Ecstasy - Hans-Jürgen Döpp - E-Book

Ecstasy E-Book

Hans-Jürgen Döpp

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Beschreibung

The climax to the act of love casts an indefinable expression on the face – an expression of urgent intensity. A woman, a man, in that moment experiences an ecstasy that for an instant is visible in the eyes and on the lips. A wave of pleasure runs through the body, marking the transition between desire and orgasm. For this fleeting second, when just how violent the senses can be is laid bare, the person involved is not the same as the person immediately before or the person immediately after. With the help of prints and etchings from former centuries, author Hans-Jürgen Döpp looks for an explanation of this very personal mystery that leads to fulfilment.

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Seitenzahl: 29

Veröffentlichungsjahr: 2019

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Layout:

Baseline Co. Ltd

Ho-Chi-Minh-City, Vietnam

© Parkstone Press International, New York, USA

© Confidential Concepts, worldwide, USA

© Image-Barwww.image-bar.com

All rights reserved.

No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers, artists, heirs or estates. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification.

ISBN: 978-1-64461-892-9

Hans-Jürgen Döpp

Contents

1.Lucas Cranach the Elder, Venus and Cupid, 1509.

2.John Collier, Lilith, 1887.

3.Philip Burne-Jones, The Vampire, 1897.

4.Sandro Botticelli, The Madonna of the Presentiment (detail), 1482.

5.Miniature illustration for Boccaccio’s Decameron, 14thcentury.

6.Peter Johann Nepomuk Geiger, 1840.

7.Lucas Cranach the Elder, Lucretia, 1533.

8.Julie Mangenet Cameron, St Agnes, 1864.

9.Anonymous French etching.

10.Rojan, Springtime Idyll, 1934.

11.Franz von Stuck, Salome, 1906.

12.Armand Petitjean, pastel drawings 1946–1947.

13.Armand Petitjean, pastel drawings 1946–1947.

14.Anonymous photo.

15.François Boucher, Le Repos de la Volupté, 1748.

16.Auguste Rodin, Le Cercle des Amours (The Circle of Lovers), around 1880.

17.Rudolf Schlichter, Free and Easy, 1920s.

18.Gianlorenzo Bernini, The Ecstasy of St Theresa, 1647–1652.

19.Colbet, etched colour engraving.

20.Volupté, 19thcentury.

21.Gustav Klimt, Scene in a Dream, 1911.

22.Gustav Klimt, Women Seated With Her Legs Apart, 1916–1917.

23.Franz von Bayros, The Garden of Aphrodite, from Drawings of Love, 1907.

24.Gustav Klimt, Two Lovers, 1914.

25.Gustav Klimt, Couple, 1914.

26.Jules Duboscq, Second Empire. Daguerreotype.

27.Simon Solomon, Sappho and Erinna in the Garden of Mitylene, 1864.

28.Coloured shunga (‘Images of Spring’).

29.Anonymous. Daguerreotype.

30.Berthomme Saint André, illustration from Gamiani.1930s.

31.Amedeo Modigliani, Nude. Bridgeman Art Library.

32.Anonymous, Homoerotic Scene, 1930s.

33.Egon Schiele, Sapphic Couple, 1911.

34.Aubrey Beardsley, How Sir Tristram Drank the Love Philtre, illustration for Le Morte D’Arthur, 1893.

35.French postcard, end of the 19thcentury.

36.Franz von Stuck, The Kiss of the Sphinx, 1895.

37.Satyr and Maenad, from Pompeii, 1stcentury AD.

38.Peter Fendi, Sequence of Erotic Scenes, 1835.

39.Erotic Dances, Greece, 6thcentury BC..

40 - 41.Rojan, Springtime Idyll, 1934.

42.Félix-Jacques Antoine Moulin, 1851–1854.

43.Giovanni Zuin, Seated Nude.

44.Amorous Couple. Marble relief based on a Greek motif.

45.Indian miniature.

46.The Kama Sutra.

47.Coloured shunga (‘Images of Spring’).

48.Mural depicting De Figuris Veneris (‘The Forms of Love’).

49.Selected engravings from the series entitled The Various Forms of Love, around 1920.

50.Jean Auguste Dominque Ingres, Couple Together on a Bed.

51.Richard Guino, erotic drawings.

Beauty should lead to a paroxysm of emotion:if it doesn’t, it isn’t beauty.

André Breton

There is nothing more exciting for a man than the face of a beautiful woman in the throes of passion. For a red-blooded male, after all, beauty represents the ultimate lure, an irresistible attraction. Conveyed by the eyes, beauty can inflame his desire and arouse him to the very depths of his being. “Beauty,” said Bataille, “is that aspect of the beheld that arouses desire.” In his Satyricon