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- Herausgeber: Krill Press
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
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Seitenzahl: 191
Veröffentlichungsjahr: 2016
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FROM THE EASY CHAIR, VOLUME 2
George William Curtis
FIREWORK PRESS
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Copyright © 2016 by George William Curtis
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TABLE OF CONTENTS
F R O M T H E E A S Y C H A I R
THE NEW YEAR.
THE PUBLIC SCOLD.
NATIONAL NOMINATING CONVENTION.
BRYANT’S COUNTRY.
THE GAME OF NEWPORT.
THE LECTURE LYCEUM.
TWEED.
COMMENCEMENT.
THE STREETS OF NEW YORK.
THE MORALITY OF DANCING.
THE HOG FAMILY.
THE ENLIGHTENED OBSERVER.
RALPH WALDO EMERSON.
HENRY WARD BEECHER.
THE GOLDEN AGE.
SPRING PICTURES.
PROPER AND IMPROPER.
BELINDA AND THE VULGAR.
DECAYED GENTILITY.
THE PHARISEE.
LADY MAVOURNEEN ON HER TRAVELS.
GENERAL SHERMAN.
THE AMERICAN GIRL.
ANNUS MIRABILIS.
STATUES IN CENTRAL PARK IN 1889.
THE GRAND TOUR.
“EASY DOES IT, GUVNER.”
SISTE, VIATOR.
CHRISTENDOM vs. CHRISTIANITY.
FRANCIS GEORGE SHAW. 1882.
From the Easy Chair, Volume 2
By
George William Curtis
From the Easy Chair, Volume 2
Published by Firework Press
New York City, NY
First published circa 1892
Copyright © Firework Press, 2015
All rights reserved
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
About Firework Press
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F R O M T H E E A S Y C H A I R
BY
GEORGE WILLIAM CURTIS
SECOND SERIES
NEW YORK
HARPER AND BROTHERS
MDCCCXCIV
Copyright, 1893, by HARPER & BROTHERS.
——
Copyright, 1894, by HARPER & BROTHERS.
——
All rights reserved.
—————
THE NEW YEAR.
IN GERMANY ON SYLVESTERABEND—THE EVE of Saint Sylvester, the last night of the year—you shall wake and hear a chorus of voices singing hymns, like the English waits at Christmas or the Italian pifferari. In the deep silence, and to one awakening, the music has a penetrating and indefinable pathos, the pathos that Richter remarked in all music, and which our own Parsons has hinted delicately—
There is something of the same feeling in the melody of college songs heard at a little distance on awakening in the night before Commencement. The songs are familiar, but they have an appealing melancholy unknown before. Their dying cadences murmur like a muffled peal heralding the visionary procession that is passing out of the enchanted realm of youth forever. So the voices of Sylvester’s Eve chant the requiem of the year that is dead. So much more of life, of opportunity, of achievement, passed; so much nearer age, decline, the mystery of the end. The music swells in rich and lingering strains. It is a moment of exaltation, of purification. The chords are dying; the hymn is ending; it ends. The voices are stilled. It is the benediction of Saint Sylvester:
But this is the midnight refrain—The King is dead! With the earliest ray of daylight the exulting strain begins—Live the King! The bells are ringing; the children are shouting; there are gifts and greetings, good wishes and gladness. “Happy New Year! happy New Year!” It is the day of hope and a fresh beginning. Old debts shall be forgiven; old feuds forgotten; old friendships revived. To-day shall be better than yesterday. The good vows shall be kept. A blessing shall be wrung from the fleet angel Opportunity. There shall be more patience, more courage, more faith; the dream shall become life; to-day shall wear the glamour of to-morrow. Ring out the old, ring in the new!
Charles Lamb says that no one ever regarded the first of January with indifference; no one, that is to say, of the new style. But a fellow-pilgrim of the old style, before Pope Gregory retrenched those ten days in October, three hundred years ago, or the British Parliament those eleven days in September, a hundred and thirty-five years ago, took no thought of the first of January. It was a date of no significance. To have mused and moralized upon that day more than upon any other would have exposed him to the mischance against which Rufus Choate asked his daughter to defend him at the opera: “Tell me, my dear, when to applaud, lest unwittingly I dilate with the wrong emotion.” The Pope and the Parliament played havoc with the date of the proper annual emotion. Moreover, if a man should happen to think of it, every day is a new-year’s day. If we propose a prospect or a retrospect we can stand tiptoe on the top of every day, yes, and of every hour, in the year. Good-morning is but a daily greeting of Happy New Year.
But these smooth generalizations and truisms do not disturb the charm of regularly recurring times and seasons. That the fifth of October, or any day in any month, actually begins a new year, does not give to that date the significance and the feeling of the first of January. Our fellow-pilgrim of the old style must look out for himself. He may have begun his year in March, and a blustering birth it was. But we are children of the new style, and the first of January is our New Year. That is our day of remembrance, our feast of hope, the first page of our fresh calendar of good resolutions, the day of underscoring and emphasis of the swift lapse of life. “A few more of them, and then—” whispers the mentor, who is not deceived by the jolly compliments of the season, and the sober significance of the whisper is plain enough. “Eheu! Posthume,” sang the old Roman. “This world and the next, and all’s over!” said airy Tom Lackwit to the afflicted widow.
The relentless punctuality, the unwearied urgency, of old Time, who turns his hour-glass with such a sonorous ring on New-Year’s Day, seems sometimes a little wanting in the best breeding. It furnishes so unnecessary a register. The slow whitening and thinning of the hair; the gradual incision of wrinkles; the queer antics of the sight, which holds the newspaper at farther and farther removes, until at last it is forced to succumb to glasses; the abated pace in walking; the dexterous avoidance of stone walls in country rambles; the harmless frauds lurking in the expressed reasons for frequent pauses in climbing a hill to turn and see the landscape—frauds which the tears of my Uncle Toby’s good angel promptly wash away; the general and gradual adjustment to greater repose—all these surely are adequate reminders and signs of the sovereignty of Time. Why should he be greedy of more? Why thump and rattle at the door, as it were, on the first of January, and bawl out to the whole world that we are a year older, and that makes—!
It is disagreeably unnecessary. Why should not the old fellow do his duty quietly, and tell off another year without such an outrageous uproar? Does he think it so pleasant to hear his increasing tally—forty, five, fifty, five, sixty, five? Peace! peace! Why not have it understood that the tally beyond—well, say fifty, is a gross impertinence? Let something be left to the imagination. Besides, what is the use of wigs and hair-dye and padding, and what not coloring and enamelling, and other juvenescent procedures of the feminine arcana, if annual proclamation of impertinent dates and facts is to be made?
The worst of it is that it is a positive interference with the just play of the fundamental truth that age is not justly measurable by the mere lapse of time. Some people are never young, others defy age. This, indeed, is due to temperament. But that is not all. Those gray hairs and wrinkles, that eyesight of less keenness, that disinclination to leap walls, and those fraudulent halts to survey the rearward landscape, are enemies whose assaults are by no means regular. They come at very different times to different people. Adolphus at sixty despises spectacles. Triptolemus at thirty is bald. The hair of Horatius at sixty-five is as affluent as Hyperion’s, and as dark without unguents as the raven’s plume. Let facts speak to a candid world. Why should that graybeard Paul Pry called Time blare through a speaking-trumpet that the brave Valentine—
is just as old as old, toothless, tottering, decrepit Orson?
Every well-regulated citizen of the world is interested, and more vitally interested with every closing year, that upon the point of age all men shall be left to their merits, and shall not be measured arbitrarily by that Procrustean standard of years. It is notorious that men grow wiser every year, and it is observable that the more years they have, the more they look with doubt and questioning upon the Family Record. Those leaves of births following the doubtful books of Scripture, registered with such painful and needless particularity of dates, partake of the doubtfulness of their neighborhood. They are mere intercalations, new books of the Apocrypha. Yet they often cause young fellows of seventy to be accused and convicted of being old men.
Since, then, we cannot stop the flight of Time, let him pass. But he must not calumniate as he passes. He must not be allowed to stigmatize vigor and health and freshness of feeling and the young heart and the agile foot as old merely because of a certain number of years. This is the season of good resolutions. The new year begins in a snow-storm of white vows. So be it. But let our whitest vow be, after that for a whiter life, that age shall no longer be measured by this arbitrary standard of years, and that those deceitful and practical octogenarians of thirty shall not escape as young merely because they have not yet shown the strength to carry threescore and ten with jocund elasticity.
Then Happy New Year shall not mean Good-night, but Good-morrow.
THE PUBLIC SCOLD.
THE EASY CHAIR WAS LATELY asked whether it thought the office of public scold an agreeable one. There was a certain tartness in the question, as if its real purpose was to learn from the Easy Chair whether It enjoyed that position, and upon looking further it appeared that the question had been suggested by a remark of the Easy Chair’s to the effect that a certain class of our fellow-creatures seemed to be disposed to do their duty in a manner that might be improved. But what is an Easy Chair but a kind of censor morum! Would the kind critic of its conduct have it say to the gentleman whose hands are soiled that they are as pure as the morning, and to the tactless dame who makes all her neighbors uncomfortable that her manners are charming?
Probably this is really what the critic meant, for he continued by saying that it is so much better to dilate upon what is pleasant than to discuss the unpleasant aspects of life. That is true. It was the principle of the Vicar of Bray. That reverend gentleman always avoided friction. He was a chip of the Polonius block. The cloud was a camel or a whale, according to the fancy of his companion. The good vicar looked askance at Rome under Henry and Edward, and told his beads piously under Mary, and upon reflection eschewed the mass-house under Elizabeth. He dilated upon the pleasant aspects of affairs. We can imagine him saying to Ridley in the time of Mary, “My dear bishop, why think yourself wiser than your time?” and a little later to Parker, Elizabeth’s Archbishop (Ridley having been burned in the meanwhile), “My dear archbishop, Rome, I see, is much too stringent.” The Vicar of Bray was not a scold. He was, according to the abused text, all things to all men.
Yet his profession, our censor must remember, was a scolding profession—at least in the sense in which the word is often used. His duty was to admonish and exhort, to adjure his flock to quit the error of their ways. Perhaps he was a poor illustration of it. Perhaps, true to his temperament rather than to his profession, instead of urging repentance because the kingdom was at hand, he was accustomed to say: “Brethren, I observe that you lie and steal and slander your neighbors a good deal. But in such a world as this what is to be expected? We are all poor, weak, fallible things. Which of us can hope to strike twelve every time? Let him that thinketh he standeth take heed lest he fall. We must all beware of hypocrisy, dear brethren, and of pretending to be better than our neighbors. You remember the Pharisee who thanked God that he was not as other men. Let him be a warning against the sin of presumption. There is the beautiful lesson of the beam and the mote. We must not forget it. We are all miserable sinners, and therefore we must not twit each other with sinning. We ought to tell the truth, my friends. But we don’t. We all lie. Let us therefore not scold each other, since we are all equally wicked. But let us avoid Phariseeism and all that assumption of superior virtue which is implied in saying to a foul-mouthed brother that he ought to speak cleanly. Beware of Phariseeism as of the unpardonable sin. Scold not, dear brethren, but talk of the things which are pleasant, and instead of rebuking the liar, commend his goodness to the poor, and instead of silencing the backbiter, praise his subscription to the soup kitchen. For what says Dr. Watts?
“‘Let dogs delight to bark and bite.’
Dogs naturally scold, but we, brethren, we have the gift of avoidance, and, O liars, thieves, and slanderers, let us live together in peace, and say nothing about falsehood, stealing, and calumny.”
This was probably the tenor of the sermons of the Vicar of Bray, and this was the way that he strove to save souls. But Fénelon and John Knox and Edwards and Whitefield and Wesley and Channing and St. Paul, each in his own way, said, “Thou art the man,” and rebuked both the sin and the sinner. Yet all of them were very human and very fallible, and all came very short of the ideal of duty. To point out a defect in a picture, or to exhort the artist to avoid it, is not to declare yourself an incomparable artist. To demand honesty in public affairs is not to proclaim yourself a saint. To say that school-teachers should be thorough and use their common-sense as well as a text-book is not to scold them. Romilly was not a scold because he denounced the unjust criminal laws, nor John Howard because he rebuked the inhumanity of prisons, nor John the Baptist because he exhorted men to repent.
The poets rebuke our lives by the fair ideals that they draw, but they do not scold. If a man preaches a little sermon illustrating the way in which men in a certain profession, let us say, shirk their duty, and somebody cries out, “Don’t scold so!” the preacher may safely exclaim, “Fellow-sinner, thou art the man.” But the best illustration is closer at hand. If the Easy Chair reproves certain fellow-sinners for remissness in doing their duty, and for that offence is a scold, what is the censor who scolds the Easy Chair for scolding? Let us avoid Phariseeism, brethren, and the assumption of superior virtue.
NATIONAL NOMINATING CONVENTION.
IT WAS A WISE NEWSPAPER that recently advised every American who could do so to see a national nominating convention. It is a spectacle visible in no other country, and the most exciting political spectacle in this. It is the arena in which the prolonged and passionate strife of countless ambitions, intrigues, interests, and conspiracies is decided; and it is the more exciting because, with every effort to predetermine the result, the result is still at the mercy of chance. The action of the convention is a lottery. Suddenly, at the decisive moment, an unexpected combination, an impulse, a whim, like an overwhelming tidal wave, sweeps away all plans and calculations, and the result is as complete as it is unanticipated.
Even the device of a two-thirds vote to make a nomination valid does not avail to secure the real preference of the party which the convention represents. The two-thirds rule, as it is called, was designed to baffle the fundamental democratic principle, which is the rule of the majority. When that is abandoned, the proportion selected is purely arbitrary. It may as well be nine tenths as two thirds. But even such a dam will not resist the swelling waters of feeling in a convention. The French say that it is the unexpected that happens, but in a national convention it is the unforeseen which is anticipated. The palpitating multitude, which has been stimulating its own excitement, confronts every doubtful moment with an air which says plainly, “Now it’s coming.”
There is always a preliminary contest of various cities before the national party committee to decide where the convention shall be held. Local orators with honeyed persuasion dazzle the committee with statistics of the superior convenience, accommodation, beauty, healthfulness, resources, facilities, and whatever else their good genius may suggest, of the city for which each one of them contends. The convention is held in the largest hall, or in a building erected for the purpose, like the Wigwam in Chicago in 1860. The convention itself is composed of about nine hundred state delegates, their seats designated by a flag with the name of the state placed by the seat of the chairman of the delegation. The alternates are also seated.
Every convention is full of distinguished leaders and members of the party, and as any of them appears, either entering or rising to speak, they are greeted with great applause. If the temporary chairman be an eminent party chief or an eloquent popular orator, his address touches the springs of emotion and arouses hearty enthusiasm. But the friends of the leading candidates deprecate the mention of names until the candidates are presented by the chosen orator. The reason is that the applause of the convention is one of the counters in the game. There are hired claques in the conventions which keep up a humming cry which is a substitute for applause, and which is sometimes continued for a quarter of an hour. The longer the hum, the more popular the candidate.
Forgetfulness or ignorance of the value of applause under such circumstances reveals the comparative popularity of candidates in the eager mass of delegates and spectators. In one convention the permanent president in his address, but without any sinister purpose, or indeed any other purpose than kindling the convention, mentioned successively, and, of course, with impartial compliment, the name of every candidate who was known to be on the list. Involuntarily he thus tested the feeling of the convention. The galleries also swelled the acclaim, but in the galleries the claque is shrewdly distributed, and in critical moments the approval or disapproval of the turbulent galleries undoubtedly impresses the delegates, and recalls the galleries of the French convention a hundred years ago.
There are occasional skirmishes of debate upon motions or resolutions, but the first great interest of the regular proceedings is the report of the platform committee. It is a tradition of conventions that the platform should be accepted as reported, both to gain the prestige of perfect unanimity and to escape “tinkering,” which may lead to endless discussion and discordant feeling. But when the motion is made to proceed to the nomination of candidates, the excitement is intense. The orators are usually carefully selected, not alone as eloquent speakers, but as men of weight and influence, and of what at the moment is more indispensable than everything else—tact. The speeches are made with the fundamental understanding that, however glowing and elaborate the praise of the candidate may be, there shall be an explicit assurance that whatever the merits of any candidate, the candidate who shall be nominated by the convention will receive the universal and enthusiastic support of the party.
On one occasion, when this fundamental rule was forgotten by an ardent orator, who, in the warmth of his devotion to his candidate, declared that no other man was so certain to draw out the whole party vote in the state for which he spoke, a hurricane of hisses from the convention and the galleries silenced him, and the friends of his candidate were instantly aware that a fatal injury had befallen him. In another convention the orator who nominated one of the candidates was so exasperated by what he felt to be the treachery to his candidate of a conspicuous friend of another that his denunciation of the traitor was held to be a covert assault upon the traitor’s candidate, and again a tempest of universal hissing overwhelmed the luckless orator and his candidate.
The announcement by states of the first formal vote for candidates is made in impressive silence, followed by immense applause. But the second ballot is more significant; and whenever upon any ballot the announcement of a vote is seen by the tally to decide the nomination, the feeling culminates in an indescribable tumult of frenzied acclamation, and the convention generally adjourns to consider the Vice-Presidency. But the interest in its work is at an end, and it is astounding to see the happy-go-lucky Providence which presides over the selection of the officer who has thrice become the President of the United States.
