The Dream of Jiban E-Book

Abid Hasan Sarder

• Herausgeber: BookRix
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch

Veröffentlichungsjahr: 2022

Beschreibung

The Dream of Jiban is a book of selected article by Abid Hasan Sarder, Eap Samneangkhemara, Vou Pheng Kheang and Keo Samnang. The book is edited by GKP Pub and Agency.

Leseprobe

Abid Hasan Sarder, Eap Samneangkhemara

The Dream of Jiban

The Dream of Jiban is a book of selected article by Abid Hasan Sarder, Eap Samneangkhemara, Vou Pheng Kheang and Keo Samnang. The book is edited by GKP Pub and Agency.BookRix GmbH & Co. KG81371 Munich

Introduce

The Dream of Jiban

A Collection of Story and article 

The Starting

The Starting

In 1952, Bangabandhu Sheikh Mujibur Rahman started a hunger strike to demand the release of Faridpur Jail. Just five days after his release from jail, Bangabandhu arrived at his home in Gopalganj, exhausted and ill. After a long wait, Fazilatunnecha wept with emotion after seeing Bangabandhu. After a long wait and pride, he said, 'Why did you go on a fast? Do they have mercy? We did not remember any words? What would be the way if something happened? How could I live with these two milk babies? Hachina, what happened to Kamal? You will say, it would not be difficult to eat and drink! Do people want to live only with food and clothing? And if you die, how will you do the work of the country?' Full of emotions, but what a mature expression of feelings! This is how Bangabandhu Sheikh Mujibur Rahman has been repeatedly depicted in his unfinished autobiography in the eyes of Sheikh Mujibur Rahman in the combination of emotions, love and a strong sense of duty.

Fazilatunnesha's nickname is Renu. Bangabandhu used to call him Renu. The child who came into Bangabandhu's life through marriage at the age of just three years, in the course of time became the center of Bangabandhu's trust; Bangabandhu won the love of the people of the world by filling the center point, and placed Bangladesh in the seat of respect and honor in the court of the world. Fajilatunnecha was also the inspiration behind writing an outstanding document, unfinished autobiography, to know Bangabandhu as a person and to know Bangladesh's independence and freedom movement through his eyes. An unfinished autobiography has been written for Bangabandhu in Jailgate based on the pages of his notebook. In Bangabandhu's description in the unfinished autobiography, the reader sees the development of the child 'Renu'. Renu, who appeared in Bangabandhu's life at the age of three, is later recognized by the reader as a confident and mature woman; He who stood between the boundaries of the time and society and saw the infinite future, took visionary and courageous decisions. Sheikh Mujib Pathak has presented this self-confident and emotional character of Renu to the reader from a place of complete respect and trust in him. There is no extraneous or fancy arrangements in this. Had this reverence not been ingrained in Bangabandhu, it would never have been portrayed so perfectly.

Bangabandhu's respect for women, women's abilities and qualifications was not limited to Fazilatunnesha. Rather, Bangabandhu's respect and trust for women was unwavering in the description of every female character in this book. Not that many female characters in this book got readers. But he draws each of the female characters the reader is introduced to from a place of deep respect and trust. The slightest contempt or contempt for them was not noticed anywhere. Bangabandhu embodied and nurtured the truth of equality between men and women in his philosophy. Bangabandhu's mother Saira Khatun has been read as a woman who is confident in her decisions. He looked after his father's property in the village house. When Bangabandhu's father came to the city for work, he did not agree to stay in the city. Even in Bangabandhu's narration, we hear his mother Saira Khatun saying, 'My father has given me property so that I can live in his house. If you go to the city, the house will not light, father will curse.