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'I can't face the big stuff so I comb the moors for a tiny yellow flower' – so begins Tormentil, the second poetry collection by Ian Humphreys. Set largely in the starkly beautiful West Yorkshire moorlands, these poems creep and bloom across geographies and time. Isolated by grief in the first months of the pandemic, Humphreys goes in search of hope and blessings among the burnt heather, tumbledown mills and canal locks near his home in the Calder Valley. He unearths a landscape of wildflowers and wildlife, a soundscape of rain and birdsong, at once healing, threatening and under threat. These are richly textured poems of living and resisting, anchored by connections to family, food, community – and an acknowledgement of the precarious root-holds of hard-won freedoms. A soaring, defiant hymn to recovery, this vital book contemplates migration, otherness, and all the internal and external elements that bind us, make us unique.
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Veröffentlichungsjahr: 2023
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Tormentil
Tormentil
Ian Humphreys
ISBN: 978-1913437787
eISBN: 978-1913437794
Copyright © Ian Humphreys, 2023.
Cover artwork: Design by Jane Commane. Tormentil pictured in an antique illustration of medicinal and herbal plants, published in 1892 in Medicinal Plants of Russia. Scan by Ivan Burmistrov.
All rights reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
Ian Humphreys has asserted his right under Section 77 of the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.
First published September 2023 by:
Nine Arches Press
Unit 14, Sir Frank Whittle Business Centre,
Great Central Way, Rugby.
CV21 3XH
United Kingdom
www.ninearchespress.com
Printed on recycled paper in the United Kingdom by Imprint Digital.
Nine Arches Press is supported using public funding by Arts Council England.
for Mum
Tormentil
Earthworm on tarmac
the grasshopper warbler’s song
First signs
Lady Luck
Bad egg
Wasp in a jam jar
Pansies
Hak gwai
Walltown
Petrified
Scrimshander
The other lot
On spilling a jug of Mai Tai plus half a pale ale over the new marketing director’s lap during her welcome drinks
desire
Liberté
Firecrest
There’s a walrus on my windscreen
The wood pigeon’s song
rubber pup at the Queer Rights in Chechnya rally
Babysitting in Ho Man Tin
Of course, I don’t mind
Remote
The sign language of trees
When trees burn
Punch and Judy on the West Yorkshire Moors
love hurts
Rope-grown mussels
Nomi
Grey matter
Paucity
Whose story?
Refrain
Discarded wardrobe on Deansgate
Wrong uns
Like a record, baby
Before leaving
Prayer for The Fabulous Ones
The Rochdale Canal
crazydream i
crazydream ii
tormentil +
The wave
Morning swim
Water brought me to you and it will sweep me away
Silverfish
But where do you really come from?
Rebirth
Cotton-grass, late spring
Out of nowhere
Mouse-ear Hawkweed
Hairspray
Falling galaxies
Vanishing act
The wood warbler’s song
Hymnal
Notes and Acknowledgements
About the author and this book
I can’t face the big stuff
so I comb the moors
for a tiny yellow flower,
treasured in wartime
for healing wounds.
Some named it Bloodroot
orFlesh and Blood,
others,Shepherd’s Knot.
Up here, gold thread
creeps through boggy
peatland grass. Splashes
of sun under a dark sky.
O silent concertina:
one mouth, five hearts,
one arsehole.
Dirt pearls
cast in your wake.
How did you get here
needled
by the furious sun?
Half an hour ago,
soft sanctuary.
The drag
of home
through your body.
I could pick you up,
flick you
onto the grass verge.
I could leave you
frying on the kerb,
plump & sausage-pink.
The magpie
would thank me
& that curious child,
his scalpel
fingernails.
Can you eat pain
earthworm?
Do you swallow
buried mistakes?
You, who ploughs
the muck at our feet,
stirs the soup
of forests past.
Earthworm,
are you worth
bending for?
Kneeling for?
the singing will never be done
– Siegfried Sassoon
rising and dipping
cool seeds of springtime
hidden in the long grass
notes balanced
on swaying stems
mirroring
the viola flow
of bristled leg against wing
rising and dipping
no melody
just
air decanted
just
how light through cloud might sound
following footsteps like green shadows
rising and dipping
rousing as a chorus
softer than feather moss
and the grass and the trees and the sky
After I post the snowdrops photo,
a friend opens up: I could use some hope x
Seems everyone’s hurting and down with cold
and your Alzheimer’s has stopped you cooking.
You no longer know saffron from salt,
can’t quite appraise the depth of blue glazed
serving bowls or savour late morning light
sprinkled over the church roof. And when I think of it,
I don’t remember the last time your clay pot sputtered
and clunked on the stove. The communion
of rice, Chinese sausage and shiitake mushrooms
filling the house with a blessing.
You’d never seen snow it slid through your fingers like rice flour
You missed your flat on Prince Edward Road
Mong Kok’s leaning towers of dim sum baskets
In Hythe boiled-cabbage streets steamed with winter breath
Under a cold tin sink your carved camphorwood chest
cradled memories in padded brocade You developed
