Haunted West End E-Book

Gilly Pickup

• Herausgeber: The History Press
• Kategorie: Ratgeber
• Sprache: Englisch
• Veröffentlichungsjahr: 2013

Beschreibung

The West End of London has long been popular with theatre-goers and tourists to the capital, but this historic area is also home to a multitude of terrifying ghosts. From the theatre where a female spectre cradles a severed head in her lap and the haunted house where two people have died of fright, to the ghostly voices of children heard in a modern office block built over a plague pit, this spine-chilling collection of tales is guaranteed to make your blood run cold. Richly illustrated, Haunted West End is sure to appeal to everyone interested in the paranormal and the history of London. Read on - if you dare!

Leseprobe

To Mike, for his input, encouragement and reviving cups of coffee.

In memory of my mum.

CONTENTS

Title Page

Dedication

Introduction

one The West End

two North

three South

four East

five West

Bibliography and Sources

Copyright

INTRODUCTION

Chances of bumping into an apparition in London’s West End are high. In fact, this area of the capital, particularly popular with theatregoers and tourists, simply swirls with spirits. It has to be said that even though they lack a physical body, they certainly don’t lack imagination. So while it’s to be expected that they strut their stuff in houses old and new, they also haunt restaurants, hospitals, pubs, alleyways, police stations and even a bed. Spooky theatres? Yes, of course! Ghostly hotels? Absolutely. A haunted bank? That too.

This book brims over with true tales of eerie encounters, some of which are terrifying enough to capture the imagination of even the most hardened sceptic. After all, there are more reported uncanny happenings in this part of London than you can shake a spook at, most of which are guaranteed to make you look at the West End you are familiar with, either personally or through written accounts, in a totally different way.

Wallow in these scary tales of tortured souls and malevolent entities and encounter spirits of the famous including Napoleon III, who haunts the basement of one of London’s busiest hotels. Hear ghostly voices of children in a modern office block built over a plague pit and discover which theatre houses a female spectre who cradles a severed head in her lap. There are tales in this creepy collection which are guaranteed to make your blood run cold.

Read on, if you dare to find out:

Shaftesbury Avenue at night. (VisitLondon images/Britain on View/Pawel Libera)

Who was the headless phantom exorcised from the bank vaults?

Why did a theatre prop cause bone-chilling fear?

Where have two people have been frightened to death – literally?

When did a spectre appear before a Prime Minister?

Now all you have to do is sit down, make yourself comfortable and savour these nerve-jangling tales. Make sure you have locked your windows and doors first though, and do well to remember that the dead in this part of London far outnumber the living.

Gilly Pickup, 2013

1

THE WEST END

The West End, so called because it is located to the west of the historic city of London, is the hub of one of the world’s greatest cities.

This is where to find most of the capital’s major tourist attractions, businesses and administrative headquarters. A host of neighbourhoods make up this part of London, weaving together major concentrations of art galleries, museums, hotels, media establishments, embassies, legal institutions, nightclubs, cinemas, bars, restaurants, shops and residential areas. However, what the West End is most renowned for is its theatre scene. London’s West End is the largest theatre district in the world. Indeed, the term ‘West End’ has become synonymous with London’s commercial theatre. ‘Theatreland’ is home to forty-two internationally renowned theatres and many more non-profit organisations and producing houses. Like the Old Vic, some of these lie outside the geographical boundaries of Theatreland, but are still very much a part of its tradition.

Bond Street, West End. (westendmediacentre.com)

Theatreland. (Gilly Pickup)

This epicentre of London has no hard and fast boundaries, but generally speaking is mainly contained within the city of Westminster, one of the thirty-two London boroughs. The West End often refers to the whole of central London, itself an area with no generally agreed boundaries.

The stories in this book take the reader on a spooktacular journey that covers Holborn’s Lincoln’s Inn, the one-time site of public executions and said to be haunted by an evil executioner. Then there is intellectual Bloomsbury, home of the British Library and a weeping ghost. Compact, frenetic, once-sleazy Soho, oozing trendy bars, smart restaurants and encompassing dynamic, bustling, colourful Chinatown also has its otherworldly side – no wonder, when you consider part of the area stands over a plague pit. Aristocratic, elegant Mayfair, named after the annual spring festival held until the 1730s, provides us with tales from two of London’s spectacularly eerie haunted pubs, as well as the on-going mystery of what is surely London’s most haunted house. St James’s, which starts at Piccadilly and includes Green Park, has a couple of seriously scary phantoms that you wouldn’t want to meet, while a poignant spectre haunts an embassy in swish Belgravia, one of the most expensive areas in the world. The many theatres in Covent Garden, Piccadilly, Leicester Square, Shaftesbury Avenue and Charing Cross are simply awash with mysterious spirits and strange goings-on. Marylebone, owned in the twelfth century by a brotherhood of warrior monks called the Knights Templar, has its phantoms too, including that of a famous actress; as does the once-bohemian Fitzrovia, which lies to the north-east of Oxford Circus and is where a plethora of hospital ghosts can be found. Familiar names all, that trip off the tongue whether you are a local, a visitor, or someone who knows London only from films and books.

Lincoln’s Inn. (Gilly Pickup)

I have loosely divided the stories into four regions: North, South, East and West. The boundaries are not fixed and there is some overlap because some sites have a linking theme. Logically, therefore, they are linked to others with that theme. However, with a little planning and the help of a street map, visitors and ghost hunters should be able to access a good number of sites in one day.

The West End is one of the busiest places in the world so anyone can be forgiven for thinking there are few dark corners, creepy buildings or nooks and crannies for the odd ghost to lurk. Who would expect to encounter a supernatural being in the middle of one of the world’s greatest cities? But below and within these streets of modern London, embedded in the fabric of buildings and the streets themselves, are layers of mysteries of times gone by – memories and emotions of those no longer in our world.

That is why, without further ado, we’ll leave behind the buzz, bustle and bright lights and set off to explore the West End’s more mysterious, creepy side – that is, of course, if you are prepared to be scared!

2

NORTH

‘Yesterday, upon the stair,

I met a man who wasn’t there,

He wasn’t there again today,

I wish that man would go away.’

(Antigonish by Hughes Mearns)

Everyone loves a good ghost story, whether or not they actually believe in ghouls, ghosts and things that go bump in the night. You would not be reading this book otherwise. Even those with a cynical mind will admit to even just a wisp of worry about the supernatural, and there can be few among us who would look forward to meeting a ghost.

Let’s start by taking a look at the presences which haunt some theatres in this part of London known as Theatreland.

Look Out Behind You!

Theatres can be spooky labyrinths at night after the audience has gone home. Everyone knows that actors are a superstitious and imaginative lot, with sayings about ‘breaking a leg’, squeaky shoes, no whistling allowed in dressing rooms and woe betide anyone who brings a peacock feather on stage.

Then there is the ‘Scottish’ play which I won’t name but will only say that if an actor mistakenly lets the ‘Mac****’ word slip in the dressing room, he or she must perform a ritual to reverse the curse. Although antics vary depending on whom you ask, the actor may have to run from the building, turn around three times, spit and then ask permission to come back into the theatre.

A stage door. (Mike Pickup)

Many West End theatres have resident phantoms or documented reports of weird, otherworldly happenings. Some are humorous, some are definitely grisly, but there are a few which are simply terrifying. Others, meanwhile, have a sad story attached to them, as is the case of the spirits who haunt the Dominion Theatre.

Dominion Theatre, Tottenham Court Road

The theatre stands on the site of Meux’s Horse Shoe Brewery, and over the years members of the audience have claimed to see a ghostly figure, thought to be that of a brewery worker, lurking in the wings. Occasionally, too, sounds of giggling children filter through empty dressing rooms while reports of poltergeist activity, involving objects which mysteriously disappear only to reappear elsewhere, may send a shiver down the spine.

But perhaps it is not surprising that this theatre should have an apparition or two because on 17 October 1814, a huge vat containing 3,550 barrels of beer – over a million pints – ruptured. The beer tsunami destroyed two houses and knocked down the wall of the Tavistock Arms pub in Great Russell Street.

The Times of 19 October reported:

The neighbourhood of St. Giles was thrown into the utmost consternation on Monday night, by one of the most melancholy accidents we ever remember. About six o’clock, one of the vats in the extensive premises of Messrs. Henry Meux and Co., in Banbury-street, St. Giles burst, and in a moment New-street, George-street and several others in the vicinity were deluged with the contents, amounting to 3,500 barrels of strong beer. The fluid, in its course, swept everything before it. Two houses in New-street, adjoining the brewhouse, were totally demolished.

A flood of alcohol swept the area, killing most of those in its path by drowning, injury, poisoning by porter fumes or, in the case of one man, simply from alcohol poisoning, such was his heroic attempt to stem the tide by drinking as much beer as he possibly could. One of the dead was a 14-year-old barmaid, Eleanor Cooper, and it is thought that she is one of those who comes back to haunt her former workplace. Staff and patrons have had numerous unusual experiences in this theatre – being aware of strange sensations, perhaps a gentle tapping on the shoulders, the fleeting touch of a hand, lights which flicker and fail, or even something which pushes through groups of visitors. The strange thing is, though they feel it, they cannot see what it is that is pushing past them.

The London Palladium, Argyll Street

Argyll Street was developed in the early 1730s, on land belonging to John Campbell, 2nd Duke of Argyll. His son, Archibald Campbell, 3rd Duke, built Argyll House in 1737, and from 1740–62 his mistress, Mrs Shireburn, lived here.

Originally, Argyll House occupied the site on which the London Palladium now stands, on the east side of Argyll Street. The Palladium has a rather colourful past. It started out as the Corinthian Bazaar, which featured an aviary, before it became a circus venue, the brainchild of Fredrick Hengler, son of a tightrope walker. After that it opened as the National Skating Palace, an ice rink, and when that did not succeed it was rebuilt as a theatre and called the Palladium.

Arguably, the most famous of the West End theatres, it was built in 1910, though the façade (that of Argyll House) dates back to the nineteenth century. Grade II listed by English Heritage in 1960, this theatre originally had its own telephone system so that the occupants of boxes could call one another; it had a revolving stage too – very high tech for the day.

Behind the Royal Circle there is a red staircase called, rather unimaginatively, the ‘Old Crimson Staircase’. Before 1973, nothing unusual as far as paranormal goings-on were concerned seemed to occur in this theatre, or at least none were reported, but it was in that year that a female spectre dressed in a lemon-coloured crinoline made her first appearance. Since then she has emerged from time to time, and actors, usherettes and other theatre staff have seen her gliding past them, skirt rustling, as they ascend the stairs. This unassuming presence is thought to be Mrs Shireburn, the 3rd Duke’s mistress.

Palace Theatre, Cambridge Circus

To conciliate spirits, the Palace Theatre keeps two seats in the balcony permanently bolted open to provide seating for the theatre ghosts. The shade of ballerina Anna Pavlova has occasionally appeared in this theatre also. Originally built as an opera house, the Palace Theatre was the venue for her first London performance, so it is perhaps apt that she should choose to return here from time to time. Visitors have reported seeing orbs of light coming from darkened areas at the rear left-hand side of the building followed by the vague shape of a female, assumed to be her. Some who have seen her say she is ‘not quite white, but semi-transparent’.