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Tex Larimee is a grizzled Arizona sheriff who’s leaving the deserts of Cactus County behind, blazing a trail east to mix it up with The Slickers in the canyons of Manhattan. Years later Clint Eastwood would follow the exact same trail in Coogan’s Bluff—a western lawman on the loose in New York City.
Tex’s welcome to New York is a rude one. Robbed of his cash, gun and badge, he’s locked in a room in back of a run-down bar. Breaking out of the bar, he goes looking for his best friend … only to find him dead, his throat cut. And the cops accuse Tex of committing the murder….
But none of that’s going to keep a good Arizona lawman down. Discovering he’s been the subject of an elaborate frame-up job, Tex has got a few tricks of his own up his sleeve—and in his recovered Colt .45—to make even the toughest of city birds sing a different tune.
Much like Tex, L. Ron Hubbard was born and bred on the western frontier and made his way east to explore and experience life in New York City. But unlike the sheriff, Hubbard enjoyed his time in the city, where his writing career took off as he became a leading figure in its literary world. He came to know the streets and haunts of Manhattan as well as he knew the arroyos and canyons of the west, giving him the kind of insights he needed to write stories like The Slickers.
Also includes the mysteries Killer Ape, in which a man frees a mistreated orangutan, only to end up with a monkey on his back, as he’s accused of aiding and abetting the ape in a case of murder, and Murder Afloat, the story of a top narcotics cop in the U.S. Secret Service who’s pursuit of a million-dollar score could land him in some hot—and deadly—water.
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Veröffentlichungsjahr: 2014
SELECTED FICTION WORKSBY L. RON HUBBARD
FANTASY
The Case of the Friendly Corpse
Death’s Deputy
Fear
The Ghoul
The Indigestible Triton
Slaves of Sleep & The Masters of Sleep
Typewriter in the Sky
The Ultimate Adventure
SCIENCE FICTION
Battlefield Earth
The Conquest of Space
The End Is Not Yet
Final Blackout
The Kilkenny Cats
The Kingslayer
The Mission Earth Dekalogy*
Ole Doc Methuselah
To the Stars
ADVENTURE
The Hell Job series
WESTERN
Buckskin Brigades
Empty Saddles
Guns of Mark Jardine
Hot Lead Payoff
A full list of L. Ron Hubbard’snovellas and short stories is provided at the back.
*Dekalogy: a group of ten volumes
Published by Galaxy Press, LLC 7051 Hollywood Boulevard, Suite 200 Hollywood, CA 90028
© 2014 L. Ron Hubbard Library. All rights reserved.
Any unauthorized copying, translation, duplication, importation or distribution, in whole or in part, by any means, including electronic copying, storage or transmission, is a violation of applicable laws.
Mission Earth is a trademark owned by L. Ron Hubbard Library and is used with permission. Battlefield Earth is a trademark owned by Author Services, Inc. and is used with permission.
Cover art; cover artwork thumbnail on back of book; The Slickers story illustration and Story Preview illustration from Detective Fiction Weekly is © 1936 Argosy Communications, Inc. All rights reserved. Reprinted with permission from Argosy Communications, Inc. Story Preview cover art from Top Notch Magazine and horsemen illustration from Western Story Magazine are © and ™ Condé Nast Publications and is used with their permission. Fantasy, Far-Flung Adventure and Science Fiction illustrations: Unknown and Astounding Science Fiction copyright © by Street & Smith Publications, Inc. Reprinted with permission of Penny Publications, LLC.
ISBN 978-1-59212-616-3 EPUB versionISBN 978-1-59212-789-4 Kindle versionISBN 978-1-59212-357-5 print versionISBN 978-1-59212-271-4 audiobook version
Library of Congress Control Number: 2007903615
Contents
FOREWORD
THE SLICKERS
MURDER AFLOAT
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
KILLER APE
STORY PREVIEW
THE CHEE-CHALKER
L. RON HUBBARD IN THEGOLDEN AGE OFPULP FICTION
THE STORIES FROM THEGOLDEN AGE
GLOSSARY
FOREWORD
Stories from Pulp Fiction’s Golden Age
AND it was a golden age.
The 1930s and 1940s were a vibrant, seminal time for a gigantic audience of eager readers, probably the largest per capita audience of readers in American history. The magazine racks were chock-full of publications with ragged trims, garish cover art, cheap brown pulp paper, low cover prices—and the most excitement you could hold in your hands.
“Pulp” magazines, named for their rough-cut, pulpwood paper, were a vehicle for more amazing tales than Scheherazade could have told in a million and one nights. Set apart from higher-class “slick” magazines, printed on fancy glossy paper with quality artwork and superior production values, the pulps were for the “rest of us,” adventure story after adventure story for people who liked to Pulp fiction authors were no-holds-barred entertainers—real storytellers. They were more interested in a thrilling plot twist, a horrific villain or a white-knuckle adventure than they were in lavish prose or convoluted metaphors.
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