The Old Ones Hear - Malcolm Jameson - E-Book

The Old Ones Hear E-Book

Malcolm Jameson

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Beschreibung

The Old Ones may hear—and act, too—in somewhat different manner, in ways we do not expect. And in ways that military tactics do not take into account...

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Table of Contents

COPYRIGHT INFORMATION

INTRODUCTION

THE OLD ONES HEAR

COPYRIGHT INFORMATION

Copyright © 2021 by Wildside Press LLC.

All rights reserved.

“The Old Ones Hear” originally appeared in Unknown Worlds, 1942.

Copyright © 1942, 1970 by Street & Smith.

INTRODUCTION

Malcolm Jameson (1891–1945) was an American science fiction author who based much of his work on his background as an officer in the U.S. Navy. Jameson’s first published fiction appeared in Astounding in 1938. He was active in American pulp magazines for only 7 years, but he helped set the standard for quality during the Golden Age of Science Fiction. He wrote not just for John W. Campbell’s magazines, Astounding Science Fiction and Unknown Worlds, but also for magazines like Startling Stories and Weird Tales. His writing career began when complications from throat cancer limited his activity.

His stories of Solar System exploration about “Bullard of the Space Patrol” were posthumously collected in 1951 as a fixup novel and won the Boys Clubs of America Award. Reviewing that collection, critics Boucher and McComas praised Bullard as “the most successfully drawn series character in modern science fiction.” P. Schuyler Miller wrote that Jameson drew on his own naval experience to give the stories “a warm atmosphere of reality.”

Jameson’s story “Doubled and Redoubled” may be the earliest work of fiction to feature a time loop. And his story “Blind Alley” from Unknown was filmed as an episode of The Twilight Zone (retitled “Of Late I Think of Cliffordville”).

Alfred Bester described meeting Jameson in about 1939 this way: “Mort Weisinger introduced me to the informal luncheon gatherings of the working science fiction authors of the late thirties... Malcolm Jameson, author of navy-oriented space stories, was there, tall, gaunt, prematurely grey, speaking in slow, heavy tones. Now and then he brought along his pretty daughter, who turned everybody’s head.”

Had he lived another 20 years, the shape of the science fiction field might have been significantly different, with Jameson’s name up there with Heinlein, Asimov, Clarke, and van Vogt.

—John Betancourt