Seren is the book imprint ofPoetry Wales Press Ltd.57 Nolton Street, Bridgend, Wales, CF31 3AE
www.serenbooks.com
The right of Graham Mort to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988.
© Graham Mort 2011.
ISBN: 978-1-85411-616-1 (EPUB edition)
A CIP record for this title is available from the British Library.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
The publisher acknowledges the financial assistance of the Welsh Books Council.
Cover photograph by Helen Brock.
Ebook conversion by Caleb Woodbridge.
for Maggie
Graham Mort
Cusp
Metalwork
Water’s gleam is pewter
the woods’ alchemical copper
bronze and gold stripped
from the trees’ base-metal
that iron-old assertion
showing through as frost scrapes
back what is rich, trivial
and new to some lost, deeper
trope. Everything becoming
something else: lamentation
hope, the river falling into
its own brass throat. Sea trout
and salmon – lashing silver
tongues that tease the weir all
night – wait unpronounced
in the lacquered pool where
drab trees reach and meld
across the straits below and
days of tainted foam go by
their dappled flux always unstill.
Now it’s seen me, the heron
will unweld: all elbows and knee
joints it ratchets the uncouth
contraption of itself into a
nickel-plated sky. Flight
Dowser
In his gawky teens he was the butt
of wit: cack-handed, ginger, skenning
aflame with acne and a half-fledged Billy
Fury quiff. What marked him was the lore
of hidden depths, a wire swan dipping
on his palms, doing it for Woodbines or
Park Drive. Then full grown, runt-arsed
a hazel fork rearing in his fists; he could
dowse anything from lost drains to
old foundations’ buried lines of stone.
Too wayward for mill work or regiment
he never had a job, paid tax or pension;
he loved the ferret smell of cash. On
wet days they found him in taprooms
hunched over cadged pints, talking
elvers, ways to bait nightlines, trap moles
kill rats, lure eels with a drowned cat;
or he’d be darting it with lads from the
cattle mart, moleskin jacket adrift, one
eye closed to find treble six. He fished the
Greta for sea trout, poached salmon
from the Lune, kept a sawn-off 4-10 for
snaffling grouse, started a feud over a
man’s wife at Mallerstang, divined a Roman
well at Wray and when they dug it out
spat sour black water at his own face.
Once he found a dead girl for the police
face-down in a foot of peat that had the
dogs thrown. It got him into bother when
they found the gun and pheasants in his
van, when his Jack Russell bitch went
nuts and bit a copper’s hand to knuckle
bone. They let him be in the end seeing
as he could neither read nor write nor
Drought
It seemed a double vision: the
natural order split along a focal
plane, those white clouds piled
at Dunsop Bridge, May blossom
lush below, boiling from trees
occluding them, even shrouding
that fractured half-dead thorn
with life.
I drove through aisles of
cream mantilla lace; a deer
ran from its murder of young trees
a kestrel turned above a stricken
spire of ash, hedgerows babbled
foam – burst hydrants dousing
green fires in the bough – until
the car whined clear, revving
climbing, stalling, froth-specked
where the moor’s drift of khaki
grass began.
Then sunset’s welding torch
at the screen showing a
new elevation: ridges and rivers
roughcast in pollen-dusted
bronze where insect corpses pock
the glass like stammered rain
that fails us.
And below, ducking under
blossom that soaps each
slender branch’s arms, Lonsdale’s
wide groove pulls this tributary
down, draws out this moment the
way all things are instantly lived
and past and lie as unremembered
futures. Then we die, and they are
tides of a parched mind flooding
with old prophecies: those gulls
stacked above an empty farm, its
churns dry, its first miraculous
enamel bath a drinking trough, its
heaps of knackered chain and
seized pump.
Now the home run’s glimpsed
the soul’s metal bead aimed
at sunset’s rust-streaked filaments.
The Work of Water
We lie awake before
the day breaks its wafer of
light, before making love;
we listen to the rain, a panting
dove, to the work of water
washing away gardens, its
supplications, its drowsy
insinuations that saywatercourse
valley, rill, stream, gulley, beck
andgill (our local word
for this world-over thing) –
all tributary to the hurried
flow of fingertips and breath.
The dove’s cry comes
again, through the flood’s
garbled pronunciations
pouring from the watershed’s
ridge to the arched spine
of the river bridge, deepening
with each moment of
rain, each drenched syllable
deliquescing on its tongues.
Before this flood of thirst
and touch, before there was
flesh and longing and
Triora
The house overhangs
a valley of ruined vines
olive trees gone wild
in their silver capes.
Soil flows to the sea
to another century and
can’t be terraced back –
the river sucking its
mineral tang of sweat
to another tongue. That
fleeting baffle on the
balcony – its almost sense
of touch – is breath
of swifts’ wings, their
lungs eternal, their
blood’s fulminate of
oxygen stoking tiny
hearts molten in the
mindless fission of
everything:strega
their eyes black
keen as if they know
all history, all futures
in speed, in a spasm
of procreation on
the wing, their un
anchored forms
shearing seams of
air between the
valley and church
where their young
are learning this.
Siege
I watch ant columns enter as you sleep;
shouts of Castilian are fading in the street
as they advance to their redoubts; a
forward party’s raiding at your knee
their armour gleaming in faint light
that buckles in the shutters above me.
Night-heat brings them marching to
the bed and now a war is starting over you.
Oh, innocent America! Conquistadors
well led! On your shoulder skirmishers
advance to put your nipples to the
sword or arquebus or glittering lance.
Those mortars open up a breach close
to the dimpled back part of your knee
whilst elsewhere, courtiers in silken
hose fawn on the gravid queen who
cannot contradict their plot, but lays
more grubs, endures her royal lot.
You don’t wake to see them braid your
hair in ropes that bridge the opal of each ear.
I watch the conquest of your skin: that pair
of muleteers are bringing fresh supplies
those sappers following a vein of blue, that
sentry guards the closed lid of your eye.
My hand alone could clear these hoards
scatter your spine’s outriders, scouts and spies –
consign whole armies to the skirting boards.
Instead, I watch, conspire, betray
by stealth. There’ll be rich pickings at the
del Torrente Mandancio
Fish shadows over
gravel, their blockage