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These poems are alive with electricity, pulsating with a frequency that vibrates throughout. In a journey from there to here, The Bone Library examines and interprets all of human life. Throughout the collection Jenni Fagan responds to broader themes of identity, of place, of love and the unloved. Written in the old Dick Vet Bone Library during the author's time as writer-in-residence there, this is a vivid exploration that is honest and searching and cuts to the very core of what it is to be alive.
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THE BONE LIBRARY
Jenni Fagan
First published in paperback in Great Britain in 2022 by
Polygon, an imprint of Birlinn Ltd.
Birlinn Ltd
West Newington House
10 Newington Road
Edinburgh
EH9 1QS
9 8 7 6 5 4 3 2 1
www.polygonbooks.co.uk
Copyright © Jenni Fagan, 2022
The right of Jenni Fagan to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored, or transmitted in any form, or by any means electronic, mechanical or photocopying, recording or otherwise, without the express written permission of the publisher.
ISBN 978 1 84697 592 9
eBook ISBN 978 1 78885 521 1
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
The publisher gratefully acknowledges investment from
Creative Scotland towards the publication of this book.
Typeset in Verdigris mvb by Polygon, Edinburgh
Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A.
I’m Not a Fossil, You Are a Curio
The Nineteen Thirties House
Who Are You?
On the Files
The Bone Library
The Truth is Old and It Wants to Go Home
Summerhall Almanac
The Good Stuff
I Know Who I Am
Dear Beetle of Our Lady
Workshop, Day One
St Mary’s Street
9A
Digital Bones
Fir Tom Leonard
House With a Porch of Four Seasons
Even When You Don’t Think You Are
Who Did Duchamp?
It Was an Ex-Council House onthe Sea Wall, Graffiti All Over It
I Told Her
I Was Talking to Will
Mary Dick
Monkey Love Experiment
Morning Rituals
One Day We Notice the Way Our PartnerEats and Are Irritated Beyond All Belief
Good Art
Your Sexts Are Shit
Pale Blue Eyes
The Daily Death
Penrose Stairs
It’s After All of Us
Social Ouija
When the Reptiles Came
The Australian
The Death of Compliments
The Devil
The Expectations of Others
The Pivot
Tim Hecker
Tattooed Man
So
A note on the author
My darling ossein, I have known your organic extracellular matrix
since the first seconds it began to form, still . . .
Your bones did not come from my bones,
they coalesced in ether
where all osteoblasts dawn,
tell me . . . how many carcasses are walking this earth?
The utter idiocy of vessels!
Some poor skeletons have such twisted minds to carry.
Ones who must think this – is all there is?
Delusions tell them they shan’t be judged on their actions,
in a place that will make this one look
pallid on the petrochemical
motions of Minerva,
such inciters of insanity and loss . . .
My dear sweet toxic male gene,
what’s your fucking issue with humanity?
I raise one of yours and he is fuck all
like so very many of you,
this generation are better than those
before and their bones did not come from our bones,
they arose from the dust of dinosaurs
imbued with glacier hearts,
blazed their way into existence,
in the unlikeliest of flesh forms,
what a confine! Thing is,
you were the only one who ever taught me
the meaning of love,
you are the firn in all its truth.
I am genuinely sorry my life has been so strange as this,
it’s a burden, I know it . . .
But the joy, the absolute utter brilliance
in just knowing – you, good day/bad, mercurial/sad,
raging/peaceful . . . trying,
in all of it, your bones taught my bones how to walk.
Your bones . . . taught . . . my bones, how to walk!
I am so grateful and this world . . .
It owes you and so do I,
so much more
than this, so I will lay my bones
down on the road –
just one more time, for you,
I’d do it ten more, ten thousand,
I’ll do whatever I can, so you, can one day,
for a second,
be safe awhile in your home,
sit on an old porch
and maybe sometimes
take a moment to remember
the woman you came from . . .
who was humble enough and smart enough to know,
your bones belong to no one,
you came into this life owned
by no false gods,
it’s a strange story that tells us otherwise . . .
I’ll defend whatever I can –
of your autonomy,
my child, I love every single bone in you,
bow to nobody, be free.
I keep putting slugs
out the cat flap
at night,
and nobody loves me
and children
are dying.
Slug trails silver tiles
tiny moons
hang from boughs
an iridescent tree,
across my kitchen floor
each morning,
and one person
does actually
love me
but nobody
holds me
and each day I die,
I do it
so much better
than that old wanker –
his burned retinas
haloed in twelve
worlds –
I’m a prick
really and my dying
is sadly ineffective
my loneliness no
more pathetic
than yours, Poncho
and yes, the children
need me to be
marching
and there are so many people
who must hear us
scream – no?
Instead, they pour gold
into their auricles –
excision
of empathy
is required
to dine
on the souls
of those without . . .
and there are so
many slugs
on my kitchen
floor,
and I keep
picking them up on a spoon,
placing them carefully
out the cat flap
and the world . . .
she wants her rivers back
sent helix & virus
to claim them
and it’s only the start
of her human invasion,
can’t tame her
whilst all I dumbly want,
is the right kind of someone
to hold me,
but it seems as likely
as this world
held hostage by fucking mentalists
sorting out its shit.