On Target E-Book

Laura Rowley

• Herausgeber: John Wiley & Sons
• Kategorie: Fachliteratur
• Sprache: Englisch

Seitenzahl: 287

Veröffentlichungsjahr: 2010

Beschreibung

The first behind-the-scenes look at the stunning success of America's hippest discount retailer Founded in 1962 by Minnesota-based department store Dayton's, Target has grown to become America's second most profitable retailer behind Wal-Mart. On Target is the first in-depth look at the business leaders and strategies that made Target such a runaway success. The company's easily recognizable red-and-white logo, youthful television advertisements, and upscale partnerships-with designers like Michael Graves, Mossimo, and Todd Oldham-have not only removed the stigma traditionally attached to discount store shopping, but actually made it hip to be frugal. In the process, the company has cemented its place as the favorite discount retailer of middle- and upper-income families across the country. In On Target, award-winning business journalist Laura Rowley examines the methods and the success of the company from its shrewd merchandising strategy to its clever marketing campaigns, ingenious branding effort, and extensive philanthropy. An excellent education in how to beat the competition even in a crowded and weak retail market, Target's story details the history and incredible success of a unique company and an enticing, unmistakable brand. Both insightful and entertaining, On Target offers important business lessons for executives and managers in need of a bull's-eye. Laura Rowley (Maplewood, NJ) is an award-winning television, radio, and print journalist specializing in business reporting. She is the personal finance and career columnist for Self magazine and has also been published in The New York Times, Parents, and Newsweek. As a reporter and producer for CNN in New York, she reported on air for Your Money and Business Unusual, and produced live programs for CNNfn. She has also appeared on Good Morning America, Oxygen Media, and CNBC.

Leseprobe

Table of Contents

Title Page

Copyright Page

Acknowledgments

Introduction

CHAPTER 1 - The Target Difference

THE NEW DISCOUNT SHOPPER

THE NEW DISCOUNT DESIGNER

CAPTURING THE UPSCALE BARGAIN HUNTER

THE TARGET EXPERIENCE

A FLAIR FOR DESIGN

CHAPTER 2 - The Right Stuff

THE NAME BRAND GAME

THE TARGETEERS

JOHN PELLEGRENE

CULTIVATING AUTHENTIC DESIGN

THE GRAVES PHENOMENON

YOUTH, BEAUTY, AND MAGIC: MORE HIGH-QUALITY ALLIANCES

DELIVERING THE HUMAN TOUCH

CHAPTER 3 - Inside the Mind of the Bargain Hunter

“HOW CAN YOU GET HURT?”

RETAIL MAYHEM

THE SAKS SHOPPER SNUBBED

CHAPTER 4 - Advertising and Promotion

THE OUT-OF-TOWNERS

A WINNING IMAGE

UNCONVENTIONAL APPROACH

THE RIGHT CONNECTIONS

MAUDE FRICKERTT

CHAPTER 5 - Service and Technology

“A SLEEKER EXPERIENCE”

THE MICKEY MOUSE CLUB

THE WEAKEST LINK: RETURNS

MANAGING THE PIPELINE

REAL-TIME CUSTOMER RELATIONSHIP MANAGEMENT

TARGET.COM

CARDING CUSTOMERS

CHAPTER 6 - The Legend of George Draper Dayton

SPEED IS LIFE

“STERLING INTEGRITY OF CHARACTER”

“WE ARE GOING TO MAKE THIS WIN”

CHAPTER 7 - The Next Generation

“YOU COULDN’T TAKE ADVANTAGE OF YOUR POSITION”

THE DISCOUNT THREAT

WANTED: BRAND NAMES AT BARGAIN PRICES

CHAPTER 8 - Management Excellence

ROSEVILLE, MINNESOTA

“CUSTOMERS STARTED CALLING IT TARZHAY”

A FALLING OUT, AND NEW COMPETITION

CHAPTER 9 - Guides for Growth

LAYING THE FOUNDATION

HONESTY IS THE FIRST POLICY

STYLE AND FAMILY VALUES

OPERATIONAL AND PEOPLE STRATEGIES

TECHNOLOGY, PRESENTATION, MERCHANDISING, AND GUARANTEES

SELLING GUIDES FOR GROWTH

CHAPTER 10 - Philanthropy

AN ACT OF FAITH REWARDED

ALL IN THE FAMILY

CAUSE MARKETING

ENVIRONMENTAL EFFORTS

CHAPTER 11 - Challenges

TAPPED OUT

FOOD FIGHT

EXPANSION WOES

CONTROVERSY OVERSEAS

CREDIT CARDS AND DEPARTMENT STORES

TOO COOL?

APPENDIX A - Target Corporation Financial Facts

APPENDIX B - Target Corporation Historic Highlights

Notes

Index

Copyright © 2003 by Laura Rowley. All rights reserved.

Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada.

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Library of Congress Cataloging-in-Publication Data:

Rowley, Laura.

On Target : how the world’s hottest retailer hit a bull’s-eye / Laura Rowley. p. cm.

Published simultaneously in Canada.

Includes index.

ISBN 0-471-25067-8 (cloth : alk. paper)

1. Target Corporation. 2. Dayton, George Draper, 1857-1938. I. Title.

HF5465.U64 T377 2003

381’.141’0973—dc21

2002153128

Acknowledgments

Thanks to Debra Wishik Englander, my editor at John Wiley & Sons, who called me with the idea for On Target. I am grateful for your confidence, support, and patience throughout the writing of this book. I could not have told the story without the generous cooperation of Bruce and Douglas Dayton, who sat for long interviews and provided crucial resources on the history of Target Corporation and the Dayton family. Thanks to Dayton Hudson executives Norman McMillan, Allan Pennington, Stephen Pistner and Floyd Hall for sharing their stories with me; and Marc Gobé for his invaluable insight. I am indebted to librarians Sandra Date at the Minneapolis Star Tribune, Susan Pistilli and Mike Tubridy at the International Council of Shopping Centers and Heather Martin at Lebhar Friedman for their research assistance. Thank you to my parents, Jane and Eugene Rowley, and my extended family for your faith in me. To my husband Jim Hilker, and daughters Anne, Charlotte, and Holly: Thank you for your love. When I count my blessings, I always count you twice.

Introduction

In early 2000, as a producer for CNN business news, I interviewed Edward Yardeni, chief economist with Deutsche Bank. The stock market was booming, unemployment had hit an historic low and Osama bin Laden wasn’t even on the radar screen. Yardeni, hailed as an economic visionary, argued that competition and globalization had led to zero inflation, strong growth, and peace. Then he said something that struck me as so preposterously simple I’ll never forget it: “Other countries have discovered that the meaning of life is shopping.” Shopping? That’s what it all boils down to?

When the world fell apart on September 11, 2001, shopping remained, in many ways, central to the meaning of life, at least in the United States. President Bush, New York Mayor Giuliani, and other leaders urged Americans to support the economy and fight terrorism by spending money (an equation some people found disturbing). But spend they did—the powerful consumer propped up the economy despite a tanking stock market, swiftly rising unemployment, and a drastic decline in corporate spending. Consumers spent their cash at two places, primarily: home improvement chains and discounters. (When they did buy at upscale stores, it was small luxuries. Federated Department Stores, which include Macy’s and Bloomingdale’s, registered a huge jump in sales of lipstick in the weeks after 9/11.) When the going gets tough, apparently, the tough really do go shopping.

But why do they shop at Target? Almost everyone I interviewed for this book told me they have an inchoate longing to go there. They feel good roaming the aisles of the discounter but can’t explain why. On the surface, of course, they mention the whimsical merchandise, cool ads, clean stores, fast service, and community giving. But as a former seminary student, I was as intrigued by the internal experience as the external one. What are the psychological implications for the consumer in the way Target does business? Branding expert Marc Gobé describes it as the human touch: “We are living in a time where we are losing control of our own lives—technologies move faster than we do—and globalization is a concept that is very hard to completely embrace,” he said. “People are seeking somehow to be reassured with anything that has some kind of human touch. Target delivers the human touch through communication, through their products, through the design of their stores and their people. You feel that personal touch and feel reassured in a world that’s not reassuring.”

American are hungry not only for reassurance, but for values, according to consultants Fred Crawford and Ryan Mathews, authors of The Myth of Excellence: Why Great Companies Never Try to Be the Best at Everything (Crown Business, 2001). “For the first time in history, businesses are being asked to do something other than engage in commerce,” they state. “Customers increasingly frustrated with the experience of their lives want reinforcement of personal—not just commercial—values.” The two argue that traditional social institutions—religion, schools, neighborhoods, family life—that once reinforced universal values of honesty, dignity, and fair play are breaking down. Certainly after their book was published, capitalism itself seemed to be collapsing under the weight of runaway greed. Americans were treated to the successive spectacles of accounting scandals and outright fraud at Enron, Arthur Andersen, Worldcom, Tyco, and Adelphia Communications, to name just a few—betrayals that devastated shareholders, workers, and the community alike.

In my research for this book, I had the privilege of interviewing Douglas and Bruce Dayton, two of the five brothers who ran Dayton’s and launched Target stores in the 1960s. The brothers are of the same generation as John Rigas, the Adelphia Communications founder, who federal prosecutors accused, with his sons, of using the company as a “personal piggy bank.” When I asked Douglas Dayton why he and his brothers never had a similar temptation, he replied, “It wasn’t the way we were brought up. How could you do that to the people there?” Rather than holding fast to their power, the Dayton brothers focused on making the board the dominant factor in the company. “We had the board reviewing the CEO, and his bonus depended on it,” Bruce Dayton said. “Not many companies do that. Most of the CEOs who have gone out of line have been big egos that haven’t been reviewed, and haven’t felt they were accountable to anybody.” (When profits declined in the early 1970s, then-CEO Kenneth Dayton even went to the board and offered to resign.) I came to believe that a key part of Target’s success today is the culture of integrity that nurtured it through its first two decades of growth. “Father said it was all right to have all of your eggs in one basket when you take good care of that basket,” said Bruce Dayton. “And he imbued us with the idea that you couldn’t milk the company. Take good care of it, it will take care of you. That was our heritage.” In the process, they took care of many others. In 2002, Target’s 40th anniversary, Doug Dayton ran into a company old-timer in the checkout lane of a suburban Minneapolis Target store. The sharp-eyed cashier caught the name on his credit card, looked around, leaned toward him and confided, “I bought three shares, and they’re worth ten thousand dollars!”

Crawford and Mathews argue that the search for values, like nature, abhors a vacuum—and people are looking to commerce to fill the void. Why do people gravitate to Target? When quality products are offered at a fair price, it implies honesty; someone respects the value of your hard-earned dollar. When a store is clean, well-organized, and gets you on your way quickly, it implies respect for your time. When the products are imaginative and stylish, it implies a belief that everyone, not just the wealthy, appreciates and deserves beauty. Giving away $100 million a year implies that someone shares your concerns about the community. The external experience is about shopping; the internal, emotional experience is about being validated, and treated with respect. This book will look at how the company’s history planted the seeds for Target’s culture; how it reinvented the discount store concept, carving a niche that would allow it to thrive even in the shadow of industry giant Wal-Mart; and how its best practices in management, merchandising, marketing, operations, and corporate giving have combined to make it one of the most successful retailers of the new millennium—in short, how Target hit the bull’s-eye.

CHAPTER 1

The Target Difference

When I go into a competitor’s store, I have this uncontrollable urge to get what I need and get the heck out. With Target, it’s more like, “Stick around for a while, relax.”

—Curtis Chan, Target customer

THE NEW DISCOUNT SHOPPER

The grand ballroom of the Waldorf Astoria in midtown Manhattan is overflowing with proper Chanel suits, pearls, coiffed hair and the tight smiles characteristic of expensive plastic surgery. Several hundred women gather to hear Libby Pataki, the then-first lady of New York, discuss the state’s efforts to fight ovarian and breast cancer. The event, which includes a fashion show, will raise $650,000 for a center that provides mammograms to low-income women. The tables are teeming with white linen, pearly china adorned with cold pink salmon and asparagus in light vinaigrette, crystal stemware filled with mellow chardonnay. The crowd is sprinkled with younger, hipper attendees as well, including Charla Krupp, a longtime magazine editor and regular contributor to “The Today Show.” She is seated across from Pia Lieb, a Madison Avenue celebrity dentist who has catered to her clientele’s unique desires in pioneering ways, including bonding “healing crystals” into their teeth. When I mention the Target Corporation, the two women launch into heated declarations of their devotion with the enthusiasm of apostles encountering the risen messiah. “I went to the Target in Setauket (New York),” Krupp said. “I came out with two shopping carts full of stuff. They had to help me out the door. It’s so cheap! It’s amazing!” Realizing she hadn’t gotten everything she needed as she drove back to Manhattan, Krupp said she called Target on her cell phone to get directions to the store nearest to the Long Island Expressway—in Westbury, where she filled another cart. Lieb tells Krupp she should check out the two-story Target in Queens, because it is geographically the closest to Manhattan (she measured on a map). “I take the subway out there,” Lieb gushed. “Then if I buy too much stuff, I call a car service to pick me up at the store.” The two are rapturous as they extol the virtues of Target’s trendy housewares.

THE NEW DISCOUNT DESIGNER

Inside a nondescript brick building on the west side of Manhattan, more than a dozen crewmembers are scurrying around a cavernous dark space. This moving mass of headphones, wires, and cameras prepares to shoot an episode of “Everyday Elegance with Colin Cowie,” the signature style show on the Women’s Entertainment Network. Host Cowie, a lifestyle guru who has planned parties for Tom Cruise and Jerry Seinfeld, looks for all the world like he’s just stepped out of a James Bond movie—a buff, youthful Sean Connery, in black turtleneck and slim-cut trousers, dazzling white smile. Cowie, a native of Zambia schooled in South Africa, designed the show’s spare, contemporary set. It is stripped of the usual talk show clichés—the overstuffed couch, flowers, bookcases with pewter candlesticks. Instead, warm colors are projected on muted gray walls, an austere staircase adorned only with three dress forms curves up to a platform, and guests lounge in 1960s swivel club chairs, upholstered in a soft black velvet on a stark aluminum base.

Cowie has edged away from his bread-and-butter business—event planning—and into media and product design, including an exclusive line of china for Lenox. Cowie mentions that he spoke with Target about designing a collection of housewares, but backed away when the retailer proposed a one-year deal. “When you’re at this stage in your career, you want more of a commitment,” he said in his clipped South African accent.

Perhaps a dozen years ago, the idea of a well-heeled New Yorker shopping at a discount store would have been ludicrous; even more so, a celebrity designer seeking a long-term commitment. “Mass” retail was a four-letter word. One only had to recall the fate of those who dared to cross the status barrier: the licensing catastrophe that turned couture designer Pierre Cardin into a marketer of cheap socks and cologne; Halston’s 1982 collection for J.C. Penney that decimated his high-end business. But the 1990s saw a seismic shift in the retail landscape, one so powerful that by the turn of the century, a Midwestern discount store would capture even the imagination of Manhattan’s fashionistas—the world’s rarified uber-consumers, insatiable and capricious, embracing and abandoning new style like carrion crows. Target’s executives are shrewd strategists who have spent decades pursuing the upper-middle class; so when Americans began to focus on value, and fashion became more democratic, Target was prepared to capitalize on the sea change.

CAPTURING THE UPSCALE BARGAIN HUNTER

To shoppers in major cities in the Northeast, Target is a startling new phenomenon that appeared out of nowhere in the mid-1990s. But the store’s virtues have been appreciated for years in the Midwest, where the chain was born. Target is just over four decades old—but its roots sink deep into the soil of the 1900s, the era of the great merchants in a pioneering and optimistic America—including an energetic entrepreneur named George Draper Dayton. He founded Dayton’s department store in Minneapolis and built a reputation for quality goods, low prices, excellent service—including a liberal return policy—and scrupulous honesty (a customer who could find an inaccurate advertisement was awarded a dollar). Dayton’s grandsons founded Target in 1962, consciously crafting a culture infused with the parent company’s values—but wisely freeing the chain to innovate in its own way. In 1969, Dayton’s merged with J.L. Hudson Company, a Detroit-based department store, and became Dayton Hudson—but its future lay in discounting. By 2000, Dayton Hudson operated three main divisions: discount stores, upscale department stores, and a mid-range department store called Mervyn’s. That year, Target stores contributed a whopping 83 percent of the company’s pretax profits, and on January 30, 2000, Dayton Hudson finally acknowledged its crown jewel: It changed its name to Target Corporation. Over four decades, through its edgy products, innovative store design, memorable image campaigns, and remarkably generous philanthropy, the discount chain with the trademark bull’s-eye has developed a cult-like following among American shoppers. “Tar-zhay”—in the faux French pronunciation preferred by middle- and-upper-income clients—sells bargains and cachet. Target made it hip to be spare.

Target Corporation: Divisions

Source: 2001 Annual Report

Name of divisionDescriptionPercentage of pretax profitTargetDiscount store in three formats: a standard store; Target Greatland, a larger version with a pharmacy, one-hour photo and other features; SuperTarget, a larger store containing a 50,000-sq.-ft. supermarket85.86Marshall Field’sUpscale Department Stores, including former Dayton’s and Hudson’s stores4.49Mervyn’sMid-range department store, primarily in the Midwest and West9.65Target.directWebsites and catalogs0

THE TARGET EXPERIENCE

To understand why Target is so different from its rivals, consider the dark lesson taught by the worst mass retailers in the United States: You can save money in a discount store as long as you can endure the misery—pushy crowds, overhead noise, dirt and clutter, offensive lighting, racks jammed with a single size, labyrinth-like layouts, insolent salespeople, and excruciating checkout lines. Come inside, save a few dimes, just don’t forget who you are: the Rodney Dangerfield of consumers. You get no respect here. Discount shopping can make you feel genuinely inferior. In your heart you know the truth: Real consumers shop at Bloomingdale’s.

Then you stumble into a Target. The experience is remarkable mainly for what is missing. First, the noise: There is no Muzak, no loudspeaker static. It is the mystical feeling of being alone in your own head, without the greatest hits of the ’80s evoking bad prom memories. The lighting is bright, inviting—no garish industrial fluorescents. Grab a cherry red shopping cart and begin tooling around the store. There is no obstacle course: No dump bins on wheels to block the way; no merchandise spilled on the floor; no intimidating pallets of product towering twenty feet high, threatening serious head injuries. You’ve got your basic optical, pharmacy, and photofinishing departments, and if you’re in a SuperTarget, there is a Starbucks boutique and an E*TRADE financial zone, where you can sip a latte while you do banking or trade stocks. When another customer heads your way, there is no shopping-cart jousting match because the aisles are wide enough to accommodate at least two carts. To your surprise, you are not disoriented. Overhead signs in a gigantic typeface and strong primary colors designate the various departments. In every section there is a bright red phone, your very own Batphone. Can’t find the eyeliner? There’s a live superhero on the line to guide you safely to cosmetics.

“Before I was a professor, I worked at a housewares distribution company which sold to Target,” said Michael Levy, a professor of retailing at Babson College in Massachusetts and co-editor of the Journal of Retailing. “They were always very clean, very well-lit, very spacious. You know the saying, ‘retail is detail’? They always paid a lot of attention to detail. Their stores always looked a lot better than the discount store competition. Even though the shelves were stacked a little higher and the displays were not as slick as department stores, they looked more like department stores in those days than the sort of dark, dingy look of a discount store.”

Dina Brachman, a marketing executive for a global pharmaceutical firm, spends $400 a month on everything from cat food to laundry detergent at a Target in New Jersey. “Target has intimacy, great merchandising, I can actually find what I need and it’s priced,” she said. “It’s like a mix between a true discounter and a regular department store. We never had Wal-Mart, so when they [Wal-Mart] came here, I thought, oh good, maybe they have better prices. It was dreadful. I’ve been there twice and hated every minute of it. It’s dirty, it’s big, it’s disorganized, it’s a warehouse. And it’s horribly merchandised.”

Curtis Chan, who works in public relations for Pennsylvania State University in University Park, remembers buying his first G.I. Joe action figure at a Target in the 1970s. He rediscovered it in the 1990s. “My first impression of the store is that it’s very clean and welcoming. When I go into a competitor’s store, I don’t feel nearly as comfortable and have this uncontrollable urge to get what I need and get the heck out. No browsing. With Target, it’s more like, ‘Stick around for a while, relax.’ ”

A FLAIR FOR DESIGN

But customers obviously don’t come just for the environment. They come for the merchandise. This—the stuff on the shelves—is where Target differs most significantly from competitors. It’s fun, distinctive, smart, sophisticated, even entertaining. There are a few names you may have heard before—Michael Graves, Mossimo, Calphalon, Todd Oldham, Stride Rite—but even if the names are unfamiliar, you know good design when you see it. And it’s grouped, thoughtfully: In housewares, one row displays a collection of lamp bases, and just above, an assortment of lamp shades—hey, someone has confidence in your ability to mix and match. It might be a department store, except everything is so cheap. At checkout, a platoon of cashiers awaits, making your exit swift.

“I’m beyond obsessed with Target,” said Tory Johnson, a well-to-do Manhattan business owner who takes her five-year-old twins to a store every weekend, alternating between suburban New York and New Jersey. “My favorite section is the front of the store where they have the seasonal stuff. I probably spent close to $5,000 between the two stores—that’s not so insignificant in just over three months. My favorite Christmas item was the faux mercury-style candlesticks. I wiped out the Edgewater (New Jersey) store and then drove all the way to Long Island and bought all of their stock, too. They were the best presents for under $10. I sent them with pillar candles to 60 people who would never have gotten a gift from me if I didn’t flip over how great and inexpensive these were.” Right after the holidays, Valentine’s goodies replaced the Christmas stock. “I went wild!” said Johnson, who estimates she brings home more bags from Target each week than from grocery stores. “I bought just about all of the decorations for my kids’ class and our home. In fact, I had a Valentine’s Social for 15 five-year-olds just so I had an excuse to buy all this fabulous pink and red stuff. Now I’m into all the St. Patrick’s and Easter things—never mind that I’m Jewish.”

Brachman, a mother of two, is also a big fan of Target’s playful seasonal wares. “Everything we got for Halloween was Target—pumpkins, purple skeletons—it’s great stuff,” she said. “I bought a great set of picnic dishes because they were so much fun, so bright and zippy-looking. I have lots of picnics in my backyard. I made myself very happy for $35.”

Target’s seasonal housewares are emblematic of the corporation’s strategy: It has invested in technology and warehouse facilities to manage the supply chain and shorten inventory lead times, so the shelves look fresh and remain in-stock. At the same time, merchandise turns over frequently, creating in shoppers an urgency to buy now, and come back often to see what’s new. “When you see something cute you better grab it—because you won’t see it again,” said Dallas Target shopper Melodie Layman. “I’m more prone to go ahead and purchase even if I think I may not need it, because I’ll go back and it’s gone. I almost always keep it.”

Moreover, Target is also one of the first retailers to use real-time Customer Relationship Management systems to improve service. If Tory Johnson or Melodie Layman make purchases in the store, on the Internet and from a catalog, and then call customer service, the representative on the phone will have an immediate record of all their transactions. Moreover, Target’s website is strongly focused on deepening the customer relationship and building the brand, rather than simply driving sales. (See Chapter 5.)

To get upscale shoppers to notice in the store in the first place, Target had to make a splash with its advertising. The chain announced its arrival in the competitive Northeast with a series of award-winning ads that focused on the red bull’s-eye logo, and mixed substance with style. (See Chapter 4.) In addition, the chain spends millions on promotions that associate it with the nation’s style makers. Bob Dzienis, a 30-year-old advertising executive, said Target’s ads lured him into a New Jersey store, where he became a true believer. “Target’s image campaign is unbelievable. I love their ads. You see these ads, and go into the store, and think, ‘Hey there’s cool stuff in here.’ And you just want to stay there. I could stay there for two hours.” Dzienis also praises the customer service. “These [Target] people seem knowledgeable about the products, or if not they’ll go find somebody who is,” he noted. “They have a more positive attitude in interactions I’ve seen with customers.” Target monitors staff responsiveness to its “guests” electronically and through surveys. In the early 1990s, Target adopted some of Walt Disney’s staff training and customer service initiatives. It has since developed a variety of methods—from hiring to coaching to grading performance—to ensure “team members” embody the motto “fast, fun and friendly.” (See Chapter 5.)

Marc Gobé, founder of the New York City branding and design firm Desgrippes Gobé Group, contends that Target delivers a human touch in an impersonal and uncertain world. Gobé, coauthor of Emotional Branding: The New Paradigm for Connecting Brands to People (Allworth Press, 2001) explained in the thick accent of his native Paris, “We have evolved from an industrial-based economy to a people economy, where factories are not heroes anymore, but people are the heroes. When Henry Ford said, ‘You can have any color [model-T automobile] as long as it’s black,’ it showed the arrogance of this era. In the modern emotional economy, what’s interesting is that people are looking to brands for solutions for their lives. We are living in a time where we are losing control of our own lives—technologies move faster than we do—and globalization is a concept that is very hard to completely embrace. The isolation in which everybody lives is somewhat frightening. The change in demographics—in which the construct of the traditional family represents only 28 percent of the population—has been destabilizing to people. People are seeking somehow to be reassured with anything that has some kind of human touch. Brands that deliver this human aspect of communication are being preferred.”

Target delivers on the emotional experience for several reasons: it has a vision for its products that focuses on superior design; the company’s internal culture is geared toward the customer; and it communicates its image in a visual language that reflects its values. In other words, the holy trinity of a winning business model: product, service, image—along with a fourth element that is becoming increasingly important to customers, philanthropy. Since 1946, the corporation has given 5 percent of its pretax profits to charity. In 2002, Target handed out roughly $2 million a week to communities where it does business, supporting the arts, education, environment, and other causes. Target marries marketing and philanthropy in clever ways—the School Fundraising program, for example, allows Target credit card holders to designate a school to receive 1 percent of their purchases every time they use the card. “I got my charge card just for that,” said customer Dina Brachman. (See Chapter 10.)

Those attributes, which we will explore in this book, have made Target the home of the upscale bargain hunter. Consider the chain’s demographics: At 44, Target’s average client is younger than most discount shoppers and college educated, with a household income approaching $50,000. She—four of five customers are female—also drops a bigger hunk of wallet at the store than at rivals. When her income crosses $100,000, she shops almost exclusively at Target for her discount purchases. As Salomon Smith Barney analyst Deborah Weinswig notes: “You will see a person in a pair of Ferragamos in Target—you will not see that in Wal-Mart.”

That’s not to say Wal-Mart hasn’t recognized Target’s success and made a solid effort to lure Ferragamo-shod clients into its big boxes. Wal-Mart, in fact, has been a devout student of Target’s gospel of affordable flair, and now claims to be a convert, hiring dozens of designers from stores like The Limited to upgrade its apparel offerings, and stocking Godiva white chocolate raspberry ice cream in the freezer next to Sam’s Choice in markets such as Alpharetta, Georgia and Plano, Texas. But over four decades, Target has made stylishness a core competency, honing its merchandising expertise, external resources, store design, and service standards—not to mention flashy image campaigns—to support that competency; just as surely as Wal-Mart has developed the logistics and distribution skills to become the most cost-efficient retailer on the planet. Wal-Mart, which is the nation’s largest seller of apparel, may have Target in its crosshairs, but for the down-home discounter to actually compete on Target’s turf would take a cultural and image revolution—one that would risk alienating its traditional customers, who are far more interested in saving hard-earned money on toilet paper and snack food than seeking a Mossimo tee to pair with Armani slacks, or a Michael Graves toaster to complement a stainless steel Sub-Zero refrigerator. In the next chapter, we’ll learn about the products and unique merchandising strategies that have made Target one of the most successful retailers in the United States.

CHECK OUT

The Target Difference

“Expect more. Pay less”: Whimsical, well-designed, affordable products—especially in housewares and apparel—turn over quickly, so customers return frequently.

“Fast, fun and friendly”: Smartly uniformed “team members” are trained, monitored, and given feedback on the quality of their service to “guests.”

Welcoming environment: Stores have an easy-to-navigate racetrack floorplan, wide, clean aisles, pleasing lighting, no Muzak, unambiguous signage, maps, customer service phones, well-organized displays of complementary merchandise, and numerous check-out lanes.

Image campaign: Distinctive advertising combines a sophisticated visual sensibility and humorous execution; sponsorships connect the chain with trendsetters in fashion, sports, and so on.

Philanthropy: Target has a long-standing policy of giving away 5 percent of pretax income—roughly $100 million in 2002. Its “cause marketing” is clever and highly successful; for example, it links school donations to its credit card business.

Technology: Sophisticated technology controls the flow of information and inventory so stores stay in-stock on the hottest items; Customer Relationship Management systems give real-time data from all of the company’s sales channels, helping improve service.

Heritage: Target was founded by Dayton’s, a department store chain, giving the discounter an upscale sensibility and a legacy of strong values.

CHAPTER 2

The Right Stuff

They are really at the top of the list when people are talking about where to register for bridal gifts right now—so it’s the right kind of product with the right kind of retail environment.

—Rick Goings, chairman and CEO, Tupperware

THE NAME BRAND GAME

When Target was formed in the early 1960s, the chain’s founders publicly claimed the upper end of the discount business for themselves. “We will offer high-quality merchandise at low margins because we are cutting expenses,” Douglas Dayton declared at the opening of the first Target in Roseville, Minnesota, in the spring of 1962. “We would much rather do this than trumpet dramatic price cuts on cheap merchandise.”1 Today, Target employs a multiprong retailing strategy to stay ahead of the style game: It works with major brands to develop exclusive, affordable collections for Target; it manufactures its own private label goods, gathering ideas from internal and external consultants; and it arranges licensing deals with innovative designers who are not necessarily celebrities, but whose artistic vision spearheads Target’s quest to differentiate itself from other discounters.