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- Herausgeber: Publisher s13381
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
John Constable, RA (1776 – 1837) was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home — now known as "Constable Country" — which he invested with an intensity of affection. His most famous paintings include Wivenhoe Park of 1816,Dedham Vale of 1802 and The Hay Wain of 1821. Although his paintings are now among the most popular and valuable in British art, Constable was never financially successful. He did not become a member of the establishment until he was elected to the Royal Academy at the age of 52. His work was embraced in France, where he sold more works than in his native England and inspired the Barbizon school.
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Veröffentlichungsjahr: 2017
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John Constanble
Selected Paintings
By Ashley Hallisey
––––––––
First Edition
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Copyright © 2017 by Ashley Hallisey
Table of Contents
Title Page
Copyright Page
Foreword
Paintings
Foreword
JOHN CONSTABLE, RA (1776 – 1837) was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home — now known as "Constable Country" — which he invested with an intensity of affection. His most famous paintings include Wivenhoe Park of 1816,Dedham Vale of 1802 and The Hay Wain of 1821. Although his paintings are now among the most popular and valuable in British art, Constable was never financially successful. He did not become a member of the establishment until he was elected to the Royal Academy at the age of 52. His work was embraced in France, where he sold more works than in his native England and inspired the Barbizon school.
Constable quietly rebelled against the artistic culture that taught artists to use their imagination to compose their pictures rather than nature itself. Although Constable produced paintings throughout his life for the "finished" picture market of patrons and R.A. exhibitions, constant refreshment in the form of on-the-spot studies was essential to his working method. He was never satisfied with following a formula. "The world is wide", he wrote, "no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of all the world; and the genuine productions of art, like those of nature, are all distinct from each other."
Constable painted many full-scale preliminary sketches of his landscapes to test the composition in advance of finished pictures. These large sketches, with their free and vigorous brushwork, were revolutionary at the time, and they continue to interest artists, scholars and the general public. The oil sketches of The Leaping Horse and The Hay Wain, for example, convey a vigour and expressiveness missing from Constable's finished paintings of the same subjects. Possibly more than any other aspect of Constable's work, the oil sketches reveal him in retrospect to have been an avant-garde painter, one who demonstrated that landscape painting could be taken in a totally new direction.
Paintings
A Church in the Trees, 1800, oil on canvas, 278 x 362 mm
Study of an Ash Tree, 1801 /1803, Oil on canvas, 394 x 298 mm
Dedham Vale, 1802, oil on canvas, 333 x 416 mm
