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'My mother seduced a man so successfully that he altered the constitutional history of this country.' Elizabeth I is the only unmarried woman to have ever ruled England. And she reigned for forty-four years. Mastermind. Seductress. Survivor. Created by award-winning writer Ella Hickson and director Natalie Abrahami, Swive [Elizabeth] shines a light on the ways and means by which women in power negotiate patriarchal pressure in order to get their way. It premiered in the Sam Wanamaker Playhouse at Shakespeare's Globe, London, in December 2019.
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Veröffentlichungsjahr: 2019
Ella Hickson
SWIVE
[ELIZABETH]
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production
Acknowledgements
Dedication
Characters
Swive [Elizabeth]
About the Author
Copyright and Performing Rights Information
Swive [Elizabeth] was first performed in the Sam Wanamaker Playhouse at Shakespeare’s Globe, London, on 6 December 2019, with the following cast:
PRINCESS ELIZABETH/
Nina Cassells
WASHERWOMAN/
KATHERINE GREY
QUEEN ELIZABETH/
Abigail Cruttenden
CATHERINE PARR/
MARY TUDOR
WILLIAM CECIL
Michael Gould
THOMAS SEYMOUR/
Colin Tierney
ROBERT DUDLEY
WOODWIND
Sophie Creaner
CELLO
Maddie Cutter
PERCUSSION/MD
Zands Duggan
Writer/Creator
Ella Hickson
Director/Creator
Natalie Abrahami
Designer
Ben Stones
Composer
Angus MacRae
Assistant Director
Anthony Lau
Movement Director
Anna Morrissey
Associate Movement Director
Siân Williams
Globe Associate – Movement
Glynn MacDonald
Voice
Emma Woodvine
Costume Supervisor
Sian Harris
Candle Consultant
Prema Mehta
Consultant
Richard Pinner
Production Manager
Fay Powell Thomas
Stage Manager
Carol Pestridge
Deputy Stage Manager
Olivia Roberts
Assistant Stage Manager
Acknowledgements
My thanks to the cast, the creative and stage management teams, who offered their knowledge in the room and have been a huge help in the development of the script.
Thank you to Dr Will Tosh and the research team at The Globe.
My thanks to Michelle Terry and Jessica Lusk.
My longstanding thanks to The MacDowell Colony for providing the space and time to write.
My particular thanks to Natalie Abrahami and Anthony Lau.
Author’s Note
This play aims to throw light on contemporary issues by looking through a historical prism.
Protestantism wouldn’t have been referred to as Protestantism at the time, the life events of Mary Queen of Scots have been elided, John Knox’s criticism of women in power appeared for the first time in Mary Tudor’s reign. These choices, amongst others, exist in the service of the dramatic intention and themes of the play.
I would encourage future productions to engage with the work as a new play rather than as a history play.
E.H.
For Natalie
Characters
ELIZABETH Q [QUEEN]/CATHERINE PARR/MARY TUDOR
ELIZABETH P [PRINCESS]/KATHERINE GREY/WASHERWOMAN
SEYMOUR/DUDLEY
CECIL
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.