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- Herausgeber: DigiCat
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
- Veröffentlichungsjahr: 2023
In Charles Nodier's 'The Bibliomaniac', readers are taken on a surreal journey through the mind of a book collector who becomes increasingly obsessed with his collection. The book is a blend of fantasy, satire, and introspection, with Nodier's unique literary style shining through in the form of witty dialogues and elaborate descriptions. Set in 19th-century France, 'The Bibliomaniac' reflects the Romantic movement's fascination with the power of imagination and the dangers of unchecked passion. Through the protagonist's delusional behavior, Nodier explores the fine line between admiration for literature and unhealthy fixation on material possessions. The book is a commentary on the nature of bibliomania and the impact it can have on an individual's psyche and relationships. Despite its fantastical elements, 'The Bibliomaniac' offers a thought-provoking reflection on the value of books and the importance of maintaining a healthy relationship with literature. Recommended for readers interested in Romantic literature, book collecting, and psychological studies.
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The Bibliomaniac
Table of Contents
PREFACE
“Good, amiable Nodier,” are the words by which the world, apart from scholars, characterizes Charles Nodier. He is portrayed with a flowered vest, and a frock-coat with great lapels, finished by one of those collars which, by an easy play upon words, are called les cols (l’école) des vieillards. Nodier’s collar, which turned up slightly at the points in a Prudhommesque manner, touched the corners of his refined, kindly mouth; but it is difficult immediately to associate the remembrance of certain books with this 1835 face, for time obliterates everything.
If Nodier belonged by right of his first literary impressions to the classical school, his liberal spirit soon identified itself with that of the romanticists. His face, full of genial originality, bore the characteristics of a man living between two literary epochs; but history little by little soon effaced all these tints and shades. Nodier was also one of those improvisators who talked their books. Contemporaries, in reading them, seemed to hear him speak, and a little imagination added to the surprises of these written conversations; but when the voice ceases the charm vanishes.
It is certain that the reader of to-day is somewhat at a loss in the company of a book of Nodier’s, and feels very much as when, in a military panorama, he sees the wheel of a real caisson, and often a veritable cannon and cannon-ball, which at first sight blend with the painted canvas, until it is difficult to say where the actual ends and the illusion begins. If we read his reminiscences and studies of his own time in a credulous spirit, we shall constantly say, “Nodier is mistaken; what he tells us is not only wholly improbable but impossible, and is completely at variance with history”—until the wise reader decides that Nodier’s entire writings should bear the title of one of his books, “Contes et Fantaisies.”
Perhaps it would be interesting to separate the true from the false in these works of Nodier, and to show how the thread of truth disappears under his embroidery. In confining the investigation to this little book, “The Bibliomaniac,” taken from “Les Contes de la Veillée,”[1] and rejuvenated by the illustrations of Maurice Leloir, one may have the pleasure of bringing to light, by the aid of letters and comparisons, the best and most absorbing passion that controlled Nodier. Is it not a summary of his passion, from the first lines? If he left the Arsenal Library, where he had been appointed librarian at the end of the year 1823 by a bibliographical minister, M. de Corbière, it was to stroll among the old book-dealers. If he wrote to the friend of his childhood, who became his lifelong confidant, his fellow-countryman of Franche-Comté, Charles Weiss, it was a litany of bibliographical enthusiasm. Small as his means were, Nodier had the incurable mania of book-buying. The noun and the adjective are his own words. But, he said one day, this craze is no more vain in its final results than any other of the illusions of life. Also, in perusing the sayings of the hero of this story, Theodore, we feel that Nodier sympathizes with him from the bottom of his heart. Theodore sometimes resembles him like a brother, and we cannot help regretting that Nodier could not wholly make up his mind to amuse himself fully at his own expense, or to take from real life a man he knew very well, rather than treat him incidentally.
