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- Herausgeber: Parkstone International
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
Paul Gauguin was first a sailor, then a successful stockbroker in Paris. In 1874 he began to paint at weekends as a Sunday painter. Nine years later, after a stock-market crash, he felt confident of his ability to earn a living for his family by painting and he resigned his position and took up the painter’s brush full time. Following the lead of Cézanne, Gauguin painted still-lifes from the very beginning of his artistic career. He even owned a still-life by Cézanne, which is shown in Gauguin’s painting Portrait of Marie Lagadu. The year 1891 was crucial for Gauguin. In that year he left France for Tahiti, where he stayed till 1893. This stay in Tahiti determined his future life and career, for in 1895, after a sojourn in France, he returned there for good. In Tahiti, Gauguin discovered primitive art, with its flat forms and violent colours, belonging to an untamed nature. With absolute sincerity, he transferred them onto his canvas. His paintings from then on reflected this style: a radical simplification of drawing; brilliant, pure, bright colours; an ornamental type composition; and a deliberate flatness of planes. Gauguin termed this style “synthetic symbolism”.
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Seitenzahl: 49
Veröffentlichungsjahr: 2011
Author: Nathalia Brodskaya
Layout: Julien Depaulis
Cover: Stéphanie Angoh
ISBN 978-1-78160-589-9
© Confidential Concepts, worldwide, USA
© Parkstone Press International, New York, USA
All rights reserved. No part of this may be reproduced or adapted without the permission of the copyright holder, throughout the world.
Nathalia Brodskaya
LIST OF ILLUSTRATIONS
1.Snow Effects(Snow in Rue Carcel), 1882-1883.
2.Dieppe Beach, 1885.
3.Bathers in Dieppe, 1885.
4.Self-Portrait “to my friend Carrière”, 1886.
5.Self-Portrait at Golgotha, 1886.
6.Self-Portrait, “Les Misérables”, 1888.
7.Van Gogh Painting Sunflowers, 1888.
8.Old Women in Arles(in the Arles Hospital Garden),1888.
9.Café at Arles, 1888.
10.Fighting Children, 1888
11.Bretons and Calf, 1888.
12.The Vision after the Sermon orJacob Fighting with the Angel, 1888.
13.Blue Trees, 1888.
14.Human Miseries(Vineyards), 1888.
15.Fruit,1888.
16.The Yellow Christ, 1889.
17.Hello, Mr Gauguin, 1889.
18.Self-Portrait with the Yellow Christ, 1889.
19.Portrait of Meyer de Haan, 1889.
20.Wrach Collectors, 1889.
21.Breton Children on the Seaside, 1889.
22.The Schuffenecker Family, 1889.
23.Te avae no maria, The Month of Mary(or Woman Carrying Flowers), 1889.
24.Man with an Axe, 1891.
25.Young Tahitian Man(Young Man with a Flower), 1891.
26.Fatata te moua(At the Foot of theMountain or The Big Tree), 1891.
27.Faaturama(Woman with a Red Dressor the Sulky Woman), 1891.
28.The Parau Parau(Conversation), 1891.
29.Te tiare farani(The Flowers of France), 1891.
30.Parau na te varua ino(Evil’s Words), 1892.
31.Matamoe, Landscape with Peacocks, 1892.
32.Arearea(Happiness), 1892.
33.Vaïraumati tei oa(Her Name is Vaïraumati), 1892.
34.Aha oe feii? (What! Are You Jealous?), 1892.
35.Pastorales tahitiennes, 1893.
36.Nafae faa ipopo? When will you Marry?1882.
37.Manao Tupapau(the Soul of theDead Ones is Awake), 1892.
38.E haere oe I hia? Where are You Going?1892.
39.Fatata te miti(On the Seashore), 1892.
40.Hina Tefatou(The Moon and the Earth), 1893.
41.Otahi(Alone), 1893.
42.Eu haere ia oe, Where are You Going?(Woman Holding a Fruit), 1893.
43.Merahi metua no Tehamana(Teha’mana Has many Parents), 1893.
44.Self-Portrait with a Hat, winter 1893-1894.
45.Aita tamari vahine Judith te parari(Annah, the Javanese), 1893-1894.
46.Self-Portrait with a Palette, ca. 1894.
47.Nave nave moe. Sacred Spring(or Sweet Dreams), 1894.
48.Mahana no atua(The Day of the God), 1894.
49.Bé Bé, the Nativity, 1896.
50.Te vaa, The Canoe(a Tahitian Family)1896.
51.Scene from Tahitian Life, 1896.
52.Eiaha Ohipa(Tahitians in a Room), 1896.
53.Te Arii vahine, The king’s Wife(The Queen), 1896.
54.Man Picking Fruit from a Tree, 1897.
55.Tarari Maruru, Landscape with two Goats, 1897.
56.Where Do We Come from? What are we?Where are we Going?1897-1898.
57.Te tiai na oe ite rata,(Are You Waiting for a Letter?), 1899.
58.Two Tahitians(Breast with Red Flowers), 1899.
59.Maternity(Women on the Seashore), 1899.
60.Ruperupe(Gathering Fruit), 1899.
61.Three Tahitian Women againsta Yellow Background, 1899.
62.The Great Buddha(The Idol), 1899.
63.The Ford(The Flight), 1901.
64.Still Life with Parrots, 1902.
1. Snow Effects(Snow in Rue Carcel), 1882-1883.
Oil on canvas, 60 x 50 cm.
Ny Carlsberg Glyptotek, Copenhagen.
On 8 May 1903, having lost a futile and fatally exhausting battle with colonial officials, threatened with a ruinous fine and an imprisonment for allegedly instigating the natives to mutiny and slandering the authorities, after a week of acute physical sufferings endured in utter isolation, an artist who had devoted himself to glorifying the pristine harmony of Oceania’s tropical nature and its people died. There is bitter irony in the name given by Gauguin to his house at Atuona – “Maison du Jouir” (House of Pleasure) – and in the words carved on its wood reliefs, Soyez amoureuses et vous serez heureuses(Be in love and you will be happy) andSoyez mystérieuses(Be mysterious).
In his regular report to Paris, the bishop wrote: “The only noteworthy event here has been the sudden death of a contemptible individual named Gauguin, a reputed artist but an enemy of God and everything that is decent.[1]” It was only twenty years later that the artist’s name appeared on his tombstone, and even that belated honour was due to a curious circumstance: Gauguin’s grave was found by a painter belonging to the Society of American Fakirs.
It was only due to the presence of a few travellers and colonists who knew something about art and to the ill-concealed greediness of his recent enemies who, for all their hate, did not shrink from making money on his works, that part of Gauguin’s artistic legacy escaped destruction. For example, the gendarme of Atuona who had personally supervised the sale and destroyed with his own hands some of the artist’s works which supposedly offended his chaste morals, was not above purloining a few pictures and later upon his return to Europe, opened a kind of Gauguin museum. As the result of all this, not one of Gauguin’s works remains in Tahiti.
The news of Gauguin’s death, which reached France with a four-month delay, evoked an unprecedented interest in his life and work. The artist’
