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Especially appealing to anyone interested in the visual arts, this new collection is the result of collaboration between poet Jackie Wills and painter Jane Fordham. The poems have a touch as deft as the seamstresses and other craftspeople who populate the book, before pulling out into the wider worlds of mythology, folklore and the visceral routine of daily life. "She is at her best when most surprising, bringing flashes of the extraordinary to the everyday." – Christina Patterson, The Independent "Her talent for thoughtful... observation, accompanied by brisk injections of the personal and the strikingly real, is indisputably clear." – Kate North Jackie Wills's most recent poetry collection is Commandments (Arc, 2007). Her first, Powder Tower (Arc, 1995), was shortlisted for the TS Eliot Prize and was a Poetry Book Society Recommendation, while Party (Leviathan, 2000) was acclaimed by Ruth Padel in the Independent on Sunday. She has been a Poet in Residence at the Aldeburgh Poetry Festival, and her work appears on a dress by designer Helen Storey, in the animated film Alphabetic (2006), and on a path in Farnham by potter Julian Belmonte. She lives in Brighton. This title is also available from Amazon as an eBook.
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WOMAN’S HEAD AS JUG
Published by Arc Publications
Nanholme Mill, Shaw Wood Road
Todmorden OL14 6DA, UK
www.arcpublications.co.uk Copyright © Jackie Wills 2013
The author asserts the moral right to be identified as the author of this work.
Copyright in the present edition © Arc Publications 2013 Design by Tony Ward 978 1906570 83 5 (pbk)
978 1906570 84 2 (hbk)
978 1908376 29 9 (ebk) Cover image:
The Five Sisters of Suduireaut by Jane Sybilla Fordham, by kind permission of the artist. This book is in copyright. Subject to statutory exception and to provision of relevant collective licensing agreements, no reproduction of any part of this book may take place without the written permission of Arc Publications.Editor for UK & Ireland: John W. Clarke
2013
AUTHOR’S ACKNOWLEDGEMENTS
I would like to thank the editors of the following publications in which some of the poems in this collection have appeared: Agenda, Dark Horse, Molossus World Poetry Series, Poetry Wales, The Echo Room and Warwick Review.
My thanks go to Jane Sybilla Fordham for the title, ‘Woman’s head as jug’ and for her prints, drawings and paintings that live within these poems. Her work has never illustrated mine, my poems have never been about her work, but we have been writing and drawing together since 2006 often using the same sources, so we are true collaborators. Thanks also to David Parfitt for encouraging us.
I am grateful to Moniza Alvi, Martha Kapos, Christina Dunhill, Kate Smith-Bingham, and Susan Wicks – my London lifeline – who’ve read many of these poems, as well as Maria Jastrzębska, Robert Hamberger, Lee Harwood, John McCullough, Janet Sunderland, Bernadette Cremin and Robert Dickinson – the Brighton gang, or as John O’Donoghue calls us, the Beach Generation. For reminding me what it’s all about, as always my thanks go to Brendan Cleary, Catherine Smith, Lorna Thorpe and Michael Hulse.
I am indebted to the Royal Literary Fund for Fellowships at Surrey and Sussex universities.
Finally, I would like to thank my mum Sheila Alcock and my children Mrisi and Giya.
CONTENTS I
A lone leaping woman
Owner of a mangle
Feather-wife
Saturday girl
Grace-wife
Herring girl
Dorset buttonmaker
Blacksmith
Corset-maker
Fripperer
Boarding house keeper
Ale-wife
II
Forest choir
Words for women
Woman’s head as jug
Cliff
La Fontasse
Calanque
Fireworks on the Feast of the Assumption
The seals’ goodbye
Mackerel shoal
Her year
Translations from the silence of colour
Canopy
Balance
Moults
The change
What she became
Female ancestor
Five aunts
III
SWEATS
Elephants
She wants a baby
It’s unclear how much of a man she needs
A woman without a man
When she finds herself at the top of the stairs
Libido
Clots
Four professors at the menopause symposium
Her beard
Spiders have placed a cataplasm of webs
Smear
Hypothalamus
Superannuation
Her mirror face is spinning
Veins
Her troubles
Her heart
Trace
Atrophy
IV
Return
Imagining my great grandmother
The air on Lewes Road
The kitchen floor
Dirty business
The day before he left
Landlord visiting the student quarter
Sandwich man advertising pizza
Recovering you
Stolen identity
Sheepcote Valley
Gyratory
Funeral horsesBiographical Note
I
A LONE LEAPING WOMAN*
doesn’t leave a crater
landless – she picks up days
of work like kindling
only the river curves
around her shoulders
* Itinerant female labourer, mediaeval England.
OWNER OF A MANGLE
I wind patchwork sheets into a tub
flatten nights between rollers
smoother for the sleeping bodies
passing through, long and thin
these sheets are for the wind
its pollen and its emptiness
FEATHER-WIFE
I wash blood from every kind of plume,
remove skin from the quill,
I sell them clean –
in shades of white and grey,
green black, purple black.
When I smooth a yellow edge
I see the death
of flight, the robin’s chest.
I pack in boxes what a wing remembers
of the river, a hill’s lurch,
the wren’s nest inside a skull.
I layer them with songs,
notes clinging to a branch.
My smallest feather brushes
the draught of a continent
across your cheek.
For a hat, I burn a pheasant tail
into curls, pluck mallard’s wings –
run the knowledge of a river
through an umber field.
SATURDAY GIRL