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'There's no such thing as starting again.' A doting husband. A troubled writer. A loaded gun. It's 2019 and Hedda Tesman returns to a life she can't seem to escape from. After thirty years of playing wife, Hedda is bitter and bored. When her estranged daughter, Thea, suddenly reappears asking for help, the present begins to echo the past and Hedda embarks on a path of destruction. Hedda Tesman, by Cordelia Lynn, breathes new life into Henrik Ibsen's classic, asking what we inherit, what we endure and how we carry our history. A vital exploration of motherhood, power and sabotage, the play was produced by Headlong and premiered at Chichester Festival Theatre in 2019, before transferring to The Lowry, Salford.
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Veröffentlichungsjahr: 2019
Cordelia Lynn
HEDDA
TESMAN
After Henrik Ibsen
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production
Hauntings: Author’s Note
Characters
Hedda Tesman
About the Author
Copyright and Performing Rights Information
Hedda Tesman was first produced by Chichester Festival Theatre, Headlong and The Lowry, and first performed at the Minerva Theatre, Chichester, on 30 August 2019. The cast was as follows:
HEDDA TESMAN
Haydn Gwynne
GEORGE TESMAN
Anthony Calf
BERTHA
Rebecca Oldfield
JULIE TESMAN
Jacqueline Clark
THEA TESMAN
Natalie Simpson
BRACK
Jonathan Hyde
ELIJAH
Irfan Shamji
PIANISTS
Catriona Beveridge
Jennifer Whyte
Director
Holly Race Roughan
Designer
Anna Fleischle
Lighting Designer
Zoe Spurr
Music
Ruth Chan
Sound Designer
George Dennis
Casting Director
Charlotte Sutton
Hauntings: Author’s Note
Hedda Tesman is a modern adaptation of Henrik Ibsen’s Hedda Gabler, from a literal translation by Anne-Marie Stanton-Ife. The idea was to create a piece of new writing held within Ibsen’s original play. Careful attention was paid to his structure, story, form, tone and symbolism. As a way of addressing developments in socio-political conditions for women since 1891, the ages and relationships of some of the characters have been changed.
An adaptation is a haunted thing. Hedda Tesman is perhaps more haunted than some. I think this is why the house in the play became a haunted house, lived in by a haunted woman. The past always surfaces, like a ghost.
I am thankful to Holly Race Roughan, without whom Hedda Tesman would and could not have been written.
C.L.
Characters
HEDDA TESMAN, born Gabler, early sixties
GEORGE TESMAN, Hedda’s husband, a historian, early sixties
BERTHA, a cleaner, mid-thirties
JULIE TESMAN, George’s aunt, mid-eighties
THEA TESMAN, Hedda and George’s daughter, late twenties
BRACK, Hedda and George’s friend, mid-sixties
ELIJAH, former student of George’s, early thirties
Scene
An isolated house, outside a university town.
Today, now.
Notes
The House indicates The House making itself known.
A forward slash (/) indicates an external interruption.
A dash (–) indicates an internal interruption.
An ellipsis (…) indicates a tailing-off.
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.