Bunting's Honey - Moya Cannon - E-Book

Bunting's Honey E-Book

Moya Cannon

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Beschreibung

A Poetry Book Society Recommendation This is a book of wonderings and wanderings. Many of the wanderings are on familiar territory explored on foot, the hills of Wicklow and of the Burren in Co. Clare, the shorelines of Dublin Bay, of North West Donegal, of Galway, Achill and the Aran Islands. Other poems bring us farther afield, to a French village on the banks of the Saône, to the Venetian Island of Torcello, to a sacred mountain lake in China. In these poems there is an alertness to the palimpsest of lives, human and non-human, lived in these places and the mystery of each individual life. The poems bear witness to our primal kinship with the natural world, a source of nourishment, joy and solace, but also to our disastrous, onrushing human conquest of that same earth and seas. The poem 'Bunting's Honey' is a tribute not only to those who composed and played early Irish harp music but also to those who collected the music and who, long after their own deaths, made possible a most remarkable renaissance of that same musical tradition. Similarly, 'The Glance', a meditation on Giovanni Bellini's astonishing painting of a Madonna in the Santa Maria Gloriosa dei Frari in Venice, is a gasp of wonder at how tenderness and trepidation can be conveyed by pigment and brush across five centuries. 'A Technology' explores the quantum leap of literacy in allowing us, after so many millennia of human existence, to communicate details, not only of our outer lives, but also of our inner thoughts to those not immediately in our presence. 'Girls Trained in Beautiful Writing' considers the empowerments of literacy and the limitations imposed on that empowerment. There are other wonderings, not least the horrors of the wars of the twenty-first century, and the need to find a way to somehow set aside fear and difference and to give peace and tenderness a chance.

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Seitenzahl: 45

Veröffentlichungsjahr: 2025

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123

BUNTING’S HONEY

MOYA CANNON

CARCANET POETRY4

5

Contents

Title PageDedicationEpigraphIMonet in ÁrannA Quarrel with the LexicographersAnd again the mountains…Wicklow DiamondsFor the BirdsDie-backIIDúchasBunting’s HoneyPascalSt-Romain-Des-ÎslesThe GlanceThe Sky-Wrapper of TorcelloA Technology‘Girls Trained in Beautiful Writing’Planting Roses in BaichengHeaven Lake, Jilin ProvinceDelete Contact CardIIINeedleworkThe Orange RucksackAnd where were you brought up?The Highest HouseThe First he’d Heard of itAll GoneFridayNow, as Then 6IVA Song at ImbolcTaking the Brunt of ItLight is what days are made of—January DawnPrimalBirds and LoversFrom the train we see no straight lineThis MorningSurreal ShoreSoupThe News from TramoreFour Wonderful SoundsVAnd Now the BabiesThe Slaughter of the InnocentsThrough Iron RailingsTurlough HillInventory at St Cronan’s WellEight Marys, Four Bridgets, Three KatesOughtmamaSingerAmorOld FriendNotes and AcknowledgmentsAbout the AuthorAlso by Moya Cannon from CarcanetCopyright

7for Brendan and Ursula Flynn8

9

‘we are continually overflowing toward those who preceded us, toward our origin, and toward those who seemingly come after us… It is our task to imprint this temporary, perishable earth into ourselves so deeply, so painfully and passionately, that its essence can rise again “invisibly,” inside us. We are the bees of the invisible. We wildly collect the honey of the visible, to store it in the great golden hive of the invisible.’

 

—Rainer Maria Rilke

 

 

 

‘Against barbarity, poetry can resist only by confirming its attachment to human fragility like a blade of grass growing on a wall while armies march by.’

 

—Mahmoud Darwish10

1112

Bunting’s Honey

1314

I

15

Monet in Árann

for Kathleen Loughnane

Over the sunstruck, drystone wall

we were ambushed by the sway

and scent of a July meadow—

whites of tall daisy and yarrow,

purples of scabious and cranesbill,

the bitten yellow of cat’s ear,

the blue tremble of harebells,

and far more we couldn’t name,

but we were caught, are caught still,

in the blurry, summery sway of it.

16

A Quarrel with the Lexicographers

The dictionary is unambiguous.

It says the word comes

from ‘coire’, cauldron,

but the lexicographers haven’t climbed

Croaghan on Achill and looked down

from its northern flank

into silver-rimmed Loch Bunnafreva,

or trudged up Tonlegee’s

brown, soggy shoulder

and seen that high sliver of light

as the mountain begins to unveil its treasure

or, as a child, scrambled up the skree skirt

of Eachla Beag, to be astounded

by a great lake hung between three peaks.

It’s not just the closeness of the name

to coeur, croí, or corazón which persuades

me it’s a cognate, a word-cousin,

it’s the way my own heart leaps

every time I find a corrie lake, away up

in skree and heather, at the core

of a glacier-sculpted mountain.

17

And again the mountains…

for Richard Wall

white and glittering in May sunlight,

as they fly down to Lough Inagh—

the three great buttresses of Doire an Chláir,

Binn Chorr and Binn an Choire Beag.

The mountains are indifferent

to us who love them

and don’t answer to their names:

Peak by the Oak Grove Plain,

Sharp Peak,

Peak of the Small Corrie.

No medieval master builder drew up plans,

by rule of thumb, by counted cubits,

to raise this singing edifice

along the indigo lake;

no architect calculated the slants

of winter light across its tall, rough coombes

but an old ocean leaned heavily down

upon the weather-milled, river-drifted

debris of vanished mountain ranges,

pressing it to sandstone.

Aeons later, a hot, shifting earth lifted

and pinched the sandstone into a long,

crooked fold, then forged it

into a shining quartzite range

to be storm-flayed into beauty.

18

Wicklow Diamonds

for Isabelle Vallet-Dunne

Bright as April hail, it glitters

beside the brown bog path

all the way around Loch Bray—

two lakes, and today,

two calm blue eyes, regarding heaven.

Our heads are light as cirrus clouds

our hearts bright as those

of this year’s kid goats

who scramble over scree

at the lake’s far edge.

After three weeks of sun

the bog path springs under our feet;

after months of fearful confinement

we are restored to friendship,

to our companionship of the hills;

four hundred million years

after it cooled in darkness

granite is frost-shattered into diamonds.

23/04/2021

19

For the Birds

‘You must change your life’

Rainer Maria Rilke

And how we resist it, as though all change

had designs on us, yet for the birds too,

as for insects and glaciers,

for leverets and children,

change we must:

for blackbird, whose yellow, up-flung notes

and triplets fill back yards and skies,

who has sung this April week for love or lust

all morning and again at dusk

from a neighbour’s blocked-off chimney pot;