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A play for anyone that's ever been a dick on the dance floor. A wedding. A free bar. A blast from the past. G and Kayla's lives are a mess but tonight they're determined to Have It Large. As their veins course with adrenaline and cheap prosecco, we follow them on an epic journey through thirty years of pop. Can the DJ save them as they become Dancing Queens, reliving their Teenage Dream, Staying Out For The Summer and Spicing Up Their Lives? Pop makes promises it can't keep, and soon they'll discover they have more in common than their taste in tunes. Anna Jordan's play Pop Music is an emotionally contagious rollercoaster. It premiered at Birmingham Repertory Theatre in September 2018 (previews at Latitude Festival, July 2018), produced by Paines Plough and Birmingham Repertory Theatre in association with Latitude Festival, followed by a tour. This edition also includes Anna Jordan's short play Closer to God, which received the Overall Winner and Audience Choice Awards when it was premiered at the inaugural OffCut Festival in 2009.
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Veröffentlichungsjahr: 2018
Anna Jordan
POP MUSIC
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production
Thanks
Dedication
Epigraph
Characters
A Note on the Play
Pop Music
Characters
Closer to God
About the Author
Copyright and Performing Rights Information
Pop Music was produced by Paines Plough and Birmingham Repertory Theatre in association with Latitude Festival. It was first performed at Latitude Festival on 12 July 2018, with the following cast:
KAYLA
Katherine Kotz
G
Rakesh Boury
REMIX
Ciaran Alexander Stewart
Direction
James Grieve
Lighting
Tanya Stephenson
Sound
Dominic Kennedy
Movement
Annie-Lunnette Deakin-Foster
Assistant Director
Elin Schofield
Associate Sound Designer
Ben Smith
Creative Captioning
Blacklight Productions
Production Manager
Ben Pavey
Company Stage Manager
Carrie Hitchman
Line Producer
Harriet Bolwell
Thanks
Phil Matejtschuk
Alison King
David Hemsted
Peter Gordon
Chris Urch
Camilla Young
Scott Chaloff
A.J.
For Davey,For everything, always
Pop music makes promises it can’t keep.
Characters
KAYLA
G
/ indicates an overlap.
… indicates a trailing-off or a searching for words, but rarely a slowing down.
A Note on the Play
The text of Pop Music is inspired by the songs that feature in it and, in many cases, the lines of text fit intricately within or around the songs’ verses, bridges and choruses. Due to copyright restrictions, we are unable to transcribe these fully in this publication, but the lyrics to the songs are easily available online, and if you wish to perform this play Curtis Brown or Nick Hern Books can provide further guidance on how the text fits with the music.
There is a Pop Music playlist with a full track listing on Spotify, created by Birmingham Rep (birminghamrep), at https://spoti.fi/2wEzJ0o
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
KAYLA and G are at The Wedding. These short sharp sections of text show the progression of the day. They could lose jackets, ties, pashminas, shoes; generally get more dishevelled and boozy as time goes on.
They start by addressing ushers in church.
KAYLA. Bride.
G. Groom.
KAYLA (taking order of service). Thanks. What? (Indicates to G behind her.) Us?
G. No it’s cool I’ll only need –
KAYLA. No we’re not together I’m –
G. One.
KAYLA. Alone.
The word ‘Alone’ resonates. They sit.
Snap to: Them watching Jade and Miles walk down the aisle.
Snap to: Them both holding hymn sheets up, singing in that self-conscious way that you do at a wedding, looking around them. They sing ‘All Things Bright and Beautiful’.
TOGETHER. He made their glowing colours,
He made their tiny wings.
Snap to: Outside they both throw confetti over the bride and groom.
Snap to: Later. At the bar. They almost overlap.
KAYLA. Gin and tonic.
