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'It's not a game for gentlemen we're playing, Political and civilized. This is Historic' 2024. As America goes to the polls, democracy itself is on the brink. Who takes the White House – and at what cost? Mike Bartlett's viciously funny and foreboding The 47th is a dazzling glimpse into the underbelly of the greatest political show on earth: the US presidential race. It was first produced at The Old Vic, London, in March 2022 by The Old Vic, Sonia Friedman Productions and Annapurna Theatre, directed by Rupert Goold, and featuring Bertie Carvel as Donald J. Trump, Tamara Tunie as Kamala Harris, and Lydia Wilson as Ivanka Trump.
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Veröffentlichungsjahr: 2022
Mike Bartlett
The 47th
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
The 47th
About the Author
Copyright and Performing Arts Information
The 47th was first produced by The Old Vic, Sonia Friedman Productions and Annapurna Theatre at The Old Vic, London, on 29 March 2022, with the following cast:
DONALD TRUMP
Bertie Carvel
KAMALA HARRIS
Tamara Tunie
IVANKA TRUMP
Lydia Wilson
ENSEMBLE
David Carr
SHAMAN
Joss Carter
CHARLIE TAKAHASHI
James Cooney
ENSEMBLE
Charles Craddock
ENSEMBLE
Flora Dawson
ENSEMBLE
Eva Fontaine
TED CRUZ / BILL CLINTON / PAUL
James Garnon
STEVE RICHETTI / OHIO SENATOR
Richard Hansell
ENSEMBLE
Miya James
HEIDI CRUZ / MODERATOR / CIA
Jenni Maitland
ERIC TRUMP
Freddie Meredith
BARACK OBAMA / GENERAL TAYLOR
Ben Onwukwe
TINA FLOURNOY / NURSE VITA
Cherrelle Skeete
GEORGE W. BUSH / ENSEMBLE
David Tarkenter
ROSIE TAKAHASHI
Ami Tredrea
JOE BIDEN
Simon Williams
All other parts played by members of the company
Directors
Rupert Goold
Set
Miriam Buether
Costume
Evie Gurney
Lighting
Neil Austin
Sound
Tony Gayle
Original Music and Sound Score
Adam Cork
Video
Ash J Woodward
Movement
Lynne Page
Wigs, Hair and Make-up
Richard Mawbey
Casting
Jessica Ronane CDG
US Casting
Jim Carnahan CSA
Voice
Joel Trill
Dialect
Brett Tyne
Associate Director
Sara Aniqah Malik
Associate Set
Alex Berry
Costume Supervisor
Zoë Thomas-Webb
Props Supervisor
Lizzie Frankl and Fahmida Bakht for Propworks
Company Stage Manager
Dan Ayling
Deputy Stage Manager
Lorna Seymour
Assistant Stage Manager
Emily Ida
The 47th was an Old Vic, Sonia Friedman Productions and Annapurna Theatre co-production.
The production was brought to The Old Vic in collaboration with Fictional Company and Almeida Theatre.
Characters
DEMOCRATS
VICE-PRESIDENT HARRIS
PRESIDENT BIDEN
STEVE RICHETTI
CHARLIE TAKAHASHI
TINA FLOURNOY
BARACK OBAMA
GEORGE W. BUSH
BILL CLINTON
SPEECHWRITER
REPUBLICANS
DONALD J. TRUMP
IVANKA TRUMP
ERIC TRUMP
DONALD TRUMP JR
TED CRUZ
HEIDI CRUZ
ROSIE TAKAHASHI
OHIO SENATOR
PAUL
DAVE
SOLDIER
THE MODERATOR
HEAD OF THE FBI
HEAD OF THE CIA
VITA
MATT
Plus SENATORS, CONGRESSMEN, SOLDIERS, SECURITY, ATTENDANTS, CROWDS, ARMED GUARDS, OFFICIALS, AIDES
Note on Text
( / ) means the next speech begins at that point.
( – ) means the next line interrupts.
(…) at the end of a speech means it trails off. On its own it indicates a pressure, expectation or desire to speak.
A line with no full stop at the end indicates that the next speech follows on immediately.
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
ACT ONE
1.1
Mar-a-Lago.
TRUMP arrives on a golf buggy. Dismounts.
TRUMP.
I know, I know. You hate me. So much right?
My face, this hair, my wife, you loathe the way
I hold my hand, when making points. My lips?
And even though you’re all so liberal,
You judge me by the colour of my skin!
Not cool. Not cool. Just unbelievable
But it’s okay, I like a tan, I do.
And hey, your hate is real, and beautiful.
It’s special hate, it makes you pure,
And yet, you just can’t get enough of me.
You scan what I’ve done next, like slowing down
In traffic ‘Where’s the blood? The severed head?
I’m shocked, it’s gross!’ But you can’t turn away.
You all adore my entertainment.
And more than that! It’s not just fun you want,
Because although I fib (I do, a bit),
It’s through this muddy fiction that I find
The richest of commodities: The truth.
You all proclaim your proscribed slogans, keen
To show you’re allies, ‘Oh yes sir! Me too!’
But those progressive mouths stay strangely closed
In moments when your far more honest hearts
Are telling you with clarity, this isn’t right!
The white men in the audience, you know
Just how it feels when you are told without
Connection to an action or a word
With no regard to anything you’ve done
It’s slam! You’re racist! Blam! Forget a judge,
The proof of guilt’s the pallor of your skin.
And we all know there’s something wrong with that
But you don’t want to say it. Sure. Well that’s okay,
Cos here I am: Your devil. Oven-hot
And hot to trot with seventy-eight years done
And little left to lose.
We’ll have some fun tonight, for I have plans
And plots aplenty, death and life and love
And gorgeous girls and men in pricey suits.
So eat your popcorn, settle down, listen hard
And watch, forget your heart, instead give me
Your gut (that’s if you even have one left
You democratic motherfucking cunts).
Cos yes we’re talking hate, not yours but mine
Of those that forced me from my rightful house.
To four years lonely exile here, four years
I can’t afford, while they triumphant, laugh.
They’ll rue their acts and suffer to the end
Behold as I commence my just revenge.
Enter IVANKA, DONALD TRUMP JR., and ERIC. DON JR with papers.
DON JR.
Hey Dad
TRUMP.
Hey Don.
DON JR.
You see? I shaved my beard.
I think it takes ten years straight off! I’m told
Without it people might by accident
Take me for you, but thirty years ago.
IVANKA.
Er no.
TRUMP.
Who told you that?
DON JR.
Was Kimberley
TRUMP.
Without your beard you look – I’d say – diffuse?
Because you have no chin, whilst I am blessed
By bones with structure you would not believe.
All from my father, in fact good looks were all
He gave me.
DON JR.
But the millions in loans?
And contacts, housing, backroom staff.
TRUMP.
It had
His strings attached. No, nothing came for free.
But here, the point is, I looked good. For gaze
Upon my face in Home Alone, or Zoolander
As I have done so many times, and see
That there amongst the sexy guys and girls
Of Hollywood, I hold my own amidst that pantheon.
IVANKA.
But Dad are you okay?
DON JR.
He’s good, but needs
To sign these documents –
TRUMP.
Has Eric gone to sleep?
IVANKA.
He finds it hard
To stay awake without a visual stimulus
TRUMP.
Too much pornography no doubt, hey son!
ERIC.
Oh Father there you are, I had a dream.
TRUMP.
That’s very sweet. But now before my own
Attention wanes, let’s speak ’bout why I called
You here. For I’ve been thinking hard upon
My legacy. To whom I’ll leave it all.
Tradition would suggest I share myself
Between all three, in equal measure bound
With equal love. But that feels not aligned
With my philosophy: to find the art
Within the deal.
And so today we’ll choose the path ahead
Just one alone will be my rightful heir
And I demand you earn it all right here:
My cash, my contacts and what’s more: my love.
By now explaining why it’s you that should
Deserve my patronage.
DON JR.
Explain? I’d thought it obvious
ERIC.
Just one?
TRUMP.
Just one.
DON JR.
Okay. Well, if we must,
As eldest I’ll go first. Endowed your name
When you’re unable to attend it’s me
They want. Like you I work that crowd into
A frenzy. Blazing adoration at
The Trump who’s standing there aloft.
When I begin to speak, they stare, and hang
On every word –
TRUMP.
(They cannot wait for me.)
DON JR.
Before too long the zealous clamour grows,
The thousands chanting out my name
TRUMP.
(My name.)
DON JR.
And just like you
My businesses have always grown and thrived,
I am your mirror, Father. Donald named
And Donald Trump in bloody nature too.
TRUMP.
Thanks mirror man. Who’s next to sue?
ERIC.
Though second born I’m pleading safety first.
While you so rightly went ashore to halt
The tide of socialism I did keep
The ship afloat. And when you came aboard
Again to look upon your treasured works,
Entrusted to my hands four years before,
You said to me, and these your very words:
I’d ‘done okay’.
TRUMP.
You did okay.
ERIC.
‘Okay’.
From you the highest compliment indeed.
I’ve watched all fourteen seasons of your show
And none of your contestants make my match.
So look: You’ve got your real Apprentice here.
And oh what luck! He proudly bears your name.
TRUMP.
Presenting as a safety net? That’s bold.
And now my gorgeous girl, what can you say
To roundly trump your siblings’ pitch? Speak.
IVANKA.
Nothing, Father.
TRUMP.
Nothing?
IVANKA.
Nothing.
TRUMP.
Well Jesus sweetheart play the game at least.
It’s not like you to coyly act the mute
To shyly duck your head and like a kid
Who cannot hit a ball, decide the game’s
The fraud and not his fat-assed loser self.
(Don’t get me wrong your ass is something else)
IVANKA.
If as my father you know not my love
Then words will not identify your daughter.
Your rightful heir will never beg, but trade.
You know my talent, and my promise too.
I’m grateful for all that you have bestowed
And vow that I’ll repay that loan not just
In full but with my share of interest.
A moment.
TRUMP.
And just like that the mic is roundly dropped.
As if it would be any other way,
She had no competition. But don’t worry.
You’ll never go without, as long as all
Your loyalty flows, as now, in my direction.
And in good time of course, to her. Okay?
Beat.
DON JR.
For you she always was the brightest star.
We’ll be content, mere planets orbiting
In her reflected glare.
ERIC.
Yeah me as well. I’m not a natural lead.
DON JR and ERIC go.
TRUMP.
And so my girl, it all comes down to you.
And what say you to that?
IVANKA.
I’m flattered by the role, but wonder why
You chose today to organise your state?
Did something happen?
TRUMP.
No. A Sadness creeps.
He’s always been there I suppose, but now
He comes accompanying me to golf each day.
Where once trim birdie blew him to the wind
These days, for eighteen holes, he whispers, gloats
‘Man once you were the club, so tall and lean,
You’d take the swing, then slip back in amongst
Your pals, each one so smooth and keenly honed.
Now look, dear Don, for you’ve become the ball
Endimpled, small, and yes still placed upon
A pedestal, but not these days to be
