Haunted Boston E-Book

Gemma King

• Herausgeber: The History Press
• Kategorie: Ratgeber
• Sprache: Englisch

Seitenzahl: 159

Veröffentlichungsjahr: 2013

Beschreibung

Take an eerie journey through the historic town of Boston, where ghostly friars still occupy the land of their thirteenth-century monastery, and where Sarah Preston's disembodied cries of 'Pestilence!' can sometimes be heard as her ghostly apparition jumps from the top of St Botolph's Church. Her alleged former home, Church Key Studio, has seen many occupants come and go over the centuries – but does one of them still reside there in spirit? Also featured is the ancient Guildhall of St Mary's, where a group of distinguished ghostly gentlemen hold board meetings in the upper hall while a lady apparition stares intently into the old prison cells. And explore the spectacular rooms and gardens of Fydell House, where previous occupants have been seen and heard, long after their deaths. This book tells the stories of many well-known locations, with first-hand testimonies of paranormal activity – from pubs, shops and restaurants to a former music venue. Including exclusive photographs and the results of paranormal investigations, some of the locations featured will surprise you… and some of the chilling evidence will make your blood run cold.

Leseprobe

Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living.

Arthur C. Clarke, Space Odyssey

An aerial view over Boston town featuring South Street – one of the town’s paranormal hotspots – with seven haunted locations either on the street itself, or a stone’s throw from it. (Courtesy of Dan Watts)

CONTENTS

Title Page

Acknowledgements

Introduction

one      Investigations

two      Blackfriars Theatre and Arts Centre

three   The Boston Gliderdrome

four     Church Key Studio, 28–30 Church Street

five      Haunted Pubs of Boston

six        Fydell House, South Street

seven   Norprint Ltd

eight    Silt Side Service Ltd, London Road

nine     Boston Town – More Ghostly Encounters

Afterword

Bibliography & Further Reading

Websites

About the Author

Copyright

ACKNOWLEDGEMENTS

IN compiling this book, many people assisted me in different ways and I would like to take this opportunity to thank them.

Firstly, I would like to give special thanks to my husband Phil and my two children Mikey (six) and Jasmine (five) for their unwavering patience and support during my busy periods of research, investigating and writing. In addition to his support of my project, Phil has also provided crucial assistance with some of my illustrations. I am very grateful for his invaluable contribution.

Special thanks also go to my parents Lin and Den, my sister Melissa and brother-in-law Daniel and the rest of my family and close friends, who have always supported me in my passion for all things paranormal and who have offered so much encouragement over the years with my research, investigations and more recently with my compilation of this book. Furthermore, my brother Daniel Watts worked extremely hard on my behalf in filming and putting together promotional videos in relation to this book, and big thanks also go to him. Also to Chloe Watts, an aspiring young investigator whose assistance has proved invaluable during site tours and investigation nights, and Serena Watts, who has also assisted and supported me in not only my investigations but also my many talks.

Huge thanks to Dean Grant and his investigation team 13 Paranormal for their assistance in exploring some of the most haunted sites in Boston. They are a highly skilled investigation team and have been amazing to work with. It is always a wonderful learning experience working with different investigators, as everyone works differently and even slight differences can prove really beneficial in learning new techniques and gaining experience in the field.

With regard to contributions and assistance with specific features in the book, thanks go to Andrew Malkin, Communications Manager at Boston Borough Council for the invaluable contribution to my research into the Guildhall, plus the exclusive photographs. Andrew and Chris Malkinson at The Gliderdrome for their support in my research of the building and co-operation in allowing access to redundant parts of the building, no longer visited by the public – plus privileged access to their historic and exclusive photo collection. Mike Raymond, Theatre Director at Blackfriars for his valued time and support in assistance with my research, plus access to the building to conduct a paranormal investigation. Claire Sheldrake from Fydell House, who was extremely hospitable and helpful during my time researching the building and who also allowed the team to carry out a paranormal investigation. David Horry, Principal Leisure Services Officer at Geoff Moulder Leisure Complex for his insight and co-operation in my compilation of the book feature plus access granted to 13 Paranormal for their paranormal investigation. Thanks also go to Basil Wright (former employee of Norprint), who kindly granted me exclusive access to the former factory building and gave his time by leading me on a detailed and insightful tour.

I would like to give mention to Nigel Crowe and Shirley Elrick for their dedicated time and assistance in researching the history of the Jolly Crispin pub/bed and breakfast as the information they provided was extremely helpful.

Special thanks also go to Sandra and Jenny Sales, former owners of Church Key Studio, for their warmth, hospitality and assistance with my research. And to Carl from Silt Side Service Ltd for his giving me his valuable time and expertise.

I remain very grateful to Billy Jenthorn for access to his wonderfuly informative blog, which provided exclusive photographs of Boston in times gone by, and stories such as ‘The Shaw Road Ghost’, ‘Tattershall Road’ and ‘Phantom Train on the A16’. Thank you to Gemma Gadd and the Boston Standard, who have allowed access to their archives and publication of their material, and also provided unwavering support for my Haunted Boston project from the outset.

Thank you also to Andrew Kilbee of Lincs-Paranormal and Editor of the Boston Old Times and Helen Shill for the insight and historic photographs that they have provided in connection with The Scala Theatre.

All photographs in this publication, unless otherwise stated, are copyright of the author. I have made every effort to contact copyright holders and gain permission for the use of any copyright material, but I apologise if I have inadvertently missed anyone out.

INTRODUCTION

LOCATED in the heart of the Lincolnshire fens, Boston is a town rich in medieval history. Having been one of the main ports for the international shipping trade, it was a busy market town as early as the twelfth century. In the thirteenth century, four orders of friars settled in Boston and some remnants of their establishments are still present today. While researching this book, I have explored locations in and around Boston where human remnants of the past still exist in the form of ghostly apparitions, spirit voices and other unexplained paranormal phenomena. I have investigated some of the most haunted locations in Boston in an attempt to communicate with the entities present, capture evidence of paranormal activity, and listen to their voices in order to try and establish why they are still around us, sharing our space and communicating with us. In researching the stories of ghosts in and around Boston I have uncovered a wealth of different testimonies, new and old. I have also drawn on both local history and contemporary sources to separate fact from folklore, in order to bring you chilling stories of ghostly activity that have never previously been told and exclusive photographs that have never previously been published. In addition to the book itself there is a website that runs concurrently (see Bibliography) where readers will be able to listen to EVP clips (spirit voices) and other events captured on audio in some of the locations, see some of my favourite photographs in more detail and look at some of the unpublished photographs. In view of the fact that my ultimate objective in investigating has always been to find out what is really going on and try to capture evidence of paranormal activity, I feel that the website feature is a unique and special way to do this, adding another dimension to the book which enables people to hear and see the evidence, as well as just reading about it.

Gemma King, 2013

1

INVESTIGATIONS

AS a paranormal investigator, I have explored many haunted locations over the years. As part of my research for this book, and in fulfilment of my hobby, some of the locations featured have been the subject of investigations and I have therefore opted to include this chapter, which gives insight as to how I conduct the process of investigating and the equipment and techniques that I personally recommend in order to achieve the best possible results.

Investigating on location. (Author’s own photo)

The Basics

I always visit the location that I am planning to investigate before the planned investigation night, as this enables me to tour the building, familiarise myself with the surroundings, listen to the testimonies of activity that has taken place and give consideration to other possible causes of the activity that has been reported. For example, I take note of where fuse boxes and other power sources are located as this will affect electromagnetic field (EMF) meter readings. I also look for doors and windows where periodic draughts could be causing reported ‘cold spots’, or perhaps where sources of light penetrating through windows or building fabric could cause visual anomalies. Another thing I check for is general noise levels, although buildings and their surroundings are typically quieter at night. Investigations are usually conducted in the dark, so as to increase awareness of all the senses, and also because visual anomalies are best captured on night vision or with a camera flash. It is therefore vital that investigators are familiar with their surroundings. On the night of the investigation it is important that the building is locked down and noise contamination is kept to a minimum. After all, it is only when these factors are taken into account that we can consider the real possibility of paranormal activity occurring, and I want to stand the best possible chance of capturing the evidence.

Testimonies

I am always very interested in the particular testimonies that people give relating to their paranormal experience, and one of the things I am always keen to try and establish is whether the encounter they have had relates to a residual ghost or an intelligent spirit. Certain characteristics of a haunting can be quite telling at the testimony stage of the investigation process, in the sense that some people describe a visual spectacle that carries all the hallmarks of a residual ghost. If, for example, an apparition of a person in period costume was seen walking through a wall where a door was once located, seemingly completely unaware of their surroundings, this would suggest to me the likelihood of a residual ghost. These are most often seen walking through walls; across gardens; sometimes even above or below ground level – ground level may have changed since their lifetime – and they have no ‘intelligence’ or ‘awareness’ whatsoever because they are merely a replay of a past event; a visual spectacle. It is widely believed that traumatic events are most likely to lend themselves to residual playback, and there have been many experiences reported all over the world where people have witnessed the ‘playback’ of suicides or even murders known to have taken place many years before. Sometimes the experience is visual; sometimes it is audible and visual. Scientists have accepted the phenomenon of residual energy becoming captured in certain masonry materials such as slate, rusted nails and stone (rusted or oxidised materials) as they contain properties similar to those of videotapes, which have to go through an oxidisation process to enable the capture of visual/audible information. As yet, however, it is not known what triggers the release of the residual energy.

Another point that I always note in my initial consultation at a haunted location is the exact location(s) within the building where the paranormal events have occurred. This gives an idea of where would be the best place to set up digital video recorders (DVRs) and electronic voice phenomenon recorders to maximise the possibility of capturing evidence.

Equipment and Techniques

Base Reading Meter

This tests various measurements, and is used at the beginning of an investigation to test general levels of sound, temperature, electromagnetic field and sound levels in different parts of the building in order to get a ‘base’ reading, so that anomalies and variations of the base reading can be easily detected during the analysis of the data at the end of the night.

Investigation equipment. (Author’s collection)

EMF Meter

Sometimes referred to as the KII, these detect levels of electromagnetic energy, which spirits use in order to manifest. The theory is that spirits take energy from sources of power such as appliances and lights in order to manifest in a remote space away from those power sources. For example, I was in a building, talking to the owners about how we can use EMF detectors to try and communicate with spirits by encouraging them to come towards you and touch the machine. On this particular evening, as I gave my demonstration, there was a notable dimming of surrounding wall lights, right on cue. Moments later the EMF meter flickered all the way up to red – as though the spirits were taking the energy from the wall lights and using it to light up my machine in the centre of the room. On many occasions, I have found that the machine lights up on request, and then goes back down to green when I ask the spirits to step away from it. Repeating this process is a good indication of possible interaction with an ‘intelligent’ spirit, and these can also be used to invite ‘yes or no’ answers from the entity that is communicating, so long as you explain to them what the machine is for, and what you would like them to do in order to interact with you.

It is also very important to offer reassurance to the spirit that you mean them no harm.

As well as confirming paranormal activity, EMF meters can also debunk it, in that some reputedly ‘haunted’ buildings have had various testimonies of activity, all reported to be emanating from the same room – it may be that the occupants of the room have all experienced feelings of paranoia as though someone is watching them – or they may have been experiencing feelings of nausea or seeing dark shadows. These symptoms, whilst similar to those of a paranormal experience, can sometimes be attributable to high levels of EMF given off by nearby fuse boxes, exposed cables or appliances, and in such cases anyone spending lengthy periods of time in that room would more than likely be suffering the unpleasant effects of excessive exposure to EMF.

Motion Detectors

These can be positioned in a closed-off room while investigations are taking place elsewhere in the building. If they go off, it can be an indicator of a ghostly presence in that room. It is always good to note the time if that does happen, so you can review the event alongside other data such as audio and DVR footage. In fact, if you put talc on the floor, you can then check for footprints that don’t match any of the investigation team.

EVP and Digital Voice Recorders

This is my personal favourite piece of equipment; its use has enabled me to capture what I would consider to be some of my most compelling pieces of evidence of possible interaction/communication from intelligent spirits. The theory is that recording devices can capture disembodied sounds and spirit voices known as ‘Electronic Voice Phenomena’, which are inaudible to the human ear at the time of recording but can be heard after the investigation, during playback of the recorded session. When playing back the session, specialised computer software is used to extract and analyse any anomalies in the recording. The average human voice is recorded within a frequency range of 500–3000HZ but spirit voices and other anomalies are captured on audio devices measuring at frequencies far beyond this range. You can maximise the chance of capturing a good EVP during an investigation by introducing yourself and your equipment to any spirit entities present and inviting them to communicate with you. You then need to ask lots of questions, making sure an appropriate period of silence is left to allow for answers. It is also good to leave the voice recorder running during silent vigils to enable the capture of any random disembodied sounds. It is important to remember when using EVP recorders that they are very sensitive, and as such should be placed on a flat surface where possible and left untouched while investigating – it is also incredible how loud footsteps are when listening to the audio following an investigation, and for that reason it is also best to minimise walking about whilst recording. When it comes to playing back the audio after the investigation it is best to use good headphones and computer software that enables you to view the sound waves, identify anomalies and extract the clips where you have heard a voice or noise that cannot be considered to have come from any other person or source on the night. EVP clips can then be graded into three categories as follows:

Class A: Easily heard and understood from the speakers of a sound system.

Class B: Can be heard over the speaker but there may not be agreement as to the message – some words may be agreed on.

Class C: Can only be heard with headphones; these are often difficult to decipher.

To date I have had much success using the EVP recorder, and I feel they are a good validation of intelligent communication. For example, sometimes my statements or questions have been responded to by use of my name, which rules out the argument put forward previously by some sceptics that the sounds are merely interference from outside sources such as radio. The EVP recorder is extremely fulfilling in terms of my main objectives in paranormal investigation – to capture irrefutable evidence of spirit communication, and to present evidence that enables ordinary people such as myself, with no psychic ability whatsoever, to witness paranormal events and spirit communication for themselves rather than relying on what they are told by mediums.

This EVP of a young child’s voice was captured at the end of an investigation night just as I was packing away equipment. I said ‘Goodbye’ to any resident spirits and this response, which I did not hear at the time, was audible upon playing back the recording. In this clip, the volume of the child’s voice has been slightly increased to make it more audible, which is why the sound waves are raised from the centre. (Author’s own photo)

Camera

I take a good quality camera on investigations, and I invite spirits to appear in my photographs. Doing so has produced some very good results, from large orb-like anomalies the size of a football to a half-bodied apparition. Pictures are best taken in a dark or a dimly-lit room as that will show up the anomalies better than in daylight. With regard to orbs, not all balls of light will be ghostly manifestations – I have to rule out dust or other debris. However, it is believed that spirits need a lot of energy to manifest in full-bodied visual form and as such will often manifest as a ball of light. Spirit orbs are unmistakable in appearance with a ring formation around the edge. Some are also very large and very bright. I find the theory of orbs interesting, given that many people who have had near-death experiences have reported becoming an orb of light and quite often on investigations, pictures will show large ones that are clearly not insects or dust, due to their size and formation.

DVR

Digital Video Recorders can capture good evidence of paranormal activity, and they work well; either set up in one corner, perhaps a ‘hotspot’ where activity has previously been reported, or they can be taken around the building as you investigate. Either way, they can pick up both audio and visual anomalies – they ideally need to have a night vision setting, as investigation vigils are mostly conducted in the dark.

Trigger Objects