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The Storgy Flash Fiction 2019 Anthology contains the finalists of the 2019 STORGY Flash Fiction Competition and includes the following stories:
All The Shuttered Things Blooming
by Selma Carvalho
American Religion
by Luke Kuhns
WINNER
Apocalypse Vodka
by Donna Greenwood
Calithea
by Tomas Marcantonio
Crisis Actor
by Rick White
Devotion Take Me
by Emily Harrison
Ghost-Sex
by Adam Lock
Home Time
by Tony McDonald
How Your Birthday Unfolded
by Alexis Wolfe
Ink Stain
by Tucker Lieberman
Late Night TV
by Thomas Conaghan
Leave a Little Light on
by Mark Nelson
Little White Lies
by Wiebo Grobler
Moving South
by Simon Billinton
Oceans Apart
by Hannah Storm
Puddles
by Colin James
Relative Claws
by Eleanor Hickey
Rituals in the Dark
by Laure Van Rensburg
Sink
by Dani Smotrich-Barr
3rd PLACE
Sponging
by Wayne Turmel
Superstition
by Jude Higgins
The Cage of Extinction
by Sebastian Collier
They Care For Me
by Randall Perry
To Cloak
by Rick White
Today The Trees Are Bending
by Rick White
Tumour
by Nicola Ashbrook
Undocumented Movements of A Lost Canary
by Phil Olsen
We Die In The Mangroves
by Andrew Boulton
We Only Need One
by Laure Van Rensburg
2nd PLACE
Window Seat
by Gareth Durasow
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Copyright © 2019 by STORGY®
All rights reserved
Cover art by Anna Jeffery
Cover design by Rob Pearce
STORGY.COM
First Published in Great Britain in 2019
by STORGY Books
Copyright © STORGY Ltd 2019
STORGY
LONDON
The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the express permission of the publisher.
Published by STORGY Ltd
London, United Kingdom, 2019
10 9 8 7 6 5 4 3 2 1
Typeset by Tomek Dzido
Ebook ISBN 978-1-9998907-6-6
STORGY
Tumour
Nicola Ashbrook
Sink
Dani Smotrich-Barr
Moving South
Simon Billinton
We Die In The Mangroves
Andrew Boulton
All The Shuttered Things Blooming
Selma Carvalho
The Cage of Extinction
Sebastian Collier
Late Night TV
Thomas Conaghan
Window Seat
Gareth Durasow
Apocalypse Vodka
Donna L Greenwood
Little White Lies
Wiebo Grobler
Devotion Take Me
Emily Harrison
Relative Claws
Eleanor Hickey
Superstition
Jude Higgins
Puddles
Colin James
American Religion
Luke Kuhns
Ink Stain
Tucker Lieberman
Ghost-Sex
Adam Lock
Calithea
Tomas Marcantonio
Home Time
Tony McDonald
Leave a Little Light On
Mark Nelson
Undocumented Movements of a Lost Canary
Phil Olsen
They Care for Me
Randall Perry
Rituals in the Dark
We Only Need One
Laure Van Rensburg
Oceans Apart
Hannah Storm
Sponging
Wayne Turmel
To Cloak
Today The Trees are Bending
Crisis Actor
Rick White
How Your Birthday Unfolded
Alexis Wolfe
ALSO AVAILABLE FROM STORGY BOOKS
ALSO AVAILABLE FROM STORGY BOOKS
ALSO AVAILABLE FROM STORGY BOOKS
STORGY MAGAZINE
I’m calling her Helga: an aggressive name for an aggressive tumour. It’s been twenty-seven days now, since I found her and I’ve been almost entirely devoured by fear. I keep checking my body for holes because surely her propaganda maggot army will have burrowed right through somewhere.
They’ll get her out, they’ve said; excise her. I keep thinking of what they’ll do to her then. My favourite option is incineration – every distorted cell conflagrated to non-existence – because even though she isn’t metastatic, she’s taking over. It’s as if Helga is the first lady in my life now – the prima – instead of me.
I’m barely a person since she took residence; a mere set of blood results, a cross on a chart, a provider of tissue for biopsy. Eradicating her is everyone’s priority, yet I’m fading while she parades in my limelight.
My fingers hover over the undulating and pitted welt where my left breast should be. It’s part of me – I should touch it – but I keep thinking an alien has embedded itself in my thorax. I’m repulsed at the otherness where nothing should be.
I force myself to place a fingertip on the first stitch site. The sensation goes through me, like nails on a chalkboard, and I think I might vomit.
I cover my asymmetric self and lie down.
I know Helga has gone, she must have, but she’s haunting me. I see her every time I look in a mirror or see my naked flesh. She’s my first and last thought of each day and about fifty times in-between. Others see her too – I catch them with their concerned faces, their furrowed brows, their fussing. They know she’s gone but they fear her return. They fear the ways she’s damaged me.
I suspect I may have gone with Helga – into obliteration – and all that remains now is the husk of my body occupied by the ghost of that toppled prima donna.
Strips of nectarine paint the petrol sky. A light breeze fans my hair as we meander along the dockside. My new dress hugs my reconstructed bosom and it’s like I’ve been put back together. I’ve been to the hairdresser and the nail bar. I’ve spent most of the day looking in the mirror and, I realise now, She didn’t look back.
Drew holds my hand, a little tighter than he used to, and I look up at him in profile. He’s still handsome, if a bit greyer. His hazel eyes catch mine. We pause.
The lights of the bars behind him, on the other side of the sparkling water, glow halo-like around his face. He strokes a stray hair from my cheek, gently kisses me.
I try to store the perfection of this moment in my mind’s eye.
“It feels like you’re back,” he whispers.
“I am,” I say, smiling; the first and only lady in my show at last.
HIGHLY COMMENDED
STORGY FLASH FICTION COMPETITION 2019
Nicola Ashbrook is a new writer from the north-west of England. She is supposed to be re-drafting her first novel but has accidentally started an all-consuming love-affair with flash fiction. Long-listed Reflex Fiction, short-listed/highly commended Retreat West.
@NicolaAWrites
www.nicolalostinnarration.weebly.com
“I mean maybe I’ll just move to Ohio,” you tell your friend Sam one morning over brunch in a diner, with the exact same energy that you would say, “maybe I’ll kill myself.”
“There’s a pretty cool music scene in Columbus now, you know. You should move with me.” Sam, a onetime LA girl who is moving to New York, looks horrified.
“You know what these pancakes would cost in Ohio?” You press on. “10 cents. You know what rent is? A dollar.”
She flicks her straw wrapper at you. “Shut up.”
You sip your orange juice out of the flimsy plastic cup and talk about the different rooms at your friend’s party last night, and how none of them were quite right. Neither of you can figure out why it didn’t work, whatever that means. There were enough people there that you liked or felt alright about, just enough people that you knew or didn’t. It was a good house that generally had good energy, and yet nothing seemed to move in the way that it should have to have been considered a good party.
You woke up the next morning needing to pinch or purge something out of your body in a way that you hadn’t before, not in a way that you could so specifically identify. Head pounding, you went to the bathroom to drink water, and decided to shower to try and wash something off. Suddenly with the mirror un-fogged you could no longer pretend like it was a hangover that had started that morning. It was an itchiness, almost. It was the desire to peel off all your skin until you could uncover something underneath. It was the fear that you wouldn’t be able to find anything.
In the mirror you tried pressing on your collar bone, just a little. Nothing gave.
“…and then I was like, it’s clearly not a date, you know, like, I feel like he’s chill like that, like he just wants to hang, but what do you think?” Sam finishes. There are a lot of things that can’t easily be fixed for both of you, but to voice jealousy at the concreteness of her issues, their apparent possibility for resolution, would come out callous.
You have a hard time focusing on what she is saying. You concentrate instead on the texture of the mayonnaise, how nauseous it makes you feel to look at its oozing gooeyness. It feels like pus and vertigo. The inside of your stomach. You want to grab it from her and throw it across the room. You want to smear it on the walls and make everyone notice that things are not good. That it’s fucked up to dip your fries in mayonnaise like it’s just the same as ketchup.
Dani Smotrich-Barr is a senior studying English and History at Wesleyan University. Dani is an Arts Editor for the Wesleyan Argus, has interned for the Prague-based publication 'Transitions Online,' and is currently a fiction/non-fiction reader for Bodega Magazine. She has work published or forthcoming in Vagabond City and Cease, Cows.
www.dsmotrichbar.wixsite.com/dsbphotography
It was on Saturday 25th January, 2042, that the people of Britain left and moved south. The Great Drizzle that had started in 2021 had finally worn down their stiff upper lips. Saturday was the preferred day, as Sunday was looking a little chilly. Sandwiches were made, tea was thermosed and umbrellas readied.
King William and Queen Catherine led from the front, in a carriage decorated with left-over coronation bunting. The good and the great and everyone in between followed behind as the British exodus began. Through the Channel Tunnel they streamed with arms entwined and songs flowing from their hearts as the tidal wave of people emerged into France. Down through countryside, cities, and towns they journeyed, observed by the French populace with a collective gallic shrug and a look in their eye of ‘Zees crazee British.’
Over the Pyrénées and into Spain they strode, when one afternoon, the rain did indeed fall on the plain, but ever ready, the British popped open their trusty umbrellas for what they hoped would be the very last time. The friendly Spaniards helped tremendously in ferrying the expats from the south for what they also hoped would be the very last time.
Westward they continued into Portugal with cheery waves for their oldest allies. What now of that friendship, pondered the Portuguese, surveying these millions bound for their coast. It was one thing to be friends in war and peace, another to be neighbours.