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Jacqueline Saphra will follow her critically acclaimed, T. S. Eliot Prize shortlisted All My Mad Mothers (2017) with Dad, Remember You Are Dead, a sister volume to her previous collection, taking on the canon in an examination of fatherhood and daughterhood within a wider context.
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Dad, Remember You Are Dead
Dad, Remember You Are Dead
Jacqueline Saphra
ISBN: 978-1-911027-73-7
eISBN: 978-1-911027-75-1
Copyright © Jacqueline Saphra
Cover artwork: Artemisia Gentileschi, Lot and His Daughters, c.1636-38, oil on canvas, 90 ¾ x 72 in. (230.5 x 183 cm); The Toledo Museum of Art (Toledo, Ohio), Clarence Brown Fund, 1983.107 Photo Credit: Richard Goodbody
All rights reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
Jacqueline Saphra has asserted her right under Section 77 of the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.
First published September 2019 by:
Nine Arches Press
Unit 14, Sir Frank Whittle Business Centre,
Great Central Way, Rugby.
CV21 3XH
United Kingdom
www.ninearchespress.com
Nine Arches Press is supported using public funding
by Arts Council England.
For all my sisters
Recusatio Redacted
The Power
Carina
Lessons My Father Taught Me
Strip
To My Little Sister at the Shore
How We Saw Things
Chiaroscuro
Dad and the Facts
Offal
Portrait of My Father as a Kipper One Week Old
Utterance
My Father’s Parts
Triolet for a Good Father
Fallopia Japonica
There are not many friends I can talk to like this over a continental breakfast
The Canon
The Hinges are Broken
Forgiveness
My Stepfather’s Will
Not the Deathbed just the Disappointment
The Big Picture
you do not have to be wise you do not have to be kind you do not have to be right you do not have to be good
After Sodom
My Father’s Stories
Darkroom Lessons
Milk and Ash
My Mother’s Will
Yael and Sisera
Death Charm
My Father’s Will
Burial
August Evening on the Estuary
Songs and Stones
Leda and the Swan
Acknowledgements and Thanks
About the author and this book
‘Yet why not say what happened?’ – Robert Lowell
no
no elegies for my
who is no longer
still the fear and the
not going there thank you
oh come on give me
yes that’s a start continue
the wives and sons may feel
in fact they may be absolutely
but now I’ve begun I am filled with
and an incandescent
no it’s not like me to
I was always so
and daughterly
where is my shy
and my soft
what will people
so many omissions
lack of factual
what do I actually
must not speak ill of
no never seen a ghost
of course my imagination
memory is notorious for
trust it
the body
and inside
a wave breaking on
another wave breaking –
The daughter won’t. The dad dictates.
The daughter smiles, the dad declines
a trade-off; so the daughter waits.
The daughter won’t. The dad dictates.
While you are small and I am great
you will! he yells.Slow years unwind.
The daughter won’t, the dad dictates,
the daughter smiles, the dad declines.
Like the vessel that floats
through the night
its celestial keel a glitter of bones
a spine bound by fire and light
he’ll no longer careen: after the shock
after the pain, he will walk
say the prophets in green.
Where he is collagen, calcium
crumbling, they’ll fix him
they promise, with bolts of titanium
buy him more years.
Let them build me a father
a new one, a safe one
his crooked keel
caulked and steady with stars.
Must I? Don’t make me. I wish I could run
from the chill of the challenge. I carp and I cry
as he sprinkles some grit in the white of my eye
as a father will do. I’m weedy and green
so he gives me a push but the push is no fun
sends me spinning to nowhere whatever I try
and I baulk at the brakes and I’m making a scene
though I know he won’t like it. I teeter and lean
and I let myself fall: please god, don’t let me die.
It’s nothing, stop crying, you’re making a scene
he says, Mothered to hell but the damage is done.
It’s a matter of balance. It seems I have none.
I don’t know how you learn to be gritty and game
