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Robert Peake's incredible eye for detail illuminates a collection of stirring and delicately attuned poems that not only roam but actively seek – travelling far and wide to all manner of places but also moving through time, taking leaps of faith or journeys into memory and sensation. From postcards to portraits, from ancient and modern wars to cosmopolitan cities, wildlife, and even a tiny ornamental skeleton, Robert Peake finds a sharp focus for the bigger picture both far and wide and closer to home. These carefully-controlled and eloquent poems know the subtle and deep consequences from each small gesture; the ripple-effect across each story, the altering of lives and history; the still, quiet centre from which it all begins. Robert Peake is a British-American poet living near London. His newest short collection is The Silence Teacher (Poetry Salzburg, 2013). His previous short collection was Human Shade (Lost Horse Press, 2011).
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THE KNOWLEDGE
The Knowledge
Robert Peake
ISBN: 978-1911027-01-0
Copyright © Robert Peake, 2015
Cover image © Eleanor Bennett
www.eleanorleonnebennett.zenfolio.com
All rights reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
Robert Peake has asserted his right under Section 77 of the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.
First published April 2015 by:
Nine Arches Press
PO Box 6269
Rugby
CV21 9NL
United Kingdom
www.ninearchespress.com
Printed in Britain by:
The Russell Press Ltd.
Ebook conversion by leeds-ebooks.co.uk
THE KNOWLEDGE
Robert Peake
for Valerie
Contents
The Argument
White Pigeons
Still Life with Bougainvillea
Amuse-Bouche
The Argument
Robin
Grass-Talkers
The Flies
Badger
Ursula
The Hills
“I Was Born to Small Fish.”
Adelphophagy
Nocturne with Writer’s Block
British Matches
Matins With Slippers And House Cat
“Have A Nice Day!”
April
Sometimes I Wonder What I Do
Postcards from the War Hospital
Last Gasp
Postcards from the War Hospital, Autumn
Despot’s Progress
Unidentified Photo on the Internet
Mr Ergosum Speaks
Problem
Blessing the Bankers
The Rouchomovsky Skeleton
Soldier at the Tomb of Alexander
Historic Spring
America, Its Elements
I. Fire
II. Water
III. Air
IV. Earth
The Age of the Incredible
First Citizen of Bruges
Martyrs’ Cross
A Robot’s Understanding of Friendship
Postcards from the War Hospital, Winter
Making Love to the Sound of Gunfire
The Smoke
La Campagna, London, Friday Night
Smoke Ring
Home Office, Croydon
Clapham Junction
Soho
Brick Lane Market
Canary Wharf
Blackheath
Two Women in Heels Walk Briskly Toward the Train Platform
Calling all Stations Blues
Seraphim
Million-Dollar Rain
Tap Water
Geopositioning
Jellied Eels
The Knowledge
Small Gestures
Meteorology
Acknowledgements
“The penalty for education is self-consciousness. But it is too late for ignorance.”
– Marvin Bell, ‘32 Statements About Poetry’
The Argument
White Pigeons
are not doves. They do not stand
for peace, but flock and swoop
above my head in the blue before dawn.
They are a liquid in the air,
elastic, bunching and swarming
like oil drops on water.
I do not want to know the physics.
I do not want to make a documentary.
I stand and watch them ripple like a flag.
The soldier inside me wants to salute.
The prophet takes it for a sign.
They double-back, like a bed sheet, folded.
And then they dip below the tree line,
leaving their absence to hang in the air.
I never wished they were more than they were.
A mourning dove now sounds his call to prayer.
A red-tailed hawk lords over mousing fields.
I have heard some call all pigeons wingèd rats.
But these were different, bred to home,
which means that they were practising,
and work never seemed as elegant as this.
Tie a message to my foot. I will assume
my place in the aerial formation. Let me
be a single snowflake in that flurry.
Still Life with Bougainvillea
The bougainvillea taps
at the window, and you
are gone. The cat watches
over the path where you
might return. I watch
the cat, and the small
flowers inside the flowers,
as they brush the pane.
On the cat, there are fleas.
In the flowers, flowers.
In me, your absence drums its
fingers at the points
where I notice my pulse, taps
its beak against the bars
of my chest. Small creature
in my own creature body,
white flowers enveloped in red.
Amuse-Bouche
A dollop of cream from your own
mother’s milk, seasoned with tears
from the first girl you kissed,
garnished with coarse-cut parsley,
served in a snail’s shell.
Lint from your best-loved jumper
sprinkled with grains of a childhood sandbox,
wax shavings from your preschool crayons
nettles from the banks of the pollywog pond
all arranged in a favourite lunch pail.
Of course, for dessert, we have madeleines,
to dip in a tea made of vapour and dust,
sweet-smelling, like the home of your elderly aunt,
which dissolve upon contact and waking. Go on.
Have another. You will never be full.
The Argument
The bees make a mask, rippling like sauce,
covering the beekeeper’s eyelids. He shaves
them off with a credit card, the stench
of pollen clotting his nostrils, the logic
of terror unable to win its case, though
tiny legs tap their reasons across his pores.
The argument to remain placid is as soft
as the fur-covered thoraces, as clear
and as light as the transparent wings.
Do nothing. Breathe through your teeth.
In swarm, a cloud of electric current,
but here, on the contours of his face,
they seem to wander tip-toe, sleepy,
navigating over each other with compound
vision, kaleidoscopic-sighted pilgrims
oblivious to one another on their quest,
brushing the tips of their long fore-wings
against the keeper’s eyelashes,
as close to kissing as they will come,
bound together without intimacy,
curling under each other like a slow-
motion rioting mob, a water ballet
where the music is stillness, is tapping,
the brush of abdomen, antennae, and legs.
Robin
Bold and tattered, slashing into view,
tiny courtier teeming with invidious mites,
we welcome you at the waterspout, bent sprig,
