Early Autumn E-Book

Louis Bromfield

• Herausgeber: Lebooks Editora
• Kategorie: Geisteswissenschaft
• Sprache: Englisch

Seitenzahl: 500

Veröffentlichungsjahr: 2024

Beschreibung

Early Autumn is a profound exploration of love, loss, and the complexities of human relationships. Louis Bromfield delves into the emotional turmoil faced by his characters, capturing the essence of their struggles amidst the backdrop of rural life. The novel portrays the intricacies of romance and the lingering effects of past decisions, emphasizing how choices shape one's future. From its publication, Early Autumn has been celebrated for its vivid depiction of character interactions and the subtle nuances of emotional depth. Bromfield's ability to weave intricate relationships makes his characters relatable and memorable, allowing readers to engage deeply with their journeys. The themes of unfulfilled desires and the passage of time resonate throughout the narrative, providing a rich tapestry of human experience. The novel remains relevant today, as it reflects on the human condition and the universal quest for connection and understanding. By examining the fragility of love and the impact of societal expectations, Early Autumn invites readers to ponder their own relationships and the choices that define them. Through its exploration of these timeless themes, Bromfield's work continues to inspire reflection and discussion in contemporary literature.

Leseprobe

Louis Bromfield

EARLY AUTUMN

Contents

INTRODUCTION

EARLY AUTUMN

INTRODUCTION

Louis Bromfield

1896 – 1956

Louis Bromfield was an American author, conservationist, and Pulitzer Prize-winning novelist known for his engaging storytelling and pioneering work in sustainable agriculture. Born in Mansfield, Ohio, Bromfield achieved early success as a writer and later dedicated much of his life to promoting sustainable farming practices. His novel Early Autumn (1926) brought him literary acclaim, with its exploration of family dynamics, societal expectations, and the struggles of tradition versus change in early 20th-century America.

Early Life and Education

Louis Bromfield grew up in a rural area of Ohio, where his love for the land and nature began. This affinity for the natural world would later play a significant role in his writing and personal life. Bromfield attended Cornell University and later transferred to Columbia University, studying agriculture and journalism. His experiences in World War I, where he served as an ambulance driver in France, profoundly influenced his worldview and writing.

Career and Contributions

Bromfield’s literary style is often characterized by a nuanced depiction of American life, marked by a deep understanding of social, familial, and economic dynamics. Early Autumn, his most celebrated novel, explores the tensions within a New England family haunted by rigid social norms and long-standing grievances. The novel earned Bromfield the Pulitzer Prize for Fiction in 1927 and was praised for its layered portrayal of character psychology and subtle critique of American aristocratic ideals.

Beyond literature, Bromfield was a pioneer in sustainable agriculture. He returned to the United States in the 1930s, purchasing Malabar Farm in Ohio, where he practiced and promoted soil conservation, organic farming, and other ecological methods. His agricultural work and writings, such as Pleasant Valley (1943) and Malabar Farm (1948), inspired a movement toward sustainable farming long before it became mainstream, influencing future generations of environmentalists.

Impact and Legacy

Bromfield’s legacy is twofold, bridging both literature and environmental activism. His novels, particularly Early Autumn, resonate as reflections of American social and familial struggles, while his commitment to sustainable farming paved the way for modern conservation practices. As an author, Bromfield captured the complexities of American identity and the conflicting forces of progress and tradition, positioning him as a significant literary figure of his time.

In agriculture, Bromfield’s innovative approaches at Malabar Farm established a model for sustainable land stewardship that continues to influence farming practices globally. His life and work remind us of the interconnectedness of people, stories, and the land we inhabit, marking him as a unique figure who straddled the worlds of literature and environmental advocacy.

About the work

Early Autumn is a profound exploration of love, loss, and the complexities of human relationships. Louis Bromfield delves into the emotional turmoil faced by his characters, capturing the essence of their struggles amidst the backdrop of rural life. The novel portrays the intricacies of romance and the lingering effects of past decisions, emphasizing how choices shape one’s future.

From its publication, Early Autumn has been celebrated for its vivid depiction of character interactions and the subtle nuances of emotional depth. Bromfield's ability to weave intricate relationships makes his characters relatable and memorable, allowing readers to engage deeply with their journeys. The themes of unfulfilled desires and the passage of time resonate throughout the narrative, providing a rich tapestry of human experience.

The novel remains relevant today, as it reflects on the human condition and the universal quest for connection and understanding. By examining the fragility of love and the impact of societal expectations, Early Autumn invites readers to ponder their own relationships and the choices that define them. Through its exploration of these timeless themes, Bromfield's work continues to inspire reflection and discussion in contemporary literature.

EARLY AUTUMN

Chapter I

1

There was a ball in the old Pentland house because for the first time in nearly forty years there was a young girl in the family to be introduced to the polite world of Boston and to the elect who had been asked to come on from New York and Philadelphia. So, the old house was all bedizened with lanterns and bunches of late spring flowers, and in the bare, white-painted, dignified hallway a negro band, hidden discreetly by flowers, sat making noisy, obscene music.

Sybil Pentland was eighteen and lately returned from school in Paris, whither she had been sent against the advice of the conservative members of her own family, which, it might have been said, included in its connections most of Boston. Already her great-aunt, Mrs. Cassandra Struthers, a formidable woman, had gone through the list of eligible young men — the cousins and connections who were presentable and possessed of fortunes worthy of consideration by a family so solidly rich as the Pentlands. It was toward this end that the ball had been launched and the whole countryside invited, young and old, spry and infirm, middle-aged and dowdy — toward this end and with the idea of showing the world that the family had lost none of its prestige for all the lack of young people in its ranks. For this prestige had once been of national proportions, though now it had shrunk until the Pentland name was little known outside New England. Rather, it might have been said that the nation had run away from New England and the Pentland family, leaving it stranded and almost forgotten by the side of the path which marked an unruly, almost barbaric progress away from all that the Pentland family and the old house represented.

Sybil’s grandfather had seen to it that there was plenty of champagne; and there were tables piled with salads and cold lobster and sandwiches and hot chicken in chafing-dishes. It was as if a family whose whole history had been marked by thrift and caution had suddenly cast to the winds all semblance of restraint in a heroic gesture toward splendor.

But in some way, the gesture seemed to be failing. The negro music sounded wild and spirited, but also indiscreet and out of place in a house so old and solemn. A few men and one or two women known for their fondness for drink consumed a great deal of champagne, but only dullness came of it, dullness and a kind of dead despair. The rich, the splendorous, the gorgeous, the barbaric, had no place in rooms where the kind Mr. Longfellow and the immortal Messrs. Emerson and Lowell had once sat and talked of life.

In a hallway, beneath the gaze of a row of ancestors remarkable for the grimness of their faces, the music appeared to lose its quality of abandon; it did not belong in this genteel world. On the fringes of the party there was some drunkenness among the undergraduates imported from Cambridge, but there was very little gaiety. The champagne fell upon barren ground. The party drooped.

Though the affair was given primarily to place Sybil Pentland upon the matrimonial market of this compact world, it served, too, as an introduction for Thérèse Callendar, who had come to spend the summer at Brook Cottage across the stony meadows on the other side of the river from Pentlands; and as a reintroduction of her mother, a far more vivid and remarkable person. Durham and the countryside thereabouts were familiar enough to her, for she had been born there and passed her childhood within sight of the spire of the Durham town meeting-house. And now, after an absence of twenty years, she had come back out of a world which her own people — the people of her childhood — considered strange and ungenteel. Her world was one filled with queer people, a world remote from the quiet old house at Pentlands and the great brownstone houses of Commonwealth Avenue and Beacon Street. Indeed, it was this woman, Sabine Callendar, who seemed to have stolen all the thunder at the ball; beside her, neither of the young girls, her own daughter nor Sybil Pentland, appeared to attract any great interest. It was Sabine whom every one noticed, acquaintances of her childhood because they were devoured by curiosity concerning those missing twenty years, and strangers because she was the most picturesque and arresting figure at the ball.

It was not that she surrounded herself by adoring young men eager to dance with her. She was, after all, a woman of forty-six, and she had no tolerance for mooning boys whose conversation was limited to bootlegging and college clubs. It was a success of a singular sort, a triumph of indifference.

People like Aunt Cassie Struthers remembered her as a shy and awkward young girl with a plain face, a good figure and brick-red hair which twenty years ago had been spoken of as “Poor Sabine’s ugly red hair.” She was a girl in those days who suffered miserably at balls and dinners, who shrank from all social life and preferred solitude. And now, here she was — returned — a tall woman of forty-six, with the same splendid figure, the same long nose and green eyes set a trifle too near each other, but a woman so striking in appearance and the confidence of her bearing that she managed somehow to dim the success even of younger, prettier women and virtually to extinguish the embryonic young things in pink-and-white tulle. Moving about indolently from room to room, greeting the people who had known her as a girl, addressing here and there an acquaintance which she had made in the course of the queer, independent, nomadic life she had led since divorcing her husband, there was an arrogance in her very walk that frightened the young and produced in the older members of Durham community (all the cousins and connections and indefinable relatives), a sense of profound irritation.

Once she had been one of them, and now she seemed completely independent of them all, a traitress who had flung to the winds all the little rules of life drilled into her by Aunt Cassie and other aunts and cousins in the days when she had been an awkward, homely little girl with shocking red hair. Once she had belonged to this tight little world, and now she had returned — a woman who should have been defeated and a little declassée and somehow, irritatingly, was not. Instead, she was a “figure” much sought after in the world, enveloped by the mysterious cloud of esteem which surrounds such persons — a woman, in short, who was able to pick her friends from the ranks of distinguished and even celebrated people. It was not only because this was true, but because people like Aunt Cassie knew it was true, that she aroused interest and even indignation. She had turned her back upon them all and no awful fate had overtaken her; instead, she had taken a firm hold upon life and made of it a fine, even a glittering, success; and this is a thing which is not easily forgiven.

As she moved through the big rooms — complete and perfect from her superbly done, burnished red hair to the tips of her silver slippers — there was about her an assurance and an air of confidence in her own perfection that bordered upon insolence. There was a hard radiance and beauty in the brilliant green dress and the thin chain of diamonds that dimmed all of the others, that made most of the women seem dowdy and put together with pins. Undoubtedly her presence also served to dampen the gaiety. One knew from the look in the disdainful green eyes and the faint mocking smile on the frankly painted red mouth that she was aware of the effect she made and was delighted with her triumph. Wherever she went, always escorted by some man she had chosen with the air of conferring a favor, a little stir preceded her. She was indeed very disagreeable..

If she had a rival in all the crowd that filled the echoing old house, it was Olivia Pentland — Sybil’s mother — who moved about, alone most of the time, watching her guests, acutely conscious that the ball was not all it should have been. There was about her nothing flamboyant and arresting, nothing which glittered with the worldly hardness of the green dress and the diamonds and burnished red hair of Sabine Callendar; she was, rather, a soft woman, of gentleness and poise, whose dark beauty conquered in a slower, more subtle fashion. You did not notice her at once among all the guests; you became aware of her slowly, as if her presence had the effect of stealing over you with the vagueness of a perfume. Suddenly you marked her from among all the others ... with a sense of faint excitement ... a pale white face, framed by smooth black hair drawn back low over the brows in a small knot at the back of her head. You noticed the clear, frank blue eyes, that in some lights seemed almost black, and most of all you noticed when she spoke that her voice was low, warm, and in a way irresistible, a voice with a hundred shades of color. She had a way, too, of laughing, when she was struck by the absurdity of something, that was like a child. One knew her at once for a great lady. It was impossible to believe that she was nearly forty and the mother of Sybil and a boy of fifteen.

Circumstance and a wisdom of her own had made of her a woman who seemed inactive and self-effacing. She had a manner of doing things effortlessly, with a great quietness, and yet, after one came to know her, one felt that she missed little which took place within sight or hearing — not only the obvious things which any stupid person might have noticed, but the subtle, indefinite currents which passed from one person to another. She possessed, it seemed, a marvelous gift for smoothing out troubles. A security, of the sort which often marks those who suffer from a too great awareness, enveloped and preceded her, turning to calm all the troubled world about her. Yet she was disturbing, too, in an odd, indefinable way. There was always a remoteness and a mystery, a sense almost of the fey. It was only after one had known her for a long time, enveloped in the quietness of her pleasant presence, that a faint sense of uneasiness was born. It would occur to you, with the surprise almost of a shock, that the woman you saw before you, the woman who was so gentle and serene, was not Olivia Pentland at all, but a kind of lay figure which concealed, far beneath the veneer of charm, a woman you did not know at all, who was remote and sad and perhaps lonely. In the end, she disturbed the person of discernment far more profoundly than the glittering, disagreeable Sabine Calendar.

In the midst of the noise and confusion of the ball, she had been moving about, now in this big room, now in that one, talking quietly to her guests, watching them, seeing that all went well; and, like all the others, she was fascinated at the spectacle of Sabine’s rebellion and triumph, perhaps even a little amused at the childishness of such defiance in a woman of forty-six who was clever, independent and even distinguished, who need not have troubled to flaunt her success.

Watching Sabine, whom she knew intimately enough, she had guessed that underneath the shell made so superbly by hairdresser, couturier and jeweler there lay hidden an awkward, red-haired little girl who was having her revenge now, walking roughshod over all the prejudices and traditions of such people as Aunt Cassie and John Pentland and Cousin Struthers Smallwood, D.D., whom Sabine always called “the Apostle to the Genteel.” It was almost, thought Olivia, as if Sabine, even after an exile of twenty years, was still afraid of them and that curious, undefeatable power which they represented.

But Sabine, she knew, was observing the party at the same time. She had watched her all the evening in the act of “absorbing” it; she knew that when Sabine walked across from Brook Cottage the next day, she would know everything that had happened at the ball, for she had a passion for inspecting life. Beneath the stony mask of indifference there boiled a perpetual and passionate interest in the intricacies of human affairs. Sabine herself had once described it as “the curse of analysis which took all the zest out of life.”

She was fond of Sabine as a creature unique in the realm of her experience, one who was amusing and actually made fetishes of truth and reality. She had a way of turning her intellect (for it was really a great intellect) upon some tangled, hopeless situation to dissolve it somehow into its proper elements and make it appear suddenly clear, uncomplicated and, more often than not, unpleasant; because the truth was not always a sweet and pleasant thing.

2

No one suffered more keenly from Sabine’s triumphant return than the invincible Aunt Cassie. In a way, she had always looked upon Sabine, even in the long years of her voluntary exile from the delights of Durham, as her own property, much as she might have looked upon a dog, if, indeed, the old lady had been able to bear the society of anything so untidy as a dog. Childless herself, she had exercised all her theories of upbringing upon the unfortunate orphaned little daughter of her husband’s brother.

At the moment, the old lady sat half-way down the white stairs, her sharp black eyes surveying the ball with a faint air of disapproval. The noisy music made her nervous and uneasy, and the way young girls had of using paint and powder seemed to her cheap and common. “One might as well brush one’s teeth at the dinner-table.” Secretly, she kept comparing everything with the ball given for herself forty years earlier, an event which had resulted at length in the capture of Mr. Struthers. Dressed economically (for she made it a point of honor to live on the income of her income), and in mourning for a husband dead eight years earlier, she resembled a dignified but slightly uneasy crow perched on a fence.

It was Sabine who observed that Aunt Cassie and her “lady companion,” Miss Peavey, sitting on the steps together, resembled a crow and a pouter pigeon. Miss Peavey was not only fat, she was actually bulbous — one of those women inclined by nature toward “flesh,” who would have been fat on a diet of sawdust and distilled water; and she had come into the family life nearly thirty years earlier as a companion, a kind of slave, to divert Aunt Cassie during the long period of her invalidism. She had remained there ever since, taking the place of a husband who was dead and children who had never been born.

There was something childlike about Miss Peavey — some people said that she was not quite bright — but she suited Aunt Cassie to a T, for she was as submissive as a child and wholly dependent in a financial sense. Aunt Cassie even gave her enough to make up for the losses she incurred by keeping a small shop in Boston devoted to the sale of “artistic” pottery. Miss Peavey was a lady, and though penniless, was “well connected” in Boston. At sixty she had grown too heavy for her birdlike little feet and so took very little exercise. Tonight she was dressed in a very fancy gown covered with lace and sequins and passementerie, rather in the mode which someone had told her was her style in the far-off days of her girlhood. Her hair was streaked with gray and cut short in a shaggy, uneven fashion; not, however, because short hair was chic, but because she had cut it ten years before short hair had been heard of, in a sudden futile gesture of freedom at the terrible moment she made her one feeble attempt to escape Aunt Cassie and lead her own life. She had come back in the end, when her poor savings gave out and bankruptcy faced her, to be received by Aunt Cassie with dignified sighs and flutters as a returned and repentant prodigal. In this role she had lived ever since in a state of complete subjection. She was Aunt Cassie’s creature now, to go where Aunt Cassie ordered, to do as she was bid, to be an ear-piece when there was at hand no one more worthy of address.

At the sight of Sabine’s green dress and red hair moving through the big hall below them, Aunt Cassie said, with a gleam in her eye: “Sabine seems to be worried about her daughter. The poor child doesn’t seem to be having a success, but I suppose it’s no wonder. The poor thing is very plain. I suppose she got the sallow skin from her father. He was part Greek and French....Sabine was never popular as a young girl herself.”

And she fell to speculating for the hundredth time on the little-known circumstances of Sabine’s unhappy marriage and divorce, turning the morsels over and over again with a variety of speculation and the interjection of much pious phraseology; for in Aunt Cassie’s speech God seemed to have a hand in everything. He had a way of delivering trials and blessings indiscriminately, and so in the end became responsible for everything.

Indeed, she grew a bit spiteful about Sabine, for there was in the back of her mind the memory of an encounter, a day or two earlier, when she had been put completely to rout. It was seldom that Aunt Cassie met anyone who was a match for her, and when such an encounter took place the memory of it rankled until she found some means of subduing the offender. With Miss Peavey she was completely frank, for through long service this plump, elderly virgin had come to be a sort of confessor in whose presence Aunt Cassie wore no mask. She was always saying, “Don’t mind Miss Peavey. She doesn’t matter.”

“I find Sabine extremely hard and worldly,” she was saying. “I would never know her for the same modest young girl she was on leaving me.” She sighed abysmally and continued, “But, then, we mustn’t judge. I suppose the poor girl has had a great deal of misery. I pity her to the depths of my heart!”

In Aunt Cassie’s speeches, in every phrase, there was always a certain mild theatrical overtone as if she sought constantly to cast a sort of melodramatic haze over all she said. Nothing was ever stated simply. Everything from the sight of a pot of sour cream to the death of her husband affected her extravagantly, to the depths of her soul.

But this brought no response from Miss Peavey, who seemed lost in the excitement of watching the young people, her round candid eyes shining through her pince-nez with the eagerness of one who has spent her whole life as a “lady companion.” At moments like this, Aunt Cassie felt that Miss Peavey was not quite bright, and sometimes said so.

Undiscouraged, she went on. “Olivia looks bad, too, tonight ... very tired and worn. I don’t like those circles under her eyes... I’ve thought for a long time that she was unhappy about something.”

But Miss Peavey’s volatile nature continued to lose itself completely in the spectacle of young girls who were so different from the girls of her day; and in the fascinating sight of Mr. Hoskins, a fat, sentimental, middle-aged neighbor who had taken a glass too much champagne and was talking archly to the patient Olivia. Miss Peavey had quite forgotten herself in the midst of so much gaiety. She did not even see the glances of Aunt Cassie in her direction — glances which plainly said, “Wait until I get you alone!”

For a long time, Aunt Cassie had been brooding over what she called “Olivia’s strange behavior.” It was a thing which she had noticed for the first time a month or two earlier when Olivia, in the midst of one of Aunt Cassie’s morning calls, had begun suddenly, quietly, to weep and had left the room without a word of explanation. It had gone from bad to worse lately; she felt Olivia slipping away from all control directly in opposition to her own benevolent advice. There was the matter of this very ball. Olivia had ignored her counsels of economy and thrift, and now Aunt Cassie was suffering, as if the champagne which flowed so freely were blood drawn from her own veins. Not for a century, since Savina Pentland purchased a parure of pearls and emeralds, had so much Pentland money been expended at one time on mere pleasure.

She disapproved, too, of the youthfulness of Olivia and of Sabine. Women of their ages ought not to look so fresh and young. There was something vulgar, even a little improper, in a woman like Sabine who at forty-six looked thirty-five. At thirty, Aunt Cassie herself had settled down as a middle-aged woman, and since then she had not changed greatly. At sixty-five, “childless and alone in the world” (save, of course, for Miss Peavey), she was much the same as she had been at thirty in the role of wife to the “trying Mr. Struthers.” The only change had been her recovery from a state of semi-invalidism, a miracle occurring simultaneously with the passing of Mr. Struthers.

She had never quite forgiven Olivia for being an outsider who had come into the intricate web of life at Pentlands out of (of all places) Chicago. Wisps of mystery and a faint sense of the alien had clung to her ever since. Of course, it wasn’t to be expected that Olivia could understand entirely what it meant to marry into a family whose history was so closely woven into that of the Massachusetts Bay Colony and the life of Boston. What could it mean to Olivia that Mr. Longfellow and Mr. Lowell and Dr. Holmes had often spent weeks at Pentlands? That Mr. Emerson himself had come there for week-ends? Still (Aunt Cassie admitted to herself), Olivia had done remarkably well. She had been wise enough to watch and wait and not go ahead strewing her path with blunders.

Into the midst of these thoughts the figure of Olivia herself appeared, moving toward the stairway, walking beside Sabine. They were laughing over something, Sabine in the sly, mocking way she had, and Olivia mischievously, with a suspicious twinkle in her eyes. Aunt Cassie was filled with an awful feeling that they were sharing some joke about the people at the ball, perhaps even about herself and Miss Peavey. Since Sabine had returned, she felt that Olivia had grown even more strange and rebellious; nevertheless, she admitted to herself that there was a distinction about them both. She preferred the quiet distinction of Olivia to the violence of the impression made by the glittering Sabine. The old lady sensed the distinction, but, belonging to a generation which lived upon emotion rather than analysis, she did not get to the root of it. She did not see that one felt at once on seeing Olivia, “Here is a lady!” — perhaps, in the true sense of the word, the only lady in the room. There was a gentleness about her and a softness and a proud sort of poise — all qualities of which Aunt Cassie approved; it was the air of mystery which upset the old lady. One never knew quite what Olivia was thinking. She was so gentle and soft-spoken. Sometimes of late, when pressing Olivia too hotly, Aunt Cassie, aware of rousing something indefinably perilous in the nature of the younger woman, drew back in alarm.

Rising stiffly, the old lady groaned a little and, moving down the stairs, said, “I must go, Olivia dear,” and, turning, “Miss Peavey will go with me.”

Miss Peavey would have stayed, because she was enjoying herself, looking down on all those young people, but she had obeyed the commands of Aunt Cassie for too long, and now she rose, complaining faintly, and made ready to leave.

Olivia urged them to stay, and Sabine, looking at the old lady out of green eyes that held a faint glitter of hatred, said abruptly: “I always thought you stayed until the bitter end, Aunt Cassie.”

A sigh answered her ... a sigh filled with implications regarding Aunt Cassie’s position as a lonely, ill, bereft, widowed creature for whom life was finished long ago. “I am not young any longer, Sabine,” she said. “And I feel that the old ought to give way to the young. There comes a time..”

Sabine gave an unearthly chuckle. “Ah,” she said, in her hard voice, “I haven’t begun to give up yet. I am still good for years.”

“You’re not a child any more, Sabine,” the old lady said sharply.

“No, certainly I’m not a child anymore.” And the remark silenced Aunt Cassie, for it struck home at the memory of that wretched scene in which she had been put to rout so skillfully.

There was a great bustle about getting the two old ladies under way, a great search for cloaks and scarfs and impedimenta; but at last, they went off, Aunt Cassie saying over her thin, high shoulder, “Will you say good-by to your dear father-in-law, Olivia? I suppose he’s playing bridge with Mrs. Soames.”

“Yes,” replied Olivia from the terrace, “he’s playing bridge with Mrs. Soames.”

Aunt Cassie merely cleared her throat, forcibly, and with a deep significance. In her look, as in the sound of her voice, she managed to launch a flood of disapproval upon the behavior of old John Pentland and old Mrs. Soames.

Bidding the driver to go very slowly, she climbed into her shabby, antiquated motor, followed respectfully by Miss Peavey, and drove off down the long elm-bordered drive between the lines of waiting motors.

Olivia’s “dear father-in-law” was Aunt Cassie’s own brother, but she chose always to relate him to Olivia, as if in some way it bound Olivia more closely, more hopelessly, into the fabric of the family.

As the two younger women reentered the house, Olivia asked, “Where’s Thérèse? I haven’t seen her for more than an hour.”

“She’s gone home.”

“Thérèse ... gone home ... from a ball given for her!”

Olivia halted in astonishment and stood leaning against the wall, looking so charming and lovely that Sabine thought, “It’s a sin for a woman so beautiful to have such a life.”

Aloud Sabine said, “I caught her stealing away. She walked across to the cottage. She said she hated it and was miserable and bored and would rather be in bed.” Sabine shrugged her handsome shoulders and added, “So I let her go. What difference does it make?”

“None, I suppose.”

“I never force her to do things of this sort. I had too much forcing when I was young; Thérèse is to do exactly as she likes and be independent. The trouble is, she’s been spoilt by knowing older men and men who talk intelligently.” She laughed and added, “I was wrong about coming back here. I’ll never marry her off in this part of the world. The men are all afraid of her.”

Olivia kept seeing the absurd figure of Sabine’s daughter, small and dark, with large burning eyes and an air of sulky independence, striding off on foot through the dust of the lane that led back to Brook Cottage. She was so different from her own daughter, the quiet, well-mannered Sybil.

“I don’t think she’s properly impressed by Durham,” said Olivia, with a sudden mischievous smile.

“No ... she’s bored by it.”

Olivia paused to say good-night to a little procession of guests ... the Pingree girls dressed alike in pink tulle; the plump Miss Perkins, who had the finest collection of samplers in New England; Rodney Phillips, whose life was devoted to breeding springers and behaving like a perfect English gentleman; old Mr. Tilney, whose fortune rested on the mills of Durham and Lynn and Salem; and Bishop Smallwood, a cousin of the Pentlands and Sabine (whom Sabine called the Apostle of the Genteel). The Bishop complimented Olivia on the beauty of her daughter and coquetted heavily with Sabine. Motors rushed out from among the lilacs and syringas and bore them away one by one.

When they had gone Sabine said abruptly, “What sort of man is this Higgins… I mean your head stableman?”

“A good sort,” replied Olivia. “The children are very fond of him. Why?”

“Oh ... no reason at all. I happened to think of him tonight because I noticed him standing on the terrace just now looking in at the ball.”

“He was a jockey once ... a good one, I believe, until he got too heavy. He’s been with us ten years. He’s good and reliable and sometimes very funny. Old Mr. Pentland depends on him for everything...Only he has a way of getting into scrapes with the girls from the village. He seems irresistible to them ... and he’s an immoral scamp.”

Sabine’s face lighted up suddenly, as if she had made a great discovery. “I thought so,” she observed, and wandered away abruptly to continue the business of “absorbing” the ball.

She had asked about Higgins because the man was stuck there in her brain, set in the midst of a strange, confused impression that disturbed a mind usually marked by precision and clarity. She did not understand why it was that he remained the most vivid of all the kaleidoscopic procession of the ball. He had been an outsider, a servant, looking in upon it, and yet there he was — a man whom she had never noticed before — vivid and clear-cut, dominating the whole evening.

It had happened a little earlier when, standing in the windowed alcove of the old red-paneled writing-room, she had turned her back for a moment on the ball, to look out upon the distant marshes and the sea, across meadows where every stone and tree and hedge was thrown into a brilliant relief by the clarity of the moonlight and the thin New England air. And trapped suddenly by the still and breathless beauty of the meadows and marshes and distant white dunes, lost in memories more than twenty years old, she had found herself thinking: “It was always like this ... rather beautiful and hard and cold and a little barren, only I never saw it before. It’s only now, when I’ve come back after twenty years, that I see my own country exactly as it is.”

And then, standing there quite alone, she had become aware slowly that she was being watched by someone. There was a sudden movement among the lilacs that stood a little way off wrapped in thick black shadows ... the faintest stirring of the leaves that drew her sharply back to a consciousness of where she was and why she was there; and, focusing all her attention, she was able to make out presently a short, stocky little figure, and a white face peering out from among the branches, watching the dancers who moved about inside the house. The sight produced in her suddenly a sensation of uneasiness and a faint prickling of the skin, which slipped away presently when she recognized the odd, prematurely wrinkled face of Higgins, the Pentland groom. She must have seen him a dozen times before, barely noticing him, but now she saw him with a kind of illuminating clarity, in a way which made his face and figure unforgettable.

He was clad in the eternal riding-breeches and a sleeveless cotton shirt that exposed the short, hairy, muscular arms. Standing there he seemed, with his arched, firmly planted legs, like some creature rooted into the soil ... like the old apple-tree which stood in the moonlight showering the last of its white petals on the black lawn. There was something unpleasant in the sight, as if (she thought afterwards) she had been watched without knowing it by some animal of an uncanny intelligence.

And then abruptly he had slipped away again, shyly, among the branches of the lilacs ... like a faun.

Olivia, looking after Sabine as she walked away, smiled at the knowledge of where she was bound. Sabine would go into the old writing-room and there, sitting in a corner, would pretend that she was interested in the latest number of the Mercure de France or some fashion paper, and all the time she would be watching, listening, while old John Pentland and poor battered old Mrs. Soames sat playing bridge with a pair of contemporaries. Sabine, she knew, wanted to probe the lives of the two old people. She wasn’t content like the others at Pentlands to go on pretending that there had never been anything between them. She wanted to get to the root of the story, to know the truth. It was the truth, always the truth, which fascinated Sabine.

And Olivia felt a sudden, swift, almost poignant wave of affection for the abrupt, grim woman, an affection which it was impossible to express because Sabine was too scornful of all sentiment and too shut in ever to receive gracefully a demonstration; yet she fancied that Sabine knew she was fond of her, in the same shy, silent way that old John Pentland knew she was fond of him. It was impossible for either of them ever to speak of such simple things as affection.

Since Sabine had come to Durham, it seemed to Olivia that life was a little less barren and not quite so hopeless. There was in Sabine a curious hard, solid strength which the others, save only the old man, lacked completely. Sabine had made some discovery in life that had set her free ... of everything but that terrible barrier of false coldness.

In the midst of these thoughts came another procession of retreating guests, and the sadness, slipping away from Olivia’s face, gave way to a perfect, artificial sort of gaiety. She smiled, she murmured, “Good-night, must you go,” and, “Good-night, I’m so glad that you liked the ball.” She was arch with silly old men and kind to the shy young ones and repeated the same phrases over and over again monotonously. People went away saying, “What a charming woman Olivia Pentland is!”

Yet immediately afterward she did not remember who had passed by her.

One by one the guests departed, and presently the black musicians packed up their instruments and went away, and at last Sybil appeared, shy and dark, looking a little pale and tired in her clinging gown of pale green. At sight of her daughter a little thrill of pride ran through Olivia. She was the loveliest of all the girls at the ball, not the most flamboyant, but the gentlest and really the most beautiful. She possessed the same slow beauty of her mother, which enveloped one in a kind of mist that lingered long after she herself had gone away. She was neither loud and mannish and vulgar like the “horsey” women nor common like the girls who used too much paint and tried to behave like women of the world. There was already about her the timelessness that envelops a lady no matter the generation in which she appears; there was a mystery, a sophistication and knowledge of life which put to rout all the cheap flashiness of the others. And yet, somehow, that same cool, shy poise and beauty frightened people. Boys who were used to calling young girls “Good old So-and-so” found themselves helpless before the dignity of a young girl who looked in her green gown a little like a cool wood-nymph. It troubled Olivia profoundly, not for herself, but because she wanted the girl to be happy — more than that, to know the depths of happiness which she herself had sensed but never found. It was in a way as if she saw herself again in Sybil, as if looking back now from the pinnacle of her own experience she could guide this younger self, standing on the brink of life, along paths less barren than those trod by her own feet. It was so necessary that Sybil should fall in love with a man who would make her happy. With most girls it would make little difference one way or another, so long as they had money; if they were unhappy or bored they would divorce their husbands and try again because that was the rule in their world. But with Sybil, marriage would be either an immense, incalculable happiness or a profound and hopeless tragedy.

She thought suddenly of what Sabine had said of Thérèse a little while before. “I was wrong about coming back here. I’ll never marry her off in this part of the world.”

It was true somehow of Sybil. The girl, in some mysterious fashion, knew what it was she wanted; and this was not a life which was safe and assured, running smoothly in a rigid groove fixed by tradition and circumstance. It was not marriage with a man who was like all the other men in his world. It went deeper than all that. She wanted somehow to get far down beneath the surface of that life all about her, deep down where there was a savor to all she did. It was a hunger which Olivia understood well enough.

The girl approached her mother and, slipping her arm about her waist, stood there, looking for all the world like Olivia’s sister.

“Have you enjoyed it?” asked Olivia.

“Yes... It’s been fun.”

Olivia smiled. “But not too much?”

“No, not too much.” Sybil laughed abruptly, as if some humorous memory had suddenly come to life.

“Thérèse ran away,” said her mother.

“I know ... she told me she was going to.”

“She didn’t like it.”

“No ... she thought the boy’s stupid.”

“They’re very much like all boys of their age. It’s not an interesting time.”

Sybil frowned a little. “Thérèse doesn’t think so. She says all they have to talk about is their clubs and drinking ... neither subject is of very much interest.”

“They might have been, if you’d lived here always ... like the other girls. You and Thérèse see it from the outside.” The girl didn’t answer, and Olivia asked: “You don’t think I was wrong in sending you to France to school?”

Quickly Sybil looked up. “Oh, no ... no,” she said, and then added with smoldering eagerness, “I wouldn’t have changed it for anything in the world.”

“I thought you might enjoy life more if you saw a little more than one corner of it... I wanted you to be away from here for a little time.” (She did not say what she thought — “because I wanted you to escape the blight that touches everything at Pentlands.”)

“I’m glad,” the girl replied. “I’m glad because it makes everything different... I can’t explain it. Only as if everything had more meaning than it would have otherwise.”

Suddenly Olivia kissed her daughter and said: “You’re a clever girl; things aren’t wasted on you. And now go along to bed. I’ll stop in to say good-night.”

She watched the girl as she moved away through the big empty hall past the long procession of Pentland family portraits, thinking all the while that beside them Sybil seemed so fresh and full of warm eager life; and when at last she turned, she encountered her father-in-law and old Mrs. Soames moving along the narrow passage that led from the writing-room. It struck her sharply that the gaunt, handsome old John Pentland seemed really old tonight, in a way he had never been before, old and a little bent, with purplish circles under his bright black eyes.

Old Mrs. Soames, with her funny, intricate, dyed-black coiffure and rouged cheeks and sagging chin supported by a collar of pearls, leaned on his arm — the wreck of a handsome woman who had fallen back upon such silly, obvious tricks as rouge and dye — a vain, tragic old woman who never knew that she was a figure of fun. At sight of her, there rose in Olivia’s mind a whole vista of memories — assembly after assembly with Mrs. Soames in stomacher and tiara standing in the reception line bowing and smirking over rites that had survived in a provincial fashion some darker, more barbaric, social age.

And the sight of the old man walking gently and slowly, out of deference to Mrs. Soames’ infirmities, filled Olivia with a sudden desire to weep.

John Pentland said, “I’m going to drive over with Mrs. Soames, Olivia dear. You can leave the door open for me.” And giving his daughter-in-law a quick look of affection, he led Mrs. Soames away across the terrace to his motor.

It was only after they had gone that Olivia discovered Sabine standing in the corridor in her brilliant green dress watching the two old people from the shadow of one of the deep-set windows. For a moment, absorbed in the sight of John Pentland helping Mrs. Soames with a grim courtliness into the motor, neither of them spokes, but as the motor drove away down the long drive under the moon-silvered elms, Sabine sighed and said, “I can remember her as a great beauty ... a really great beauty. There aren’t any more like her, who make their beauty a profession. I used to see her when I was a little girl. She was beautiful — like Diana in the hunting-field. They’ve been like that for ... for how long. It must be forty years, I suppose.”

“I don’t know,” said Olivia quietly. “They’ve been like that ever since I came to Pentlands.” (And as she spoke she was overcome by a terrible feeling of sadness, of an abysmal futility. It had come to her more and more often of late, so often that at times it alarmed her lest she was growing morbid.)

Sabine was speaking again in her familiar, precise, metallic voice. “I wonder,” she said, “if there has ever been anything...”

Olivia, divining the rest of the question, answered it quickly, interrupting the speech. “No ... I’m sure there’s never been anything more than we’ve seen... I know him well enough to know that.”

For a long time, Sabine remained thoughtful, and at last she said: “No ... I suppose you’re right. There couldn’t have been anything. He’s the last of the Puritans. The others don’t count. They go on pretending, but they don’t believe any more. They’ve no vitality left. They’re only hypocrites and shadows... He’s the last of the royal line.”

She picked up her silver cloak and, flinging it about her fine white shoulders, said abruptly: “It’s almost morning. I must get some sleep. The time’s coming when I have to think about such things. We’re not as young as we once were, Olivia.”

On the moonlit terrace she turned and asked: “Where was O’Hara? I didn’t see him.”

“No ... he was asked. I think he didn’t come on account of Anson and Aunt Cassie.”

The only reply made by Sabine was a kind of scornful grunt. She turned away and entered her motor. The ball was over now and the last guest gone, and she had missed nothing — Aunt Cassie, nor old John Pentland, nor O’Hara’s absence, nor even Higgins watching them all in the moonlight from the shadow of the lilacs.

The night had turned cold as the morning approached and Olivia, standing in the doorway, shivered a little as she watched Sabine enter her motor and drive away. Far across the meadows she saw the lights of John Pentland’s motor racing along the lane on the way to the house of old Mrs. Soames; she watched them as they swept out of sight behind the birch thicket and reappeared once more beyond the turnpike, and as she turned away at last it occurred to her that the life at Pentlands had undergone some subtle change since the return of Sabine.

Chapter II

It was Olivia’s habit (and in some way every small action at Pentlands came inevitably to be a habit) to go about the house each night before climbing the paneled stairs, to see that all was in order, and by instinct she made the little tour as usual after Sabine had disappeared, stopping here and there to speak to the servants, bidding them to go to bed and clear away in the morning. On her way she found that the door of the drawing-room, which had been open all the evening, was now, for some reason, closed.

It was a big square room belonging to the old part of the house that had been built by the Pentland who made a fortune out of equipping privateers and practicing a sort of piracy upon British merchantmen — a room which in the passing of years had come to be a museum filled with the relics and souvenirs of a family which could trace its ancestry back three hundred years to a small dissenting shopkeeper who had stepped ashore on the bleak New England coast very soon after Miles Standish and Priscilla Alden. It was a room much used by all the family and had a worn, pleasant look that compensated for the monstrous and incongruous collection of pictures and furniture. There were two or three Sheraton and Heppelwhite chairs and a handsome old mahogany table, and there were a plush sofa and a vast rocking-chair of uncertain ancestry, and a hideous bronze lamp that had been the gift of Mr. Longfellow to old John Pentland’s mother. There were two execrable water-colors — one of the Tiber and the Castle San Angelo and one of an Italian village — made by Miss Maria Pentland during a tour of Italy in 1846, and a stuffed chair with tassels, a gift from old Colonel Higginson, a frigid steel engraving of the Signing of the Declaration which hung over the white mantelpiece, and a complete set of Woodrow Wilson’s History of the United States given by Senator Lodge (whom Aunt Cassie always referred to as “dear Mr. Lodge”). In this room were collected mementoes of long visits paid by Mr. Lowell and Mr. Emerson and General Curtis and other good New Englanders, all souvenirs which Olivia had left exactly as she found them when she came to the big house as the bride of Anson Pentland; and to those who knew the room and the family there was nothing unbeautiful or absurd about it. The effect was historical. On entering it one almost expected a guide to step forward and say, “Mr. Longfellow once wrote at this desk,” and, “This was Senator Lodge’s favorite chair.” Olivia knew each tiny thing in the room with a sharp sense of intimacy.

She opened the door softly and found that the lights were still burning and, strangest of all, that her husband was sitting at the old desk surrounded by the musty books and yellowed letters and papers from which he was compiling laboriously a book known as “The Pentland Family and the Massachusetts Bay Colony.” The sight of him surprised her, for it was his habit to retire punctually at eleven every night, even on such an occasion as this. He had disappeared hours earlier from the ball, and he still sat here in his dinner coat, though it was long after midnight.

She had entered the room so softly that he did not hear her and for a moment she remained silently looking down at him, as if undetermined whether to speak or to go quietly away. He sat with his back to her so that the sloping shoulders and the thin, ridged neck and partly bald head stood outlined against the white of the paneling. Suddenly, as if conscious of being watched, he turned and looked at her. He was a man of forty-nine who looked older, with a long horseface like Aunt Cassie’s — a face that was handsome in a tired, yellow sort of way — and small, round eyes the color of pale-blue porcelain. At the sight of Olivia, the face took on a pouting expression of sourness ... a look which she knew well as one that he wore when he meant to complain of something.

“You are sitting up very late,” she observed quietly, with a deliberate air of having noticed nothing unusual.

“I was waiting to speak to you. I want to talk with you. Please sit down for a moment.”

There was an odd sense of strangeness in their manner toward each other, as if there had never been, even years before when the children were babies, any great intimacy between them. On his part there was, too, a sort of stiff and nervous formality, rather quaint and Victorian, and touched by an odd air of timidity. He was a man who would always do not perhaps the proper thing, but the thing accepted by his world as “proper.”

It was the first time since morning that the conversation between them had emerged from the set pattern which it had followed day after day for so many years. When he said that he wanted to speak to her, it meant usually that there was some complaint to be made against the servants, more often than not against Higgins, whom he disliked with an odd, inexplicable intensity.

Olivia sat down, irritated that he should have chosen this hour when she was tired, to make some petty comment on the workings of the house. Half without thinking and half with a sudden warm knowledge that it would annoy him to see her smoking, she lighted a cigarette; and as she sat there, waiting until he had blotted with scrupulous care the page on which he had been writing, she became conscious slowly of a strange, unaccustomed desire to be disagreeable, to create in some way an excitement that would shatter for a moment the overwhelming sense of monotony and so relieve her nerves. She thought, “What has come over me? Am I one of those women who enjoys working up scenes?”

He rose from his chair and stood, very tall and thin, with drooping shoulders, looking down at her out of the pale eyes. “It’s about Sybil,” he said. “I understand that she goes riding every morning with this fellow O’Hara.”

“That’s true,” replied Olivia quietly. “They go every morning before breakfast, before the rest of us are out.”

He frowned and assumed almost mechanically a manner of severe dignity. “And you mean to say that you have known about it all along?”

“They meet down in the meadows by the old gravel-pit because he doesn’t care to come up to the house.”

“He knows, perhaps, that he wouldn’t be welcome.”

Olivia smiled a little ironically. “I’m sure that’s the reason. That’s why he didn’t come tonight, though I asked him. You must know, Anson, that I don’t feel as you do about him.”

“No, I suppose not. You rarely do.”

“There’s no need to be unpleasant,” she said quietly.

“You seem to know a great deal about it.”

“Sybil tells me everything she does. It is much better to have it that way, I think.”

Watching him, it gave her a faint, warm sense of satisfaction to see that Anson was annoyed by her calmness, and yet she was a little ashamed, too, for wanting the excitement of a small scene, just a tiny scene, to make life seem a little more exciting. He said, “But you know how Aunt Cassie and my father feel about O’Hara.”

Then, for the first time, Olivia began to see light in the darkness. “Your father knows all about it, Anson. He has gone with them himself on the red mare, once or twice.”

“Are you sure of that?”

“Why should I make up such a ridiculous lie? Besides, your father and I get on very well. You know that.” It was a mild thrust which had its success, for Anson turned away angrily. She had really said to him, “Your father comes to me about everything, not to you. He is not the one who objects or I should have known.” Aloud she said, “Besides, I have seen him with my own eyes.”

“Then I will take it on my own responsibility. I don’t like it and I want it stopped.”

At this speech Olivia’s brows arched ever so slightly with a look which might have been interpreted either as one of surprise or one of mockery or perhaps a little of both. For a moment she sat quite still, thinking, and at last she said, “Am I right in supposing that Aunt Cassie is at the bottom of this?” When he made no reply she continued, “Aunt Cassie must have gotten up very early to see them off.” Again, a silence, and the dark little devil in Olivia urged her to say, “Or perhaps she got her information from the servants. She often does, you know.”

Slowly, while she was speaking, her husband’s face had grown more and more sour. The very color of the skin seemed to have changed so that it appeared faintly green in the light from the Victorian luster just above his narrow head.

“Olivia, you have no right to speak of my aunt in that way.”

“We needn’t go into that. I think you know that what I said was the truth.” And a slow warmth began to steal over her. She was getting beneath his skin. After all those long years, he was finding that she was not entirely gentle.

He was exasperated now and astonished. In a gentler voice he said, “Olivia, I don’t understand what has come over you lately.”

She found herself thinking, wildly, “Perhaps he is going to soften. Perhaps there is still a chance of warmth in him. Perhaps even now, after so long, he is going to be pleasant and kind and perhaps ... perhaps ... more.”

“You’re very queer,” he was saying. “I’m not the only one who finds you so.”

“No,” said Olivia, a little sadly. “Aunt Cassie does, too. She’s been telling all the neighborhood that I seem to be unhappy. Perhaps it’s because I’m a little tired. I’ve not had much rest for a long time now ... from Jack, from Aunt Cassie, from your father ... and ... from her.” At the last word she made a curious little half-gesture in the direction of the dark north wing of the big house.

She watched him, conscious that he was shocked and startled by her mentioning in a single breath so many things which they never discussed at Pentlands, things which they buried in silence and tried to destroy by pretending that they did not exist.

“We ought to speak of those things, sometimes,” she continued sadly. “Sometimes when we are entirely alone with no one about to hear, when it doesn’t make any difference. We can’t pretend forever that they don’t exist.”

For a time, he was silent, groping obviously, in a kind of desperation for something to answer. At last, he said feebly, “And yet you sit up all night playing bridge with Sabine and old Mrs. Soames and Father.”

“That does me good. You must admit that it is a change at least.”

But he only answered, “I don’t understand you,” and began to pace up and down in agitation while she sat there waiting, actually waiting, for the thing to work itself up to a climax. She had a sudden feeling of victory, of intoxication such as she had not known in years, not since she was a young girl; and at the same time, she wanted to laugh, wildly, hysterically, at the sight of Anson, so tall and thin, prancing up and down.

Opposite her he halted abruptly and said, “And I can see no good in inviting Mrs. Soames here so often.”

She saw now that the tension, the excitement between them, was greater even than she had imagined, for Anson had spoken of Mrs. Soames and his father, a thing which in the family no one ever mentioned. He had done it quite openly, of his own free will.

“What harm can it do now? What difference can it make?” she asked. “It is the only pleasure left to the poor battered old thing, and one of the few left to your father.”

Anson began to mutter in disgust. “It is a silly affair ... two old ... old.” He did not finish the sentence, for there was only one word that could have finished it and that was a word which no gentleman and certainly no Pentland ever used in referring to his own father.

“Perhaps,” said Olivia, “it is a silly affair now. I’m not so sure that it always was.”

“What do you mean by that? Do you mean...” Again, he fumbled for words, groping to avoid using the words that clearly came into his mind. It was strange to see him brought face to face with realities, to see him grow so helpless and muddled. “Do you mean,” he stammered, “that my father has ever behaved ...” he choked and then added, “dishonorably.”

“Anson ... I feel strangely like being honest tonight ... just for once ... just for once.”

“You are succeeding only in being perverse.”