7,00 €
Mehr erfahren.
- Herausgeber: The Lilliput Press
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2013
This reissue of the author's celebrated 1997 debut collection is augmented with an afterword by the author, who reflects on his success and his work since. Here we enter a world where the infatuation with death, ruin and destruction is total. Set in locations ranging from New York to the west of Ireland, and to the nameless realms of the imagination, it is a world where beautiful but deranged children make lethal bombs, talented sculptors spend careers dismembering themselves in pursuit of their art, and wasters rise up with axes and turn into patricides. While tipping his hat to masters such as Borges and Calvino, Poe and Ballard, Mike McCormack is his own man, and Getting it in the Head is richly imaginative, bitterly funny, powerful and original. This edition includes a new Afterword, in which the author reflects on his early work. Getting it in the Head won the Rooney Prize in 1996, and was voted a New York Times Notable Book of the Year in 1998. Mike McCormack is the author of two novels, Crowe's Requiem (1998), and Notes on a Coma (2005), which was shortlisted for the Irish Book of the Year Award in 2006 and described by John Waters from The Irish Times as 'the greatest Irish novel of the decade just ended'. In 2012 Lilliput published Mike McCormack's latest short story collection Forensic Songs. Praise for Getting it in the Head: 'Remarkable, even at the most extreme moments. The mind, not the emotions, is McCormack's target and these deadly, exact stories score several bulls-eyes.' - Eileen Battersby, The Irish Times 'Funny, fantastical tales that trample on the toes of the twentieth century itself. As for the formal constraints he imposes on himself let's just say that they serve as a rack on which he stretches his nightmares skin tight.' - Michael Upchurch, New York Times 'McCormack's first collection of short stories ranges from the west of Ireland to New York to Purgatory. Whatever the location, the emotional landscape remains the same: a helpless howl of protest that presages not only the end of the century but the end of civilisation itself.' - Times Literary Supplement
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Ähnliche
THE LILLIPUT PRESS
DUBLIN
To my family and Noelle Donnellan – for keeping the faith
When I opened the door and saw her standing there like an effigy, draped from head to toe in some fashion paraphrase of a chador, my mind flamed with a single, sordid thought: I wanted to get down on my knees before her in that sweetest of all acts of sexual worship and lick her out good and proper. I could see from her face – the swarthy skin, the too-even set of her teeth, the retroussé nose – that this was a woman of pent-up desires and trammelled passions and I fancied that I was the man to rectify all that. I glowed with confidence. Here was easy meat and it was as much as I could do to stop a predatory grin from spreading over my own teeth. However, when I invited her into my room and she spread out her collection of knives on the table I knew that I had made one of the bigger mistakes of my young and now bitter life.
‘I’m a seller of knives,’ she said needlessly, arranging the gleaming pieces on the table, ‘and I’m here to sell you one of these.’
I swallowed heavily, eyeing the array of steel which had so quickly covered the table. I would never have guessed that there were so many variations on the single theme of the blade.
‘I’m sorry,’ I stammered, ‘but I’ve got all the knives I need. I’ve got a bread knife and a set of steak knives and a short blade for peeling. I live on my own, so you can see then that I’m not exactly in the market for a new one.’
‘No,’ she said quietly, ‘I think if you look closely at the circumstances of your life you will find that there is ample room in it for one extra blade. No one’s life is so complete that they can afford to do without one of these knives.’
‘I thought you were selling encyclopaedias or you were some kind of a Jehovah’s Witness,’ I said plaintively.
‘No, I’m a seller of knives. My work is to spread the Gospel of Knives because in the beginning was The Knife. All other versions are fiction. My job is to spread the redemptive word of The Knife. Answer me this, what is the greatest of man’s inventions?’
‘I suppose you’re going to tell me it’s the knife.’
‘Of course, there is no other answer. Taken unawares, most people say it’s the wheel or fire. But they are wrong because the knife is at the source of all. When man picked up his first knife and started cutting and sawing and slicing it was the opening moment of his humanity, the instant of his divinity. Now in all my years in this ministry I’ve never met a man who did not need a knife. I’ve met men who have denied God’s word out of face and I’ve met men who couldn’t sign their name and they’ve all managed without any noticeable handicap. But all these people were bound together by their need for knives. And do you know why? The simple answer is that it is impossible to go through life without cutting or slicing: it wouldn’t be human. If I met a man who didn’t need a knife I’d just pack up my bags and walk away because it would be a sure sign that I had met someone who was less than human and a waste of words. But you’re human, are you not?’
‘Yes, I suppose so.’
‘Well, then it follows that you need one of these knives, it’s unavoidable.’
‘I’ve already told you that I’m full up with knives.’
‘Have you a lover?’
‘Yes,’ I lied.
‘Good, because every lover needs a knife. I knew of a man once who woke up beside his beloved and saw for the first time how ugly she was, the scales had finally dropped from his eyes. And even though she was sleeping on his arm he was so panic-stricken he started to chew his own arm off, gnawing and tearing at it like a snared animal. And it took him so long that eventually his beloved awoke and looked at him. He got such a fright that he went into shock and couldn’t move. She couldn’t move him either and he died there in the bed within fifteen minutes. Now if he had one of these,’ she held up a short, double blade, smooth and serrated, ‘he could have had that arm off in two minutes and made good his escape. You wouldn’t want to end up in a situation like that, now would you?’
‘That’s a ridiculous story. Besides, it could never happen, my sweetheart is very beautiful.’
‘All beauty fades but with proper care and attention a good knife will last forever.’
‘I heard a story once of a child philosopher who couldn’t get his penknife sharp enough and he spent all his time honing it until one day the blade disappeared altogether.’
I will never know why I made up that story.
‘That’s the story of a fanatic,’ she said coldly. ‘The story of a man looking for irreducible truths. It wasn’t the knife which failed him but his imagination. The knife was probably perfectly good within its set application. What he should have done was get another knife. There is no danger of that happening with these knives. Have you ever been to prison?’
‘No, I live a virtuous and God-fearing existence.’
‘And is your life so blameless that you are utterly without fear of reckoning?’
‘The truth is that I have no life. I have no qualifications or work. I have no future and I’m not old enough to have a past. Occasions for sin are severely limited.’
‘Nevertheless, the world is full of treacheries. One day you might find yourself incarcerated, walled up for a crime you didn’t commit, mass concrete and iron bars between you and the blue sky. You might have exhausted all words and petitions and found no succour in prayer. Then these are the knives for you, they are absolute knives. This one can cut through any substance known to man, it has never been known to fail.’
‘That’s ridiculous,’ I retorted.
‘Knives are sacred,’ she replied, ‘I would not defile them with lies.’
‘You’re serious about all this?’ I said incredulously.
‘Yes,’ she replied. ‘Because these are serious knives.’
By now any notion of sexual conquest had fled my mind completely. Her unspeakable beauty dominated the room like a caryatid from some distant, ruined temple and her smile filled me with dread. I could almost hear her mind whirring through a set of instructions, sizing up the options before her face committed itself. It did not help either that my table was now laid out and glittering as if for some terrible, total surgery. I wanted my room emptied now, bare and empty as I had always loved it.
‘I know everything there is to know about knives,’ she continued. ‘Anything I don’t know about knives is a lie. Look at this one.’ She took up a short, curved piece and juggled it neatly from hand to hand. ‘This is a survivalists’ knife, special army issue to the SAS, the US Navy Seals and other elite anti-terrorist units. It’s a tungsten alloy laid over with Teflon. It’s hafted by a brass tang to an ebony handle. It’s the sharpest knife in creation, strictly under-the-counter material and rarer than most gems.’
Suddenly she hopped forward on one foot and her arm swung down like a scythe. The knife split the air and buried itself in the door at the other end of the room. The walls resonated with the terrific impact. She withdrew the blade cleanly and handed it to me.
‘Now bid for it,’ she commanded.
‘I’ve got no money, I’m on the dole. I can’t afford to go throwing away money I don’t have on things I don’t need.’
‘Who said anything about money?’
‘You’re a saleswoman,’ I said. ‘Money is what you deal in.’
‘You’re being presumptuous again, you’ve been that way from the moment you opened the door. I prefer to think of myself as a kind of beneficent society, like the International Gideon Society for instance. I leave people their knives and I walk away. I’ve left knives in hotel rooms and houses all over the world. Sometimes, however, I have to go door to door and get some remuneration, I have to keep body and soul together also.’
‘But I have nothing to give. Look around you, I’ve only these four walls and these four limbs. I have nothing to give.’
‘That is not true. When I opened the door you wanted to possess me, you wanted to get down on your knees and worship. We could settle for that. One knife against one loveless act of sexual possession. A fair exchange is no robbery and since I want you it would be an honourable transaction.’
I almost squealed in horror. ‘I can’t,’ I said, a dense wave of nausea swelling through my body. ‘It’s crazy. It’s the craziest thing I’ve ever heard. Why can’t you just leave me the knife and go?’ I could feel myself being reduced to a caricature of despair. I was on the verge of wringing my hands.
‘I’m not a charity,’ she said coldly. ‘I want you and you need this knife, I really don’t see any problem.’
‘I told you before I don’t need the knife. Jesus, do I have to go on and on repeating myself?’ Tears were beginning to well behind my eyelids.
‘You’ve just told me that you own nothing. Ten minutes of sexual humility and you will own the finest knife in creation. What is there to be afraid of?’
I was suddenly sobbing, my whole body jerking like a string puppet, tears coursing down my face. Some nacreous light seemed to have spilled in the room and the walls had taken on a tremendous slant. She was now standing before me, sphinx-like and implacable.
‘Are you being wilfully ignorant or do I have to spell it out for you? That knife-throwing trick is the least of my talents. I do not think you want to see my full repertoire.’
I felt my legs collapse beneath me and I was suddenly on the floor, watching my tears spill onto the carpet. When I looked up she was hauling my face up by the hair, standing over me with her legs apart and holding her skirt up with her free hand. She was smiling down on me now without humour, flashing those perfect, too-even teeth.
‘That’s it, boy, on your knees. Be witnessed in the true faith of The Knife.’ She pulled my face in closer. ‘This is going to stay with you for the rest of your life. Like a good sharp knife in fact.’
Meats for the belly and the belly for meats;
but God shall destroy both it and them.
– I Corinthians 6:13
Oh, my mother, not again. Tell me it is not my time come round again. Tell me that I can stay here within you, cowering down, letting the whole thing pass over my head. Tell me you will protect and instruct me, bring me news about the world, its trials and convulsions. Tell me you will keep it at a distance from me, something abstract and objectified, never allowing it to touch me. That would make me happy. This time, all seeing, would be the perfect spectator, casting a cold eye from the margins, suffering none of its humiliations and pains. Yes, that is the way I want it this time.
Oh, Mother, tell me it is a mistake, a momentary flaw in the structure of things. Tell me that if I close my eyes and hold my breath time will pass me over it and I will be able to consign it to those black pits of memory where we keep those dark and unspeakable things. And tell me also, Mother, that for fear of waking it we would never speak of it again.
Oh, my God, who am Itrying to fool?
She knows that if she can eat the Christ Child this terrible obsession will be at an end. That is why, in the darkness and humidity of this summer’s night, she is up on the western nave of the cathedral, next to the canal, working on the window with her pliers. This is her second time here this night. On her first visit her nerve failed her and she was afraid to touch the Christ Child. She took instead a few of the pieces that surrounded Joseph and Mary, featureless squares that were tight up to the stonework. They were background pieces without detail and when she returned home with them, she knew that they would be useless; there would be no fulfilment in them. So now she has returned again and this time she knows that she will have to prise the infant from Joseph’s arms.
Already she is nearly done. The seven white and amber pieces that make up the image of the Child have been worked from the lead strips and she has now only to crawl along the ledge, climb down and walk home. Her thin body is vibrating from within with the energy of neurosis and starvation. On the ground, in the shadow of the buttress, she hunkers down like an animal to collect herself. Despite the narrowness of her obsession she has been careful. She has worn dark clothes and has kept to the shadows. She has made sure to wear something with pockets; she can hear the broken image rattle around in it now. She has been careful in her choice of pliers: it has long jaws like a surgical instrument, its inner surfaces have been milled for grip. Some of this knowledge she has researched – the pliers for instance and the structure of stained glass windows. But other details – the dark clothes, the pockets and, oddest of all, the ability to climb the down-pipe on the cathedral wall – have been pure inspiration. She knows now that this is the knowledge of the violated – one part received wisdom and two parts black inspiration. She gathers herself now to walk homewards through the still city, hands deep in her pockets. She takes one last look up at the window and she sees that Joseph is left clutching a dark hole in his abdomen where once was the Child. Dimly, she remembers a biblical text:whosoever eats of the flesh of the lamb will have eternal life.In the darkness she is not too sure why she should remember it and less sure what it means.
Walking through the silent city she remembers how this horror began one week earlier. At lunch hour that day she had walked into the city square already looking like a maimed thing. She had crossed the grass towards the one vacant bench that faced directly into the sun. She moved cautiously but with speed, threading her way among the coiled lovers who lay on the warm grass.
Already she was beginning to regret having come here. The whole place, the sun, the grass and especially the lovers made her feel alone. She reached the bench and sank into it with a feeling of relief. This too was a mistake. The sun, so bright, seemed to have singled out this one bench for special attention, falling upon it like a white blade. She would have liked to move but there was no other bench free.
All dowdy looks and no confidence, she had neither the nerve nor the style to sit and eat on the grass. And she knew it too. She was now on the verge of tears and she felt bad enough without blighting the air, filling up the beautiful day with the grey substance of her loneliness. My God, she thought, why does it always have to be like this? Once, just once couldn’t it be different?
She started. A thin man had loomed up before her. She hadn’t seen him arrive.
‘Greetings, favoured one,’ he said.
Greetings. What a strange word, she thought. He placed his thin frame on the bench beside her and she appraised him. He was a startling old man, thin beyond belief and even on this hot day he carried a beige mac draped over his shoulders. But what was really amazing was that although he was undeniably there beside her with his legs stretched out before him, he projected not the clear lineaments of an identity but the mobile and blurred contours of a confusion; he looked like someone whose true identity had one day been smudged. She thought she could dimly make out a clean-shaven hawk-like face with pointed features but she could not be sure. She felt that maybe deep within him there was some truer and stronger identity with sharper delineation biding its time until it saw the moment to come forth. He was a man who gave the impression of looking unlike himself, not out of some perverse desire to deceive but simply because this projected confusion was itself his true and inscrutable identity. Despite all this and the added fact that his presence beside her was a negative one, an absence, like a vacuum scooped out of the air, she was not afraid. She suspected he was one of the many vagrants about the city, one who at any moment was going to tell her that he was down on his luck, going through a rough patch, and had she a pound to spare to get him a cup of tea.
‘Today is a beautiful day,’ he continued. ‘The sort of day which justifies the world.’
She persevered with the smile.
‘I suppose you’re on lunch-break,’ he said.
‘Yes,’ she replied, ‘I’m a librarian. I have to return at two.’
‘Nice work I’d say, clean work. I haven’t worked myself in twenty years.’ He was grinning now, well pleased with himself ‘Imagine that, twenty years and I haven’t done a stroke.’
She liked him now and was well glad that he had sat down beside her. She flourished one of her sandwiches but he waved it aside.
‘No thanks. A man of my age need only eat a couple of times a week. You’re a growing girl, eat up.’
She liked him now and she relaxed. ‘What did you work at?’ she asked.
‘I worked in a circus,’ he said proudly. ‘Was born into it and worked in it for the best part of thirty years.’
She remembered the circuses of her childhood and her interest quickened.
‘What did you work at? I’ll bet it was the trapeze; you’re very thin.’
‘No, not the trapeze, I had no head for heights. Guess again.’
‘Clown?’
‘No.’
‘Ringmaster?’
‘No.’
‘Knife thrower or animal tamer. They were my favourites.’
‘No, none of those.’
He was smiling at her now, having teased her along like a favourite child. In all this there was something benign, something protective about him.
‘I give up,’ she said. She had enjoyed the little game.
‘Well,’ he began, ‘it was very strange. I was the only act of my kind in the whole of Ireland. England too if I’m not mistaken. I used to eat things.’
‘Eat things,’ she repeated. ‘What things?’
‘Everything,’ he grinned, springing his surprise. ‘Bars of soap, small toys, metal, glass, timber, anything.’
‘Anything?’
‘Yes, anything. Oh, it’s not unheard of. People eat swords, frogs and so on. I’m even told that in England there is a man who over the space of a lifetime ate a small aircraft. Still, though, the range of my consumption was something else. There was nothing I could not digest. Can you believe that towards the end of my career I was working on a way to eat a house?’
It may have been all a joke but she doubted it. He was too earnest, too obviously proud of his amazing craft.
‘How did you start?’
He threw up his hands in a gesture of unknowing.
‘I don’t know. How does anyone start anything? One day you’re here and the next you find yourself in the middle of something else. I remember thinking as a child that it was strange and funny that people should limit their intake to simple foodstuffs. I knew that the world was full of things waiting to be eaten. So I asked myself what would happen if I tried some of those other things. One day I sat down to a piece of timber, a piece of softwood. I wanted this first piece to be something organic, something that would not be too much of a shock to the system. I remember it well. I can see myself to this day under the caravan, tearing strips out of that piece of timber with my teeth like it was a piece of meat. Three days it took me to finish it. But I kept it down and I knew then that my vocation had presented itself. I progressed on to metal then, small kitchen utensils that I sawed up into little, chewable pieces. It took me two weeks to eat my first saucepan and a further two months to digest it. But again I held it down. It was then that I set my sight on glass. You see, there is a precedent for eating metal. Copper and iron are part of our make-up. But glass is different, glass is taboo. Glass is a killing substance, not for internal consumption. I felt therefore that if I could consume glass I would be at the peak of my craft. Glass was to me what Everest was to Hillary. But first I had to prepare my constitution, toughen it up so to speak. It was at this time that my act became part of the circus repertoire; bleach, soap, timber, metal, that sort of thing. “The Rubbish Man”, that’s how I was billed. People flocked to see me. But in all that time I was only in training. I never once lost sight of my true goal – glass.
‘One evening when I felt that my system had been toughened up enough I took a small piece of glass and ground it up real fine, like talc, and spooned it down with a glass of milk. I walked around with it for a few hours and then put my fingers to the back of my throat to see if I was bleeding. My vomit was streaked slightly with blood but not to a worrying degree. I was pleased. However, the trick was no use as it stood. Spooning down a white dust in the middle of a three-ring circus at thirty yards would never work, it lacked spectacle. So I had to work at consuming bigger and bigger pieces so that it would have the necessary visual impact. When the trick was finally unveiled I had graduated to the point where I could eat a four-by-eight-inch piece of unlaminated glass in under two minutes. People were amazed and shocked. In a few towns I was not allowed to perform. Priests denounced me from the pulpit and so on.’
He raised a forefinger into the sunlight and began to hack the air like a zealot. ‘In the words of the Old Testament – in body and in Spirit and in the image of God was man created. Therefore it behoves us to act as God himself would have us act towards that which is his temple. Such mutilation is contrary to God’s will.’ He lowered his hand and continued. ‘You know, even when I thought those Bible bashers were right my audience never failed me. Night after night they turned up to see me. People seem to find gratification in other people eating shite.’
He suddenly brightened.
‘Do you know that over the whole of my career I calculate that I have eaten enough glass to build a good-sized glasshouse?’
She would be late for work, very late. But it did not matter. She was now in thrall to this strange man and his extraordinary story. She wanted to take him home and listen to his tale forever, this tale which she was sure was for her and her alone.
The sunlight lay on them now like a dome and the day was so bright it seemed as if through some magic the air itself was polished. Already the square was emptying of people like herself who had to return to work. High on the side of the cathedral, prising out the infant Jesus, she would remember this as the moment when she should have said goodbye and walked away. She could have walked away and been saved, retaining nothing of this incident but the memory of a strange old man with an extraordinary story. But she did not move. Instead she turned to him.
‘So what happened? What do you do now?’
‘Well,’ he continued, ‘audiences fell away in the seventies – television and all that. Our circus broke up in the mid-seventies and we all went our separate ways. Some even went as far as Eastern Europe; circus is a recognized and subsidized art form there. But I was too old so I drifted from town to town getting menial work, living hand to mouth. By then I was in my sixties so it was difficult to get work; there is not much call for a redundant glass eater. One day I was sitting here on this very bench, no work and sleeping rough, when a young man who recognized me came over and started talking. I told him my story, that I was out of work and so on. He told me to hang around the city for a few days till he saw if there was anything he could do. He was a student and the upshot was that I was offered a job by the university as a resident guinea-pig. The university is contracted by pharmaceutical firms to carry out tests on drugs and other substances. Sometimes they find it hard to get volunteers for the more dangerous experiments. So that’s where I come in. Seemingly I have built up an almost total resistance to poisons. I’ve even become an object of study myself. Sometimes they cut out parts of my stomach and digestive tract for examination. And,’ he held up his hands in another gesture of resignation, ‘that is how I get by.’
This was strange testimony and she felt weird hearing it. She had the eerie feeling also that it was meant especially for her. She imagined that this old man had held his tongue the whole of his life until this day when he had walked into the square and saw her, the perfect listener, the perfect receptacle for his story. For a short moment she thought about returning to work; the square was by now almost totally deserted. But she wanted to know more, she was convinced there were things she should know before she left. It would not do to leave with just a partial image of this old man. She turned to him again.
‘So what’s it like?’ she asked. ‘Eating glass?’
‘It’s difficult to say. It’s dangerous if you haven’t got a vocation for it. It can cut up your stomach as easy as that and you won’t feel a thing. One moment you’re walking around and the next you feel light-headed and sit down. Then you keel over dead. You’ve been bleeding away internally all the time, unknown to yourself. Therefore any nourishment you gain from it is offset by the danger and poison of the thing. In short it’s not much fun. I myself had to go through a long training before I could eventually handle it. Many a bottle of bleach and bar of soap I had to eat and puke up before I could handle it. It’s like some sort of spiritual training, I suppose.’
He was obviously struck by the clarity and truth of this last formulation and he furrowed his brow, presumably to make certain that he was not deluded. He seemed satisfied.
‘Yes, that’s what it’s like – like doing some sort of penance or spiritual training that leaves you in a condition where you are capable of experiencing something momentous. But the experience is a dangerous one. If you survive it you know you have arrived at some limit within yourself and are almost God-like. But if you fail, it brings death and disaster and you are as well never to have started. I doubt that there are too many people in the world who would be able to survive it. It’s a real discipline, an affliction, a thing of inspiration.’
It made her smile to hear the old man explain his gruesome talent in such mystical terms. Did he truly believe that this was what lay at the centre of his craft? She did not dare ask. Now that he had found sense and reason in it, it would be nothing short of wanton vandalism for a complete stranger like her to start picking holes in it. If he was happy with his explanation, and it seemed that he was, then so be it. Suddenly the old man seemed flustered. He began doing something complicated with the hem of his coat. She wondered had he forgotten something, had he told her the full story? Was there one more detail to reveal, probably a shameful one, before the story was complete? He rose up to look at her and he was very agitated, wringing his hands.
‘I am sorry,’ he stammered. ‘I am sorry but I could not help it.’
She was startled. A premonition rose within her that a pleasant experience was going eerily wrong. If it was going wrong then something of it had to be rescued so it could be remembered with joy.
‘Don’t say sorry,’ she pleaded. ‘I’ve enjoyed myself. Don’t let it end like this.’
He nodded his head with what seemed to her an odd type of respect and turned to make his way over the grass. She followed his thin back with her eyes until it disappeared off the grass and around a corner into a side street.
That night, for the first of many nights, her dreams were covered, structured and dominated by glass. Beneath her feet the ground had the cold, intractable feel of a synthetic surface. Overhead the sky curved like a piece of engineering and her cries bounced back from it without release. Food was placed in her mouth but it splintered and crackled treacherously. It made her mouth bleed and the droplets fell and clicked onto the ground as beads. But what terrified most was the feeling that she herself was made of glass, a glass that was warm and molten and pliable and that would continue that way until the day of her death when it would solidify and she would be struck rigid in that unyielding and unchanging topography.
She woke the next morning exhausted from a profitless sleep and when she faced her breakfast her whole being baulked in revulsion. At work, the nausea continued all through the morning and at midday on the bench she gagged on the first mouthful of her sandwich. When evening came she pushed away her plate in disgust and decided to go to bed. A twenty-four-hour bug; come the morning it would be gone.
That night her dreams were more complex. Some of the fragmented images from the night before had coalesced into a decipherable narrative. She was attending some religious ceremony in a church which had the polished sheen of obsidian. A priest of some persuasion was berating his congregation from a pulpit, exhorting them to recognize the sacred in all about them and in the least among them. He harangued his congregation on this theme for a while and when the Eucharist came he raised the flesh of Christ into the air not as unleavened bread but as a scarlet disc of stained glass. He put it in his mouth and brought his teeth down hard to fragment it. He raised his head to the roof while swallowing. He then distributed similar discs to the faithful who came to the rails to receive the flesh of our Lord. All of them returned from the rails with blood seeping between their lips or trickling down their chins. When it came to her turn to receive, the priest bent over her and told her in blood-flecked words that it was not for him to give her anything. She would receive in another way and when she did it would be not just for herself but for the whole world.
Next morning, after refusing her breakfast again she made her way along by the canal to work. So early in the morning it seemed as if the colours and textures of her dream had carried over into the morning light. The sky was streaked with vermilion and the gold of the early sun was giving way to an all-pervasive blue. Passing by the cathedral she was struck by how queerly it was lit at this time of day. It seemed lit from within by some numinous presence and the light fell from its windows in great shafts which seemed to converge upon her. She wondered how the windows of the western nave seemed to be suspended there in the morning light, standing out from the stone structure, vibrant like elongated stars. She could see the Christ Child, the Virgin and Joseph. The Child seemed to luminesce there in the silence with a life of its own. It seemed to reach out to her with some command, some imperative that would brook no avoidance. With an effort she wrenched herself from the spot but for the rest of the day she was haunted by that image of the infant saviour. It seemed to have scorched itself so deeply on the front of her mind that she could not get a focus on any of her work. Her indexing went badly. Nothing she touched fell into alignment and her mind wandered so much it was a relief when the day ended. But before leaving, on a dark intuition, she went to the reference section and took down a book,The History and Origins of Glass.She flicked through it and read how stained glass was manufactured and installed. She read for an hour and on her way home bought a hammer, a pliers, a mortar and pestle.
That evening, for the second day, her body refused food. Looking in her cabinets at the boxes of food a nausea rose within her and she had barely enough time to make it to the sink. Her stomach was so empty she suffered acute agony in retching. She sank to the floor in a foetal position, lathered in sweat. It was at this moment that an awareness formed that she was suffering from some sort of inverse inspiration. She could feel a hollow running the length of her whole being, waiting to be filled. Two days without food and she could already feel her strength ebbing from her, a tide that would leave her stranded like a dried fish if it continued. She would have to do something fast or she would be soon totally lost to this hunger.
She rose from the floor like one who had been felled, and gathered up her coat and tools and made her way into the night. She reeled through the streets like a drunkard until she came to the cathedral. In the grey streetlight coming off the nearby bridge she saw Joseph in the stained glass window offering out the Child to her with both hands.
She would have to be quick. Cars whizzed by on the bridge and it would be disastrous to draw their attention. How could she explain this excruciating hunger that had her refusing food and craving something fatal. She grabbed a down-pipe that ran in the shadow of a buttress, offered up an abortive prayer for its solidity and began to climb up hand over hand. It was easier than she had imagined and she knew instantly that this new-found agility was part of the whole neurosis. In the darkness and her heightened condition she moved confidently, hand over hand, finding toe-holds in the sheer limestone wall. She stopped for a moment on the ledge to draw breath and then moved at a crouch over to the window. She straightened up and was at last faced with the Child. It seemed now that in climbing the drainpipe, the concentration and physical effort had sapped away an essential part of her resolve. Either that or it was just shameful awe in the sight of the Child’s gaze that persuaded her to avoid Him totally and remove marginal pieces instead, doing as little damage as possible to the window. She took out her pliers and began to prise out the lead strip from the framework close to the stone. Once she had a grip on the lead it tore out easily and she quickly managed to remove four lozenge-shaped pieces. Through the hole she could see into the dark interior of the church where the red sanctuary lamp glowed and the faint aura of the tabernacle door. But she did not wait, her hunger was crying out. Feeling the eyes of the infant on her back, burning his rebuke, she moved over the ledge and with the glass and pliers pocketed, shinned down the pipe to the ground. Once hitting the ground she loped homewards like a released animal.
In her kitchen she laid out the pieces on the table. They were all one colour and shape and with a scream surfacing within her she knew they were not what she needed. She swept them from the table in a quick frenzy, dashing them against the wall, and set out again into the night. This time, in front of the Child, she did not flinch. She set the pliers into Joseph’s abdomen, gripped the lead and prised it out carefully, trying not to let any of the Child fall to the ground – she felt bad enough violating the window without committing needless vandalism. Eventually, through the sweat that had begun to sting her eyes, she saw that she had wrung the Child totally from Joseph’s grasp. All he had left now was a gaping hole in his abdomen and the lead came like dried veins curving outwards from it. For the second time that night she pocketed the glass and the pliers and crawled along the ledge to the down-pipe. At the base of the cathedral she was consumed by a shaking fit. She squatted down in the shadows with her arms wrapped about her, flicking the darkness with her eyes as she tried to get a hold of herself. She saw the bridge opposite her and the cars upon it, ploughing on into the night, and she wondered about the drivers. Did any of them ever have such a fixation as she had now? Did any of them suspect that so close by there was someone strung out on such an obsession? If one of them knew would they try to help? Would one of those drivers walk over to her in the darkness and say, it’s OK, I’m your friend and I am here to help. Come with me and you will come to no harm. She continued to speculate like this until she felt steady enough to move off.
She is at home now, in her kitchen, and she is tempted to lay the glass pieces on the table and spend a few moments rearranging them into the image of the Child. But she cannot bear to look the Child in the eye. Besides, her body senses a nearness and has begun to cry out. She knows what she has to do. She empties the pieces into the dishcloth, lays it on the floor and begins to hammer it methodically until she has a crude multicoloured rubble. She turns the little pile into her mortar and grinds the debris until it is as fine as talc. It is difficult. Despite its lowly origins and ubiquity, glass is one of our more intractable materials. By the time she finishes her arm aches and her brow is sheened with sweat. She now has a little pile of powder in the mortar that looks for all the world like one of those similarly illicit powders that can be had for a price in the underbelly of any city in the world, patented for people like herself who have been ignored, cast out, shortchanged or are just plain unable to cope. Somewhere within herself she can hear a counterpoint to this errant thought; yes, but this is the flesh of the Saviour, the divine fix, the high without comedown. She lifts a spoonful to her mouth and something within her rises greedily to it. With a jerk of her throat it is gone. She spoons back the rest of it hurriedly and washes it down with milk. She stands still, waiting for some reaction. It does not come. She walks to her room and all the exhaustion of the evening comes to rest upon her. She falls face downwards on her bed fully clothed and already she is asleep.
In the morning she wakes ravenous. In a gluttonous frenzy she hunches over a bowl of cereal and sloughs it back greedily. She thinks of animals and eats four bowls in succession with bread and an apple and a bar of chocolate. For the first time in three days she holds the food down. It is warm and weighs like ballast in her stomach and she walks to work with a solid step. Her fellow workers comment that she is looking much better; there is a bloom on her cheeks and she smiles shyly in return.
‘I haven’t been feeling well these last few days,’ she says. ‘Some kind of bug.’
In the bathroom she checks to see if she is bleeding but there are no traces. Outside the sun is shining and for the first time in ages she feels a kind of happiness. At lunchtime she returns to the bench in the hope of seeing the old man but he isn’t there. She eats with comfort and knows now that her obsession is at an end. She feels also that there has been a shift in the disposition of the world towards her. Several of her colleagues have come to her during the day and engaged her in jokes and silly games. She has laughed a lot, clasping her hand over her mouth like some shy schoolgirl caught in mischief. Even the sun has lost its oppression. It lies upon her now like a comforter, warming her, making her glow.
The days which follow are the happiest of her life. She begins to enjoy her work and it seems that a genuine friendship blossoms between herself and her workmates. She goes for drinks after work with them to a little pub where she is shy at first but where the barman gradually comes to recognize her when it is her round. She goes to the cinema and one night at a club one of her colleagues kisses her, and tells her that now, when he has finally got to know her, he thinks she is great.
