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'Americas: Selected Verse and Vignette' seeks to give expression in poem and metaphor to the United States as a personally lived and engaged with culture. The span, accordingly, involves both site and journey, a roster of art, people, different authorships, film, music, photography, cities, society. Prose sketches both serious and antic as well as verse. American Studies with a difference.
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AMERICAS
SELECTED VERSE AND VIGNETTE
Biblioteca Javier Coy d’estudis nord-americans http://www.uv.es/bibjcoy
DirectoraCarme Manuel
AMERICAS
SELECTED VERSE AND VIGNETTE
A. Robert Lee
Biblioteca Javier Coy d’estudis nord-americansUniversitat de València
Americas: Selected Verse and Vignette
© A. Robert Lee
1ª edición de 2015
Reservados todos los derechos
Prohibida su reproducción total o parcial
ISBN: 978-84-9134-167-3
Imagen de la cubierta: Sophia de Vera Höltz
Diseño de la cubierta: Celso Hernández de la Figuera
Publicacions de la Universitat de València
http://puv.uv.es
For My Fellow Ticket-Holders
Anne WaldmanRex BurnsKim BlaeserJohn G. CaweltiAndrew Hook
Preface
A career as a university Americanist in my native UK, in the US, in Europe, and in Japan, and with a specialization in literature, has long meant academic writing: books, articles, reviews, the journals. Not the least of which is an earlier volume in Biblioteca Javier Coy d’Estudis Nord-Americans, United States: Re-Viewing American Multicultural Literature (2009). But it has also meant venturing into creative tracks. In this case, precisely, verse and vignette. Not only have I had the opportunity of much American travel, to include Canada and Mexico, but also the privilege of frequent writer encounters and friendships. These, for which I will always be grateful, have been an inspiration.
All of the collections (and journals) from which this poetry and prose is taken met with the good fortune to find publishers. I owe a debt of acknowledgement to each, especially Printed Matter Press, 2 Leaf Press, Renaissance Books, Konch Magazine and Phati’tude.
Each different composition, I hope, above all gives recognition to America, the Americas, as personally lived time and space. Site, journey, people, art, film, music, culture, society. They are meant as forms of close encounter. Serious and in some cases antic. Less myself than persona.
This is also the place to thank Carme Manuel as editor of the Javier Coy series. She was good enough to accept Americas: Verse and Vignette as a different kind of American Studies. I owe her greatly. So do the writings at hand.
Contents
ARS GEOGRAPHICA: MAPS AND COMPASSES (2012)
Going Galápagos
American Visa
New York Magic Mountain
Yes Philadelphia
Chicago L
Charlottesville Juleps
Mississippi Headwaters
Rocky Flatirons
Five Senses of California
Hawai‘i Delegation
Nominating Vancouver
Mexican Compass
PORTRAIT AND LANDSCAPE (2013)
Double Melville
Correspondence With Himes
Suited Words with Leon Forrest a
Multiplying Ishmael Reed
Duffs up Frank Chin
Fast forward with Anne Waldman
¡Hola! Carmen Tafolla
Konnichiwa Karen Yamashita
Zeke Call
George Bartholomew
Harold Goodsky
Ling-chi Wang
New York Cab
Battle of Trenton
Boston Oysters
Louisville Lip
Iowa Skunks
Albuquerque Adobe
Mississippi Catfish
LA Ancient and Modern
Tijuana Vocabulary
Canada Plurals
Costa Rican Coffee
IMAGINARIUM: SIGHTINGS, GALLERIES, SIGHTLINES (2013)
American Photo-Call
Edward Hopper, Nighthawks
Romare Bearsden, Southern Recall
Jackson Pollock, Silver Over Black
Frida Kahlo, Self-Portrait with Thorn Necklace and Hummingbird
Niagara Mist
South Side
Beale Street Reprise
Minnesota Lake Sight
Black Hills/Páha Sápa
Moab River Wall
Texas Crossings
Sonoma and Napa Wine Tasting
Barrio Vistas
Washingtonia
San Diego Whale Pod
Stage Sight: Three Musics
OFF COURSE: ROUNDABOUTS AND DEVIATIONS (2014)
The Great Rhode Island Worm War
Porcine Love
French Chicago
Chicken Delight
Ice Water Across the Borders
Oranges Are The Only Fruit
Night Shift: A Transatlantic Quartet
The Eel File
WRITTEN EYE: VISUALS, VERSE (2014)
Silent Eruption: Metropolis
Inside Space: Forbidden Planet
Shadow of Life: Touch of Evil
Frontier Score: Once Upon a Time in the West
Civilization and Its Discontents: Queimada
Back to Back: Man Ray and Horst P. Horst
Robert Mapplethorpe: Body Culture
Goddam: Nina Simone’s Montreux
Rufus Over Your Head: Duck Soup
ARS GEOGRAPHICA: MAPS AND COMPASSES
Going Galápagos
i
Three
Quito
sea-lions
stretched
like
Ecuadorean
pashas
along
the
dockside bench.
Equator
gate-keepers
of
Pacific
ease
and
loll.
Whiskered
docents
of
fin, beak, claw and shell
carapace and wing
sea and island
Beagle and Acushnet
sight and word
and
all of them
yawning.
Quito
via
runway Guayaquil.
Quito
of
La Plaza Grande
La Catedral
El Mercado de Otavalo
Quito
of
Hidalgo Gothic
be-hatted mestizaje
a hundred shoeshine boys
Quito
of
thin oxygen
and
Andean volcano hills
Quito
of
Earth’s closeness
to the sun
Quito
of
street pobreza
and
JW Marriott Five-Star Hotel
Avenida Orellana y Avenida Amazonas
ii
Quito to La Mitad del Mundo
actually
250 meters
off centre
Pyramid
of
latitude and longitude
GPS-confirmed Museo Inti-Nan
actually
the centre
of
earth’s
curvature
earth’s
hemispheres
earth’s
lobes
Near, though
iii
Thank you
Incas
everywhere
Thank you
Ecuador’s
mestizos
criollos
quechuas
Chirrera, Jama Coaque, Tolita, Machalilla, Valdivia
Thank you
Lago Titicaca
Manco Capac
Machu Picchu
memory quipus
Merci
Charles Marie de Condamine
rubber, quinine, metrics, circumference
Gracias
Juan Montalvo’s Las Cantilinarias
thoughts, views, language
Gracias
Jorge Icaza Coronel’s Huasipungo
novel, history, memory
iv
Quito zodiac
to cruise ship
isle for isle
turtle-journey
to
Las Galápagos
Islas de Colón
Archipiélago de Colón
Islas de las Galápagos
vertical arrow diving frigates
at home blue-footed boobies
herons on one foot watching
at home huge gulping pelicans
swallow tailed gulls on sentinel duty
Darwin’s finches
(one upon my shoe)
neck coupled albatrosses
un-flighted cormorants among the crabs
sedate breaststroke lagoon turtles
night time spectral prowler sharks
rock-hopping diver penguins
clambering, clod
heroic monument tortoises
iguanas land and marine
in their thermometer bodies
of mottle-leather skin
and
un-dinner table sneezing salt
and amid these origins of species,
across ranger white-marked trails
across silver forests
across black roped lava
across 500-species of shrub and plant
across volcano pools
ascend
rock formations
serrated cliff-faces
weather and wind chiseled ledges
whorls, folds, wrinkles
high cathedral vaults of Nature
playfields of pottered cinder
stilled spurts of fire-stream
messaged pebble, boulder, stone
live thesaurus petrification
vocabularies of Spain fade –
San Cristóbal, Santa Cruz, Baltran, Isabela
and other Encantadas
vocabularies of England fade –
buccaneer Ambrose Cowley
Darwin Research Station
Lonesome George
vocabularies of Melville and Vonnegut fade
page and paragraph
vocabularies of cruise and tour fade
guide and guidebook
is not this, first, finally, un-faded
earth’s evolutionary design
earth’s sea-risen island
epic
of
magma, basalt, crust, littoral?
is not this, first, finally, un-faded
earth’s delivery room?
American Visa
Are you now, have you ever been, a nudist?
Hardly the question I had in mind
at 1965 Grosvenor Square London
visa-seeking for The New Republic.
Self-fantasy had me the trouble-maker,
the commie, the un-American,
youth politico CIA/FBI target.
Why, surely, those
debutant Tribune reviews in the shadow of
Orwell and Foot?
Why, surely, those slivers of student Left-ism,
a war-march or two,
a smidgeon of Marx or Trotsky?
But a nudist?
For all my dubious Ban the Bomb shouts
or half-believed Clause 4 English politics
or America the Bad clatter
or Vietnam as chancre attitude
or VOTE LABOUR, Holy Loch, and End The War placards
or just as equally
my secret sharer
attraction to
the America of
Kennedy Camelot hope
Ginsberg and Dylan lyric
Orson Welles’s Citizen Kane
Eric Dolphy’s Out to Lunch
Manhattan and San Francisco
King Civil Rights and Malcolm Black Power
LBJ and Voter bills,
did it all just come down to
nakedness?
OK, you’re all set
in all-American
signature phrase
said the wholly pleasant
case officer.
Set to go, stamped passport visa, enjoy your stay.
Scholar resident
like a hundred arriving others.
Euston Square to Times Square
for sure.
This new Londoner’s theatre-curtain of importance
duly lowered,
on and into high Atlantic
treading the
Queen Elizabeth
Southampton
to New York time
and Fulbright America.
Was my best banner
simply to have kept my clothes on,
kept my pink-Brit flesh wrapped?
Had I saved America
or myself,
or the both of us
from exposure?
New York Magic Mountain
Sailing into New York Harbor
past verdigris-statued Liberty
was I not latest Columbus,
if lower deck passenger
then still
the Drake or Raleigh?
Hardly, had my stomach been first to say.
Anxious to match the Atlantic
my reading was
Mann’s Mountain
but where Castorp and Joachim fevered towards death
I had just turned merely pale,
billow queasy.
Land balance
lay in Manhattan’s
grid of everywhere peopled
squares and blocks and heights
the human multi-Broadway
of uptown downtown
Bowery to Yonkers
Village to Central Park
Big Apple city health
Yes Philadelphia
Yes to the Lenape
Yes to Penn and Franklin
Yes to Independence’s cracked bell
Yes to Rittenhouse Square
Yes to Chesnutt Street’s ivied Penn
Yes to Market Street
Yes to the Inquirer
Yes to the Schuylkill, river and expressway
Yes to 30th Street Train Station
Yes to the Art Museum – Duchamp and Rocky
Yes to the Main Line, Welsh Bryn Mawr, Italian Paoli
Yes to Marian Anderson’s contralto
Yes to the pages of David Bradley and Lorene Cary
Yes to W. Wilson Goode’s mayorship
Yes to each middle-Philadelphia Row House
Yes
also
to
the
Germantown
food
sign
I
saw
in 1972
Anglo-Saxon Pizzas (since 1957)
Chicago L
Hog winter Chicago
South Halsted freeze-up
Wind-chill
Lake Michigan
February
Broken L train
high on CTA track-curve
yet
sub-zero’d
into
break-down
Skyline driver-carriage
frozen
into
four-square mirror
ice-block
city
transport
cube
and
cubist
tableau
How not to summon Sandburg winter stockyards?
How not to re-see black Projects, boxed human damp and chill?
How not to re-walk cold Irish, Polish, Bohemian sidewalks?
How not to board at speed Green and Red Lines –
King Drive, Ashland/East 63rd, Halsted, 90th Dan Ryan?
How not to earn spring thaw Chicago?
How not to ride un-iced Chicago, train and carriage?
How not to warm with hot-humid summer Chicago?
How not to un-hog Chicago, South and North Halsted?
How not to outdoor-people Chicago, all Chicago,
the busy tickets of human heat from cold of the L city?
Charlottesville Juleps
Mr. Jefferson’s Virginia
Monticello and University
Serpentine Walls
Pavilion grandeur
Palladio in the Blue Ridge.
The genius of the Declaration
and, well,
Sally Hemings.
Ah those First Families of Virginia
those Lees of Virginia
Frances Lightfoot Lee
Lighthorse Harry Lee
and always Robert E. Lee
The Confederacy’s own
The Glorious Cause
The Lost Cause.
What, then, from an Atlantic away
to almost inherit that name?
What to confess a mother
who knew Robert E.
only as a racehorse name
and so passed my way
quite another kind of
cavalier heritage?
What, then, a twenty years later
the visiting one year post at UVa?
Are you, could you be,
connected to the Virginia Lees?
came that southern-genteel
phone voice.
Would you, could you, speak
of England, The Queen, to
The Daughters of The American Confederacy?
No DAR, No Sir,
No Yankee-Doodle
rather The Queen of the South
on the line, Richmond HQ’d,
Old Dominion.
Juleps it was, mint juleps
whole trays of them
for St. Andrew crossed
ladies and the guest.
And from Madame Chairman
(none of your ms or chairlady)
a toast to England
to Majesty
to Albion’s seed
to its undetected
viande chevaline.
So…it began.
My family, I temporized,
has long sought reconciliation
has long wanted to offer the hand of forgiveness.
Was it not my ailing father,
tears welling, who demanded that if one day
his son should tread Virginia soil
then let amends be made?
For ours were indeed the Lees
who bequeathed the General I lied.
For ours indeed were the Lees
who slave-farmed tobacco and crop.
For ours were indeed the Lees
who opted for rum and empire in the Indies.
For ours were the Lees
who oversaw cane and sugar,
and ours were, indeed, the Lees, came my pause,
who droit de seigneur
knotted, spliced,
with Africa’s Barbados and Jamaica women.
The result, mes chères mesdames,
was, is, er,
a crossblood of Lees
and right here
since Raleigh’s landing,
Smith’s sailing,
not to mention
those obstreperous Powhatan Indians
(and daughter princess, Mrs. Rolfe)
in virgin Virginia.
The silence
shouted
even guffawed.
Mercy, said Madame Chairman
Mercy, said the lady members.
And the black waiter
hand on bow tie
smile hardly concealed
whispered
Man, you’re in some kind of shit.
I was.
I hope.
Mississippi Headwaters
Those trickles
those gurgles
like Nature clearing its throat
and bound for Lake Itasca.
Border water
Canada dry
America wet
10,000 Lakes says every sign
woods of fir and cedar
Minnesota of sky-pond
and brown-green-arboretum.
We’d got there
up from twin-citied Minneapolis and St. Paul.
Dakotas to the west.
Wisconsin to the east.
Manitoba to the north.
Bemidji overnight.
White Earth daytime.
Vizenor family headstones
shadow of the 1862 Dakota War
and link-up with
wholly present-day
Anishinaabe Harold Goodsky
“Sorry can’t stay…
got a golf appointment,”
as he explained
how often he was taken for
the Norwegian Harold Gudski.
But then there was always Longfellow’s Hiawatha
not to say The Hiawatha Line in Minneapolis --
so how do you like your “Indians”?
Like spring water rises
literary memory
Rolvaage’s Earth Giants
Lewis’s Main Streets
Fitzgerald’s James J. Hill
Dylan’s Zimmerman family
Keillor’s Wobegon
Gilliam’s imagination.
Like spring water rises
Anishinaabe big river
Misi-ziibi, gichi-zibi
France’s Messipi
Spain’s Río Misisipí
America’s Mississippi.
Like spring water rises
Melville’s “father of a great multitude of water”
Dickens’s “enormous ditch”
Twain’s “big still river”
Langston Hughes’ “blues river”
Faulkner’s “luminous” Yoknapatawpha river.
Like spring water rises
