The Scorpion-Fish - Nicolas Bouvier - E-Book

The Scorpion-Fish E-Book

Nicolas Bouvier

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Beschreibung

On an unamed Island that can only be Ceylon, the traveller checks into his 117th rented room, abandoned by his lover, poor and feverish. A book on Indian insects deepens his morbid fascination with the crawling inhabitants of the room-'a pretty world of killers'- barely distinguishable from the insect like habitues of the local cafe, the charlatans and fake exorcists, the indolent landowners, merchants and priests. In this exhausted state, he grows antennae that are 'tensed between the real and the occult'. The distinction between fact and fiction is blurred, but in this world of the imagination truths are sometimes crystal clear. A long-dead, levitating priest and the beautiful but deadly scorpion-fish, symbol of Bouvier's ambivalent relationship with the Island, are but two of the specters which eventually lose their hold on the author, releasing him back to life. It is a classic tale of the mental breakdown of a western traveller in the feverish heat of the tropical East - but which yet offers precious insights into the world and the self.

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THE SCORPION-FISH

NICOLAS BOUVIER

translated from the French by Robyn Marsack

To Eliane Thomas Manuel

and to Claude Debussy

this old, old story

Contents

Title PageDedicationEpigraphI Cape ComorinII The Customs OfficerIII GalleIV The 117th RoomV The CapitalVI The BusVII The Zone of SilenceVIII Indigo StreetIX Four Grains of HelleboreX Scorpio and PiscesXI A Pinch of Curiosity …XII Showing TonightXIII ‘One is often in need of something very small indeed’XIV Homage to FlemingXV CirceXVI PadreXVII A Gentleman CompanionXVIII Remember to RememberXIX This Morning …XX The Last EnchanterAfterwordCopyright

All the same, you can’t just come and go without breathing a word

— Kenneth White

I

Cape Comorin

The One was born of heat and

in Him awakened love, the

first seed of awareness.

— The Rig Veda

The sun and I had been up a long time when I remembered that it was my birthday, and that in the last of the bazaars I’d come upon the previous evening, I’d bought a melon. I made myself a present of it, scraped it down to the rind, and washed my sticky face in the dregs of tea from my flask.

I had fallen asleep at once, beside the car under a solitary pipal tree, facing the yellow dunes which border the Adam Strait, and the sea flecked with white horses. It had been a wondrous voyage down India. Today I would leave the continent I loved so much. The morning, rich with expectations, was lighter than a bubble. To all its suggestions, my answer was: yes. I packed my bag mechanically, watching the slender black figures in wisps of crimson, bustling around a small sugarcane mill a stone’s throw from my bivouac. A girl dressed in a sarong of the same red brought them some food. I shaded my eyes the better to see her magnificent bare breasts in the sputtering light. Above the surf I could hear warm, quick voices and the grating of wooden calenders. Time stood still. In this graceful patterning of echoes, reflections, shadows of dancing colour, there was a supreme and transient perfection, a music I recognized. Whatever we mean when we speak of Orpheus and his lyre, Krishna and his flute; something clear, natural, simple; the return to ancient springs. Once you have heard it, you always yearn to hear it again.

Sixty kilometres from the Cape the road suddenly comes to an end in the sand, like someone breaking off a sentence. Then you notice a wooden shack, so unlike a station that no guide ever mentions it. And a small narrow-gauge train, all hardwood and brass, shining like a cauldron from the passengers’ little cigars, and the constant rubbing of hands and buttocks. My neighbours: all black, seasonal workers from Madras going down to the plantations on the Island, squatting amidst their bundles of flowery cloth, faces framed by their stork legs. As I didn’t take up much room or crush their belongings, the boldest of them asked me in English if I were an Indian from Nepal. India is so vast — seventeen alphabets, more than three hundred dialects — that you can never be sure. And I was tanned, salty as a chip, a bit shrivelled with jaundice too. Even before I could reply, they forgot about me. They all assumed the same vacant, docile expression because the frontier was approaching, and they had to cross it with out-of-date, illegal papers, sealed in sweat. At the Cape Comorin terminus they made their way in columns of four to the huts, hazy in the midday heat. Like them I joined the queue for a visa. Craning my head I saw in the shed’s blue shadow a Tamil nurse, busy vaccinating the throng with a graduated syringe as big as a baby’s bottle. For each client he changed the needle and injected whatever dose he thought appropriate. No shot, no visa. I certainly didn’t need one, but what was one more vaccination set against an argument with a southern Indian official? The colour of my eyes indicated that I was a foreigner, and so I wouldn’t complain afterwards the nurse gave me a large helping, three times my neighbour’s dose. With serums as with money, the rich get richer. Ten years’ immunity at least. Against what? I didn’t care. I had two years on the road in my veins, and happiness makes you over-confident. I still had to learn what against, little by little.

The brochures tell you that the Island is an emerald hung on the neck of the subcontinent.

The Arcadia of Victorian honeymooners, for whom it was a must. A paradise for entomologists. A chance to see the ‘rayon vert’ — when the last ray of the sunset appears to turn green, and secret sympathies are revealed — at an attractive price.

So far so good. But three thousand years before Baedeker, early Aryan rites were rather more hermetic. The island is the home of magi, enchanters, demons. A dusky gem risen from the ocean deeps, under the influence of perturbing planets. Many references to it are prudently prefaced and ended with this formula:

poison of the ichneumon

and of the moray

and of the scorpion

turned towards the South

thrice I reduce you to water.

We shall see.

II

The Customs Officer

The dirt road to Murunkan winds down between reservoirs built by ancient dynasties. The trees that got the better of this curious arrangement of tanks and locks have long since died, and today their polished skeletons gesticulate above black waters. Here and there a mauve patch of bougainvillea flutters in the midday haze. It’s not enough to compose a landscape: this stretch of shattered mirrors, silenced, tarnished, suggests the pit of memory, or a finger placed on an invisible mouth.

Because of the ruts I was driving very slowly. Waterturtles on mossy stones raised their flat heads to see the car go by. In an hour I had only come across one scrawny peasant trotting along the verge, his feet splayed out, carrying on his head a green fruit that stank so richly, was so grotesquely shaped, that I wondered if it was some kind of crude fake, or a comic prop. I thought I’d lost my way and was about to turn round when, through the sweat pricking my eyes, I saw a flash of silver borne by a figure planted purposefully in the middle of the road. He was a big fellow, out of breath, with hair sprouting from his ears, in the impeccably pressed uniform of a customs officer. Rolling his eyes, he asked if I was going to Negombo. He was carrying a swordfish in his arms, still shimmering, heavy enough to make him sag at the knees. Without waiting for a reply, he dumped it in the back of the car. I kept a great Nepalese sabre there, which he nonchalantly began to finger.

‘Strict-ly-for-bid-den-to-have-this-kind-of-weapon-on the Island,’ he intoned, in that southern accent which dices up English words ready for frying. To this tactless opening gambit, I retorted that it was also forbidden to get into my car with a huge, smelly fish which hadn’t been paid for. After two years in Asia I had begun to form my own ideas of how customs officers lined their pockets. It would have taken more than words to dislodge this one. He was quite content with my little joke, favoured me with an indulgent smile, and busied himself importantly with settling into the passenger seat. It did not even creak. The impression of bulkiness he gave derived more from his inflated opinion of himself than from his actual weight. He adjusted the rear-view mirror so that he could straighten his parting with a pocket-comb. I wasn’t entirely sorry to have this smug man in my hands, and without more ado told him exactly what I thought of his colleagues on the mainland: incompetent pests, parasitic, lavish with their stupidity — even stupidity should be used carefully — and with those useless forms you found cut up for toilet-paper an hour after filling them in. As I ranted on, I glanced at him out of the corner of my eye. He nodded: wholly self-absorbed, he had heard nothing at all. Only the words ‘customs officer’ had got through.

‘You’re quite right,’ he said, ‘truly excellent lads. You’ll see they’re even better here: all neat, well fed, respectful.’

Modesty prevented him from citing himself as an example, but did I realize my luck in meeting a person of his quality — and on my very first day on the Island! He was bowled over by my good fortune. Had anyone told me I was born lucky? In the living quarters he shared with his colleagues and their families, his wife — ‘a stunner’ he declared in passing — would prepare me a curry I would remember if I lived to be a hundred. His English was like him, pompous, inflated, periphrastic. I thanked him for his generosity, adding that while I liked curry, southern curry was a bit too spicy for my palate. He took as much notice of this as of my previous declaration.

‘The strongest curry you’ve ever eaten!’ He finished with a roar of laughter and a mighty slap on my thigh. Then he began to sing to himself like a kettle, quite unselfconsciously, a prince among men. For a moment I hoped he would evaporate into thin air.

The countryside had changed. The road was merely a deep slice between walls of green jungle, bisected by the straight flight of parakeets, like arrows from a crossbow. The car zigzagged lazily between fresh, steaming piles of elephant dung, the size of beehives. I suddenly wondered if my boastful passenger could manage as much, pictured him squatting by the road, his forehead creased with effort, and began to chuckle while he gazed at me with perplexed suspicion.

Negombo, late afternoon

Bright, flimsy, scattered bungalows. Glazed tile roofs. Little baroque churches, decrepit beneath the plumes of coconut-palms. On the sea front, a network of canals ringed an old, star-shaped fort, like a drawing by Vauban, whose leathery weather-boarding glowed in the cinammon light. Invisible children’s excited cries, and in the pale light three fluttering kites spotted from the corner of the eye, making one peer up at the sky.

The living quarters were one vast, humped straw hut, blackened like a pipe, half supported on piles sunk into the shore of a coral lagoon.

The customs officer’s wife: a small creature, stubborn and voluble, feet firmly on the ground, spoiling for a fight. His own arrogance vanished when it came to introducing me. She began to harangue him in vehement Tamil, and I couldn’t make out whether it was the swordfish or me that she found so provoking. Both, no doubt. She eyed me scornfully, pouting with annoyance, as if to say ‘another of that rascal’s finds’. He stood there downcast; the two thumbs hooked in his belt like d’Artagnan hardly disguised his unease, I suspect he had tried to pass me off as a scrounger he couldn’t get rid of, but I didn’t mind, it was a pleasure to see him disconcerted and I had to laugh again. When she realized we were both making fun of him, and that I was surreptitiously eyeing her blouse, she suddenly changed her attitude, and with a gracious smile invited me to supper and to stay the night. Her curry was all that he had promised. I got up from the table, throat on fire, nostrils flaming, temples pounding. Washed my face in a battered pail swarming with cockroaches, then the little woman led me to my bed, a large rattan rocking-chair on the veranda overlooking the bay. All I had to do was unroll my sleeping bag.

The night was majestic; the sea stretched out in silence. A few steps away, perched in the corner of the balustrade, a peacock was sleeping, head under wing. From time to time a shiver ran through his variegated plumes from head to tail, as though he were trapped in a bad dream. The room behind me was noisier than a box of birds. The customs officer and his colleagues were playing dominoes by the light of an oil lamp, constantly topping up their little glasses. The company began to wind down and childish, strident laughter greeted each double six. When one of the players got up to empty his bladder, I saw an immense shadow wavering in front of me on the veranda. Fever — yesterday’s vaccinations or a return of malaria — and the dancing fireflies above my head made me giddy: one of those moments that robs a traveller of his purpose. I was rather nonplussed, wondering what I was really doing here. That peacock now, I looked at it, scenting I don’t know what treachery. For all its fanned tail and insufferable cry, the peacock isn’t real. It is more of a motif than a bird, invented in Mogul miniatures and taken up by fin-de-siècle decorators. Even in the wild — and I had seen whole flocks of them on the Deccan roads — it lacks credibility. Its clumsy, low flight is disastrous: it always looks as though it’s about to impale itself. At full speed it scarcely rises to chest height, as though it can’t escape the nature into which it has strayed. In fact you feel that its true fate is to crown enormous pastries, out of which burst musical gnomes in jesters’ caps. To my dying day I shan’t understand why Linnaeus ever admitted it to his system of classification …