Tapping Discovered E-Book

Honza Kourimsky

• Herausgeber: Guitar & Music Institute
• Kategorie: Geisteswissenschaft
• Sprache: Englisch

Veröffentlichungsjahr: 2023

Beschreibung

TAPPING DISCOVERED for guitarists looking to solo with tapping.
If you are looking to tap on guitar or you're looking to increase your knowledge, understanding and technique then Tapping Discovered by Honza Kourimsky and released by GMI - Guitar & Music Institute is the book for you.

146 pages of pure tapping goodness takes you from first principles in chapter one all the way through to the fiendishly complete solos in chapter five.

★ After legend and Tapping Form sections and videos there are 5 chapters.

★ Each of the first three chapters offer 14 exercises and then a complete solo.

★ Chapter four demonstrates ten amazing tapping licks in a variety of styles.

★ Chapter five includes two extended solos which includes all techniques, concepts and ideas presented within the text and videos of entire book.

CHAPTER ①
By the end of this lesson you will be able to travel up and down the length of the top string using multi-finger tapping. You will also learn how to adjust both your fretting and tapping grip to fit into and complement specific harmonic contexts. Finally, you will also learn to connect tapping patterns in a way that keep your hand relaxed and your playing in time with the music.

CHAPTER ②

By the end of this lesson you will be able to move up and down the length of the top string using legato tapping as well as combining legato tapping with multi-finger tapping as covered in lesson 1. As always, the emphasis will be on being able to execute these multiple techniques whilst staying relaxed and in time with the music. 

CHAPTER ③

By the end of this lesson you will be able to connect multi-finger and legato tapping patterns with pentatonic tapping patterns and legato playing as well as making use of each of these patterns to cross strings on the guitar neck. You will be shown how to combine and use all the patterns you have learned so far to move both up and down the instrument horizontally and vertically. 


CHAPTER ④
In this lesson we will study a variety of licks that use tapping to form at least part of their melody. Apart from adding to your library of patterns and tapping technique, these licks will also show you how to connect tapping with other popular guitar techniques such as bends, slides vibrato etc. Of prime importance is how many of the styles presented are in styles of music often not thought compatible with tapping.


CHAPTER FIVE as mentioned brings everything together in two amazing extended solos.
Over one and a half hours of HD video included via QR codes.
24 professional quality backing tracks for you to download and practice all of the exercises, examples and solos with over and over again.

Leseprobe

Table of Contents

Table of Contents

Title Page

Copyright Page

How This Book Works

Thinking About Tapping

Correct Tapping Form

Practice Tempos

Understanding The Notation

LESSON 1: Multi-Finger Tapping

1.1 Establishing a basic tapping pattern

1.2 Tapping with all four fingers

1.3 Quicker alterations between tapping fingers

1.4 Developing a melody in the tapping hand

1.5 Quick alterations in the tapping hand with the melody

1.6 Extending our tapping melody

1.7 Changing the order of the tapping fingers

1.8 Introducing melody in the fretting hand & the leading finger

1.8a Outer finger leads fretting hand

1.8b Inner finger leads fretting hand

1.9 Fretboard melody with quicker tapping finger switches

1.9b Inner finger leads fretting hand

1.10 Fretting melody + tapping melody + quick switches

1.10a Outer finger leads fretting hand

1.10b Inner finger leads fretting hand

1.11 Changing shape in the fretting hand & contrary movement

1.11b Inner finger leads fretting hand (2nd finger in this case)

1.12 Changing positions in both hands

1.12a Outer finger leads fretting hand

1.12a Outer finger leads fretting hand 2

1.12b Inner finger leads fretting hand

1.12b Inner finger leads fretting hand 2

1.13 Going up the length of the 1st string

1.13a Outer finger leads fretting hand

1.13a Outer finger leads fretting hand 2

1.13b Inner finger leads fretting hand

1.13b Inner finger leads fretting hand 2

1.14 Going down the entire length of the 1st string

1.14a Outer finger leads fretting hand

1.14a Outer finger leads fretting hand 2

1.14b Inner finger leads fretting hand

1.14b Inner finger leads fretting hand 2

1.15 Closing Piece

1.15 Closing Piece 2

1.15 Closing Piece 3

1.15 Closing Piece 4

1.15 Closing Piece 5

1.15 Closing Piece 6

LESSON TWO: Legato Tapping

2.1 Establishing a basic legato tapping pattern

2.2 Introducing melody in the tapping hand

2.3 Combining legato tapping with multi-finger tapping

2.3 Combining legato tapping with multi-finger tapping 2

2.4 Contrary montion in legato and multi-finger pattern

2.4 Contrary montion in legato and multi-finger pattern 2

2.5 Moving up positions with our legato tapping pattern

2.6 Moving between positions with ONLY our fretting hand

2.7-2.8 Changing positions with both the tapping and fretting hand

2.9 Moving up the length of the 1st string using legato tapping

2.10 Moving down the length of the 1st string using the legato tapping pattern

2.11 Moving up and down the length of the 1st string with legato pattern

2.11 Cont. then 2.12 Moving up 1st string multi-finger legato

2.12 Moving up 1st string multi-finger legato 2

2.12 Moving up 1st string multi-finger legato 3

2.13 Moving down the length of the 1st string multi-finger

2.13 Moving down the length of the 1st string multi-finger 2

2.13 Moving down the length of the 1st string multi-finger 3

2.13 Moving down the length of the 1st string multi-finger 4

2.14 Moving up and down 1st string multi-finger legato

2.14 Moving up and down 1st string multi-finger legato 2

2.14 Moving up and down 1st string multi-finger legato 3

2.14 Moving up and down 1st string multi-finger legato 4

2.14 Moving up and down 1st string multi-finger legato 5

2.15 Closing piece

2.15 Closing piece 2

2.15 Closing piece 3

2.15 Closing piece 4

2.15 Closing piece 5

2.15 Closing piece 6

LESSON 3: Crossing Strings

3.1 Moving up and down the length of the 2nd string multi-finger

3.1 Moving up and down the length of the 2nd string multi-finger 2

3.2 Moving up and down the length of the 3rd string multi-finger

3.2 Moving up and down the length of the 3rd string multi-finger 2

3.3 Moving up and down the length of the 4th string multi-finger

3.3 Moving up and down the length of the 4th string multi-finger 2

3.3 Moving up and down the length of the 4th string multi-finger 3

3.4 Moving up and down the length of the 5th string multi-finger

3.4 Moving up and down the length of the 5th string multi-finger 2

3.4 Moving up and down the length of the 5th string multi-finger 3

3.5 Crossing strings with the mult-finger tapping pattern

3.5a Outer finger leads fretting hand in mult-finger tapping

3.5b Inner finger leads fretting hand in multi-finger tapping

3.6 Crossing strings with the legato tapping patter and legato

3.6 Crossing strings with the legato tapping patter and legato 2

3.7 Using the minor pentatonic scale in tapping

3.8 Moving up and down a minor pentatonic in one position

3.8 Moving up and down a minor pentatonic in one position 2

3.9 Horizontal movement with the minor penatonci

3.10 Connecting the minor pentatonic

3.11 Connecting the minor pentatonic and multi-finger tapping

3.11 Connecting the minor pentatonic and multi-finger tapping 2

3.11 Connecting the minor pentatonic and multi-finger tapping 3

3.12 Combining the minor pentatonic scale and legato tapping

3.12 Combining the minor pentatonic scale and legato tapping 2

3.12 Combining the minor pentatonic scale and legato tapping 3

3.13 Minor pentatonic + multi-finger tappping + legato

3.13 Minor pentatonic + multi-finger tappping + legato 2

3.13 Minor pentatonic + multi-finger tappping + legato 3

3.13 Cont... 3.14 Minor pentatonic + multi-finger + legato

3.14 Minor pentatonic + multi-finger + legato 2

3.14 Minor pentatonic + multi-finger + legato 3

3.14 Minor pentatonic + multi-finger + legato 4

3.15 Closing piece

3.15 Closing piece 2

3.15 Closing piece 3

3.15 Closing piece 4

3.15 Closing piece 5

3.15 Closing piece 6

LESSON 4: Tapping Licks

4.1 Lick blues harmonical trill

4.2 Dominant seventh chord across all six strings

4.3 Ornamentation of melody lick

4.4 Lap steel lick

4.5 Lap steel lick #2

4.6 Classic sweep picking lick

4.6 Classic sweep picking lick 2

4.6 Classic sweep picking lick 3

4.7 Slide tapping lick A minor blues

4.8 Double stopping tapping lick

4.9 Fretting hand slide lick

4.10 Chromatic tapping lick

LESSON 5: Final pieces

Final closing piece 1

Final closing piece 1 - 2

Final closing piece 1 - 3

Final closing piece 1 - 4

Final closing piece 1 - 5

Final closing piece 2

Final closing piece 2 - 2

Final closing piece 2 - 3

Final closing piece 2 - 4

Other GMI resources

Guide

Start of Content

Tapping Discovered:

A fresh approach for guitar players of rock, metal, funk, 

country & fusion styles

Honza Kourimsky

Brand new approach to tapping complete with:



Fully annotated exercises with in-depth analysis of technique



Backing tracks recorded at different tempos and tonal centres for improvisational

practice



All music presented in video, standard notation and tab format



10 original tapping licks composed for this course alone

 

Tapping Discovered

A fresh approach for guitar players of rock, metal, funk, country & fusion styles

Honza Kourimsky

Copyright © 2020 GMI – Guitar & Music Institute

www.guitarandmusicinstitute.com

ISBN

First published in Scotland in 2020 by GMI – Guitar Music Institute

All rights reserved. No part of this publication may be reproduced or distributed in any form

or by any means, or stored in a data base or retrieval system, without the prior written

permission of the author.

Cover (illustration) by Ged Brockie.