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Jane Burn's new poetry collection Be Feared is a captivating reclamation of self, sisterhood, and love, encountering everything from the Snow Queen to monsters, plagues and infernos. Acknowledging fear, this book embraces discovery, a process of translation and transformation, of finding a voice radiant with both curses and psalms. Rebellious, bloody, and encroached upon by violence, Burn's poetry examines survival, abuse and healing. Intensely imaginative, these incantatory poems rework fairy-tale and folklore and hold up enchanted mirrors to the everyday truths of being a working-class autistic woman, daring to become, claiming her own magnificent, unstoppable fluency and spell-making power.
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Be Feared
Be Feared
Jane Burn
ISBN: 978-1-913437-27-5
eISBN: 978-1-913437-28-2
Copyright © Jane Burn, 2021
Cover artwork: ‘Be Feared’ © Jane Burn
All rights reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
Jane Burn has asserted her right under Section 77 of the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.
First published November 2021 by:
Nine Arches Press
Unit 14, Sir Frank Whittle Business Centre,
Great Central Way, Rugby.
CV21 3XH
United Kingdom
www.ninearchespress.com
Nine Arches Press is supported using public funding by Arts Council England.
To Lindsay,
for helping to make one of my biggest dreams come true.
Trepanation
Coronach for my slender waist
Mrs/Mother Hail
How Austistic Spectrum Condition Made Her Worth Her Weight in Birds
The Only Kind of Poetry I Seem to be Able to Write
Triolet for Easter and the icon I have made of a wizened rabbit’s pelt
Look at me, lingering outside this murdered church
Self-Portrait as an Inferno
Thumbelina’s Birth as Told in the Style of Gregorian chant
So you made a thousand shit decisions
Fairy Stories
Fat Alice
This is a Frankenstein Night
Schneewittchen and the Universe
Aubade to the Noise of Chainsaws
Red
Aubade to a Wedding Photograph
Gerda’s searching leads her to roses and, at the edge of the Snow Queen’s land, she realises that her Autism will always be the fairytale with no satisfactory end
The Cursing Psalm
Hood
There are things that give me away if you know how to look,
Frances Cornford’s poem about a lady in gloves makes me realise that I have feelings for a woman for the first time
The nights in which I fantasise an evensong of us
Are Vaginas a Deal-Breaker Thing?
We could live in a cwtch of castles. I’ll grow my hair
The First Time I Really, Properly Swim
I was not the eye of the Hubble. I saw no cosmic string
Villanelle to Cold Psalms
Quiero saber si tú aun me quieres and imagining seeing a bird burning in the sky
Study of Life as Recorded in Cruel Lines
Grin Both Ways
The love that Orca taught me while he grew
Ode to the Sight of my Coloured Cob
The gifts she got at birth
Poor blackbird crumb
Be subtle as the Snow Queen,
The truth began with a mirror, clean and cruel
Magic Mirror
My Offering to the Earth
November’s Spoil of Rain and Plague
Ways in which I came to be a thief
The Altar of the Dead
Spun from the Same
The Un-Flight of Porcelain Birds
How the river takes whatever you pray
If we are here when yellow has done with the year
Is Autism/COVID happening to someone/somewhere else?
The Advent Calendar of Most Useful Things
Spun from the Same
If Ω Is For The Last Thing I Might Ever Do
Acknowledgements
About the author and this book
Or what my life became when I let the ghouls out of my brain
Once I thought I knew the way of fields
I thought that I had seen the view’s only truth
I spread upon the tender world of moss
yielded my head to the ground
gave passage to any questing root
my mind an offering to pullulations of seed
the auger’s turn unwound the true smell of grass
the bitter beauty of the sapid green
my cerebrum devoured the piquancy of growing corn
a chalice to bear the piety of freshly fallen rain
silver-sharp against the path of my own rushing veins
its ions broke upon the scaffold of my bones
I opened my head to the luminous fusion of stars
let myself wear the incredible weight of night
filled my skull with the raw coin of the moon
felt its halo bloom inside my own cavern of bone
I woke beneath my version of a morning sky
the wound uncumbered my devout kaleidoscope
my pate throbbed with welts of immense blue
I drilled myself aware of great definitions of cloud
uncovered a world of high-borne froth
the universe inside each airborne fleck of ice
their unmapped journey across each astonishing vault
I thought I knew the whole sound of each bird
such new complexities from the delicious well of their throats
such patterns to describe the shape of flight
I saw each barbule hold the whole wing against the wind
I could not taste the ghosts that I had kept
I could not hoard the wandered voice of distal pain
I could not recall the ubiquity of your face
Pitter-scratch, patter-scratch, soil-deluded beak.
The floor is a mystery of worms, a concealment of seeds.
This queerish bird keeps becoming lost, though she is not a tiny thing.
See how this bird knocks her cheek against a cupboard door
and bat, bat, bat! comes a sound of wood bumping against flesh.
The smell of varnish, bitter. The nurture of wood, divine.
Elbow-flicker, elbow-flack, great misguided flight. The air
is a flabbergast of space, a fatigue of liberty. An unreachable scar.
She sees it marked by a devotion of swans and worships
their berth, the lowering of fat unblemished bows. Their christening
of self to shifting water, their mustering of signets into lines.
She is afraid she does not lead her own baby well,
afraid he will drown in her chaos. She is all the horrors
of doing things wrong though she lowers her neck above him
in shapes of love. What sort of bird might she be?
Not the harsh slice of gulls – she did not abandon her chick
to sheer cliff, would never risk his un-flight fall, nor his mite’s casting
to jaws of rock. How she fluffs around this treasure!
Waggle-squat, scuffle-crouch, bulk resigned frame.
The floor’s moor is a complex of heather, peeps of mottled plume.
This bird is folding upon a stool’s perch. Look how she has laid
the addled shell of her head to the length of the table’s slab.
This bird has ways of guessing wind though she is not a free thing
and press, press, press, comes lush, dull pain, a blissful blank,
a bright nest in her brow. She muses upon the plunge of cormorants.
Needles, stitching themselves to fathoms of salt. Oceans
have no corners – is the sea is too big a space?
Reflections were never her friend. She spurs at the wrong-ways
repeating of herself. No matter how she swims, there will be no split
from this clinging twin – the drag of her aping curse.
Gravel-gullet, splinter-hymn, rasp of ugly verse. Compline
is nightmare time, a tuneless ask. She is no nightingale – her voice
of shatter and shriek chimes for every hour that she forces
her breast to thorns. One this weight will never hum for nectar,
no matter how she puts tongue to bloom. She envies the swallows,
prays for such frail connects. Quop-fleck, dash-fear, spook
from human sight. The day is a threat of lungs, a worry of sounds.
She harbours aspects of a wren, as pit, pit, pit, she weaves
a home of threads. Picky-snap, scrabble-snap, her hands
are clacking bills, plucking her purse of screwed receipts, pecking
at paper scat. This bird winds herself with spells as bind, bind, bind,
she is lured back to ground. Becomes concious of blood.
This bird was born a murmuration. From inside her mouth
comes a flight, a flurry for this is the way she cries. Catch them,
though they are not perceptible things and flit, flit, flit,
there are hollows in her chest. This bird is built on bruised
and brittle sticks. Look how she carries a craw of knives that cut
through all her songs. Though she will say I’m fine, I’m fine,
there is no cure for cracks. The tap drips its chorus through dawn.
This bird has a secret, caught behind her lips. Look how her tongue
toils like a trapped wing. It will spiel feathers and sing, sing, sing
a question of sky. Her kitchen is an aviary. She sees blue, its colour
served through cracks. Who made her mocking brain?
Sometimes it is an eyrie, scribbled with scraps and full of bones.
She is an owl’s breaking of dusk, the steeple of an egret.
Dot-dash, dot-dash, her toes cling to ledges like walking code.
She writes a riddle with each step. Home, Sweet Home, Sweet Home.
