Next-Generation Video Coding and Streaming - Benny Bing - E-Book

Next-Generation Video Coding and Streaming E-Book

Benny Bing

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Beschreibung

Reviews the new High Efficiency Video Coding (HEVC) standard and advancements in adaptive streaming technologies for use in broadband networks and the Internet

This book describes next-generation video coding and streaming technologies with a comparative assessment of the strengths and weaknesses. Specific emphasis is placed on the H.265/HEVC video coding standard and adaptive bit rate video streaming. In addition to evaluating the impact of different types of video content and powerful feature sets on HEVC coding efficiency, the text provides an in-depth study on the practical performance of popular adaptive streaming platforms and useful tips for streaming optimization. Readers will learn of new over-the-top (OTT) online TV advancements, the direction of the broadband telecommunications industry, and the latest developments that will help keep implementation costs down and maximize return on infrastructure investment.

  • Reviews the emerging High Efficiency Video Coding (HEVC) standard and compares its coding performance with the MPEG-4 Advanced Video Coding (AVC) and MPEG-2 standards
  • Provides invaluable insights into the intra and inter coding efficiencies of HEVC, such as the impact of hierarchical block partitioning and new prediction modes
  • Evaluates the performance of the Apple and Microsoft adaptive streaming platforms and presents innovative techniques related to aggregate stream bandwidth prediction, duplicate chunk
  • Includes end-of-chapter homework problems and access to instructor slides

Next-Generation Video Coding and Streaming
is written for students, researchers, and industry professionals working in the field of video communications.

Benny Bing has worked in academia for over 20 years. He has published over 80 research papers and 12 books, and has 6 video patents licensed to industry. He has served as a technical editor for several IEEE journals and an IEEE Communications Society Distinguished lecturer. He also received the National Association of Broadcasters (NAB) Technology Innovation Award for demonstrations of advanced media technologies.

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Veröffentlichungsjahr: 2015

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Table of Contents

COVER

TITLE PAGE

COPYRIGHT

PREFACE

CHAPTER 1: DIGITAL VIDEO DELIVERY

1.1 BROADBAND TV LANDSCAPE

1.2 INTERNET TV DELIVERY PLATFORMS

1.3 SECOND SCREEN DEVICE ADOPTION

1.4 SCREEN AND VIDEO RESOLUTION

1.5 STEREOSCOPIC 3D TV

1.6 VIDEO CODING STANDARDS

1.7 VIDEO STREAMING PROTOCOLS

1.8 TV INTERFACES AND NAVIGATION

REFERENCES

HOMEWORK PROBLEMS

CHAPTER 2: VIDEO CODING FUNDAMENTALS

2.1 SAMPLING FORMATS OF RAW VIDEOS

2.2 IMPACT OF VIDEO COMPRESSION

2.3 GENERAL VIDEO CODEC OPERATIONS

2.4 TRANSFORM CODING

2.5 ENTROPY CODING

2.6 MPEG (H.26) STANDARDS

2.7 GROUP OF PICTURES

2.8 MOTION ESTIMATION AND COMPENSATION

2.9 NON-MPEG VIDEO CODING

2.10 CONSTANT AND VARIABLE BIT-RATE VIDEOS

2.11 ADVANCED AUDIO CODING

2.12 VIDEO CONTAINERS

2.13 CLOSED CAPTIONS

REFERENCES

HOMEWORK PROBLEMS

CHAPTER 3: H.264/AVC STANDARD

3.1 OVERVIEW OF H.264

3.2 H.264 SYNTAX AND SEMANTICS

3.3 H.264 ENCODER

3.4 RATE DISTORTION OPTIMIZATION

3.5 VIDEO CODING AND NETWORK ABSTRACTION LAYERS

3.6 ERROR RESILIENCE

3.7 TRANSFORM CODING

3.8 ENTROPY CODING

3.9 MOTION VECTOR SEARCH

3.10 MULTIPLE REFERENCE SLICES

3.11 SCALABLE VIDEO CODING

REFERENCES

HOMEWORK PROBLEMS

CHAPTER 4: H.265/HEVC STANDARD

4.1 H.265 OVERVIEW

4.2 H.265 SYNTAX AND SEMANTICS

4.3 PROFILES, LEVELS, AND TIERS

4.4 QUADTREES

4.5 SLICES

4.6 INTRAPREDICTION

4.7 INTERPREDICTION

4.8 TRANSFORM, SCALING, AND QUANTIZATION

4.9 ENTROPY ENCODING

4.10 IN-LOOP FILTERS

4.11 SPECIAL H.265 CODING MODES

REFERENCES

HOMEWORK PROBLEMS

CHAPTER 5: ASSESSING AND ENHANCING VIDEO QUALITY

5.1 INTRODUCTION

5.2 DISTORTION MEASURE

5.3 PEAK SIGNAL TO NOISE RATIO

5.4 STRUCTURAL SIMILARITY INDEX

5.5 OBSERVABLE VERSUS PERCEPTUAL VISUAL ARTIFACTS

5.6 ERROR CONCEALMENT

5.7 COLOR SCIENCE

REFERENCES

HOMEWORK PROBLEMS

CHAPTER 6: CODING PERFORMANCE OF H.262, H.264, AND H.265

6.1 CODING PARAMETERS

6.2 COMPARISON OF H.265 AND H.264

6.3 FRAME CODING COMPARISON

6.4 IMPACT OF CODING BLOCK SIZE ON FRAME CODING EFFICIENCY

6.5 SUMMARY OF CODING PERFORMANCE

6.6 ERROR RESILIENCY COMPARISON OF H.264 AND H.265

6.7 H.264/H.265 VERSUS H.262

REFERENCES

HOMEWORK PROBLEMS

CHAPTER 7: 3D VIDEO CODING

7.1 INTRODUCTION

7.2 MULTIVIEW CODING

7.3 CORRELATION BETWEEN LEFT AND RIGHT VIEWS IN S3D VIDEOS

7.4 VIEW EXPANSION VIA SAMPLE INTERPOLATION

7.5 ANAGLYPH 3D GENERATION

REFERENCES

HOMEWORK PROBLEMS

CHAPTER 8: VIDEO DISTRIBUTION AND STREAMING

8.1 ADAPTIVE VIDEO STREAMING

8.2 VIDEO QUALITY AND CHUNK EFFICIENCY

8.3 APPLE HLS

8.4 HLS OVER 4G AND 802.11

8.5 IMPACT OF VARYING CHUNK DURATION

8.6 MICROSOFT SILVERLIGHT SMOOTH STREAMING

8.7 TRAFFIC RATE SHAPING

8.8 ADOBE HTTP DYNAMIC STREAMING

8.9 MPEG-DASH (ISO/IEC 23009)

8.10 AGGREGATE ADAPTIVE STREAM BANDWIDTH PREDICTION

8.11 LIMITATIONS OF CLIENT-BASED ADAPTIVE STREAMING

8.12 TIPS FOR EFFICIENT ADAPTIVE STREAMING

REFERENCES

HOMEWORK PROBLEMS

GLOSSARY

INDEX

End User License Agreement

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Guide

Cover

Table of Contents

Preface

Begin Reading

List of Illustrations

CHAPTER 1: DIGITAL VIDEO DELIVERY

Figure 1.1 Free peering.

Figure 1.2 Efficiencies of video coding standards.

Figure 1.3 Bit rates for a compressed video trailer.

Figure 1.4 Coded frame sizes for videos with different resolutions.

Figure 1.5 Coded frame sizes for videos with different content.

Figure 1.6 SSDP discover message flow.

CHAPTER 2: VIDEO CODING FUNDAMENTALS

Figure 2.1 Rate-distortion optimization.

Figure 2.2 General encoder and decoder functions.

Figure 2.3 Nonuniform scalar quantization.

Figure 2.4 A lower QP leads to better video quality.

Figure 2.5 Intraprediction for a block of 8 × 8 samples.

Figure 2.6 Transform coding for a block of 8 × 8 samples.

Figure 2.7 Zigzag DCT coefficient scanning.

Figure 2.8 Relative coding gains versus intersample correlation for 8 × 8 blocks.

Figure 2.9 Arithmetic coding with unequal probabilities.

Figure 2.10 H.262/MPEG-2 temporal prediction for a closed GOP of length 10.

Figure 2.11 Decoded frame sequence (reference frames in parentheses).

Figure 2.12 Open GOP with a length of 9.

Figure 2.13 Open GOP with a length of 9.

Figure 2.14 Motion estimation using linear translation.

Figure 2.15 Full and fractional sample motion search.

Figure 2.16 Interpolation in subsample motion search.

Figure 2.17 Directions of MVs for a hand moving downward.

Figure 2.18 Motion estimation for a 4 × 4 block.

Figure 2.19 Diamond search.

Figure 2.20 Hexagon search.

Figure 2.21 QP variation with CBR coding.

Figure 2.22 Variable video quality with CBR HD coding.

Figure 2.23 Frame sizes for a coded 1080p video.

Figure 2.24 PAR of coded frame sizes for 720p and 1080p videos (same content).

Figure 2.25 VBR video smoothing.

Figure 2.26 Correlation of SAD and scene change.

Figure 2.27 Autocorrelation of I frame size.

Figure 2.28 Original and predicted I frame size.

Figure 2.29 Two BMFF media tracks with fragments.

Figure 2.30 MPEG-2 TS encapsulation in Ethernet/IP.

CHAPTER 3: H.264/AVC STANDARD

Figure 3.1 Frame and field scan order for 4 × 4 blocks.

Figure 3.2 H.264 encoder.

Figure 3.3 Intra (spatial) predictor directions for 4 × 4 blocks.

Figure 3.4 Intraprediction for 4 × 4 blocks using modes 0, 1, 3, and 4.

Figure 3.5 Multitap filtering in intraprediction.

Figure 3.6 Intraprediction for 16 × 16 MBs using modes 0 and 1.

Figure 3.7 Partitions for interprediction.

Figure 3.8 Hierarchical H.264 architecture.

Figure 3.9 H.264 slice coding.

Figure 3.10 Dropping partitions for different frame types.

Figure 3.11 H.264 slice groups.

Figure 3.12 FMO types 0 and 1 with two slice groups.

Figure 3.13 DC coefficients for luma and 4:2:0 chroma blocks.

Figure 3.14 Block diagram for CABAC encoding.

Figure 3.15 Slice and SG identification.

CHAPTER 4: H.265/HEVC STANDARD

Figure 4.1 Temporal prediction using reference and unreferenced frames.

Figure 4.2 Transmitted (and decoding) sequence.

Figure 4.3 NAL unit header.

Figure 4.4 Recursive quadtree partitioning.

Figure 4.5 Quadtree block partitioning (blocks expanded for clarity).

Figure 4.6 Components of a CTU.

Figure 4.7 Splitting a CTB into CBs and PBs/TBs.

Figure 4.8 Fitting CTUs into a 720p frame.

Figure 4.9 Symmetric and asymmetric PB partitions for interprediction.

Figure 4.10 Scanning orders for CUs.

Figure 4.11 An example of slices.

Figure 4.12 An example of square tiles.

Figure 4.13 Parallel wavefront decoding.

Figure 4.14 Partitioning an intrapredicted CB into PBs.

Figure 4.15 Intraprediction modes.

Figure 4.16 Intraprediction using angular mode 18.

Figure 4.17 MPM selection.

Figure 4.18 Fractional sample interpolation.

Figure 4.19 Spatial candidate availability.

Figure 4.20 CABAC decoding of a context-coded bin.

Figure 4.21 Setting the DBF strength.

Figure 4.22 Four directional gradient patterns for edge offset.

Figure 4.23 Determining an edge offset.

Figure 4.24 GOP structure.

Figure 4.25 Unipredicted B frame using only forward references.

CHAPTER 5: ASSESSING AND ENHANCING VIDEO QUALITY

Figure 5.1 Average

Y

,

U

, and

V

-PSNR of decoded H.264 videos.

Figure 5.2 Average

Y

,

U

, and

V

-PSNR of decoded H.265 videos.

Figure 5.3

Y

-PSNR.

Figure 5.4 YUV-PSNR.

Figure 5.5

Y

-PSNR for same video with different resolutions and coding settings.

Figure 5.6

Y

-SSIM.

Figure 5.7

Y

-PSNR.

Figure 5.8 (a) Original video frame; (b) One visible artifact on subject,

Y

-PSNR = 35.03 dB, QP = 30; (c) Two visible artifacts on background,

Y

-PSNR = 35.10 dB, QP = 30; and (d) No visible artifact,

Y

-PSNR = 35.00 dB, QP = 32.

Figure 5.9 Spreading errors using multiple slice groups.

Figure 5.10 Impact of EC with and without error resilience.

CHAPTER 6: CODING PERFORMANCE OF H.262, H.264, AND H.265

Figure 6.1 Coding efficiencies of eight HM configurations.

Figure 6.2 Coding efficiencies of high-fficiency (HE) configurations.

Figure 6.3 Impact of coding block size on compression efficiency.

Figure 6.4 Impact of coding block size on encoding and decoding time.

Figure 6.5 Impact of transform block size on compression efficiency.

Figure 6.6 Impact of transform block size on encoding and decoding time.

Figure 6.7 Compressed size for H.265 and H.264.

Figure 6.8 Expanded view for high QP values.

Figure 6.9 Bit rate savings for H.265 over H.264.

Figure 6.10 Bit rate savings for H.265 over H.264 (motion-related).

Figure 6.11 I frame coding efficiency gain for H.265 over H.264.

Figure 6.12 Average I frame YUV-PSNR for H.265 and H.264.

Figure 6.13 Average I frame encoding time for H.265 and H.264.

Figure 6.14 P frame coding efficiency gain for H.265 over H.264.

Figure 6.15 Average P frame YUV-PSNR for H.265 and H.264.

Figure 6.16 Average P frame encoding time for H.265 and H.264.

Figure 6.17 B frame coding efficiency gain for H.265 over H.264.

Figure 6.18 Average B frame YUV-PSNR for H.265 and H.264.

Figure 6.19 Average B frame encoding time for H.265 and H.264.

Figure 6.20 Frame coding efficiency gain for H.265 over H.264.

Figure 6.21 Coded H.265 frame sizes.

Figure 6.22 Average frame YUV-PSNR for H.265 and H.264.

Figure 6.23 Average frame encoding time for H.265 and H.264.

Figure 6.24 H.265 coding efficiency for different coding block size.

Figure 6.25 H.265 coding efficiency for different transform block size.

Figure 6.26 H.265 encoding time for different coding block size.

Figure 6.27 H.265 encoding time for different transform block size.

Figure 6.28 Impact of CU size on computational time.

Figure 6.29 Computational requirements for decoding functions.

Figure 6.30 Bit rate savings for H.262, H.264, and H.265.

Figure 6.31 Average frame YUV-PSNR.

Figure 6.32 Encoding time for H.262, H.264, and H.265.

Figure 6.33 I frame coding efficiency for H.262.

Figure 6.34 P frame coding efficiency for H.262.

Figure 6.35 B frame coding efficiency for H.262.

Figure 6.36 P frame and B frame coding efficiency for H.262.

Figure 6.37 P frame coding efficiency for H.262.

CHAPTER 7: 3D VIDEO CODING

Figure 7.1 Spatial and temporal view multiplexing.

Figure 7.2 Sample removal, view packing, and view expansion (upconversion).

Figure 7.3 (a) Simulcast H.264 coding and (b) MVC coding.

Figure 7.4 (a)

Y

-PSNR of right view when compared to left view for

Avatar

. (b) Maximum

Y

-PSNR improvement when shifting right view of

Avatar

. (c)

Y

-PSNR of

Magicforest Right View

when compared to

Magicforest Left View

. (d) Maximum

Y

-PSNR improvement when shifting

Magicforest Right View

.

Figure 7.5 (a)

Y

-PSNR between current and previous frame of

Magicforest Left View

. (b) Maximum

Y

-PSNR improvement when shifting previous frame of

Magicforest Left View

.

Figure 7.6 Original block of 8 × 8 samples.

Figure 7.7 Remaining samples after two iterations of sample removal (4× compression): (a) checkerboard removal and (b) row–column removal.

Figure 7.8 Concealing samples after two iterations of sample removal: (a) checkerboard removal and (b) row–column removal.

Figure 7.9 Concealing samples after one iteration of column removal: (a) intraview sample interpolation, (b) inter-frame sample copy, and (c) inter-frame sample interpolation.

Figure 7.10 Assessing video quality and H.264 encoded file size for

Magicforest Left View

(10 frames): (a)

Y

-PSNR versus QP (interpolated video), (b) encoded file size versus QP (packed video), (c)

Y

-PSNR versus QP (original video), and (d) encoded file size versus QP (original video).

Figure 7.11 Interpolated snapshots for column-packed

Flowers

(4× compression): (a) top view, (b) bottom view, and (c) anaglyph.

Figure 7.12 (a)

Y

-, (b)

U

-, and (c)

V

-delta occurrences for

Magicforest

(100 frames).

Figure 7.13 (a)

Y

-, (b)

U

-, and (c)

V

-delta occurrences for

Fountain

.

Figure 7.14 Distinction between motion and disparity vectors.

CHAPTER 8: VIDEO DISTRIBUTION AND STREAMING

Figure 8.1 Quality (bitstream) switching in adaptive streaming.

Figure 8.2 Minimizing bit rate variation with different quality chunks.

Figure 8.3

Y

-PSNR for

FCL

with different chunk durations and QP values.

Figure 8.5

Y

-PSNR for

Office

with different chunk durations and QP values.

Figure 8.6 Average chunk bit rate for different chunk durations and QP (

FCL

).

Figure 8.8 Average chunk bit rate for different chunk durations and QP (

Office

).

Figure 8.9 VBR coding efficiencies for fragmented and unfragmented videos.

Figure 8.10 Capped VBR coding efficiencies for fragmented and unfragmented videos.

Figure 8.11 CBR coding efficiencies for fragmented and unfragmented videos.

Figure 8.12 Average bit rate for 10s chunks (

300

encoded with QP 20).

Figure 8.13 Average bit rate for 2s chunks (

300

encoded with QP 20).

Figure 8.14 Instantaneous rate for unfragmented video (

300

encoded with QP 20).

Figure 8.15 Average bit rate for 10s chunks (

300

encoded with QP 40).

Figure 8.16 Average bit rate for 2s chunks (

300

encoded with QP 40).

Figure 8.17 Super playlist file for an eight-level fragmented video.

Figure 8.18 Dynamic playlist file for 10s chunks.

Figure 8.19 Experimental setup for HLS over 4G and 802.11n.

Figure 8.20 4G startup delay.

Figure 8.21 802.11n startup delay.

Figure 8.22 4G/802.11n streaming.

Figure 8.23 802.11n streaming.

Figure 8.24 Fragmented and unfragmented 4G bit rate.

Figure 8.25 Multi-level HLS for 4G.

Figure 8.26 Multi-level HLS for 802.11n.

Figure 8.27 Quality switching with 2s video + audio chunks.

Figure 8.28 Quality switching with 5s video/audio chunks.

Figure 8.29 Quality switching with 2s video chunks.

Figure 8.30 Quality switching with 5s video chunks.

Figure 8.31 Quality switching with 5s audio chunks.

Figure 8.32 Duplicate chunk suppression by server.

Figure 8.33 Aggressive duplicate chunk suppression by the server.

Figure 8.34 Duplicate chunk suppression using iPhone app.

Figure 8.35 Impact of chunk duration and quality level on playlist overhead.

Figure 8.38 Impact of chunk duration and quality level on ratio of server data input and output.

Figure 8.36 Impact of chunk duration and quality level on server output overhead.

Figure 8.37 Impact of chunk duration and quality level on GET overhead.

Figure 8.39 Sample MSS manifest file.

Figure 8.40 Experimental setups for MSS streaming.

Figure 8.41 802.16 MSS (one-level

300

video capped to 3 Mbit/s).

Figure 8.42 802.16 MSS (one-level

300

video capped to 688 kbit/s).

Figure 8.43 802.16 MSS (two-level

300

video capped to 688 kbit/s).

Figure 8.44 802.16 MSS streaming (eight-level

300

video capped to 3 Mbit/s).

Figure 8.45 802.11n MSS (one-level

300

video capped to 3 Mbit/s).

Figure 8.46 802.11n MSS (two-level

300

video capped to 688 kbit/s).

Figure 8.47 802.11n MSS (eight-level

300

video capped to 3 Mbit/s).

Figure 8.48 Higher chunk request rate at the start of streaming.

Figure 8.49 Lower chunk request rate at the later part of streaming.

Figure 8.50 Impact of server delay on bit rate.

Figure 8.51 Experimental setup for HLS over 802.11n.

Figure 8.52 Quality switching with changes in QP values.

Figure 8.53 Advertised (receiver) window size during quality switch.

Figure 8.54 Quality switch delay for different shaping rates.

Figure 8.55 Playback duration for

300

video (QP 20, 106s).

Figure 8.56 Playback duration for

300

video (QP 40, 106s).

Figure 8.57 Start playback for

300

video (QP 20).

Figure 8.58 Duplicate chunks for

300

video.

Figure 8.59 No quality switching when rates are unshaped (

300

video).

Figure 8.60 Chunk rate when quality switching is not required (

300

video).

Figure 8.61 Stream setup and play in RTMP.

Figure 8.62 Switching streams in RTMP.

Figure 8.63 Probabilities of different chunk bit rates (quality levels).

Figure 8.64 Probabilities of different permanence times.

Figure 8.65 Server-based adaptive streaming system.

List of Tables

CHAPTER 1: DIGITAL VIDEO DELIVERY

Table 1.1 Common Video Resolutions

CHAPTER 2: VIDEO CODING FUNDAMENTALS

Table 2.1 Color

YC

r

C

b

(YUV) Formats and Raw Efficiencies

Table 2.2 Bit rates and Storage Requirements for 4:4:4 8-bit Color Format Videos at 30 Hz That Are Encoded with an Efficiency of 0.25 bit/pixel

Table 2.3 Sample Values of a Residual Block

Table 2.4 Transformed DCT Coefficients

Table 2.5 Normalized and Quantized DCT Coefficients

Table 2.6 Denormalized DCT Coefficients

Table 2.7 Inverse Transformed Coefficients of Reconstructed Residual Block

Table 2.8 Examples of Exponential Golomb Codes

Table 2.9 Adaptive Coding for

aabac

Table 2.10

Y

C

b

C

r

Values

CHAPTER 3: H.264/AVC STANDARD

Table 3.1 H.264 Profiles and Capabilities

Table 3.2 H.264 Levels

Table 3.3 RDO (High Complexity) When Compared to No RDO

Table 3.4 FMO Evaluation When Compared with No FMO

Table 3.5 H.264 Quantization

Table 3.6 CABAC When Compared with CAVLC

Table 3.7 H.264 Search Types and Block Sizes

Table 3.8 Efficiency Comparison of Lossless Data and Video Compression

Table 3.9 Efficiency Comparison of Lossless and Lossy H.264 Coding

CHAPTER 4: H.265/HEVC STANDARD

Table 4.1 A Comparison of H.264 and H.265

Table 4.2 NAL Unit Types

Table 4.3 Main Profile Levels

Table 4.4 Slice Types

Table 4.5 Reference Sample Smoothing and Block Size

Table 4.6 Splitting a CB for Interprediction

Table 4.7 Syntax Elements

Table 4.8 SAO Filter Syntax Element sao-type-idx

Table 4.9 SAO Filter Syntax Element sao-eo-class

Table 4.10 Edge Offset Gradient Patterns

Table 4.11 Special H.265 Coding Modes

CHAPTER 5: ASSESSING AND ENHANCING VIDEO QUALITY

Table 5.1 Content-Independent Metrics

Table 5.2 Content-Dependent Metrics

CHAPTER 6: CODING PERFORMANCE OF H.262, H.264, AND H.265

Table 6.1 H.265 Video Coding Configurations

Table 6.2 Key Parameter Settings for H.265 Configurations

Table 6.3 Parameter Settings for H.265 Configurations 1–6

Table 6.4 Impact of QP

Table 6.5 H.265 Frame Coding Characteristics

Table 6.6 Impact of Higher Content Complexity

Table 6.7 Impact of Higher Video Resolution

Table 6.8 Impact of Increased Bit Depth (i.e., 10 bit)

Table 6.9 Impact of Activating H.265 Advanced Features

Table 6.10 Impact of Using Smaller Coding Blocks (e.g., 64 × 64 vs 16 × 16)

Table 6.11 Impact of Using Smaller Transform Blocks (e.g., 32 × 32 vs 8 × 8)

Table 6.12 H.264 Versus H.262

CHAPTER 7: 3D VIDEO CODING

Table 7.1 Sample VBR H.264 Videos

Table 7.2 Sample VBR H.264 Videos

Table 7.3 MVC Versus H.264 for

Magicforest Left View

and

Magicforest Right View

(100 frames, QP = 28, IPB GOP)

Table 7.4 2-Packed

*

MVC Versus 2-Packed

and 4-Packed

H.264 for

Coke

and

Forest

(120 frames, QP = 28, IPB GOP)

Table 7.5 Checkerboard Versus Row–Column Interpolation for

Flowers

(120 frames)

Table 7.6 Checkerboard Versus Row–Column Interpolation for

Coke

,

Forest

, and

Avatar

(120 frames Each)

Table 7.7 Interpolation Performance for

Avatar

(120 frames)

Table 7.8 Intraview Versus Inter-View Interpolation (100 frames)

Table 7.9 Impact of Quantization on Original and Column-Packed

Magicforest Left View

Table 7.10 Optimized Anaglyph H.264 Coding Efficiency

Table 7.11 Delta Performance after One Iteration of Checkerboard Sample Removal

Table 7.12 Average

Y

-PSNR Using Disparity Vectors (15 frames)

CHAPTER 8: VIDEO DISTRIBUTION AND STREAMING

Table 8.1 Fragmented VBR Videos

Table 8.2 H.264 VBR Coding Efficiencies for Different Chunk Durations (

Water

)

Table 8.3 H.264 VBR Coding Efficiencies for Different Chunk Durations (

Office

)

Table 8.4 H.264 Capped VBR Coding Efficiencies for Different Chunk Durations (

Water

)

Table 8.5 H.264 Capped VBR Coding Efficiencies for Different Chunk Durations (

Office

)

Table 8.6 H.264 CBR Coding Efficiencies for Different Chunk Durations (

Water

)

Table 8.7 H.264 CBR Coding Efficiencies for Different Chunk Durations (

Office

)

Table 8.8 Average Network Throughput and Relative Overheads (%)

Table 8.9 Re-encoded Chunk Sizes

Table 8.10 Bandwidth Savings with Duplicate Chunk Suppression

Table 8.11 Overall Compressed Video File Size

Table 8.15 Server Input and Output Transmission

Table 8.12 Playlist Overhead

Table 8.13 GET Overhead

Table 8.14 Server Output Overhead

Table 8.16 Overall Compressed Video File Size

Table 8.17 Playlist Overhead

Table 8.18 GET Overhead

Table 8.19 Server Output Overhead

Table 8.20 Server Input and Output Transmission

Table 8.21 Minimizing Duplicate Chunks and Streaming Bandwidth

Table 8.22 HLS and MSS 802.11n Streaming

Table 8.23 A Sample of the Video Trace

Table 8.24 Video Modes and Network Configurations

NEXT–GENERATION VIDEO CODING AND STREAMING

 

BENNY BING

 

 

Copyright © 2015 by John Wiley & Sons, Inc. All rights reserved

Published by John Wiley & Sons, Inc., Hoboken, New Jersey

Published simultaneously in Canada

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Library of Congress Cataloging-in-Publication Data:

Bing, Benny.

Next-generation video coding and streaming / Benny Bing.

pages cm

Includes bibliographical references and index.

ISBN 978-1-118-89130-8 (hardback)

1. Video compression. I. Title.

TA1638.B56 2015

006.6′96–dc23

2015020396

Cover image courtesy of Godruma/Getty

PREFACE

TV remains the single most important and engaging source of information and entertainment. U.S. teenagers spend more than three times of their spare time watching TV than on social media. The global footprint of TV has been enhanced recently by online video, which includes online TV. U.S. consumers watch more movies online than on DVDs, Blu-ray discs and other physical video formats. This trend is driven by the flexibility of on-the-go mobile entertainment and the widespread adoption of video-capable smartphones and tablets. These personal devices have become ubiquitous with greatly expanded computing power and memory, improved displays, and network connectivity. The accelerated growth of video traffic on the Internet is expected to continue. However, supporting high-quality video delivery presents a significant challenge to Internet service providers due to the higher bandwidth demands compared to data and voice traffic.

This book describes next-generation video coding and streaming technologies with a comparative assessment of the strengths and weaknesses. Specific emphasis is placed on the H.265/HEVC video coding standard and adaptive bit rate video streaming. H.265/HEVC has been developed to meet the demands of emerging UHD video services and pervasive online video streaming. The commercial adoption of H.265/HEVC has started to gain traction since 2014. Invaluable insights into the coding efficiencies of the intracoded and intercoded frames are described in this book, including the impact of different types of video content and powerful feature sets such as the hierarchical block structure and new coding parameters. Adaptive streaming is a key enabling technology that can achieve smooth and reliable video delivery over heterogeneous wireline and wireless networks, as well as multiscreen personal devices. It provides autonomous bandwidth management and maintains quality of service even as link conditions and network congestion vary. This book provides an in-depth study on the practical performance of the popular adaptive streaming platforms and useful tips for streaming optimization. Innovative techniques related to aggregate adaptive stream bandwidth prediction, duplicate chunk suppression, and server-based adaptive streaming are also discussed.

I wish to thank Wiley's Publisher Dr. Simone Taylor, for her encouragement and patience in overseeing this book project. I also like to acknowledge my industry collaborators and former students who have been generous in sharing many useful comments. The book includes over 220 illustrative figures and over 110 homework problems containing interesting ideas and extensions to key concepts. Powerpoint slides and solutions to the homework problems are available to instructors who adopt the book for a course. Please feel free to send your comments and questions to [email protected].

Benny Bing

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!