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'I wonder what I have to do for people to recognise me as a threat. Do I have to smash a glass over the head of every single man I come into contact with, just so I leave a mark?' Irina takes erotic photos of average-looking men. Always behind the lens, she watches, she moulds, and she stalks. These boys are putty in her hands, just the way she likes it. When the opportunity to show her photographs in a fashionable London gallery coincides with a new boy to obsess over, cracks begin to appear. How far can she push her new prey for the perfect shot, or has she already gone too far? Based on the critically acclaimed debut novel by Eliza Clark, which was a finalist for the Women's Prize Futures Award, Boy Parts is a pitch-black psychological thriller that subverts the erotic gaze and asks what happens when our need for connection gets twisted. This stage adaptation for one actor by Gillian Greer was premiered in 2023 at Soho Theatre, London, in a co-production between Metal Rabbit Productions and Soho Theatre, and directed by Sara Joyce. Praise for Eliza Clark's novel: 'Hilariously sardonic… Will make most readers howl with laughter and/or shut their eyes in horror'Guardian 'A carnival funhouse ride: terrifying, feverish, hilarious' Julia Armfield 'Boundaries are for breaking and if anyone can crash through and reinterpret the fear of our time, Eliza Clark can'Mslexia 'Hallucinogenic, electric and sharp' Jessica Andrews 'Delightfully and deviously rooted in the now with its delectable internet and culture references and evocative and real-feeling portrait of women'Dazed 'Smart, stylish, and very funny' Lara Williams 'Explores the darkest corners of artistic practice, sexuality and violence with bold wit and fearlessness. A dazzling, horrifying debut'Irish Times
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Eliza Clark
BOY PARTS
Adapted by Gillian Greer
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production
Characters
Boy Parts
About the Authors
Copyright and Performing Rights Information
Boy Parts was first performed on 19 October 2023 at Soho Theatre, London, with the following cast:
IRINA
Aimée Kelly (she/her)
Director
Sara Joyce (she/her)
Video Designer
Hayley Egan (she/her)
Set & Costume Designer
Peter Butler (he/him)
Lighting Designer
Christopher Nairne (he/him)
Sound Designer
Tom Foskett-Barnes (he/him)
Casting Director
Jacob Sparrow (he/him)
Production Manager
Ryan Funnell (he/him)
Associate Production Manager
Jake Hughes (he/him)
Assistant Director & Stage Manager
Katie Jackson (they/them)
Assistant Stage Manager
Han Sayles (they/them)
General Manager
RJG Productions
Produced by
Sofi Berenger and George Warren for Metal Rabbit Productions and Soho Theatre
Associate Producer
Zoe Weldon (she/her)
Associate Producer
Oli Seymour (he/him)
Press
Caitlin Plimmer for Chloé Nelkin Consulting
Marketing
Soho Theatre
Digital Marketing
Soho Theatre and Elan James
Photographer
Rebecca Need-Menear
Graphic Design
Soho Theatre
Set
Prompt Side
Video Hire
Blue-i Theatre Technology
Lighting Hire
Version 2 Lights
Video Associate
Melissa Chan
Lighting Associate
Jacob Shooter
Sound Associate
Characters
IRINA, mid-twenties, from Newcastle. Beautiful, frightening
Irina also voices: SUIT SUIT 2 SUIT 3 ALKIE RYAN FLO WILL EDDIE MICHAEL ARTSY LAD DENNIS NURSE STEPHEN
Note on Text
A line ending with no punctuation indicates an unfinished moment or thought.
Text in italics indicates dialogue between Irina and other characters.
Text in bold belongs to a different world to the rest of the play. Still spoken by Irina, perhaps live, perhaps in voice-over, they are moments of lost control, the outside creeping in.
This is the story as IRINA tells it. She is an artist, a monster, a liar. She should not be trusted.
One – Bar
IRINA. I’m sick in my mouth on the bus into work, the sandwich I choked down at the Tesco self-checkout still identifiable by texture and flavour.
When it pulls over, I wobble on my heels. I imagine going over on my ankle, the bone snapping and breaking the skin. Driver looming over me, face full of concern, offering to take a look, to call an ambulance. Doe eyes from me, a wince. I would be very brave.
I imagine taking a photo in A&E and sending it to Ryan; yikes, guess I can’t come into work today! Sad face. I imagine sick pay, and flowers, and pain meds.
But I can’t make myself fall over. It’s like trying to drown yourself in the bath, you know? You just can’t.
I get to the bar late and it’s quiet.
I’m opening, Ryan’s not here yet. Deep breaths.
I am absolutely fucking hanging.
I hear them before I see them. First punters of the day, a gaggle of men in suits on their lunch break. Ties off, collars unbuttoned. High-fives and old fashioneds all round. Must be pay day.
They tell me I’m taking too long with their drinks, got to get back to the office, big board meeting.
Of course. Home Counties transplants. Colonisers. Cunts.
We’re one of three nearly identical bars scattered strategically around the Quayside. Watering holes of this particular brand of men, who left London for cheap pints and cheap property.
I restock the fridges, check the kegs, chop fruit, my head throbbing, my last shot of tequila still sour on the back of my tongue. I finish, they’re still stood there drinking, and I am in hell.
The ringleader separates from the pack. Mid-forties. Black eyes, like a pig. His slicked-back hair is thinning. I can see the colour of his scalp. He should order a drink but he just starts talking. Talking, and talking, and talking.
SUIT. I’m a partner you see, my time is very expensive
IRINA. Oh yeah? So is mine.
He slaps a twenty on the bar.
SUIT. That makes you mine for the day now, does it?
IRINA. Maybe the next five minutes
ALKIE. Excuse me
IRINA. A middle-aged woman bobs through the gaggle of suits and tries to push past him. She’s small but sharp. Fake tan a nut-brown, botched dye job. Probably an alkie. She’s got those urgent eyes.
ALKIE. Excuse me
IRINA. The suit slaps another twenty on the bar. Insulting. I pocket the money.
SUIT. So what time do you get off?
ALKIE. Excuse me
IRINA. He’s got some fuckin cheek
I’m just gonna serve this lady –
SUIT. I think you’ll find I was here first –
ALKIE. Excuse me??
IRINA. He leans over and grabs my wrist, belly pressing against the bar top. We are nose to nose.
SUIT. You’re shaking
Are you frightened?
IRINA. He is drunker than I realised. At this angle, his throat is exposed. I’ve got a free hand, a chorus line of bottles within reach. His eyes glitter like glass. I wish I had my camera.
ALKIE. Excuse me?! How old do you think my son is?
IRINA. The suit drops my wrist like the skin has burnt him.
Eh?
ALKIE. I said, how old do you think my son is?
IRINA. She thrusts her phone in my face. My website is on the screen. She is showing me a photo. A black-and-white still of a boy. It’s a close-up of his face, shoulders bare. Collarbones sharp and white. Mouth open, tongue bared like a present.
There is a hand grasping at his face. His tongue squirms between an index and middle finger.
My hand. My finger.
Ah.
ALKIE. Just how old does this lad look to you?
IRINA. He’s twenty.
ALKIE. Twenty? Does he fucking look twenty to you?
IRINA. She flashes her phone at the suit like it’s evidence.
SUIT. You’re into this sort of shit are you?
IRINA. He signed a consent form and brought ID, I can show ya –
ALKIE. That’s Dean, you stupid bitch, that’s my older boy’s passport. Daniel is sixteen. I’ll call the fucking police if you don’t take that down.
IRINA. Well, Daniel lied to me and brought false ID. I can’t be held responsible.
The suits cheer me on –
ALKIE. Delete it, delete it right now
SUIT 2. I’ll pose for one sweetheart
SUIT 3. Yeah, me too!
IRINA. The ringleader is loving this.
SUIT. I’ve got a stag do coming up. Do you do a Groupon or something?
IRINA. I liked him better when he was assaulting me.
I boot the back end of my website and delete the photo.
There. Gone.
ALKIE. I want to see a manager
IRINA. I am the manager
ALKIE. I want to see your manager then
IRINA. You see anyone else in?
The ringleader places a hand on the alkie’s shoulder
SUIT. Ladies, I’m sure we can come to some sort of conclusion here
ALKIE. Don’t fucking touch me you soft shite!
IRINA. Something turns in the room.