10,55 €
The Poetry Book Society Winter 2020 ChoiceIn Letters to Americathe Guyanese-British poet, novelist and playwright Fred D'Aguiar has some difficult things to say. The twenty-two poems are full of lived tales and memories - of Britain, the Caribbean and the United States - and of specific and shared memory. He supplies some of the difficult detail he has omitted from earlier poems. The modern mid-city Los Angeles sun-rise we experience is a cacophony, violent and memorable music rendered in prose. The poems weave in and out of familiar forms, including terza rima, casting and breaking spells. There is peril at every turn, and opportunity.D'Aguiar is now Professor of English at the University of California, Los Angeles, a wry perspective from which to survey a nation enduring a dismal present, and also the years that shaped him. It is the variety of lives, his own among them, that provide the changing illumination of his writing, and he has developed a mimetic language that takes its bearings from Derek Walcott and from Kamau Brathwaite whose 'Barbados shines/Back at Africa'. Like his chosen forebears, he risks longer forms as well as lyrics, most notably in the fragmented 'Burning Paradise', in 'Call & Response', an impassioned exchange with Martin Luther King, and in the extended title poem.This is Fred D'Aguiar's fourth Carcanet collection, and his most ambitious.
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Veröffentlichungsjahr: 2020
iii
FRED D’AGUIAR
Ambit (Bullet; Kamau; Burning Paradise); BBC R4, Front Row (Kamau); Poetry London (Axe; Sun Rises in Mid-city LA); Poetry Review (Claudia Jones; I Dream JB Says To Me); Poetry (Letters to America); Prairie Schooner (King David Cooks Ital in Port Antonio); Race Today Anthology (Body Count); TLS (Derek Walcott; Downtown, LA); Living Stream Anthology (Call & Response); The Hedge #3 (Black Lives Matter); Terminus (What I left Out); Wasafiri (Calypso). My thanks to Debbie Dalton, Michael Schmidt, Andrew Latimer and Charlotte Rowland.
3
To Dylan, Aniyah and baba Cruz
4
Where bones build pace under
Water over grown with currents
Where pickaxes solder sparks
Plunged into such cranial soil
Where sounds collide to become
Muffled blankets by those bones
So that I may scrape them clean
Of their funeral salt holdings
So that all those bones assemble
Pulled together by coral music anchors
To walk once more water bridged so
Dance this blue fabric painted there
By a mind that moves eyes hands
Back forth by and by sea made land
Dark finds me waiting for a world
Birds bring to my patch of green,
Wings sow light, songs keep time.
My eyes sieve this dark till I make out
Stations in thick night, so many lookouts
Now clarify to settle into their names:
Trees, homes, powerlines, crisscross fences,
All meshed with sky, curved all around me.
Now the first engines unroll linoleum traffic,
My refrigerator shudders at the prospect
Of overtime, two lights over my stove frown
As I count down the years ready for daybreak.
Everybody took from a circle
What only arms could carry,
Yet this circle never depleted
As you would expect if people
Dipped into a bucket or a vault.
Instead it grew more pronounced
Seemed more circular if such a thing
Exists for a shape already manifest
Readymade for this world, all ready,
A whole world before those people
Gathered, their faces shining with
Conviction, for they know what they
Bring to the circle and what they take
From it, that no matter the exchange
That circle grows by giving them more.
The walk to the corner shop
From the tenement yard
Armed with a shopping list –
Groceries on trust until
Payday wipes the balance
Sheet clean for another week.
Days sharing midday shade
With the watchdog asleep
On dirt, bed of this earth,
Paws sprinting in a dream,
As you watch the day cool
Down for you to join friends
For a game of Catcher or Hop
Scotch – the one where you kick
A dry mango seed along squares
Drawn in the dirt as you hop
On one foot – while you wait
Your turn, watching, this happens.