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- Herausgeber: John Wiley & Sons
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
The gold standard for entry-level interior design education, now published by Wiley In this Eleventh Edition of Beginnings of Interior Environments, accomplished interior designer and professor Lynn M. Jones delivers a balanced and comprehensive overview of commercial and residential interior design. Written to offer coverage of the creative and technical characteristics of the profession, the text also addresses Council for Interior Design Accreditation (CIDA) content. The book presents topics on the scope of the profession, spatial development, and visual literacy while also reviewing the factors of quality aesthetics. Hundreds of images from actual design projects, supplied by national and international design firms, illustrate the design process. "Design Scenarios," or case studies, demonstrate examples of professional practice and in-house production work students are likely to encounter during their career. The text discusses issues of global importance, from sustainability to universal design; a pictorial essay reviews the history of style. Readers will also enjoy: * An introduction to interior environments, including the fundamentals of interior design and the health, safety, and welfare benefits of interior design * An exploration of design fundamentals, including the elements and principles of design, with a special emphasis on color * Practical discussions on building construction, including construction components and codes, as well as lighting, electrical, and communication systems * An entire section dedicated to interior finishes--upholstery, wallcoverings, and floorings--and furnishings--furniture, art, and accessories * In-depth examinations of the profession of interior design, including career opportunities Beginnings of Interior Environments is perfect for students in an introductory interior design course, and an indispensable resource for anyone seeking a balanced interior design perspective for their home or office.
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Table of Contents
Cover
Title Page
Copyright
Dedication
Preface
Part I: Introduction to Interior Environments
DEFINITION OF INTERIOR DESIGN AND RESPONSIBILITIES OF AN INTERIOR DESIGNER
RELATIONSHIP WITH ALLIED PROFESSIONS
TRAITS AND KNOWLEDGE REQUIRED BY INTERIOR DESIGNERS
TEXTBOOK ORGANIZATION
1 Understanding Interior Design
DEVELOPMENT OF THE INTERIOR DESIGN PROFESSION
PROFESSIONAL DESIGN ORGANIZATIONS
GOALS OF INTERIOR DESIGN
THE DESIGN PROCESS/SCOPE OF SERVICES
CAREER SPECIALIZATIONS IN INTERIOR DESIGN
SUMMARY
2 The Value of Interior Design: Health, Safety, and Welfare
HEALTH, SAFETY, AND WELFARE
INTERIOR ENVIRONMENT THEORY: WHY WE NEED THE BUILT ENVIRONMENT
HISTORIC PRESERVATION
MULTICULTURAL ENVIRONMENTS
THE SCIENCE OF SPATIAL BEHAVIOR
UNIVERSAL DESIGN
DESIGN FOR SPECIAL POPULATIONS
EVIDENCE-BASED DESIGN
ENVIRONMENT: SUSTAINABLE DESIGN
SUMMARY
PICTORIAL ESSAY
History of STYLE
Historical Styles and THEIR EVOLUTION
Historical Styles Summary
Evolution of Modern Design
MODERN DESIGN SUMMARY
STYLE SELECTION
Part II: Design Fundamentals
DESIGN THINK!
VISUAL LITERACY
CONCEPT
3 Elements and Principles of Design
TWO BASIC TYPES OF DESIGN
ELEMENTS OF DESIGN
PRINCIPLES OF DESIGN
SUMMARY
4 Color
LIGHT IN COLOR
WARM, COOL, AND NEUTRAL COLORS
THE STANDARD COLOR WHEEL
COLOR’S THREE DIMENSIONS
CREATING COLOR SCHEMES
COLOR THEORISTS AND THEORIES
PSYCHOLOGICAL AND PHYSIOLOGICAL EFFECTS OF COLORS
INTERACTIONS BETWEEN COLOR AND THE ELEMENTS AND PRINCIPLES OF DESIGN
APPLICATION OF COLOR TO INTERIOR BACKGROUNDS
SELECTION OF A COLOR SCHEME
COLOR FORECASTING
SUMMARY
Part III: Building Systems
THE CONSTRUCTION PROCESS
5 Construction Components, Systems, and Codes
CONTRACT DOCUMENTS
STRUCTURAL CLASSIFICATIONS
DOORS
WINDOWS
FIREPLACES
HEATING, VENTILATING, AND AIR-CONDITIONING (HVAC) SYSTEMS
PLUMBING
ACOUSTICS
SECURITY
EMERGENCY: EGRESS AND SPRINKLERS
CODES AND FEDERAL REGULATIONS
SUMMARY
6 Lighting, Electrical, and Communications
GOALS OF LIGHTING DESIGN
ORGANIZATIONS AND REGULATIONS
THE QUANTITY OF LIGHT
THE QUALITY OF LIGHT: COLOR AND LOCATION
NATURAL LIGHT SOURCES
ARTIFICIAL LIGHT SOURCES
LIGHTING FIXTURES
LIGHTING FOR AREAS AND ACTIVITIES
POWER AND COMMUNICATION
DESIGN GUIDELINES FOR LIGHTING, POWER, AND COMMUNICATIONS
SUMMARY
Part IV: Space
FORM AND SPACE
SPACE PLANNING
SQUARE FOOTAGE CALCULATIONS
7 Space Planning: Furnishings to Rooms
PROGRAMMING INFORMATION FOR SPACE PLANNING
SPACE PLANNING FOR SPECIFIC ACTIVITIES
SPACE PLANNING FOR SPECIFIC ROOMS
MAKING THE MOST OF SPACE WITH FURNITURE
SUMMARY
8 Space Planning: Rooms to Buildings
RESIDENTIAL ZONES
COMMERCIAL ZONES
GENERAL ZONING REQUIREMENTS
ORGANIZING SYSTEMS
ANALYZING RESIDENTIAL FLOOR PLANS
ANALYZING COMMERCIAL FLOOR PLANS
SUMMARY
Part V: Materials, Furnishings, and Fabrics
FUNCTION
AESTHETICS
ECONOMICS
9 Floors
HARD FLOORING
NONRESILIENT FLOORING
WOOD FLOORING
RESILIENT FLOORING
SOFT FLOOR COVERINGS
HISTORY OF RUGS AND CARPETS
DESIGN CHARACTERISTICS
HANDMADE RUGS
PADDING
DESIGN CONSIDERATIONS
CODES AND REGULATIONS
MEASURING AND INSTALLING
SUMMARY
10 Ceilings and Walls
CEILINGS
TYPES OF CEILINGS
CEILING CONSTRUCTION AND MATERIALS
CEILING ILLUSIONS
WALLS
WALL CONSTRUCTION
NONRESILIENT (RIGID) WALLCOVERINGS
MOLDINGS
PAINTS AND FINISHES
RESILIENT (FLEXIBLE) WALLCOVERINGS
ESTIMATING WALLCOVERING QUANTITIES
SELECTING WALL MATERIALS AND FINISHES
SUMMARY
11 Furniture
TYPES OF FURNITURE
SYSTEMS FURNITURE
GENERAL CLASSIFICATIONS OF FURNITURE STYLES
QUALITY AND CRAFTSMANSHIP
UPHOLSTERED FURNITURE
SUMMARY
12 Textiles
FIBERS
FABRIC CONSTRUCTION
TEXTILE COLORING/DYEING
FINISHING
FABRIC TESTING AND SAFETY CODES
TEXTILE CARE AND MAINTENANCE
TEXTILE USES IN INTERIOR DESIGN
SELECTING TEXTILES FOR INTERIORS
SOLVING DESIGN PROBLEMS WITH TEXTILES
SUMMARY
TEXTILE TERMINOLOGY
13 Window Treatments, Accessories, and Art
WINDOW TREATMENTS
HARD WINDOW TREATMENTS
SOFT WINDOW TREATMENTS
WINDOW TOP TREATMENTS
WINDOW TREATMENT HARDWARE
DRAPERY AND CURTAIN HEADINGS
DESIGN AND PLACEMENT OF WINDOW TREATMENTS
ACCESSORIES
ART
TWO-DIMENSIONAL ART
THREE-DIMENSIONAL ART
SELECTING ACCESSORIES AND ART
GROUPING AND PLACING ACCESSORIES AND ART
SUMMARY
LIVING ROOM COMPARISON
Part VI: The Profession of Interior Design
14 Interior Design as a Career
CAREER PROGRESSION
PROFESSIONAL INTERIOR DESIGN ORGANIZATIONS
THE BUSINESS OF INTERIOR DESIGN
PROFESSIONAL ETHICS
INTERIOR DESIGN FORECAST
SUMMARY
Appendix A: Residential Programming Questionnaire
Appendix B: Furniture Inventory Sheet
Appendix C: Typical Set of Residential Construction Drawings
Glossary
References
Index
End User License Agreement
List of Illustrations
Chapter 1
TABLE 1.1 The Design Process
TABLE 1.2 Opportunities in Contract (Commercial) Design
TABLE 1.3 Related Opportunities in the Design Industry
Chapter 2
TABLE 2.1 Principles of Universal Design
TABLE 2.2 The EBD Process Incorporated into the Design Process
TABLE 2.3 Eco-Labels by the International Standards Organization
TABLE 2.4 Third-Party Resources
TABLE 2.5 LEED Rating System Based on LEED for New Construction
TABLE 2.6 LEED Building Certification Levels
Chapter 5
TABLE 5.1 Building Codes in the United States
Chapter 7
TABLE 7.1 Typical Furnishing Sizes Drawn in Plan View
TABLE 7.2 Critical Heights and Depths
TABLE 7.3 Clearance Requirements
TABLE 7.4 Specific Activity Areas in Commercial and Residential Design
Chapter 9
TABLE 9.1 Hard-Surface Flooring: Nonresilient
TABLE 9.2 Hard-Surface Flooring: Resilient
Chapter 10
TABLE 10.1 Nonresilient Wallcoverings
Chapter 11
TABLE 11.1 Furniture Types: Seating and Beds
TABLE 11.2 Furniture Types: Tables, Case Goods, and Pianos
TABLE 11.3 Most Common Wood Types
Chapter 12
TABLE 12.1 Properties of Manufactured Fibers
TABLE 12.2 Association for Contract Textiles (ACT) Performance Guidelines
Chapter 13
TABLE 13.1 Accessory and Art Idea List
Chapter 14
TABLE 14.1 Priorities for interior design education authored by CIDA’s...
TABLE 14.2 Professional Organizations
TABLE 14.3 Tips from a Registered Nurse on Hospital Design
List of Illustrations
Part I
FIGURE I.1A In the true blend of art and science, this office emulates the i...
FIGURE I.1B The floor plan of this office illustrates the emphasis of interi...
FIGURE I.2 Interior design for clients of diverse cultural backgrounds is an...
FIGURE I.3 This house, called the Suncatcher, is constructed from used tires...
FIGURE I.4 Visual communication requires designers to articulate their ideas...
Chapter 1
FIGURE 1.1 This warm and inviting space welcomes guests into the Carolina In...
FIGURE 1.2 A dining room designed by Elsie de Wolfe early in her career is s...
FIGURE 1.3 In the plan of the 1909 Robie House (A), Frank Lloyd Wright...
FIGURE 1.4 The needs of individuals’ spaces vary greatly based on thei...
FIGURE 1.5 Objects in nature demonstrate the various types of balance. A spi...
FIGURE 1.6 This industrial and mechanical engineering firm’s office is...
FIGURE 1.7 In this series of illustrations, a small commercial real estate o...
FIGURE 1.8 Schematic design presentations can include concept statements, re...
FIGURE 1.9 For the design development phase of this project, the designer pr...
FIGURE 1.10 In this design development presentation, the designers worked as...
FIGURE 1.11 A computer-generated view of the corporate office lobby is shown...
FIGURE 1.12 A custom-designed door with onyx insets adds character to this i...
FIGURE 1.13 Sensitivity to the quality of life is put to the greatest test i...
FIGURE DS1.1 Programming—Results of the focus groups session reveal th...
FIGURE DS1.2 Programming—Each department’s needs were analyzed b...
FIGURE DS1.3 Programming—Summary of estimated square footage requireme...
FIGURE DS1.4 Schematic floor plan for the third and fourth floors.
FIGURE DS1.5 Schematic perspective of the open office workstations.
FIGURE DS1.6 Design development—Computer-generated floor plan of unive...
FIGURE DS1.7 Design development—Presentation perspective of the open o...
FIGURE DS1.8 Design development—Presentation perspective of the break-...
FIGURE DS1.9 Construction drawing— Second floor power and communicatio...
FIGURE DS1.10 Construction drawing—Two enlarged plans of the elevator ...
FIGURE DS1.11 Partial page including reception desk details, and sections.
FIGURE DS1.12 Completed space— Open office.
FIGURE DS1.13 Completed space— Break-out area.
FIGURE DS1.14 Completed space—Waiting area.
Chapter 2
FIGURE 2.1 In corporate business, the competition for quality employees is f...
FIGURE 2.2 Abraham Maslow’s hierarchy of human needs is represented in...
FIGURE 2.3 Maslow’s hierarchy of needs represented in the built enviro...
FIGURE 2.4 Sensitivity to historic structures and their adaptive use brings ...
FIGURE 2.5 Old Faithful Inn (1901) in Yellowstone National Park, designed by...
FIGURE 2.6 This hotel lounge in Bali, Indonesia, opens to the exterior envir...
FIGURE 2.7 Edward T. Hall, in his book
The Hidden Dimension,
discusse...
FIGURE 2.8 Example of an anthropometric study.
FIGURE 2.9 Ergonomic furniture is designed to be flexible and to adjust to v...
FIGURE 2.11 Minimum clear width for wheelchairs, from the ADA guidelines...
FIGURE 2.12 Children require spaces that meet their ergonomic and anthropome...
FIGURE 2.13 Children view objects as items to be played with and manipulated...
FIGURE 2.14 Designing for the elderly requires sensitivity to special needs....
FIGURE 2.15 The minimum clear requirements for an accessible swinging door.
FIGURE 2.16 A typical layout for an accessible commercial toilet area.
FIGURE 2.17 The three divisions of sustainable development.
FIGURE 2.18 The design of the interior needs to reflect the corporate philos...
FIGURE DS2.1 Willson Hospice House Exterior, main entry into administrative ...
FIGURE DS2.2 Landscape plan. Fourteen acres nestled in a 200-acre site.
FIGURE DS2.3 Campus plan. Includes an administrative wing and three pods ref...
FIGURE DS2.4 Family space in one of the cottages. Eco-friendly materials inc...
FIGURE DS2.5 Patient room. Warm colors, such as butterscotch and caramel, we...
Part II
FIGURE II.1 In commercial office design, a welcoming reception area is a sig...
FIGURE II.2 For this project, the designer was asked to develop a new approa...
FIGURE II.3 In this example, the eye attempts to find meaning in the shapes....
FIGURE II.4A Organization of elements through the use of proximity.
FIGURE II.4B Organization of elements through the use of proximity applied t...
FIGURE II.5 Visual pattern perception using grouping tendencies of similarit...
FIGURE II.6 Visual perception through the use of closure.
FIGURE II.7 Universal visual literacy used in symbols. Note how the symbols ...
FIGURE II.8 Alignment grids created in organic forms.
FIGURE II.9 In this whimsical development of concept, the designer created a...
FIGURE II.10 As part of the programming, idea\span created the following ana...
FIGURE II.11 In the conceptual or schematic design phase, idea\span develope...
FIGURE II.12 After client approval of the conceptual design, idea\span conti...
FIGURE II.13 During the construction documents phase, idea\span produced a s...
FIGURE II.14 In the completed reception area (A), notice how the design conc...
Chapter 3
FIGURE 3.1 In this multifaceted interior space, the designer created a fasci...
FIGURE 3.2 Structural design and applied ornamentation or decorative design.
FIGURE 3.3 In this dining room the basic type of design is structural. The s...
FIGURE 3.4 In this dining room, the basic type of design is decorative. Trim...
FIGURE 3.5 Types of applied ornamentation.
FIGURE 3.6 These successful corridor designs illustrate structural and decor...
FIGURE 3.7 In these two studies, the artists illustrate the use of negative ...
FIGURE 3.8 Soaring verticals and intersecting diagonals silhouetted against ...
FIGURE 3.9 The use of line.
FIGURE 3.10 In this custom-designed bathroom, emphasis has been placed on th...
FIGURE 3.11 In this educational environment, the designer created a curved r...
FIGURE 3.12 The entry to this mountain escape embraces the use of texture. R...
FIGURE 3.13 Shape, form, line, and color have been manipulated in this entry...
FIGURE 3.14 In the elevation of the Robie House by Frank Lloyd Wright, a pat...
FIGURE 3.15 Le Corbusier planned his architectural projects to be consistent...
FIGURE 3.16 The beautiful lines and scale of the highly acclaimed Barcelona ...
FIGURE 3.17 Perception: The center circles in each of the diagrams are ident...
FIGURE 3.18 These plan views indicate inappropriately scaled and appropriate...
FIGURE 3.19 In this presentation floor plan of a garage conversion, the desi...
FIGURE 3.20 In the golden section, the ratio of A to B is the same as the ra...
FIGURE 3.21 The use of Greek proportions.
FIGURE 3.22 Ecclesiastical design blossoms under the principles of scale and...
FIGURE 3.23 Note how the vertical line appears to balance the circle; howeve...
FIGURE 3.24 In boxes (A) and (B), the dot is located on an imaginary vertica...
FIGURE 3.25 Three types of balance.
FIGURE 3.26 In asymmetrical balance, the triangular balance point must be mo...
FIGURE 3.27 120,000-SF warehouse served as the base for this corporate offic...
FIGURE 3.28 The domed ceiling, floor pattern, and furniture arrangement in t...
FIGURE 3.29 Types of rhythm: Repetition, transition, and gradation.
FIGURE 3.30 In this commercial interior, the designer repeated a square moti...
FIGURE 3.31 In this large room, the curved window bay and large sofa soften ...
FIGURE 3.32 In this hotel lobby, color, form, texture, light, and pattern al...
Chapter 4
FIGURE 4.1 This vibrant restaurant uses brilliant color of intense chromas. ...
FIGURE 4.2 A ray of white light passed through a prism separates into distin...
FIGURE 4.3 The standard color wheel. It is often referred to as the Prang co...
FIGURE 4.4 Primary colors.
FIGURE 4.5 Secondary colors.
FIGURE 4.6 Tertiary or intermediate colors.
FIGURE 4.7 In the nine gradations of value from white to black, the small ci...
FIGURE 4.8 Although black and white pigments are not considered true colors,...
FIGURE 4.9 In this example, the green on the left exhibits a high intensity,...
FIGURE 4.10 This achromatic color scheme is an effective choice in the kitch...
FIGURE 4.11 Monotone colors have been applied in this sophisticated yet rela...
FIGURE 4.12 In this dramatic monochromatic room, the interior designer was p...
FIGURE 4.13 This warm and inviting room is the result of conscientious desig...
FIGURE 4.14 Basic color schemes derived from the color wheel.
FIGURE 4.15 The color scheme for this Indian cuisine restaurant is a based o...
FIGURE 4.16 The Ostwald color system. (A) The Ostwald color wheel is based o...
FIGURE 4.17 The Munsell color system, including hue, value, and chroma relat...
FIGURE 4.18 In this guest suite, the dominating rosy pink carpet is cooled b...
FIGURE 4.19 A warm color palette of golds and burnt oranges welcomes guests ...
FIGURE 4.20 Cooler tones of deep blue and gray create a professional image f...
FIGURE 4.21 Crisp, cool yellow-greens are married with deep blue-purples to ...
FIGURE 4.22 The brightly accented conference room enlivens the work environm...
FIGURE 4.23 The warm browns coupled with the soft apricot-colored drapery fa...
FIGURE 4.24 Complementary afterimage. Stare at the black dot just above cent...
FIGURE 4.25 These diagrams illustrate the effect of adjacent colors: (A) Gra...
FIGURE 4.26 Additive spatial fusion. The green dot pattern in the shape of t...
FIGURE 4.27 Value effects—three treatments.
FIGURE 4.28 Fine-grain woods, shown in this custom interior office space, bl...
FIGURE 4.29 For the visual presentation of this restaurant, the designer inc...
FIGURE 4.30 Variations in texture and light play a significant role in the w...
FIGURE DS4.1 As part of the programming document, a staffing plan was develo...
FIGURE DS4.2 The programming document also graphically outlined the existing...
FIGURE DS4.3 After observing the work patterns of various employees, Gensler...
FIGURE DS4.4 The concept plan illustrates the idea of community. The Town Ce...
FIGURE DS4.5 In a more specific conceptual plan, offices, labs, conferencing...
FIGURE DS4.6 Placing the community concept into the specific building plan c...
FIGURE DS4.7A Presentation perspective of the Main Street Entry.
FIGURE DS4.7B Presentation perspective of the Open Office Neighborhood.
FIGURE DS4.7C Presentation perspective of the Community Break Area.
FIGURE DS4.8 Partition plan of the War Room.
FIGURE DS4.9 Partition plan of the Multimedia Lounge.
FIGURE DS4.10 Elevations of the Main Entry Corridor.
FIGURE DS4.11 In the Main Street Corridor, bold colors, intersecting planes,...
FIGURES DS4.12 and DS4.13 Following the community concept and the request fo...
FIGURE DS4.14 In another open community zone, employees are encouraged to ga...
FIGURE DS4.15 Looking through a portal into one of the Common Centers, one c...
Part III
FIGURE III.1 This two-story framing diagram illustrates platform or western ...
FIGURE III.2 Left, a poured footing and foundation wall. Right, also a poure...
FIGURE III.3 Additional support in the form of double studs and a header str...
FIGURE III.4 Framing components and associated terminology. Note that the sl...
FIGURE III.5 A prefabricated truss system.
FIGURE III.6 This cutaway section illustrates the construction components wh...
FIGURE III.7 This residential furniture presentation plan illustrates the fi...
Chapter 5
FIGURE 5.1 Timberframe construction affects the systems in the building. Ele...
FIGURE 5.2 Material symbols in plan/section/elevation, and line and graphic ...
FIGURE 5.3 Wall symbols.
FIGURE 5.4 Kitchen symbols.
FIGURE 5.5 The Arts and Crafts movement (see page 75) inspired this spiral s...
FIGURE 5.6 Stairway terminology.
FIGURE 5.7 Typical elevation of a fireplace wall.
FIGURE 5.8 Transverse section of a three-story building.
FIGURE 5.9 Typical wall section. Note the terminology and use of constructio...
FIGURE 5.10 Typical cabinet section. Designers frequently create custom cabi...
FIGURE 5.11 Window schedule.
FIGURE 5.12 Perspective sketch of workstations at a sports medicine center.
FIGURE 5.13 Detailed sections through the workstation. The circle labeled 11...
FIGURE 5.14 In this interior, faceframe cabinet construction was used to giv...
FIGURE 5.15 Section looking down on two cabinet doors. Note recessed facefra...
FIGURE 5.16 This bathroom cabinet utilizes frameless construction to achieve...
FIGURE 5.17 Section looking down on two cabinet doors. Note flush front appe...
FIGURE 5.18 Load stresses of reinforced concrete beams. Wood beams are simil...
FIGURE 5.19 Stretchers, headers, and brick bonds.
FIGURE 5.20 Patterns in stone.
FIGURE 5.21 In this contemporary residence, concrete has been used for struc...
FIGURE 5.22 (A) Detail of joinery. Wooden pegs and tight joints secure beams...
FIGURE 5.23 Door parts and terminology.
FIGURE 5.24 Detail of standard wood door frame.
FIGURE 5.25 Elevations and plan views of various types of doors.
FIGURE 5.26 Plan view of left-hand and right-hand door swings.
FIGURE 5.27 In this master suite addition, the client requested the serenity...
FIGURE 5.28 In this image, the large opening between the kitchen and the din...
FIGURE 5.29 Window parts. Note how the lower sash is drawn in front of the u...
FIGURE 5.30 Various types of movable windows.
FIGURE 5.31 Various types of stationary windows.
FIGURE 5.32 Combination window types.
FIGURE 5.33 These custom floor-to-ceiling windows allow the residents to vie...
FIGURE SD5.1 (A) Low-E glass, coated on the inside layers, allows natural li...
FIGURE 5.34 Before and after shots of this living room demonstrate the power...
FIGURE 5.35 In this contemporary setting, a wood stove enhances the interior...
FIGURE 5.36 In this commercial office space located in Minnesota, the design...
FIGURE 5.37 Michael Graves designed this postmodern residence in New Jersey ...
FIGURE 5.38 In this HVAC plan, numbers indicate pipe sizes. Boxes with Xs in...
FIGURE 5.39 Plumbing and heating symbols.
FIGURE 5.40 This glass sink is artfully suspended from the wall and balanced...
FIGURE 5.41 In this custom design for Kohler, the designer selected a neutra...
FIGURE 5.42 Multistory residential wastewater system.
FIGURE 5.43 Motion detectors used in residential and commercial design.
FIGURE 5.44 Computer and software companies may require secure checkpoints t...
Chapter 6
FIGURE 6.1 This dramatic lighting is the result of extensive research and se...
FIGURE 6.2 Three major functions of artificial lighting.
FIGURE 6.3 Luminaires for task lighting should be placed to minimize glare a...
FIGURE 6.4 In this waiting area at the Dubai Mall Medical Center, ceiling tr...
FIGURE 6.5 Typical photometric guides. Many manufacturers, including GE, off...
FIGURE 6.6 The wash of light on the ceiling creates a focal point in this re...
FIGURE 6.7 A 5,600-square-foot carriage house was converted into a developme...
FIGURE 6.8 In this vibrant French-styled brasserie, Voila!, the designers us...
FIGURE 6.9 The measurements of light: Luminance flux is the quantity of ligh...
FIGURE 6.10 (A) The color spectrum of natural light. (B) The color spectrum ...
FIGURE 6.11 Color sample basis for the CRI and CQS.
FIGURE 6.12 Light is reflected off a surface at the same angle as it was rec...
FIGURE 6.13 The Canlis Restaurant, a dining landmark in Seattle, was updated...
FIGURE 6.14 The incandescent filament lamp. (A) Cross section. (B) Common la...
FIGURE 6.15 Styles of tungsten-halogen lamps.
FIGURE 6.16 In this contemporary residence, emphasis has been placed on the ...
FIGURE 6.17 Fluorescent lamp styles, regular and compact (not to scale).
FIGURE 6.18 The SPX41 fluorescent lamp has a good efficacy and a good CRI ra...
FIGURE 6.19 Common HID lamp styles. A: standard (arbitrary); T: tubular; PAR...
FIGURE 6.20 Cold cathode lighting adds a playful quality to this pediatric s...
FIGURE 6.21 Examples of LED lamps.
FIGURE 6.22 Example of LED strip lighting.
FIGURE 6.23 Example of 2' × 2' lay-in light fixture with LED la...
FIGURE 6.24 A variety of lighting solutions have been applied in this retail...
FIGURE 6.25 (A) Common types of wall-mounted fixtures. (B) This decorative s...
FIGURE 6.26 Strip LED lighting was attached to the wall below the cabinets t...
FIGURE 6.27 (A) Common types of ceiling-mounted fixtures. (B) This custom ha...
FIGURE 6.28 LED lights have traditionally been used in electronics as indica...
FIGURE 6.29 In this gallery space, track lighting suspended from fine cables...
FIGURE 6.30 Fiber-optic decorative lighting was used in this interior to cre...
FIGURE 6.31 Under-cabinet lighting attached to the open office systems suppl...
FIGURE 6.32 (A) Typical portable lamp fixtures. (B) “New Twist” ...
FIGURE 6.33 In this dining room, a Holly Hunt chandelier includes candle-lik...
FIGURE 6.34 In this Japanese restaurant located in New York City, a variety ...
FIGURE 6.35 In this contemporary kitchen, lighting has been designed to crea...
FIGURE 6.36 This unique light fixture draws visitors to the front entry. For...
FIGURE 6.37 Electrical, communication, and lighting symbols.
FIGURE 6.38 This partial view of a reflected ceiling plan (RCP) indicates li...
FIGURE 6.39 A floor plan, called an electrical, lighting, and telephone plan...
FIGURE 6.40 In (A), the raised flooring conceals the cabling beneath a confe...
FIGURE 6.41 In the same project as Figure 6.38, this partial view of a commu...
FIGURE 6.42 This residential space in Nangang, Taiwan, includes sliding tran...
FIGURE DS6.1A and B (A) indicates the original floor plan. (B) illustrates t...
FIGURE DS6.2A and B (A) indicates the before shot looking into the dining ro...
FIGURE DS6.3 Custom details include a hidden file drawer beneath each end of...
FIGURE DS6.4A and B These photos illustrate the custom sliding barn door add...
FIGURE DS6.5A, B and C (A) indicates the before shot of the enclosed narrow ...
Part IV
FIGURE IV.1 This opulent bedroom balances the use of vertical space by placi...
FIGURE IV.2 These drawings show the progression of design from plan view and...
FIGURE IV.3 Drawings show a progression from plan view and elevations to a d...
FIGURE IV.4 In these drawings the negative space has been left open to allow...
FIGURE IV.5 Appropriate furniture layout to redirect traffic.
Chapter 7
FIGURE 7.1 In this prefunction area, a contemporary conversation grouping is...
FIGURE 7.2 Six basic conversation groupings.
FIGURE 7.3 If a U-shape grouping to seat seven people is selected, the desig...
FIGURE 7.4 The custom square dining room table is designed to comfortably se...
FIGURE 7.5 Typical table arrangements. Oval, boat-shape, and U-shape tables ...
FIGURE 7.6 If the room must seat twelve, the designer first establishes the ...
FIGURES 7.7 and 7.8 In this living area, the television is hidden behind a f...
FIGURE 7.9 To figure the space required for a typical office arrangement, dr...
FIGURE 7.10 In this commercial office space, ample storage and work surfaces...
FIGURE 7.11 In this plan for a queen bed, the minimum space needed would be ...
FIGURE 7.12 In this commercial office space, a lowered transaction top was c...
FIGURE 7.13 Programming needs: reception workspace for telephone, computer, ...
FIGURE 7.14 Before, the front door opened directly into the living room. Aft...
FIGURE 7.15 In this ranch-style home, the furniture was placed perpendicular...
FIGURE 7.16 This conversation area is located in a technology center. The cu...
FIGURE 7.17 Programming needs: conversation seating for six; grand piano; fi...
FIGURE 7.18 In this nineteenth-century New Orleans cottage, furniture has be...
FIGURE 7.19 The warm reds and rich blues of the area rug are picked up in th...
FIGURE 7.20 Programming needs: comfortable seating for four to view the tele...
FIGURE 7.21 Programming needs: seating for four to eight; storage and displa...
FIGURE 7.22 At Balis & Co., Inc., in Philadelphia, this traditional conf...
FIGURE 7.23 In this residence, the clients requested that the dining room se...
FIGURE 7.24 Programming needs: desk and credenza; two guest chairs; filing a...
FIGURE 7.25 Substantial daylighting, generous countertop surfaces, and close...
FIGURE 7.26 A standup-height, slanted table serves as the work surface in th...
FIGURE 7.27 Programming needs: queen-sized bed; triple dresser; seating area...
FIGURE 7.28 Located on St. John, Virgin Islands, Caneel Bay Hotel boasts sim...
FIGURE 7.29 This medical surgical room provides ample space for the medical ...
FIGURE 7.30 These line drawings indicate heavily and lightly scaled furnitur...
FIGURE 7.31 A wall-hung shelf with rounded corners requires little space.
FIGURE 7.32 In this expansive living area designed by Michael Kreiss, vibran...
Chapter 8
FIGURE 8.1 In this warm contemporary environment, the foyer sets the tone. T...
FIGURE 8.2 The warm yellow hues in this foyer add casualness and give a fres...
FIGURE 8.3 In this formal traditional foyer, a limestone floor with oak inla...
FIGURE 8.4 (A) This space shows a successful transition from the foyer to th...
FIGURE 8.5 Basic kitchen arrangements.
FIGURE 8.6 This kitchen work zone is designed in a parallel arrangement. Amp...
FIGURE 8.7 This transitionally styled kitchen includes a breakfast bar for q...
FIGURE 8.8 Audiovisual equipment is tastefully displayed in a custom cabinet...
FIGURE 8.9 This floor plan illustrates a quality solution in a family room t...
FIGURE 8.10 This in-home office provides a “secret” passage to t...
FIGURE 8.11 The clients for this residence requested a breakfast area in the...
FIGURE 8.12 Poor and proper placement for closets.
FIGURE 8.13 This master bedroom suite on a 70' yacht includes an adjacen...
FIGURE 8.14 Drama is created in this bathroom through rich materials, vivid ...
FIGURE 8.15 Typical bathroom layouts. (A) and (B) are appropriate for half-b...
FIGURE 8.16 The purpose of this open office environment is flexibility. The ...
FIGURE 8.17 This breakroom, part of the same work environment as Figure 8.16...
FIGURE 8.18 Figures 8.18–8.22 illustrate an excellent solution to a co...
FIGURE 8.19 Open office spaces and support staff areas maintain the formal d...
FIGURE 8.20 Two conference rooms are located directly off the reception area...
FIGURE 8.21 Private offices are located out of sight from the main public ar...
FIGURE 8.22 Ancillary areas are centrally located and out of public view, ye...
FIGURE 8.23 In this square room, a rectangular rug was added to define the s...
FIGURE 8.24 In this casual café in a shopping mall, patrons are led to ...
FIGURE 8.25 This presidential suite located in the Westin Grand Hotel illust...
FIGURE 8.26 Window placement.
FIGURE SD8.1 Two fireplaces can be combined to share the same chimney.
FIGURE SD8.2 Price and square footage. The three enclosures, each requiring ...
FIGURE SD8.3 A well-designed roof can permit the warm winter sun to flood th...
FIGURE SD8.4 Back-to-back plumbing.
FIGURES SD8.5 AND SD8.6 In this residence, many of the Not So Big principles...
FIGURE 8.27 (A) indicates the design development furniture plan for this com...
FIGURE 8.28 Strong linear arrangements are incorporated in the commercial of...
FIGURE 8.29 The Villa Rotunda, designed by Andrew Palladio, illustrates a ra...
FIGURE 8.30 Examples of manipulation.
FIGURE 8.31 The floor plan of this multistory office building uses a combina...
FIGURE 8.32 This relatively small house plan, based on the square, efficient...
FIGURE 8.33 This unique plan was developed to fit the site. Public areas are...
FIGURE 8.34 A well-designed multistory home with five bedrooms.
FIGURE 8.35 A well-designed U-shape plan with a split bedroom arrangement.
FIGURE 8.36 In this loft renovation in New York, a substantial amount of dem...
FIGURE 8.37 In this atrium plan, the architect and interior designer created...
FIGURE 8.38 The sweeping arrangement of these interior spaces gives fluidity...
FIGURE 8.39 One-bedroom unit.
FIGURE 8.40 A spacious and well-arranged two-story plan.
FIGURE 8.41 A poorly arranged floor plan.
FIGURE 8.42 (A) This multistoried commercial office building includes angled...
FIGURE 8.43 In the space planning process, furnishings are analyzed based on...
FIGURE DS8.1 Residential spatial needs assessment.
FIGURE DS8.2 Proposed tenant space. The designer determined that the space c...
FIGURE DS8.3 In order to allow for appropriate slopes in black water plumbin...
FIGURE DS8.4 Residential bubble diagram. Relationships are indicated by prox...
FIGURE DS8.5A STEP 1 Blocking diagram for Option A.
FIGURE DS8.5B STEP 1 Blocking diagram for Option B.
FIGURE DS8.5A STEP 2 Defining walls for Option A.
FIGURE DS8.5B STEP 2 Defining walls for Option B.
FIGURE DS8.5A STEP 3 Final plan for Option B as presented to the client. Thi...
FIGURE DS8.5B STEP 3 Final plan for Option A as presented to the client.
FIGURE DS8.6 Spatial needs assessment.
FIGURE DS8.7 Compatibility matrix.
FIGURE DS8.8 Bubble diagram.
FIGURE DS8.9A Blocking diagram Option A.
FIGURE DS8.9B Blocking diagram Option B.
FIGURE DS8.10A STEP 1 Defining walls for Option A.
FIGURE DS8.10A STEP 2 Analyzing wall placement for Option A.
FIGURE DS8.10A STEP 3 Further analysis and refinement of Option A.
FIGURE DS8.10A STEP 4 Establishing final furniture and wall placement for Op...
FIGURE DS8.10B STEP 1 Defining walls for Option B.
FIGURE DS8.10B STEP 2 Establishing final furniture and wall placement for Op...
FIGURE DS8.11 Final presentation drawing.
Part V
FIGURE V.1 For this clubhouse, the client requested an “authentic Engl...
FIGURE V.2 In this Herman Miller Showroom, the Aeron chair has been used in ...
FIGURE V.3 Unique torchères and custom ironwork add warmth and vibrant ...
FIGURE V.4 The designers worked very closely with the clients to create a di...
Chapter 9
FIGURE 9.1 This commercial hotel lobby is defined by its marble floor. The h...
FIGURE 9.2 A travertine floor and rusticated columns provide an interesting ...
FIGURE 9.3 Ceramic tile offers a broad range of finishes from aged and weath...
FIGURE 9.4 Natural stone borders are available in intricate designs. Shown f...
FIGURE 9.5 This tile creates a
trompe l’oeil
(three-dimensional)...
FIGURE 9.6 This rich, vibrant color palette of ceramic tile is offered by Br...
FIGURE 9.7 The creative use of concrete has greatly evolved since its beginn...
FIGURE 9.8 The flooring in this entry foyer is bleached oak. The opulent, dr...
FIGURE 9.9 Patterns of wood flooring.
FIGURE 9.10 Chinese slate and bleached pine flooring are combined in this re...
FIGURE 9.11 This commercial office waiting area employs bamboo flooring. Not...
FIGURE 9.12 In this interior, raised rubber flooring was used for its durabi...
FIGURE 9.13 An example of cork tile.
FIGURE 9.14 Carpet can change the apparent size and proportion of a room.
FIGURE 9.15 The combination of flooring materials creates a playful pattern ...
FIGURE 9.16 The rug, a Tabriz from Iran (Persia) c. 1850, forms the color so...
FIGURE SD9.1 CRI launched the Green Label program in 1992 to test carpet, cu...
FIGURE 9.17 A rug made from seagrass delineates the circular dining area.
FIGURE 9.18 Three types of woven carpets.
FIGURE 9.19 The carpet in this hotel lobby bar is a custom Axminster. The pa...
FIGURE 9.20 Surface characteristics of carpet: Level loops: level loop; mult...
FIGURE 9.21 In this high-tech interior, a multilevel loop carpet adds warmth...
FIGURE 9.22 Principal knots used in making Oriental rugs.
FIGURE 9.23 A common Kirman design includes an open ground, a wide, uneven b...
FIGURE 9.24 This highly contrasted Sarouk rug is covered in floral patterns ...
FIGURE 9.25 A Bengali rug from India, made in the Chinese Peking design.
FIGURE 9.26 This Numdah rug is made of rough felt with wool embroidery in th...
FIGURE 9.27 The dhurries were used originally as sleeping bags for travelers...
FIGURE 9.28 The French Savonnerie is a velvety pile carpet, typically with i...
FIGURE 9.29 Aubusson rugs are made of tapestry weave, usually with French de...
FIGURE 9.30 The elaborately woven matrimonia rugs are created based on the b...
FIGURE 9.31 This Navajo rug is characteristic of much of the art of Native A...
FIGURE 9.32 A braided rug can be used in any setting where a country look is...
FIGURE 9.33 The angular carpet and ceiling patterns juxtapose the sweeping a...
FIGURE 9.34 A seaming diagram for a 15' × 18' room covered with...
FIGURE 9.35 This foyer sets a formal, masculine tone for the residence. The ...
Chapter 10
FIGURE 10.1 Soaring ceilings, while dramatic, also need to relate to the sca...
FIGURE 10.2 In this library, located at Culver Academy in Culver, Indiana, t...
FIGURE 10.3 In this home theater in Boca Raton, Florida, the designer create...
FIGURE 10.4 This sculptured ceiling in a mall food court area adds rugged in...
FIGURE 10.5 This entryway includes a series of vaults that establishes the c...
FIGURE 10.6 To give the illusion of endless space, designer Harry Stein pain...
FIGURE 10.7 In this refined restaurant, Adam D. Tihany utilized gypsumboard ...
FIGURE 10.8 Wallpaper extended beyond the walls and into coved ceilings give...
FIGURE 10.9 Patrons are treated to visual as well as gustatory delight in th...
FIGURE SD10.1 This moveable wall system includes floor-to-ceiling sliding do...
FIGURE 10.10 The plaster wall in this foyer has an Italian finish called stu...
FIGURE 10.11 Mosaic tiles in this kitchen were imported from Spain. The Zell...
FIGURE 10.12 Surprise! This decorative tufted wall called TUCKER...
FIGURE 10.13 Masonry tiles have been used throughout the space in this ASID ...
FIGURE 10.14 In this guest bedroom, a large mirror located behind the dressi...
FIGURE 10.15 Partial panels separating the bar area are created using a plas...
FIGURE 10.16 Curved plastic panels line the front of this open office workst...
FIGURE 10.17 In this commercial office setting, the custom wood-grained pane...
FIGURE 10.18 Molding terminology.
FIGURE 10.19 In this historic courthouse, the designer re-created the custom...
FIGURE 10.20 Stock moldings add architectural interest.
FIGURE 10.21 This extravagant opulent drawing room in the Kips Bay Showhouse...
FIGURE 10.22 This traditional sunburst design can add formality to a front d...
FIGURE 10.23 This exquisite fretwork cornice, made of tough, lightweight mod...
FIGURE 10.24 Sometimes, the most appropriate applied paint finish for a ceil...
FIGURE 10.25 In this living room renovation, changes through the use of faux...
FIGURE 10.26 In this residential foyer, a painted faux finish creates a Rena...
FIGURE 10.27 This interior lobby of the Belle Haven Country Club includes a ...
FIGURE 10.28 In the renovation of this historic residence, the designer adap...
FIGURE 10.29 In this children’s ophthalmologist’s office, a ribb...
FIGURE 10.30 This historic building was renovated into a fine arts gallery. ...
FIGURE 10.31 This extraordinary wall forms the focal point in this restauran...
Chapter 11
FIGURE 11.1 The 1920s and 1930s industrial era was blended with a progressiv...
FIGURE 11.2 This Queen Anne “wing chair,” so named for the curve...
FIGURE 11.3 This reproduction of a Philadelphia Chippendale side chair, orig...
FIGURE 11.4 Charles and Ray Eames experimented with various wood forms. The ...
FIGURE 11.5 This lounge chair by Loewenstein, called the Royale, is upholste...
FIGURE 11.6 This classic chair, designed by Eero Saarinen, is called the Tul...
FIGURE 11.7 This ergonomic desk chair, called Aeron, is designed to support ...
FIGURE 11.8 The Maestro by KI is one of many styles of stacking chairs for c...
FIGURE 11.9 When Le Corbusier designed the Grand Comfort Collection in 1928,...
FIGURE 11.10 Lawson arm sofas.
FIGURE 11.11 Tuxedo arm sofas.
FIGURE 11.12 “Old Hickory” settee, used in historic lodges since...
FIGURE 11.13 In the commercial showroom for Interface Carpets, the designer ...
FIGURE 11.14 This retractable keyboard tray is adjustable and provides a wri...
FIGURE 11.15 This unique desk is called a Partners Desk. It is designed for ...
FIGURE 11.16 This occasional table, the Vector from Carolina Business Furnit...
FIGURE 11.17 This custom-designed end table cleverly meets the needs of the ...
FIGURE 11.18 This comfortable deck furniture is designed to endure harsh wea...
FIGURE 11.19 This chair and attached side table/arm combination is one of th...
FIGURE 11.20 Based on their sheer size, pool tables typically become a focal...
FIGURE 11.21 A modern casepiece, Sideboard 2, designed by Charles Rennie Mac...
FIGURE 11.22 Dakota Jackson, New York furniture designer, created these uniq...
FIGURE 11.23 In this ASID award–winning bedroom, the designer created ...
FIGURE 11.24 With this self-contained portable office, a corner of any room ...
FIGURE 11.25 This open office system encourages collaboration on design proj...
FIGURE 11.26 This specification drawing of an open office workstation illust...
FIGURE 11.27 This contemporary office space illustrates the use of the open ...
FIGURE 11.28 This nurse’s station has been designed using open office ...
FIGURE 11.29 This nurse’s station in a hospital also uses an open offi...
FIGURE 11.30 Inner characteristics of furniture determine durability: select...
FIGURE 11.31 In this contemporary kitchen, a custom wood table has been rais...
FIGURE 11.32 Veneer cutting patterns.
FIGURE 11.33 Types of wood joining.
FIGURE 11.34 In this contemporary high-rise condominium, the designer uses t...
FIGURE 11.35 A solid surfacing material called Polystone, a thermoplastic, w...
FIGURE 11.36 Marcel Breuer combined cane with tubular steel for his famous C...
FIGURE 11.37 Upholstery construction.
FIGURE 11.38 Single- and double-cone coils.
FIGURE 11.39 Types of cushions.
FIGURE SD11.1 The ergonomic H03 chair with seat and back made from recycled ...
FIGURE SD11.2 The
Life
chair is considered a sustainable design produ...
FIGURE SD11.3 In this Romanesque turn-of-the-century building, Greenpeace re...
FIGURE SD11.4 These two floor plans indicate the complexity of joining build...
FIGURE SD11.5 The reception area on the third floor opens into the main conf...
FIGURE SD11.6 Another view of the reception area. The stairway leads to the ...
FIGURE SD11.7 The fourth floor opens to the roof structure and, like the res...
Chapter 12
FIGURE 12.1 In this masculine Tudor home, warm tones were selected by the de...
FIGURE 12.2 In this custom-designed residence in Anguilla, British West Indi...
FIGURE 12.3 This dining room incorporates a simple cotton checked pattern on...
FIGURE 12.4 Donghia’s Sleight of Hand collection of four silk fabrics ...
FIGURE 12.5 Touches of metallic gold add opulence to this patterned fabric f...
FIGURE 12.6A This collection of fabrics is called Streetsport. It includes a...
FIGURE 12.6B This collection of fabrics is called In Motion. The product is ...
FIGURE 12.7 Common types of weaves.
FIGURE 12.8 This fabric selection includes a Jacquard drapery fabric of 74/2...
FIGURE SD12.1 This traditional upholstery fabric is made from Xorel. The fib...
FIGURE SD12.2 Silica can be cleaned with up to a 4:1 bleach solution or Viro...
FIGURE SD12.3 Naked Nylon can be counted towards the recycled content materi...
FIGURE 12.9 Manufactured from polyester, this Crypton fabric meets all comme...
FIGURE 12.10 This fabric, Perennial, is designed primarily for cubicle curta...
FIGURE 12.11 This nubby texture is developed using bouclé yarns. The pr...
FIGURE 12.12 A variety of finishes have been developed for these leathers. S...
FIGURE 12.13 Framed fabric on a wall can add interest and style.
FIGURE 12.14 The open office system designed for MTV employees incorporates ...
FIGURE 12.15 This tranquil bedroom is based on a monotone color scheme; howe...
FIGURE 12.16 Contemporary fabrics are mixed with traditional fabrics and fur...
FIGURE 12.17 In this family room and study lounge, the scale of the pattern ...
FIGURE 12.18 The hand of the fabrics in this stately living room defines its...
FIGURE 12.19 In this sophisticated boardroom, the predominant muted tones ar...
FIGURE 12.20 In this restaurant, named Stars, the theme is carried through t...
FIGURE 12.21 In this Seattle medical facility, the children’s play are...
FIGURE 12.22 In this extensive presentation, the designer was hired to conve...
FIGURE 12.23 The effect of pattern and size.
FIGURE 12.24 This living area provides a secluded and comfortable retreat. T...
Chapter 13
FIGURE 13.1 The combination of accessories, Barcelona furniture, and dynamic...
FIGURE 13.2 When selecting window treatments, designers must consider how th...
FIGURE 13.3 Types of blinds.
FIGURE 13.4 Blinds used in the upper windows mix with sunlight to create pla...
FIGURE 13.5 These blinds are located between the pieces of glass within the ...
FIGURE 13.6 These hand-woven blinds conform to the arch-shaped window and pr...
FIGURE 13.7 Types of shutters.
FIGURE 13.8 This historical interior uses stained wood shutters to blend wit...
FIGURE 13.9 Grill used as window or door treatment.
FIGURE 13.10 In this salon, located within a resort, art glass was added to ...
FIGURE 13.11 A curved glass block wall allows daylight and exterior night li...
FIGURE 13.12 Translucent resin panels can be designed in many textures and c...
FIGURE 13.13 The curved window wall and ultimately the scenic vista define t...
FIGURE 13.14 Types of draperies.
FIGURE 13.15 Drapery lengths.
FIGURE 13.16 Windows that dominate a room may be best accompanied with a sim...
FIGURE 13.17 Types of curtains.
FIGURE 13.18 Types of Roman shades.
FIGURE 13.19 Other types of shades.
FIGURE 13.20 Roman shades have been custom designed to fit the angles of thi...
FIGURE 13.21 These honeycomb shades provide privacy and insulation while all...
FIGURE 13.22 In this interior, simple vertical blinds made of a semi-sheer m...
FIGURE 13.23 Types of top treatments for windows.
FIGURE 13.24 In this formal dining room, the designer accents the window wei...
FIGURE 13.25 In this dining room renovation, the designer selected a hard co...
FIGURE 13.26 Curtain and drapery rods.
FIGURE 13.27 Rod placement on window frame.
FIGURE 13.28 In this renovation, the designer respected the “home...
FIGURE 13.29 In this bathroom with a 15’ ceiling and a view of the Haw...
FIGURE 13.30 Blending contemporary lines with historic elements, Michael Kre...
FIGURE 13.31 This custom-designed table is accentuated by the use of a mirro...
FIGURE 13.32 Finishing touches.
FIGURE 13.33 The series of paintings by artist Alice Nesbitts complements th...
FIGURE 13.34 This ceramic sculptural vase, Perianth, was created using the p...
FIGURE 13.35 This exquisite weaving protected by Plexiglas complements an an...
FIGURE 13.36 These painted, brain-tanned hides work well in a contemporary o...
FIGURE 13.37 This creative art piece establishes the whimsical feeling in th...
FIGURE 13.38 The arrangement of the accessories and art forms a cohesive gro...
FIGURE 13.39 Symmetrical and asymmetrical arrangements of art are hung with ...
FIGURE 13.40 In this award-winning university president’s office, art ...
FIGURE 13.41A Both of these living rooms are the result of understanding the...
FIGURE 13.41B
FIGURE DS13.1 Conceptual development of the Neighborhood.
FIGURE DS13.2 Overlay of three divisions of the company: Branding, Soft, and...
FIGURE DS13.3 Conceptual layout illustrating areas receiving daylight.
FIGURE DS13.4 Color-coded floor plan indicating areas for each department.
FIGURE DS13.5 Partial reflected ceiling plan at Entry, Gallery Walk, and Tow...
FIGURE DS13.6 Focal point art drawing visitors from the Entry through the Ga...
FIGURE DS13.7 The Town Square. Conference rooms are to the right; the coffee...
FIGURE DS13.8 Looking through a glassed corridor into the Café.
FIGURE DS13.9 The Garden Park includes an accessible ramp. Plates painted to...
Part VI
FIGURE VI.1A The original grand hall was brought into human scale through th...
FIGURE VI.1B At Nyla’s, guests are treated to a warm ambiance of color...
FIGURE VI.2 Creating a welcoming interior in a building with unyielding arch...
Chapter 14
FIGURE 14.1 Aircraft Interior Design.
FIGURE 14.2 Aircraft Interior Design.
FIGURE 14.3 Hospitality Design—Hotel.
FIGURE 14.4 Residential Design—Urban Apartment.
FIGURE 14.5A Historic Preservation/Adaptive Use.
FIGURE 14.5B First-floor furniture location plan. Working with existing furn...
FIGURE 14.5C Central staircase with a strong pink stained glass window at th...
FIGURE 14.5D The reception area included the reuse of existing light fixture...
FIGURE 14.5E Parlor looking into dining/conference room. Sliding doors were ...
FIGURE 14.6 Commercial Office Design—International Clients.
FIGURE 14.7 Environmental Design—Straw Bale House.
FIGURE 14.8 Multipurpose Design—Showroom and Display.
FIGURE 14.9 Interior Design Studio.
FIGURE 14.10 Interior Design Studio.
FIGURE 14.11 Bathroom Design.
FIGURE 14.12 Yacht Design.
FIGURE 14.13 Health Care Design—Dental Suite.
FIGURE 14.14 Anticipated changes in the workforce demographics.
FIGURE 14.15 Furniture Design.
FIGURE 14.16 Commercial Office Design—Collaborative Spaces.
FIGURE 14.17 Retail Design.
FIGURE 14.18 Restaurant Design—LEDs and the Human Element.
FIGURE 14.19 International Design—Vacation Home and the Human Element.
FIGURE SD14.1 The exterior of an Earthship with glass sloping to the south. ...
FIGURE SD14.2 Rooms in an Earthship are based on U-shape modules grouped sid...
FIGURE 14.20 Lighting Design.
FIGURE DS14.1 The exterior renovation included meticulous restoration of the...
FIGURES DS14.2 and DS14.3 The first and second floor plans illustrate the de...
FIGURE DS14.3 Second floor plan.
FIGURE DS14.4 Solar panels were installed on the back side of the house away...
FIGURE DS14.5 Underground tanks were installed to hold rainwater for irrigat...
FIGURE DS14.6 The original music room is now used as the Parlor. The expansi...
FIGURE DS14.7 The Farnsworth room overlooks the back patio. The fireplace su...
FIGURE DS14.8 The Hinman room is dominated by the four-poster canopy bed. Th...
FIGURE DS14.9 The upstairs Gable Suite includes the bedroom and sewing room ...
Guide
Cover
Table of Contents
Title Page
Copyrigt
Dedication
Preface
Begin Reading
Appendix A: Residential Programming Questionnaire
Appendix B: Furniture Inventory Sheet
Appendix C: Typical Set of Residential Construction Drawings
Glossary
References
Index
End User License Agreement
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The Nyungwe Forest Lodge was selected for the cover because it exemplifies the philosophies expounded within the text. The Nyungwe Forest Lodge captures its sense of place. Bordering on the edge of the Nyungwe National Park—a rainforest teeming with birds, monkeys, and rare gorillas—the lodge was designed to reflect the spirit and character of the surrounding native culture and the environment. Native artisans completed much of the interior artwork including the “tea ball” chandelier; the space featured on the cover is called the Tea Lounge. More information can be found in Chapter 2, Sense of Place, and at www.nyungweforestlodge.com
(Designer: Keith Interior Design. Architect: MK2 Architecture. Client: Dubai World Africa. Photograph by Ryan Plakonouris/IYAMILA.COM)
BEGINNINGS OF INTERIOR ENVIRONMENTS
ELEVENTH EDITION
LYNN M. JONES ASID, IDEC, LEEDAP
Brenau University
Copyright © 2022 by John Wiley & Sons, Inc. All rights reserved
Published by John Wiley & Sons, Inc., Hoboken, New Jersey
Published simultaneously in Canada
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Library of Congress Cataloging-in-Publication Data
Names: Jones, Lynn M., 1962- author.
Title: Beginnings of interior environments / Lynn M. Jones ASID, IDEC, LEEDAP, Brenau University.
Description: Eleventh edition. | Hoboken, New Jersey : Wiley, [2022] | Includes bibliographical references.
Identifiers: LCCN 2021039753 (print) | LCCN 2021039754 (ebook) | ISBN 9781119849926 (paperback) | ISBN 9781119849940 (adobe pdf) | ISBN 9781119849933 (epub)
Subjects: LCSH: Interior decoration--Handbooks, manuals, etc.
Classification: LCC NK2115 .A59 2022 (print) | LCC NK2115 (ebook) | DDC 747--dc23
Cover image: © Ryan Plakonouris
Cover design: Wiley
To all beginning interior designers
who desire to enrich the quality of life
through the respectful use of our earth’s resources:
May each of you come to appreciate the earth’s gifts
and use them wisely in your future interiors.
Preface
The field of interior design encompasses a unique blend of art and science. I have always told my students that successful designers construct a balance between their left and right brains. The designer’s goal in any interior is to analyze the needs and desires of the client, and through the synthesis of this information, create a healthful, safe, and sustainable environment that enhances the client’s quality of life. The mission of this text is to assist beginning designers in achieving this goal.
Significant Changes in the Eleventh Edition
The eleventh edition of Beginnings of Interior Environments
