Vedic and Puranic Mythology E-Book

W.j. Wilkins

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• Sprache: Englisch

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Beschreibung

On reaching India, one of my first inquiries was for a full and trustworthy account of the mythology of the Hindus; but though I read various works in which some information of the kind was to be found, I sought in vain for a complete and systematic work on this subject. Since then two classical dictionaries of India have been published, one in Madras and one in London; but though useful books of reference, they do not meet the want that this book is intended to supply. For some years I have been collecting materials with the intention of arranging them in such a way that any one without much labour might gain a good general idea of the names, character, and relationship of the principal deities of Hinduism.

Leseprobe

Vedic and Puranic Mythology

Vedic and Puranic MythologyPREFACE.Part I. The Vedic DeitiesCHAPTER I. THE VEDAS.CHAPTER II. THE VEDIC GODS GENERALLY.CHAPTER III. DYAUS AND PRITHIVI.CHAPTER IV. ADITI, AND THE ĀDITYAS.CHAPTER V. AGNI.CHAPTER VI. SUN OR LIGHT DEITIES.CHAPTER VII. THE STORM DEITIES.CHAPTER VIII. SOMA.CHAPTER IX. TVASTRI OR VISVAKARMA.CHAPTER X. YAMA.PART II. THE PURĀNIC DEITIES.CHAPTER I. THE PURĀNAS.CHAPTER II. BRAHMA. *CHAPTER III. BRAHMĀ AND SARASVATI.CHAPTER IV. VISHNU AND LAKSHMI.CHAPTER V. THE INCARNATIONS OR AVATARAS OF VISHNU.CHAPTER VI. SIVA.CHAPTER VII. UMĀ.CHAPTER VIII. SONS OF SIVA AND PĀRVATI.CHAPTER IX. THE PURĀNIC ACCOUNT OF THE CREATION.CHAPTER X. THE PURĀNIC DIVISIONS OF TIME.PART III. THE INFERIOR DEITIES.CHAPTER I. THE DIVINE RISHIS.CHAPTER II. KUVERA.CHAPTER III. THE DEMIGODS OF THE RĀMĀYANA.CHAPTER IV. THE DEMIGODS OF THE MAHĀBHĀRATA.CHAPTER V. THE PLANETS.CHAPTER VI. THE ASURAS.CHAPTER VII. SACRED ANIMALS AND BIRDS.CHAPTER VIII. GANGĀ.CHAPTER IX. SACRED TREES.CHAPTER X. MISCELLANEOUS MINOR DEITIES.CHAPTER XI. SUPERHUMAN, THOUGH NOT DIVINE BEINGS.Copyright

Vedic and Puranic Mythology

W.J. Wilkins

PREFACE.

On reaching India, one of my first inquiries was for a full and trustworthy account of the mythology of the Hindus; but though I read various works in which some information of the kind was to be found, I sought in vain for a complete and systematic work on this subject. Since then two classical dictionaries of India have been published, one in Madras and one in London; but though useful books of reference, they do not meet the want that this book is intended to supply. For some years I have been collecting materials with the intention of arranging them in such a way that any one without much labour might gain a good general idea of the names, character, and relationship of the principal deities of Hinduism. This work does not profess to supply new translations of the Hindu Scriptures, nor to give very much information that is not already scattered through many other books. In a few cases original extracts have been made; but, generally speaking, my work has been to collect and arrange translations ready to hand. It has been my endeavour to give a fair and impartial account of these deities, as far as possible in the words of the sacred books; such an account as I should expect an honest-minded Hindu to give of God from a careful study of the Bible. I have honestly striven to keep free from prejudice and theological bias; and, wishing to let the sacred books speak for themselves, have refrained from commenting on the passages quoted, excepting where some explanation seemed necessary. I have not selected those texts which describe the darker side only of the Hindu gods, nor have such been altogether suppressed. There was much that could not be reproduced. Of what was fit for publication I have taken a proportionate amount, that this, together with what is worthy of commendation, may give a faithful picture. To magnify either the good or the evil is the work of the advocate—a work I, in this book, distinctly disclaim. An honest effort has been made to give a reliable account of the things commonly believed by millions of our Hindu fellow-subjects. In order to render the work more interesting and instructive, a number of illustrations of the principal deities have been introduced. Most of them have been copied from pictures drawn by the Hindus themselves, and which may be seen in the houses of the people. No attempt has been made to idealize them; they are, what they profess to be, faithful representations of the designs of Hindu artists. For their kindness in making these drawings from the original highly-coloured pictures, I am very greatly indebted to my friends the Rev. A. J. Bamford, B.A., and Messrs. H. T. Ottewill and C. A. Andrews, B.A. By the introduction of a full index it is hoped that this work will serve as a classical dictionary of India; whilst the classification of the gods will enable the student to obtain a general view of Hindu mythology, and of the relation in which one deity stands to others. And as many legends are given at some length, the book can hardly fail to be interesting to the general reader, who may not have time or opportunity to refer to the sacred writings from which they are taken. A word of explanation respecting the classification of the deities is called for. It will be noticed that some of those described as belonging to the Vedic Age appear under the same or other names in the Purānas; whilst others spoken of as belonging to the Purānic Age have their origin, traceable indeed with difficulty in some cases, in the Vedas. It was a common practice with the writers of the later books to claim a remote antiquity, and the authority of the Vedas, for the more recent additions to the Pantheon. In some instances an epithet, descriptive of one of the old deities, is attached as the name of a later one. And by this means the old and the new are linked together. The Vedic gods are those whose description is chiefly to be found in the Vedas, and whose worship was more general in the Vedic Age; the Purānic are those who are more fully described in the Purānas, and whose worship was more general in the Purānic Age. Any very rigid classification it is impossible to make.

Part I. The Vedic Deities

CHAPTER I. THE VEDAS.

Before speaking of the Vedic Deities, it is necessary that something be said concerning the Vedas themselves, the source of our information concerning them. The root of the word is vid, "to know;" hence the term Veda signifies knowledge; and as these books were not written for centuries after they were originally composed, it signifies knowledge that was heard, or orally communicated. The Vedas are not the work of a single person, but, according to popular belief, were communicated to a number of Rishis or saints, who in their turn transmitted them to their disciples. The Seer Vyāsa is styled the arranger, or, as we should now say, the editor, of these works. The instruction contained in these writings is said to have been breathed forth by God Himself. Other writers teach that it issued from Him like smoke from fire. Sometimes the Vedas are said to have sprung from the elements. The accounts of their origin, though differing in form, agree in teaching that they were the direct gift of God to man; and hence they are regarded with the greatest veneration. They are the special property of the Brāhmans. As early as Manu, the nominal author or compiler of a law book probably not more than two or three centuries later than the Vedas, though some suppose it to have been no earlier than A.D. 500, it was regarded as a grave offence for a single word of these divinely given books to be heard by a man of a lower caste. The Vedas are four in number; of these the Rig-Veda is the oldest, next in order was the Yajur-Veda, then the Sama-Veda, and last of all the Atharva-Veda. Each of these Vedas consists of two main parts: a Sanhita, or collection of mantras or hymns; and a Brāhmana, containing ritualistic precept and illustration, which stands in somewhat the same relation to the Sanhita as the Talmud to the Law. In these are found instructions to the priests who conduct the worship of the gods addressed in. the hymns. Attached to each Brāhmana is an Upanishad, containing secret or mystical doctrine. These are regarded as of lesser authority than the Mantras and Brāhmanas. For whilst they are spoken of as Sruti, i.e. heard, the Upanishads are Smriti, learned. Though based on the older compositions, if there is any discrepancy between them, the teaching of the later ones is rejected. The Sanhita and Brāhmana are for the Brāhmans generally; the Upanishads for philosophical inquirers. Yet, strange to say, whereas the older portions had, until recent years, been almost entirely neglected, with some parts of the Upanishads there was considerable acquaintance amongst the learned pundits of Benares and other places. In many parts of India not a man could be found able to read and interpret them. Of the Sanhitas, the "Rig-Veda Sanhita—containing one thousand and seventeen hymns—is by far the most important; whilst the Atharva-Veda-Sanhita, though generally held to be the most recent, is perhaps the most interesting. Moreover, these are the only two Vedic hymn-books worthy of being called separate original collections;" * the others being almost entirely made up of extracts from the Rig-Veda. Between the time of the composition of the Rig-Veda and that of the Atharva, considerable changes in the religious faith of the people had come about. The childlike trust of the earlier hymns has disappeared, and the deities now seem more cruel, and there is greater need of propitiatory offerings. Probably the old religion of the people whom they had conquered had begun to tell on that of the Aryans. The Sanhitas of three of the Vedas are said to have some peculiarity. "If a mantra is metrical, and intended for loud recitation, it is called Rich (from rich, praise) whence the name Rig Veda; i.e. the Veda containing such praises. If it is prose (and then it must be muttered inaudibly), it is called Yajus (yaj, sacrifice, hence, literally, the means by which sacrifice is effected); therefore Yajur-Veda signifies the Veda containing such yajus. And if it is metrical, and intended for chanting, it is called Sāman [equal]; hence Sāman Veda means the Veda containing such Samans. The author of the Mantra, or as the Hindus would say, the inspired 'Seer,' who received it from the Deity, is termed its Rishi; and the object with which it is concerned is its devata—a word which generally means a 'deity,' but the meaning of which, in its reference to mantras, must not always be taken literally, as there are hymns in which not gods nor deified beings, but, for instance, a sacrificial post, weapons, etc., invoked, are considered as the devata. * It should, however, be noticed that the deifying of a "sacrificial post" or a "weapon" is in perfect harmony with the general pantheistic notions which prevailed amongst the people then as now: so that there is nothing unnatural according to their religious ideas in speaking even of inanimate objects as deities. There is little doubt that the Brāhmanas are more recent than the Sanhitas. The Vedas have not come down to the present time without considerable dispute as to the text. As might have been expected, seeing that this teaching was given orally, discrepancies arose. One account mentions no less than twenty-one versions (Sākhās) of the Rig-Veda; another gives five of the Rig-Veda, forty-two of the Yajur-Veda, mentions twelve out of a thousand of the Sāman-Veda, and twelve of the Atharva-Veda. And as each school believed that it possessed the true Veda, it anathematized those who taught and followed any other. The Rig-Veda Sanhita that has survived to the present age is that of one school only, the Sākala; the Yajur-Veda is that of three schools; the Sāma-Veda is that of perhaps two, and the Atharva-Veda of one only. "The history of the Yajur-Veda differs in so far from that of the other Vedas, as it is marked by a dissension between its own schools far more important than the differences which separated the school of each [of the] other Vedas. It is known by the distinction between a Yajur-Veda called the Black—and another called the White—Yajur-Veda. Tradition, especially that of the Purānas, records a legend to account for it. Vaisampāyana, it says, a disciple of Vyāsa, who had received from him the Yajur-Veda, having committed an offence, desired his disciples to assist him in the performance of some expiatory act. One of these, however, Yājnavalkya, proposed that he should alone perform the whole rite; upon which Vaisampāyana, enraged at what he considered to be the arrogance of his disciple, uttered a curse on him, the effect of which was that Yājnavalkya disgorged all the Yajus texts he had learned from Vaisampāyana. The other disciples, having been meanwhile transformed into partridges (tittiri), picked up these tainted texts and retained them. Hence these texts are called Taittiriyas. But Yājnavalkya, desirous of obtaining Yajus texts, devoutly prayed to the Sun, and had granted to him his wish—'to possess such texts as were not known to his teacher.'" * And thus there are two Yajur-Vedas to this day; the Black being considered the older of the two. As to the date of the Vedas, there is nothing certainly known. There is no doubt that they are amongst the oldest literary productions of the world. But when they were composed is largely a matter of conjecture. Colebrooke seems to show from a Vaidick Calendar that they must have been written before the 14th century B.C. Some assign to them a more recent, some a more ancient, date. Dr. Haug considers the Vedic age to have extended from B.C. 2000 to B.C. 1200, though he thinks some of the oldest hymns may have been composed . B.C. 2400. Max-Müller gives us the probable date of the Mantra, or hymn portion of the Vedas, from B.C. 1200 to B.C. 800, and the Brāhmanas from B.C. 800 to B.C. 600, and the rest from B.C. 600 to B.C. 200. There is nothing whatever in the books themselves to indicate when they were written. All references in them are to their being given orally, learned, and then again taught audibly to others. Probably for centuries after the art of writing was known in India it was not employed for preserving the sacred books, as in the Mahābhārata those who write the Vedas are threatened with the punishment of hell.( 9 ) Footnotes5:* "Indian Wisdom," p. 9. 6:* Goldstücker, art. "Vedas," Chambers's Cyclopædia. 7:* Art. "Vedas," Chambers's Cyclopædia.

CHAPTER II. THE VEDIC GODS GENERALLY.

Yaska (probably the oldest commentator on the Vedas) gives the following classification of the Vedic gods. "There are three deities, according to the expounders of the Vedas: Agni, whose place is on the earth; Vāyu or Indra, whose place is in the air; and Surya, whose place is in the sky. These deities receive severally many appellations in consequence of their greatness, or of the diversity of their functions." * In the Rig-Veda itself this number is increased to thirty-three, of whom eleven are said to be in heaven, eleven on earth, and eleven in mid-air. "Agni, the wise god, lends an ear to his worshippers. God with the ruddy steeds, who lovest praise, bring hither those three-and-thirty." This is the number usually mentioned, though it is by no means easy to decide which are the thirty-three intended, as the lists found in various places vary considerably; whilst in another verse it is said that "three hundred, three thousand, thirty-and-nine gods have worshipped Agni." These deities, though spoken of as immortal, are not said to be self-existent beings; in fact their parentage in most cases is given; but the various accounts of their origin do not agree with each other. Agni and Savitri are said to have conferred immortality upon the other gods; whilst it is also taught that Indra obtained this boon by sacrifice. An interesting account is given in the Satapatha Brāhmana * of the means by which the gods obtained immortality, and superiority over the asuras or demons. All of them, gods and demons alike, were mortal, all were equal in power, all were sons of Prajāpati the Creator. Wishing to be immortal, the gods offered sacrifices liberally, and practised the severest penance; but not until Prajāpati had taught them to offer a particular sacrifice could they become immortal. They followed his advice, and succeeded. Wishing to become greater than the asuras, they became truthful. Previously they and the asuras spoke truthfully or falsely, as they thought fit; but gradually, whilst they ceased from lying, the asuras became increasingly false; the result was that the gods after protracted struggles gained the victory. Originally the gods were all equal in power, all alike good. But three of them desired to be superior to the rest, viz. Agni, Indra, and Surya. They continued to offer sacrifices for this purpose until it was accomplished. Originally there was not in Agni the same flame as there is now. He desired, "May this flame be in me," and, offering a sacrifice for the attainment of this blessing, obtained it. In a similar manner Indra increased his energy, and Surya his brightness. These three deities form what is commonly described as the Vedic Triad. In later times other three took their place, though an attempt is made to show them to be the same. It will be noticed that each of the gods is in turn regarded by the worshipper as superior to all the others. In the Vedas this superlative language is constantly employed, and identical epithets are indiscriminately given to various deities. Professor Max-Müller says, "When these individual gods are invoked, they are not conceived as limited by the power of others, as superior or inferior in rank. Each god, to the mind of the supplicants, is as good as all the gods. He is felt at the time as a real divinity, as supreme and absolute, in spite of the limitations which, to our mind, a plurality of gods must entail on every single god. All the rest disappear for a moment from the vision of the poet, and he only who is to fulfil their desires, stands in full light before the eyes of the worshippers. . . . It would be easy to find, in the numerous hymns of the Rig-Veda, passages in which almost every single god is represented as supreme and absolute." The will of these gods is sovereign; no mortal can thwart their designs. They exercise authority over all creatures. In their hands is the life of mortals. They know the thoughts and intentions of men, and whilst they reward the worshipper, they punish those who neglect them. When the Puranic deities are described it will be noticed that the representations of the deities of that age are far more clearly defined than those of earlier times. Though the Vedic gods are spoken of as possessing human forms and acting as human beings, there is considerable vagueness in the outline. But as time goes on this is lost. The objects of worship are no longer indistinct and shadowy, but are so minutely described that their portraits could be easily painted. And as their physical features are no longer left to the imagination, so their mental and moral characters are fully delineated. They are of like passions with those who depict them, only possessing vastly greater powers. Professor Williams says * "that the deified forces addressed in the Vedic hymns were probably not represented by images or idols in the Vedic period, though doubtless the early worshippers clothed their gods with human forms in their own imaginations." Professor Müller † speaks more positively: "The religion of the Veda knows of no idols. The worship of idols in India is a secondary formation, a later degradation of the more primitive worship of ideal gods." The guarded language of Professor Williams seems to be better suited to the facts, as far as they are known, for Dr. Bollensen ‡ speaks quite as strongly on the other side. He writes, "From the common appellation of the gods as divo naras, 'men of the sky,' or simply naras, 'men,' and from the epithet nripesas, 'having the form of men,' we may conclude that the Indians did not merely in imagination assign human forms to their gods, but also represented them in a sensible manner. Thus a painted image of Rudra (Rig-Veda, ii. 33, 9) is described with strong limbs, many-formed, awful, brown, he is painted with shining colours.'" "Still clearer appears the reference to representations in the form of an image. 'I now pray to the gods of these (Maruts).' Here it seems that the Maruts are distinguished from their gods, i.e. their images.'" "There is in the oldest language a word, 'Sandris,' which properly denotes 'an image of the gods.' We shall now proceed to the consideration in detail of the deities as described in the Vedas.Footnotes9:* Muir, O. S. T., v. 8. 10:* Muir O. S. T., iv. 54-62. 12:* "Indian Wisdom," p. 15. 12:† "Chips from a German Workshop," i. 38. 12:‡ Muir, C. S. T., v. 453

CHAPTER III. DYAUS AND PRITHIVI.

The general opinion respecting Dyaus (Heaven) and Prithivi (Earth) is that they are amongst the most ancient of the Aryan deities, hence they are spoken of in the hymns of the Rig-Veda as the parents of the other gods. * They are described as "great, wise and energetic;" those who "promote righteousness, and lavish gifts upon their worshippers." And in another place they are said to have "made all creatures," and through their favour "immortality is conferred upon their offspring." Not only are they the creators, but also the preservers of all creatures; and are beneficent and kind to all. In other passages Heaven and Earth are said to have been formed by Indra, who is declared to transcend them in greatness, whom they follow "as a chariot follows the horse." They are described as bowing down before him; as trembling with fear on account of him; and as being subject to his control. Again, they are said to have been formed by Soma; and in other verses other deities are said to have made them. This confusion of thought respecting the origin of the gods led very naturally to the question being asked in other hymns, "How have they been produced? Who of the sages knows?" There seems to be considerable ground for the opinion that Indra gradually superseded Dyaus in the worship of the Hindus soon after their settlement in India. As the praises of the newer god were sung, the older one was forgotten; and in the present day, whilst Dyaus is almost unknown, Indra is still worshipped, though in the Vedas both are called the god of heaven. The following statement of Professor Benfey * gives a natural explanation of this. "It may be distinctly shown that Indra took the place of the god of heaven, who, in the Vedas, is invoked in the vocative as Dyauspitar (Heaven-father). This is proved by the fact that this phrase is exactly reflected in the Latin Jupiter, and the Greek Zeū-pater as a religious formula, fixed, like many others, before the separation of the languages. When the Sanskrit people left the common country, where for them, as well as for other kindred tribes, the brilliant radiance of heaven appeared to them, in consequence of the climate there prevailing, as the holiest thing, and settled in sultry India, where the glow of the heavens is destructive, and only its rain operates beneficially, this aspect of the Deity must have appeared the most adorable, so that the epithet Pluvius, in a certain sense, absorbed all the other characteristics of Dyauspitar. This found its expression in the name In-dra, in which we unhesitatingly recognize a word (which arose in some local dialect, and was then diffused with the spread of the worship) standing for Sind-ra, which again was derived from Syand, 'to drop.' The conceptions which had been attached to Dyaus were then transferred to Indra." The opinion that Indra has taken the place of Dyaus is now pretty generally believed, and the above explanation appears natural. Of Prithivi we hear again. The "Vishnu Purāna" † gives the following account of her birth. There was a king named Venā, notorious for his wickedness and general neglect of religious duties. When the Rishis of that age could bear with his impiety no longer, they slew him. But now a worse evil happened; anarchy prevailed, and they felt that a bad king was better than none at all. Upon this they rubbed the thigh of Venā, when there came forth a black dwarf, resembling a negro in appearance. Immediately after his birth the dwarf asked, "What am I to do?" He is told, "Nisīda" (sit down), and from this his descendants are called "Nisidis" unto this day. The corpse was now pure, as all sin had left it in the body of this black dwarf. The right arm was then rubbed, and from it there came a beautiful shining prince, who was named Prithu, and reigned in the place of his father. Now during his reign there was a terrible famine. As the Earth would not yield her fruits, great distress prevailed. Prithu said, "I will slay the Earth, and make her yield her fruits." Terrified at this threat, the Earth assumed the form of a cow, and was pursued by Prithu, even to the heaven of Brahmā. At length, weary with the chase, she turned to him and said, "Know you not the sin of killing a female, that you thus try to slay me?" The king replied that "when the happiness of many is secured by the destruction of one malignant being, the slaughter of that being is an act of virtue." "But," said the Earth, "if, in order to promote the welfare of your subjects, you put an end to me, whence, best of monarchs, will thy people derive their support?" Overcome at length, the Earth declared that all vegetable products were old, and destroyed by her, but that at the king's command she would restore them "as developed from her milk." "Do you, therefore, for the benefit of mankind, give me that calf by which I may be able to secrete milk. Make also all places level, so that I may cause my milk, the seed of all vegetation, to flow everywhere around." Prithu acted upon this advice. "Before his time there was no cultivation, no pasture, no agriculture, no highways for merchants; all these things (or all civilization) originated in the reign of Prithu. Where the ground was made level, the king induced his subjects to take up their abode. . . . He therefore having made Swayambhuva Manu the calf, milked the Earth, and received the milk into his own hand, for the benefit of mankind. Thence proceeded all kinds of corn and vegetables upon which people now subsist. By granting life to the Earth, Prithu was as her father, and she thence derived the patronymic appellation Prithivi." In a note Professor Wilson adds, * the commentator observes that "by the 'calf,' or Manu in that character, is typified the promoter of the multiplication of progeny;" Manu, as will be seen in the account of the Creation, being regarded by some of the Purānas as the first parent of mankind. This legend, with considerable variation, is found in most of the Purānas; Soma, Indra, Yama, and others taking the place of Manu as the calf, whilst Prithu's place as the milker is taken by the Rishis, Mitra, etc. In the same note Professor Wilson says, "These are all probably subsequent modifications of the original simple allegory, which typified the earth as a cow, who yielded to every class of beings the milk that they desired, or the object of their wishes." It should be noticed that, later in the "Vishnu Purāna," Prithivi is said to have sprung from the foot of Vishnu. Footnotes13:* Muir, O. S. T., v. 23. 14:* Muir, O. S. T., v. 18. 14:† Page 103. 16:* "Vishnu Purāna," p. 104.

CHAPTER IV. ADITI, AND THE ĀDITYAS.

Aditi has the honour of being almost the only goddess mentioned by name in the Rig-Veda, as the mother of any of the gods; but it is by no means an easy task to delineate her character, as the most contradictory statements are made concerning her. She was invoked as the bestower of blessings on children and cattle; and she is declared to be the mother of Varuna, and other deities, sometimes eight, sometimes twelve in number. She is supposed to be the impersonation of "infinity, especially the boundlessness of heaven, in opposition to the finiteness of earth." Another supposition is that Aditi is the personification of "universal, all-embracing Nature or Being." This latter idea seems to be the more correct from the following verses, * where a man about to be immolated says, "Of which god, now, of which of the immortals, shall we invoke the amiable name, who shall give us back to the great Aditi, that I may behold my father and my mother?" Whatever may have been intended by the poets to be expressed by this name, or whatever may have been the precise power personified by Aditi, she is connected with the forgiveness of sin. Thus, "May Aditi make us sinless." "Aditi be gracious, if we have committed any sin against you." "Whatever offence we have, oh Agni, through our folly committed against you, oh most youthful god, make us free from sins against Aditi." "Whatever sin we have committed, may Aditi sever us from it." * Probably the term Aditi "the boundless," was originally employed as an epithet of Dyauspitar, the Heaven-father. When the heavens came to be divided into a number of parts, over each of which a ruler was nominated, a mother was wanted for them, and the name Aditi was given to her. In the account of the Creation given in the Rig-Veda, Aditi is said to have sprung from Daksha, and in the same verse Daksha is called her son. There is also a reference to her other sons. In the "Vishnu Purāna" we have no less than three somewhat differing accounts of the origin of Daksha the father of Aditi. In the first account, his name appears amongst the mind-born sons of Brahmā; and in this connection he is said to have had twenty-four daughters; but Aditi is not mentioned as one of them. In the second account of Daksha, Aditi is said to have been one of his sixty daughters, and was given in marriage to Kasypa, by whom she had twelve sons—the Ādityas. Elsewhere we read that Vishnu, when incarnate as the Dwarf, was a result of this marriage. In the third account of Daksha, Aditi is again mentioned as his daughter, and the mother of Vivasat (the Sun). The sons of Aditi are termedTHE ĀDITYAS. This name signifies simply the descendants of Aditi. In one passage in the Rig-Veda † the names of six are given: Mitra, Aryaman, Bhaga, Varuna, Daksha and Amsa. In another passage they are said to be seven in number, though their names are not given. In a third, eight is the number mentioned; but "of the eight sons of Aditi, who were born from her body, she approached the gods with seven, and cast out Mārttānda (the eighth)." * As the names of these sons given in different parts of the Vedas do not agree with each other, it is difficult to know who were originally regarded as Ādityas. Judging from the number of hymns addressed to them, some of these deities occupied a conspicuous position in the Vedic Pantheon; whilst others are named once or twice only, and then in connection with their more illustrious brethren. In the "Satapatha Brāhmana," and the Purānas, the number of the Ādityas is increased to twelve. In addition to the six whose names are given above, the following are also described in some hymns of the Rig-Veda as the offspring of Aditi: Surya, "as an Āditya identified with Agni, is said to have been placed by the gods in the sky;" † Savitri, and Indra too, are in one passage addressed as an Āditya along with Varuna and the Moon. In the Taittiriya Texts, the following are described as Ādityas:—Mitra, Varuna, Aryaman, Amsu, Bhaga, Indra, and Vivasvat (Surya). Professor Roth says ‡ of these deities, "In the highest heaven dwell and reign those gods who bear in common the name of Ādityas. We must, however, if we would discover their earliest character, abandon the conceptions which in a later age, and even in that of the heroic poems, were entertained regarding these deities. According to this conception they were twelve Sun-gods, there being evident reference to the twelve months. But for the most ancient period we must hold fast to the primary significance of their names. They are inviolable, imperishable, eternal things. Aditi, Eternity, or The Eternal, is the element which sustains them, or is sustained by them. The eternal and inviolable element in which the Ādityas dwell, and which forms their essence, is the celestial light. The Ādityas, the gods of this light, do not therefore by any means coincide with any of the forms in which light is manifested in the universe. They are neither the sun, nor moon, nor stars, nor dawn, but the eternal sustainers of this luminous life, which exists, as it were, behind these phenomena." As noticed above, the text of the Rig-Veda says, * "Of the eight sons who were born from the body of Aditi, she approached the gods with seven, but cast away the eighth." In the commentary, the following explanation of this circumstance is given. "The eighth son was deformed. His brothers, seeing his deformity, improved his appearance. He was afterwards known as Vivasvat (the Sun). From the superfluous flesh cut off his body an elephant was formed, hence the proverb, Let no man catch an elephant, for the elephant partakes of the nature of man.'" According to a passage quoted in Chapter II. † from the "Satapatha Brāhmana," Agni, Indra, and Surya, obtained superiority over the other gods by means of sacrifice. By whatever means this position was obtained, it is certain that they were the most popular deities of the Vedic Age. Agni stands in a class by himself; but with Indra and Surya there are other deities closely associated, and possessing very similar attributes. Nearly the whole of the more conspicuous Vedic deities may be classified as follows:—(1) Agni, the god of Fire; (2) Sun Gods, or gods of Light; and (3) Storm Gods, or those associated with Indra.Footnotes17:* Muir, O. S. T., v. 45. 18:* Muir, O. S. T., v. 46, 47. 18:† Ibid. v. 54. 19:* Muir, O. S. T., v. 49. 19:† Ibid. v. 54. 19:‡ Ibid. v. 56. 20:* Muir, O. S. T., v. 49. 20:† Page 10.

CHAPTER V. AGNI.

Agni, the god of Fire, is one of the most prominent of the deities of the Vedas. With the single exception of Indra, more hymns are addressed to him than to any other deity. Professor Williams gives the following spirited description of Agni:— "Bright, seven-rayed god, how manifold thy shapes Revealed to us thy votaries: now we see thee With body all of gold; and radiant hair Flaming from three terrific heads, and mouths, Whose burning jaws and teeth devour all things. Now with a thousand glowing horns, and now Flashing thy lustre from a thousand eyes, Thou’rt borne towards us in a golden chariot, Impelled by winds, and drawn by ruddy steeds, Marking thy car's destructive course with blackness." Various accounts are given of the origin of Agni. He is said to be a son of Dyaus and Prithivi; he is called the son of Brahmā, and is then named Abhimāni; and he is reckoned amongst the children of Kasyapa and Aditi, and hence one of the Ādityas. In the later writings he is described as a son of Angiras, king of the Pitris (fathers of mankind), and the authorship of several hymns is ascribed to him. In pictures he is represented as a red man, having three legs and seven arms, dark eyes, eyebrows and hair. He rides on a ram, wears a poita (Brāhmanical thread), and a garland of fruit. Flames of fire issue from his mouth, and seven streams of glory radiate from his body. The following passage, for every sentence of which Dr. Muir * quotes a text from the Vedas, gives a good idea of the character and functions of this deity in the Vedic Age. Agni is an immortal who has taken up his abode with mortals as their guest. He is the domestic priest who rises before the dawn, and who concentrates in his own person and exercises in a higher sense all the various sacrificial offices which the Indian ritual assigns to a number of different human functionaries. He is a sage, the divinest among the sages, immediately acquainted with all the forms of worship; the wise director, the successful accomplisher, and the protector of all ceremonies, who enables men to serve the gods in a correct and acceptable manner in cases where they could not do this with their own unaided skill. He is a swift messenger, moving between heaven and earth, commissioned both by gods and men to maintain their mutual communication, to announce to the immortals the hymns, and to convey to them the oblations of their worshippers; or to bring them (the immortals) down from the sky to the place of sacrifice. He accompanies the gods when they visit the earth, and shares in the reverence and adoration which they receive. He makes the oblations fragrant; without him the gods experience no satisfaction. Agni is the lord, protector, king of men. He is the lord of the house, dwelling in every abode. He is a guest in every home; he despises no man, he lives in every family. He is therefore considered as a mediator between gods and men, and as a witness of their actions; hence to the present day he is worshipped, and his blessing sought on all solemn occasions, as at marriage, death, etc. In these old hymns Agni is spoken of as dwelling in the two pieces of wood which being rubbed together produce fire; and it is noticed as a remarkable thing that a living being should spring out of dry (dead) wood. Strange to say, says the poet, the child, as soon as born, begins with unnatural voracity to consume his parents. Wonderful is his growth, seeing that he is born of a mother who cannot nourish him; but he is nourished by the oblations of clarified butter which are poured into his mouth, and which he consumes. The highest divine functions are ascribed to Agni. Although in some places he is spoken of as the son of heaven and earth, in others he is said to have stretched them out; to have formed them, and all that flies or walks, or stands or moves. He formed the sun, and adorned the heavens with stars. Men tremble at his mighty deeds, and his ordinances cannot be resisted. Earth, heaven, and all things obey his commands. All the gods fear, and do homage to him. He knows the secrets of mortals, and hears the invocations that are addressed to him. The worshippers of Agni prosper, are wealthy, and live long. He watches with a thousand eyes over the man who brings him food, and nourishes him with oblations. No mortal enemy can by any wondrous power gain the mastery over him who sacrifices to this god. He also confers and is the guardian of immortality. In a funeral hymn, Agni is asked to warm with his heat the unborn (immortal) part of the deceased, and in his auspicious form to carry it to the world of the righteous. He carries men across calamities, as a ship over the sea. He commands all the riches in earth and heaven; hence he is invoked for riches, food, deliverance, and in fact all temporal good. He is also prayed to as the forgiver of sins that may have been committed through folly. All gods are said to be comprehended in him; he surrounds them as the circumference of a wheel does the spokes. The main characteristics of this deity are taught in the following verses by Dr. Muir:— * "Great Agni, though thine essence be but one, Thy forms are three; as fire thou blazest here, As lightning flashest in the atmosphere, In heaven thou flamest as the golden sun "It was in heaven thou hadst thy primal birth; By art of sages skilled in sacred lore Thou wast drawn down to human hearths of yore, And thou abid’st a denizen of earth. "Sprung from the mystic pair, * by priestly hands In wedlock joined, forth flashes Agni bright; But, oh! ye heavens and earth, I tell you right, The unnatural child devours the parent brands. "But Agni is a god; we must not deem That he can err, or dare to comprehend His acts, which far our reason's grasp transcend; He best can judge what deeds a god beseem. "And yet this orphaned god himself survives: Although his hapless mother soon expires, And cannot nurse the babe as babe requires, Great Agni, wondrous infant, grows and thrives. "Smoke-bannered Agni, god with crackling voice And flaming hair, when thou dost pierce the gloom At early dawn, and all the world illume, Both heaven and earth and gods and men rejoice. "In every home thou art a welcome guest, The household tutelary lord, a son, A father, mother, brother, all in one, A friend by whom thy faithful friends are blest. "A swift-winged messenger, thou tallest down from heaven to crowd our hearths the race divine, To taste our food, our hymns to hear, benign, And all our fondest aspirations crown. "Thou, Agni, art our priest: divinely wise, In holy science versed, thy skill detects The faults that mar our rites, mistakes corrects, And all our acts completes and sanctifies. "Thou art the cord that stretches to the skies, The bridge that scans the chasm, profound and vast, Dividing earth from heaven, o’er which at last The good shall safely pass to Paradise. "But when, great god, thine awful anger glows, And thou revealest thy destroying force, All creatures flee before thy furious course, As hosts are chased by overpowering foes. "Thou levellest all thou touchest; forests vast Thou shear’st, like beards which barber's razor shaves. Thy wind-driven flames roar loud as ocean's waves, And all thy track is black when thou hast past. "But thou, great Agni, dost not always wear That direful form; thou rather lov’st to shine Upon our hearths, with milder flame benign, And cheer the homes where thou art nursed with care. "Yes! thou delightest all those men to bless Who toil unwearied to supply the food Which thou so lovest—logs of well-dried wood, And heaps of butter bring, thy favourite mess. "Though I no cow possess, and have no store Of butter, nor an axe fresh wood to cleave, Thou, gracious god, wilt my poor gift receive: These few dry sticks I bring—I have no more. "Preserve us, lord; thy faithful servants save From all the ills by which our bliss is marred; Tower like an iron wall our homes to guard, And all the boons bestow our hearts can crave. "And when away our brief existence wanes, When we at length our earthly homes must quit, And our freed souls to worlds unknown shall flit, Do thou deal gently with our cold remains. "And then, thy gracious form assuming, guide Our unborn part across the dark abyss Aloft to realms serene of light and bliss, Where righteous men among the gods abide." "In a celebrated hymn of the Rig-Veda, attributed to Visishtha, Indra and the other gods are called upon to destroy the Kravyāds (the flesh-eaters), or Rākshas, enemies of the gods. Agni himself is a Kravyād, and as such takes an entirely different character. He is then represented under a form as hideous as the beings he, in common with the other gods, is called upon to devour. He sharpens his two iron tusks, puts his enemies into his mouth, and devours them. He heats the edges of his shafts, and sends them into the hearts of the Rākshasas." * "In the Mahābhārata, Agni is represented as having exhausted his vigour by devouring too many oblations, and desiring to consume the whole Khāndava forest, as a means of recruiting his strength. He was [at first] prevented from doing this by Indra; but having obtained the assistance of Krishna and Arjuna, he baffled Indra, and accomplished his object." † According to the Rāmāyana, in order to assist Vishnu when incarnate as Rāma, Agni became the father of Nila by a monkey mother; and according to the "Vishnu Purāna," he married Swāhā, by whom he had three sons—Pāvaka, Pavamāna, and Suchi. Agni has many names; those more generally known are the following:— Vahni, "He who receives the hom, or burnt sacrifice." Vītihotra, "He who sanctifies the worshipper." Dhananjaya, "He who conquers (destroys) riches." Jivalana, "He who burns." Dhūmketu, "He whose sign is smoke." Chhāgaratha, "He who rides on a ram." Saptajihva, "He who has seven tongues." Brihaspati and Brahmanaspati are generally regarded as being identical with Agni. Nearly the same epithets are applied to them, with this additional one—of presiding over prayer. In some few hymns they are addressed as separate deities. In "The Religions of India," M. Barth, regarding these as names of one and the same deity, thus describes him:— "Like Agni and Soma, he is born on the altar, and .thence rises upwards to the gods; like them, he was begotten in space by Heaven and Earth; like Indra, he wages war with enemies on the earth and demons in the air; like all three, he resides in the highest heaven, he generates the gods, and ordains the order of the universe. Tinder his fiery breath the world was melted and assumed the form it has, like metal in the mould of the founder. At first sight it would seem that all this is a late product of abstract reflection; and it is probable, in fact, from the very form of the name, that in so far as it is a distinct person, the type is comparatively modern; in any case, it is peculiarly Indian; but by its elements it is connected with the most ancient conceptions. As there is a power in the flame and the libation, so there is in the formula; and this formula the priest is not the only person to pronounce, any more than he is the only one to kindle Agni or shed Soma. There is a prayer in the thunder, and the gods, who know all things, are not ignorant of the power in the sacramental expressions. They possess all-potent spells that have remained hidden from men and are as ancient as the first rites, and it was by these the world was formed at first, and by which it is preserved up to the present. It is this omnipresent power of prayer which Brahmanaspati personifies, and it is not without reason that he is sometimes confounded with Agni, and especially with Indra. In reality each separate god and the priest himself become Brahmanaspati at the moment when they pronounce the mantras which gave them power over the things of heaven and of earth."Footnotes22:* Muir, O. S. T., v. 119 ff. 24:* Muir, O. S. T., v. 221. 25:* The two pieces of wood from which fire is produced. 27:* Dowson, "Dictionary of Hindu Mythology.'' 27:† Ibid. s.v.

CHAPTER VI. SUN OR LIGHT DEITIES.

1. SURYA. Surya and Savitri are two names by which the Sun is commonly addressed in the Vedic hymns. Sometimes one name is used exclusively, sometimes they are used interchangeably, and sometimes they are used as though they represented quite distinct objects. It is supposed that Savitri refers to the sun when invisible; whilst Surya refers to him when he is visible to the worshippers. This at any rate gives some reason for the two names being employed, though it may not explain the case satisfactorily in every instance. Although the hymns in which Surya is addressed are not very numerous, his worship was most common in the olden time, and has continued to the present hour. It is to him that the Gayatri, the most sacred text of the Vedas, is addressed at his rising by every devout Brāhman. Simple in its phraseology, this short verse is supposed to exert magical powers. It is as follows:— "Let us meditate on that excellent glory of the divine Vivifier; May he enlighten (or stimulate) our understandings." * As a specimen of the language employed in some of the later writings in reference to this verse, read the following few lines from the Skanda Purāna":—"Nothing in the Vedas is superior to the Gayatri. No invocation is equal to the Gayatri, as no city is equal to Kasi (Benares). The Gayatri is the mother of the Vedas, and of Brāhmans. By repeating it a man is saved. By the power of the Gayatri the Kshetriya (Warrior caste) Vishvamitra became a Brāhmarsi (Brāhman saint), and even obtained such power as to be able to create a new world. What is there indeed that cannot be effected by the Gayatri? For the Gayatri is Vishnu, Brahmā, and Siva, and the three Vedas." * With promise of such blessings, it is not to be wondered at that the worship of Surya should continue. The following translation * of hymns from the Rig-Veda gives a fair specimen of the language used in addresses to Surya "Behold the rays of Dawn, like heralds, lead on high The Sun, that men may see the great all-knowing god. The stars slink off like thieves, in company with Night, Before the all-seeing eye, whose beams reveal his presence, Gleaming like brilliant flames, to nation after nation. With speed, beyond the ken of mortals, thou, O Sun! Dost ever travel on, conspicuous to all. Thou dost create the light, and with it dost illume The universe entire; thou risest in the sight Of all the race of men, and all the host of heaven. Light-giving Varuna! thy piercing glance dost scan, In quick succession, all this stirring, active world, And penetrateth too the broad ethereal space, Measuring our days and nights, and spying out all creatures. Surya with flaming locks, clear-sighted god of day, Thy seven ruddy mares bear on thy rushing car. With these, thy self-yoked steeds, seven daughters of thy chariot Onward thou dost advance. To thy refulgent orb Beyond this lower gloom, and upward to the light Would we ascend, O Sun! thou god among the gods." Surya, as we have already noticed, is regarded as a son of Aditi; at other times he is said to be a son of Dyaus. Ushas (the Dawn) is called his wife, though in another passage he is said to be produced by the Dawn. Some texts state that he is the Vivifier of all things; whilst others state that he was formed and made to shine by Indra, Soma, Agni, and others. From the character ascribed to Savitri in some hymns, it seems more natural to regard him as the sun shining in his strength, and Surya as the sun when rising and setting. Savitri is golden-eyed, * golden-handed, golden- tongued. He rides in a chariot drawn by radiant, white-footed steeds. He illuminates the earth; his golden arms stretched out to bless, infusing energy into all creatures, reach to the utmost ends of heaven. He is leader and king in heaven; the other gods follow him, and he it is who gives them immortality. He is prayed to for deliverance from sin, and to conduct the souls of the departed to the abode of the righteous. In the Purānic Age, Surya sustains quite a different character. He is there called the son of Kasyapa and Aditi. He is described as a dark-red man, with three eyes and four arms: in two hands are water-lilies; with one he is bestowing a blessing, with the other he is encouraging his worshippers. He sits upon a red lotus, and rays of glory issue from his body. In addition to the daily worship that is offered him by Brāhmans in the repetition of the Gayatri, he is worshipped once a year by the Hindus of all castes, generally on the first Sunday in the month of Māgh; and in seasons of sickness it is no uncommon thing for the low-caste Hindus to employ a Brāhman to repeat verses in his honour, in the hope that thus propitiated he will effect their recovery. In the "Vishnu Purāna" † we find the following account of Surya. He married Sangnā, the daughter of Visvakarma; who, after bearing him three children, was so oppressed with his brightness and glory that she was compelled to leave him. Before her departure, she arranged with Chhāya (Shadow) to take her place. For years Surya did not notice the change of wife. But one day, in a fit of anger, Chhāya pronounced a curse upon Yama (Death), a child of Sangnā's, which immediately took effect. As Surya knew that no mother's curse could destroy her offspring, he looked into the matter and discovered that his wife had forsaken him, leaving this other woman in her place. Through the power of meditation, Surya found Sangnā in a forest in the form of a mare; and, in order that he might again enjoy her society, he changed himself into a horse. After a few years, growing tired of this arrangement, they returned in proper form to their own dwelling. But in order that his presence might be bearable to his wife, his father-in-law Visvakarma, who was the architect of the gods, ground the Sun upon a stone, and by this means reduced his brightness by one-eighth. The part thus ground from Surya was not wasted. From it were produced the wonder-working discus of Vishnu, the trident of Siva, the lance of Kartikeya (the god of war), and the weapons of Kuvera (the god of riches). The "Bhavishya Purāna" says, "Because there is none greater than he (i.e. Surya), nor has been, nor will be, therefore he is celebrated as the supreme soul in all the Vedas." Again, "That which is the sun, and thus called light or effulgent power, is adorable, and must be worshipped by those who dread successive births and deaths, and who eagerly desire beatitude." In the "Brahmā Purāna" * is a passage in which the sun is alluded to under twelve names, with epithets peculiar to each, as though they were twelve distinct sun-deities:— "The first form of the sun is Indra, the lord of the gods, and the destroyer of their enemies; the second, Dhata, the creator of all things; the third, Parjanya, residing in the clouds, and showering rain on the earth from its beams; the fourth, Twasta, who dwells in all corporeal forms; the fifth, Pushan, who gives nutriment to all beings; the sixth, Aryama, who brings sacrifices to a successful conclusion; the seventh derives his name from almsgiving, and delights mendicants with gifts; the eighth is called Vivasvan, who ensures digestion; the ninth, Vishnu, who constantly manifests himself for the destruction of the enemies of the gods; the tenth, Ansuman, who preserves the vital organs in a sound state; the eleventh, Varuna, who, residing in the waters, vivifies the universe; and the twelfth, Mitra, who dwells in the orb of the moon, for the benefit of the three worlds. These are the twelve splendours of the sun, the supreme spirit, who through them pervades the universe, and irradiates the inmost souls of men." Surya is said to have Aruna (Rosy), the Dawn, the son of Kasyapa and Kadru, as his charioteer. According to the Rāmāyana, Sugriva, the king of the monkey host which assisted Rāma in his great expedition to regain possession of Vita his wife, was a son of Surya by a monkey. According to the Mahābhārata, the hero Karna also was the son of this deity; and when he was in the form of a horse, he became father of the Asvins, and communicated the white Yajur-Veda. When speaking of the planets, Surya will be noticed again under the name of Ravi. Among the many names and epithets by which this deity is known, the following are the most common:— Dinakara, "The Maker of the day." Bhāskara, "The Creator of light." Vivaswat, "The Radiant one." Mihira, "He who waters the earth;" i.e. he draws up the moisture from the seas so that the clouds are formed. Grahapati, "The Lord of the stars." Karmasākshi, "The Witness of (men's) works." Mārtanda, "A descendant of Mritanda."2. PUSHAN. Pushan is the name of a sun-god to whom some hymns are exclusively addressed, and whose praise at other times is sung in connection with that of Indra and other gods. In these hymns his character is not very clearly defined. He is said * to behold the entire universe; is addressed as the guide of travellers, and the protector of cattle. He is called upon to protect his servants in battle, and to defend them as of old. He is invoked in the marriage ceremonial, and asked to take the bride's hand, to lead her away, and to bless her in her conjugal relations. He is said also to conduct the spirits of the departed from this world to the next. In one text he is called "the nourisher," as Vishnu in later times was called "the preserver." By far the greater number of prayers addressed to him seem to regard him as the guide and protector of travellers, both along the ordinary journeys of life and in the longer journey to the other world; and as he is supposed to be constantly travelling about, he is said to know the road by which they have to go. The following is a specimen of the hymns addressed to Pushan in the Rig-Veda:—"Conduct us, Pushan, over our road; remove distress, son of the deliverer; go on before us. Smite away from before us the destructive and injurious wolf which seeks after us. Drive away from our path the waylayer, the thief and the robber. Tread with thy foot upon the burning weapons of that deceitful wretch, whoever he be. O wonder-working and wise Pushan, we desire that help of thine wherewith thou didst favour our fathers! O god, who bringest all blessings, and art distinguished by the golden spear, make wealth easy of acquisition! Convey us past our opponents; make our paths easy to travel; gain strength for us here. Lead us over a country of rich pastures; let no new trouble (beset our) path. Bestow, satiate, grant, stimulate us; fill our belly. We do not reproach Pushan, we praise him with hymns; and we seek riches from the wonder-working god." * "May we, O Pushan! meet with a wise man who will straightway direct us and say, 'It is this.' May Pushan follow our kine; may he protect our horses; may he give us food. . . . Come hither, glowing god, the deliverer, may we meet." † In the Purānas Pushan occupies a far less exalted position. It seems almost like a burlesque to see him, who in the Vedas is reverently approached as the giver of good to his worshippers, described as being obliged to feed upon gruel, because his teeth have been knocked out of his mouth. The earliest form of the legend describing this event is found in the Taittiriya Sanhita. Rudra, the name by which Siva was then known, not being invited to a great sacrifice that Daksha, his father-in-law, was celebrating, in his anger shot an arrow which pierced the sacrificial victim. Pushan ate his share, and in doing so broke his teeth. In describing Daksha, ‡ an account of this sacrifice will be given. In the "Vishnu Purāna" Pushan appears as one of the Ādityas.3. MITRA AND VARUNA. These deities are most frequently named together in the hymns; Varuna is often addressed alone, but Mitra very seldom. The idea of the older commentators was that Mitra represented and ruled over the day, whilst Varuna was ruler of the night. "Varuna is sometimes visible to the gaze of his worshippers; he dwells in a house having a thousand doors, so that he is ever accessible to men. He is said to have good eyesight, for he knows what goes on in the hearts of men. He is king of gods and men; is mighty and terrible; none can resist his authority. He is sovereign ruler of the universe." "It is he who makes the sun to shine in heaven; the winds that blow are but his breath; he has hollowed out the channels of the rivers which flow at his command, and he has made the depths of the sea. His ordinances are fixed and unassailable; through their operation the moon walks in brightness, and the stars, which appear in the nightly sky, vanish in daylight. The birds flying in the air, the rivers in their sleepless flow, cannot attain a knowledge of his power and wrath. But he knows the flight of the birds in the sky, the course of the far travelling wind, the paths of ships on the ocean, and beholds all the secret things that have been or shall be done. He witnesses men's truth and falsehood." * The following is a metrical version of one of the hymns of the Rig-Veda as given by Dr. Muir:— † "The mighty lord on high our deeds as if at hand espies; The gods know all men do, though men would fain their deeds disguise: Whoe’er stands, whoe’er moves, or steals from place to place, Or hides him in his secret cell, the gods his movements trace. Wherever two together plot, and deem they are alone, King Varuna is there, a third, and all their schemes are known. This earth is his, to him belong those vast and boundless skies, Both seas within him rest, and yet in that small pool he lies. Whoever far beyond the sky should think his way to win, He could not there elude the grasp of Varuna the king. His spies descending from the skies glide all this world around; Their thousand eyes, all scanning, sweep to earth's remotest bound. Whate’er exists in heaven and earth, whate’er beyond the skies, Before the eye of Varuna the king unfolded lies. The secret winkings all he counts of every mortal's eyes; He wields this universal frame as gamester throws his dice. Those knotted nooses which thou flingst, O god! the bad to snare, All liars let them overtake, but all the truthful spare." Professor Roth says of this hymn, "There is no hymn in the whole Vedic literature which expresses the divine omniscience in such forcible terms;" and it would not be easy to find in any literature many passages to surpass it in this respect. In other hymns we learn that the affairs of men are under his control; he is asked to prolong life, to punish transgressors; and a hope is held out that the righteous shall see him reigning in the spirit world in conjunction with Yama, the ruler of that region. Varuna in fact has attributes and functions ascribed to him in the Vedas, of a higher moral character than any other of the gods, and therefore men call upon him for pardon and purity. "Release us," they say, "from the sins of our fathers, and from those which we have committed in our own persons." And again, "Be gracious, O mighty god, be gracious. I have sinned through want of power; be gracious." In the hymns addressed to Mitra and Varuna together, almost the same terms are employed as when Varuna is addressed alone. Both are spoken of as righteous, and as the promoters of religion. They are said to avenge sin and falsehood.