush
ed earth by to strip
to air what’s reified
in stone, green double
wavelets in a piece of sea
jade flatfish swimming time
a hardening of fallen sky that
should whisper death or meat but
somehow can’t becoming something
never meant in all the patient knapping
to perfected brittle symmetry strange midair
fingerprint stone cursor pointing to this hour
flint promise of our later fire that never
flew or sang till
now
Borderland
Ffin is the Welsh for border. It occurs inside diffiniad which means definition, and in Capel y Ffin, a place in the Black Mountains.
You’ll find a ffin inside each definition.
We see what is when we see what it’s not: edges are where meanings happen.
On the black whaleback of this mountain earth curves away so sky can start to show a ffin’s a kind of definition
where skylarks climb across earth’s turn to air and pulsing muscle turns to an artful song the edge that lets a meaning happen.
Live rock can yield to mortared stone, a city to a castle, then a shepherd’s hut, where ffin’s contained inside a definition,
where the lithic turns into the human.
Here’s where things fall together, not apart at edges that let meanings happen.
And self here blurs into annihilation.
Larkfall, earthfall, skyfall, manfall each create the ffin that is the place of definition the edges where we see our meanings happen.
Trees on Castell Dinas
Stripped to their themes the winter trees are the sum of their seasons
bombbursts of filaments in pulsing harmonics enact their contentions in air
work into eyesight with ogive writhing invisible veins of the wind
solidify rhythms into the pathways of hunger for light
What earth thought
When wind blows to kill rain, earth thinks warmer under sun and breathes smoke. Grass squeezes out of stone, walks under tree and over mountain. Man walks with animals under moon. Dog drinks lake. Child sucks woman.
Child sleeps with smell of milk and woman who sings to call the seed from earth. Man sings to beasts. Dog sings to moon. They turn their hunger into breath. They walk the belly of the mountain. They hit the yellow fire from stone.
And what swells in grass, with stone and stone they kill. The woman burns seed under mountain. They laugh it out from blackened earth. They turn their hunger out of breath. They sleep beneath the bitten moon.
The river’s warm with yellow moon swimming above the river stones. They sing the songs of warmth, and breathe the song of meat and fruits. The woman knows that ice will bite the earth and grass sleep again on mountain.
Black cloud will kill white, and mountain float in lakes of rain. The moon will die, and snow will say to earth:
