Beowulf E-Book

anonymous

• Herausgeber: E-BOOKARAMA
• Kategorie: Fantasy und Science-Fiction
• Sprache: Englisch
• Veröffentlichungsjahr: 2022

Beschreibung

"Beowulf" is the longest and most complete surviving poem in Old English. The work probably circulated orally for centuries before being written down by scribes around the year 1000. It consists of 3,182 lines of alliterative verse. The poem’s plot, is straightforward and has the quality of a folktale, following recognisable patterns of myth: A young hero sets out on a sea journey to battle monsters. After dispatching two humanoid horrors in deadly combat, the victorious hero journeys back home to rule his own kingdom until he finally clashes with a dragon who kills him, though he wins glory and fame. But "Beowulf" also alludes to several battles and events in the past and future, at times digressing for several lines to narrate the action of a feud, battle, or heroic event; the poem’s allusive, interlacing quality makes it difficult and complex.

But "Beowulf" is worth the struggle. For generations, teachers and students have enjoyed this tale of dragon slaying and troll combat set against the background of human feuding and warfare among the Danes, Frisians, Jutes, Swedes, and Geats. Legendary heroes like Beowulf and Wiglaf stand toe to toe with figures from history such as Hygelac, Hrothgar, and Ingeld. Though the poem cannot be considered historically accurate in a modern sense, "Beowulf" offers an uncannily familiar window into the alliances, truces, feuds, and political intrigues taking place in the Germanic heroic world. It continues to fascinate readers also because of its expression of such prominent themes as community, religion, violence, and revenge.

(Source: literacle.com)

Leseprobe

Anonymous

Beowulf

Table of contents

BEOWULF

Preface

The Story

Abbreviations Used In The Notes

Bibliography Of Translations

Glossary Of Proper Names

List Of Words And Phrases Not In General Use

1. The Life And Death Of Scyld

2. Scyld’s Successors — Hrothgar’s Great Mead-Hall

3. Grendel The Murderer

4. Beowulf Goes To Hrothgar’s Assistance

5. The Geats Reach Heorot

6. Beowulf Introduces Himself At The Palace

7. Hrothgar And Beowulf

8. Hrothgar And Beowulf — Continued

9. Unferth Taunts Beowulf

10. Beowulf Silences Unferth — Glee Is High

11. All Sleep Save One

12. Grendel And Beowulf

13. Grendel Is Vanquished

14. Rejoicing Of The Danes

15. Hrothgar’s Gratitude

16. Hrothgar Lavishes Gifts Upon His Deliverer

17. Banquet (Continued) — The Scop’s Song Of Finn And Hnæf

18. The Finn Episode (Continued) — The Banquet Continues

19. Beowulf Receives Further Honor

20. The Mother Of Grendel

21. Hrothgar’s Account Of The Monsters

22. Beowulf Seeks Grendel’s Mother

23. Beowulf’s Fight With Grendel’s Mother

24. Beowulf Is Double-Conqueror

25. Beowulf Brings His Trophies — Hrothgar’s Gratitude

26. Hrothgar Moralizes — Rest After Labor

27. Sorrow At Parting

28. The Homeward Journey — The Two Queens

29. Beowulf And Higelac

30. Beowulf Narrates His Adventures To Higelac

31. Gift-Giving Is Mutual

32. The Hoard And The Dragon

33. Brave Though Aged. Reminiscences

Beowulf’s Reminiscences

35. Reminiscences (Continued) — Beowulf’s Last Battle

36. Wiglaf The Trusty — Beowulf Is Deserted By Friends And By Sword

37. The Fatal Struggle — Beowulf’s Last Moments

38. Wiglaf Plunders The Dragon’s Den — Beowulf’s Death

39. The Dead Foes — Wiglaf’s Bitter Taunts

40. The Messenger Of Death

41. The Messenger’s Retrospect

42. Wiglaf’s Sad Story — The Hoard Carried Off

43. The Burning Of Beowulf

Addenda

BEOWULF

Anonymous

AN ANGLO-SAXON EPIC POEM

TRANSLATED FROM THE HEYNE-SOCIN TEXT BY J.LESSLIE HALL

Preface

The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose to a modern ear.

The Heyne-Socin text and glossary have been closely followed. Occasionally a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.

This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.

In order to please the larger class of readers, a regular cadence has been used, a measure which, while retaining the essential characteristics of the original, permits the reader to see ahead of him in reading.

Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honored Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?

Of all English translations of Beowulf, that of Professor Garnett alone gives any adequate idea of the chief characteristics of this great Teutonic epic.

The measure used in the present translation is believed to be as near a reproduction of the original as modern English affords. The cadences closely resemble those used by Browning in some of his most striking poems. The four stresses of the Anglo-Saxon verse are retained, and as much thesis and anacrusis is allowed as is consistent with a regular cadence. Alliteration has been used to a large extent; but it was thought that modern ears would hardly tolerate it on every line. End-rhyme has been used occasionally; internal rhyme, sporadically. Both have some warrant in Anglo-Saxon poetry. (For end-rhyme, see 1 53, 1 54; for internal rhyme, 2 21, 6 40.)

What Gummere 1 calls the “rime-giver” has been studiously kept; viz., the first accented syllable in the second half-verse always carries the alliteration; and the last accented syllable alliterates only sporadically. Alternate alliteration is occasionally used as in the original. (See 7 61, 8 5.)

No two accented syllables have been brought together, except occasionally after a cæsural pause. (See 2 19 and 12 1.) Or, scientifically speaking, Sievers’s C type has been avoided as not consonant with the plan of translation. Several of his types, however, constantly occur; e.g. A and a variant (/ x | / x) (/ x x | / x); B and a variant (x / | x / ) (x x / | x / ); a variant of D (/ x | / x x); E (/ x x | / ). Anacrusis gives further variety to the types used in the translation.

The parallelisms of the original have been faithfully preserved. ( E.g., 1 16 and 1 17: “Lord” and “Wielder of Glory”; 1 30, 1 31, 1 32; 2 12 and 2 13; 2 27 and 2 28; 3 5 and 3 6.) Occasionally, some loss has been sustained; but, on the other hand, a gain has here and there been made.

The effort has been made to give a decided flavor of archaism to the translation. All words not in keeping with the spirit of the poem have been avoided. Again, though many archaic words have been used, there are none, it is believed, which are not found in standard modern poetry.

With these preliminary remarks, it will not be amiss to give an outline of the story of the poem.

The Story

Hrothgar, king of the Danes, or Scyldings, builds a great mead-hall, or palace, in which he hopes to feast his liegemen and to give them presents. The joy of king and retainers is, however, of short duration. Grendel, the monster, is seized with hateful jealousy. He cannot brook the sounds of joyance that reach him down in his fen-dwelling near the hall. Oft and anon he goes to the joyous building, bent on direful mischief. Thane after thane is ruthlessly carried off and devoured, while no one is found strong enough and bold enough to cope with the monster. For twelve years he persecutes Hrothgar and his vassals.

Over sea, a day’s voyage off, Beowulf, of the Geats, nephew of Higelac, king of the Geats, hears of Grendel’s doings and of Hrothgar’s misery. He resolves to crush the fell monster and relieve the aged king. With fourteen chosen companions, he sets sail for Dane-land. Reaching that country, he soon persuades Hrothgar of his ability to help him. The hours that elapse before night are spent in beer-drinking and conversation. When Hrothgar’s bedtime comes he leaves the hall in charge of Beowulf, telling him that never before has he given to another the absolute wardship of his palace. All retire to rest, Beowulf, as it were, sleeping upon his arms.

Grendel comes, the great march-stepper, bearing God’s anger. He seizes and kills one of the sleeping warriors. Then he advances towards Beowulf. A fierce and desperate hand-to-hand struggle ensues. No arms are used, both combatants trusting to strength and hand-grip. Beowulf tears Grendel’s shoulder from its socket, and the monster retreats to his den, howling and yelling with agony and fury. The wound is fatal.

The next morning, at early dawn, warriors in numbers flock to the hall Heorot, to hear the news. Joy is boundless. Glee runs high. Hrothgar and his retainers are lavish of gratitude and of gifts.

Grendel’s mother, however, comes the next night to avenge his death. She is furious and raging. While Beowulf is sleeping in a room somewhat apart [x]from the quarters of the other warriors, she seizes one of Hrothgar’s favorite counsellors, and carries him off and devours him. Beowulf is called. Determined to leave Heorot entirely purified, he arms himself, and goes down to look for the female monster. After traveling through the waters many hours, he meets her near the sea-bottom. She drags him to her den. There he sees Grendel lying dead. After a desperate and almost fatal struggle with the woman, he slays her, and swims upward in triumph, taking with him Grendel’s head.

Joy is renewed at Heorot. Congratulations crowd upon the victor. Hrothgar literally pours treasures into the lap of Beowulf; and it is agreed among the vassals of the king that Beowulf will be their next liegelord.

Beowulf leaves Dane-land. Hrothgar weeps and laments at his departure.

When the hero arrives in his own land, Higelac treats him as a distinguished guest. He is the hero of the hour.

Beowulf subsequently becomes king of his own people, the Geats. After he has been ruling for fifty years, his own neighborhood is wofully harried by a fire-spewing dragon. Beowulf determines to kill him. In the ensuing struggle both Beowulf and the dragon are slain. The grief of the Geats is inexpressible. They determine, however, to leave nothing undone to honor the memory of their lord. A great funeral-pyre is built, and his body is burnt. Then a memorial-barrow is made, visible from a great distance, that sailors afar may be constantly reminded of the prowess of the national hero of Geatland.

The poem closes with a glowing tribute to his bravery, his gentleness, his goodness of heart, and his generosity.

It is the devout desire of this translator to hasten the day when the story of Beowulf shall be as familiar to English-speaking peoples as that of the Iliad. Beowulf is our first great epic. It is an epitomized history of the life of the Teutonic races. It brings vividly before us our forefathers of pre-Alfredian eras, in their love of war, of sea, and of adventure.

My special thanks are due to Professors Francis A. March and James A. Harrison, for advice, sympathy, and assistance.

J.L. HALL.

Bibliography Of Translations

Arnold, Thomas.—Beowulf. A heroic poem of the eighth century. London, 1876. With English translation. Prose.

Botkine, L.— Beowulf. Epopée Anglo-Saxonne. Havre, 1877. First French translation. Passages occasionally omitted.

Conybeare, J.J.—Illustrations of Anglo-Saxon Poetry. London, 1826. Full Latin translation, and some passages translated into English blank-verse.

Ettmuller, L.— Beowulf, stabreimend übersetzt. Zürich, 1840.

Garnett, J.M.—Beowulf: an Anglo-Saxon Poem, and the Fight at Finnsburg. Boston, 1882. An accurate line-for-line translation, using alliteration occasionally, and sometimes assuming a metrical cadence.

Grein, C.W.M.— Dichtungen der Angelsachsen, stabreimend übersetzt. 2 Bde. Göttingen, 1857-59.

Grion, Giusto.— Beovulf, poema epico anglo-sassone del VII. secolo, tradotto e illustrato. Lucca, 1883. First Italian translation.

Grundtvig, N.F.S.— Bjowulfs Drape. Copenhagen, 1820.

Heyne, M.—A translation in iambic measures. Paderborn, 1863.

Kemble, J.M.—The Anglo-Saxon Poems of Beowulf, the Traveller’s Song, and the Battle of Finnsburg. London, 1833. The second edition contains a prose translation of Beowulf.

Leo, H.— Ueber Beowulf. Halle, 1839. Translations of extracts.

Lumsden, H.W.—Beowulf, translated into modern rhymes. London, 1881. Ballad measures. Passages occasionally omitted.

Sandras, G.S.— De carminibus Cædmoni adjudicatis. Paris, 1859. An extract from Beowulf, with Latin translation.

Schaldmose, F.— Beowulf og Scopes Widsith, to Angelsaxiske Digte. Copenhagen, 1847.

Simrock, K.— Beowulf. Uebersetzt und erläutert. Stuttgart und Augsburg, 1859. Alliterative measures.

Thorkelin, G.J.— De Danorum rebus gestis secul. III. et IV. poema Danicum dialecto Anglosaxonica. Havniæ, 1815. Latin translation.

Thorpe, B.—The Anglo-Saxon Poems of Beowulf, the Scôp or Gleeman’s Tale, and the Fight at Finnsburg. Oxford, 1855. English translation in short lines, generally containing two stresses.

Wackerbarth, A.D.—Beowulf, translated into English verse. London, 1849.

Wickberg, R.—Beowulf, en fornengelsk hjeltedikt, öfersatt. Westervik. First Swedish translation.

von Wolzogen, H.—Beowulf, in alliterative measures. Leipzig.

Zinsser, G.— Der Kampf Beowulfs mit Grendel. Jahresbericht of the Realschule at Forbach, 1881.

List Of Words And Phrases Not In General Use

ATHELING.—Prince, nobleman.

BAIRN.—Son, child.

BARROW.—Mound, rounded hill, funeral-mound.

BATTLE-SARK.—Armor.

BEAKER.—Cup, drinking-vessel.

BEGEAR.—Prepare.

BIGHT.—Bay, sea.

BILL.—Sword.

BOSS.—Ornamental projection.

BRACTEATE.—A round ornament on a necklace.

BRAND.—Sword.

BURN.—Stream.

BURNIE.—Armor.

CARLE.—Man, hero.

EARL.—Nobleman, any brave man.

EKE.—Also.

EMPRISE.—Enterprise, undertaking.

ERST.—Formerly.

ERST-WORTHY.—Worthy for a long time past.

FAIN.—Glad.

FERRY.—Bear, carry.

FEY.—Fated, doomed.

FLOAT.—Vessel, ship.

FOIN.—To lunge (Shaks.).

GLORY OF KINGS.—God.

GREWSOME.—Cruel, fierce.

HEFT.—Handle, hilt; used by synecdoche for ‘sword.’

HELM.—Helmet, protector.

HENCHMAN.—Retainer, vassal.

HIGHT.—Am (was) named.

HOLM.—Ocean, curved surface of the sea.

HIMSEEMED.—(It) seemed to him.

LIEF.—Dear, valued.

MERE.—Sea; in compounds, ‘mere-ways,’ ‘mere-currents,’ etc.

MICKLE.—Much.

NATHLESS.—Nevertheless.

NAZE.—Edge (nose).

NESS.—Edge.

NICKER.—Sea-beast.

QUIT, QUITE.—Requite.

RATHE.—Quickly.

REAVE.—Bereave, deprive.

SAIL-ROAD.—Sea.

SETTLE.—Seat, bench.

SKINKER.—One who pours.

SOOTHLY.—Truly.

SWINGE.—Stroke, blow.

TARGE, TARGET.—Shield.

THROUGHLY.—Thoroughly.

TOLD.—Counted.

UNCANNY.—Ill-featured, grizzly.

UNNETHE.—Difficult.

WAR-SPEED.—Success in war.

WEB.—Tapestry (that which is ‘woven’).

WEEDED.—Clad (cf. widow’s weeds).

WEEN.—Suppose, imagine.

WEIRD.—Fate, Providence.

WHILOM.—At times, formerly, often.

WIELDER.—Ruler. Often used of God; also in compounds, as ‘Wielder of Glory,’ ‘Wielder of Worship.’

WIGHT.—Creature.

WOLD.—Plane, extended surface.

WOT.—Knows.

YOUNKER.—Youth.

1. The Life And Death Of Scyld

Lo! the Spear-Danes’ glory through splendid achievements

The folk-kings’ former fame we have heard of,

How princes displayed then their prowess-in-battle.

Oft Scyld the Scefing from scathers in numbers

From many a people their mead-benches tore.

Since first he found him friendless and wretched,

The earl had had terror: comfort he got for it,

Waxed ’neath the welkin, world-honor gained,

Till all his neighbors o’er sea were compelled to

Bow to his bidding and bring him their tribute:

An excellent atheling! After was borne him

A son and heir, young in his dwelling,

Whom God-Father sent to solace the people.

He had marked the misery malice had caused them,

2That reaved of their rulers they wretched had erstwhile 3

Long been afflicted. The Lord, in requital,

Wielder of Glory, with world-honor blessed him.

Famed was Beowulf, far spread the glory

Of Scyld’s great son in the lands of the Danemen.

So the carle that is young, by kindnesses rendered

The friends of his father, with fees in abundance

Must be able to earn that when age approacheth

Eager companions aid him requitingly,

When war assaults him serve him as liegemen:

By praise-worthy actions must honor be got

’Mong all of the races. At the hour that was fated

Scyld then departed to the All-Father’s keeping

Warlike to wend him; away then they bare him

To the flood of the current, his fond-loving comrades,

As himself he had bidden, while the friend of the Scyldings

Word-sway wielded, and the well-lovèd land-prince

Long did rule them. 4 The ring-stemmèd vessel,

Bark of the atheling, lay there at anchor,

Icy in glimmer and eager for sailing;

The belovèd leader laid they down there,

Giver of rings, on the breast of the vessel,

The famed by the mainmast. A many of jewels,

Of fretted embossings, from far-lands brought over,

Was placed near at hand then; and heard I not ever

That a folk ever furnished a float more superbly

With weapons of warfare, weeds for the battle,

Bills and burnies; on his bosom sparkled

Many a jewel that with him must travel

On the flush of the flood afar on the current.

And favors no fewer they furnished him soothly,

Excellent folk-gems, than others had given him

Who when first he was born outward did send him

Lone on the main, the merest of infants:

And a gold-fashioned standard they stretched under heaven

High o’er his head, let the holm-currents bear him,

Seaward consigned him: sad was their spirit,

Their mood very mournful. Men are not able

Soothly to tell us, they in halls who reside, 5

Heroes under heaven, to what haven he hied.

2. Scyld’s Successors — Hrothgar’s Great Mead-Hall

In the boroughs then Beowulf, bairn of the Scyldings,

Belovèd land-prince, for long-lasting season

Was famed mid the folk (his father departed,

The prince from his dwelling), till afterward sprang

Great-minded Healfdene; the Danes in his lifetime

He graciously governed, grim-mooded, agèd.

Four bairns of his body born in succession

Woke in the world, war-troopers’ leader

Heorogar, Hrothgar, and Halga the good;

Heard I that Elan was Ongentheow’s consort,

The well-beloved bedmate of the War-Scylfing leader.

Then glory in battle to Hrothgar was given,

Waxing of war-fame, that willingly kinsmen

Obeyed his bidding, till the boys grew to manhood,

A numerous band. It burned in his spirit

To urge his folk to found a great building,

A mead-hall grander than men of the era

Ever had heard of, and in it to share

With young and old all of the blessings

The Lord had allowed him, save life and retainers.

Then the work I find afar was assigned