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Yvonne Green's latest collection extends the urgent and compelling territory of her earlier, award-winning books. Politically engaged, many of the poems consider the human cost of war, while others deal equally intensely both with ideas and with domestic and city landscapes. A final section furthers the translations from Russian she began in 2011 with her PBS Recommended title, After Semyon Izrailevich Lipkin.
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Jam & Jerusalem
Many thanks to the following who have published, broadcast, and in some cases commissioned various of these poems: Exiled Writers Ink, Haaretz, Harif, Ledbury Poetry Salon, Majalla Magazine, Migration And Faith Communities anthology (Hachette), Miracle Magazine, Peace One Day, PN Review, Stand With Us, Taking The Temperature (JW3), Tipton Poetry Journal, The Knesset, The Jerusalem Post, The North.
Published 2018 by Smith|Doorstop Books
an imprint of The Poetry Business
Campo House
54 Campo Lane
Sheffield S1 2EG
www.poetrybusiness.co.uk
Copyright & poems © Yvonne Green 2018
The moral rights of the author of have been asserted.
ISBN 978-1-912196-99-9
All Rights Reserved
British Library Cataloguing-in-Publication Data. A catalogue record for this book is available from the British Library.
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, storied in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
Designed & Typeset by Utter
Cover image: Head of Catherine Lampert 2015-17,
© Frank Auerbach, courtesy Marlborough Fine Art.
Smith|Doorstop is a member of Inpress,
www.inpressbooks.co.uk.
The Poetry Business receives financial support from Arts Council England
Diplomats
Diplomats
About Her Person
Furlough
Joker
Honourable Discharge
Shelter
Not Afraid
He Became a Criminal
Risen
When It Started to Appear
Teachers
Change
From Before
Gazan Bird
Inna Lisnianskaya
The Listener
Stalker
Childhood Memories With Animals
The Moscow River
At What Price Innocence?
Imperatives
Politics
Beware
Courage
Courage
Siren
Goodbye
Hers
Love List
What?
Abroad
August Challenge
You Thank Her
Delay
Daddy’s Girls
It’s Not Everyone Who’s Interested
To Wait
Delay
The Unspoken Illness
Landscape
Overheard
Rainy House
Herzelia’s Big Desk 1
Herzelia’s Big Desk 2
Herzelia’s Big Desk 3
The People Of The Book
Terms
Rosh Khodesh
Shtum
Bedeken
Four Corners 1
Four Corners 2
Four Corners 3
Four Corners 4
Towards Language
Bikur Kholim
The People Of The Book
Jam And Jerusalem
A Soldier’s Scribe
The Farhud
Jam and Jerusalem
Hundred Years’ War
‘All Poets Are Jews’ – Marina Tsvetaeva
Now The Rhetoric
You Won’t Apologise
The Jews Of Paris
Poetry In The Pogroms
Fight Back
St James’s Church Piccadilly 2013/14
Thursday 19th November 2015
After Semyon Izrailevich Lipkin
Early Summer
Evening In Lykhny
Moonlight
You Appeared To Me In My Home Town
Autumn At The Sea
On The River Istra
In The Field Behind The Forest
Ghosts
Hear Them
Nomadic Fire
Glossary
Notes
For Michael
We left none of our blood in the stones
Which you battered, bit and torched.
Our hearts are not in the leather suitcases
In which we keep the documents
Of our sojourn in your midst.
The sea of hatred which has washed you
Is tidal. There’s no monopoly
On suffering, no contest, no winners.
You see her as a bully,
Stiff as she moves around.
What you don’t know
Is that she carries something difficult
About her person, a history
She can’t talk about to herself,
Along with things she’s heard.
You think it makes no sense
As you look up, walk
Across the lawn,
Your rifle shouldered.
For a moment it seems your unit’s
The only place you feel at home.
As you get closer, smell your dinner,
You remember.
Unmasked,
Every word you speak
Wears its own question.
“Joker,” they say
And laugh, that always
Comes as a surprise.
If you wore make up,
Skewed your clothes,
Dyed your hair, would
The way you were heard
Be different?
The way you hear yourself,
Only on paper,
After a long time,
Unrecognisable.
Masks, jugglers, acrobats,
Clowns go home and wait
Quietly for a visit, before
Going back to work.
1
What You Know Is
His nerves are shot.
Well they would be, and his mother,
Well she doesn’t know what to do,
Leaves him to himself mostly.
That girlfriend of his
Hasn’t been seen since March,
The good weather did it,
Off to Margate was her excuse,
He’s got nothing to say on that
Or anything else. Yes he’s had
A lot to contend with,
His tours were all in Afghan,
Bomb disposal, it’s a wonder
He came back at all,
Well he hasn’t really
In a way. He never goes out,
But you’ve got it from Mavis
That he looks shocking.
II
Have You Heard What They’re Saying?
It’s easy for them
To tell your story,
Dine out on it,
When you’re not there
To say different.
Bowed and broidered
Even jumped-up and kick-started
You can’t go anywhere
With your eyes up from the pavement,
Thoughts unconstricted, fists unready.
All it’d take, would be to buy the story
Along with rounds of drinks
And back slaps
Unflinched over, all it’d take
Would be for you to do the shopping,
Cook something, take a bath, shave,
Open your mail, switch on the telly,
Answer the phone, share, smile, plan something,
Leave your room, stop waiting, interrogating silence.
She can’t believe what happens,
Even with the welts on her arms
Her children mock her,
Even with the promise of escape
He rules her breath,
Deafens the promise of shelter.
A living thing
Lay on the pavement.
Someone else had trodden
On it until the stone shone red
And made other people slip.
You hadn’t slipped,
But had knelt down
And put your palms out,
Tried to rub them raw.
When his whole family introduced him
To the craft, first it was pockets
To pick, daylight robbery.
Later he learned how to open a computer
And raid its bank accounts,
Now it’s books he steals from, first
He pats them down, then after a glance,
Spits their pips onto his pencil,
Everything’s unsayable.
Silenced cobalt, copper, bauxite, amethyst, topaz
Rise like the curve of a wave, you say,
Water is the heal of your hand’s cycle
From the future to the past, even while roads
Sussurate with cars so no one can hear
Any part of you, when you’re buried,
Forgotten, your bones are dry, colour
Here speaks sharp as flint, soft as cub-love,
Day is paint, rain is polish.
It wore a suit and tights and always
Smelled of perfume, had a joke,
New hairstyle, wore a string of pearls.
