Romulus.
Introduction
The
prominent civilized nations, such as the Babylonians, Egyptians,
Hebrews, and Hindoos, the inhabitants of Iran and of Persia, the
Greeks and the Romans as well as the Teutons and others, all began
at
an early stage to glorify their heroes, mythical princes and kings,
founders of religions, dynasties, empires or cities, in brief their
national heroes, in a number of poetic tales and legends. The
history
of the birth and of the early life of these personalities came to
be
especially invested with fantastic features, which in different
nations even though widely separated by space and entirely
independent of each other present a baffling similarity, or in part
a
literal correspondence. Many investigators have long been impressed
with this fact, and one of the chief problems of mythical research
still consists in the elucidation of the reason for the extensive
analogies in the fundamental outlines of mythical tales, which are
rendered still more enigmatical by the unanimity in certain
details,
and their reappearance in most of the mythical groupings.[1]The
mythological theories, aiming at the explanation of these
remarkable
phenomena, are, in a general way, as follows:(1)
The “Idea of the People,” propounded by Adolf Bastian[2][1868].
This theory assumes the existence of
elementary thoughts,
so that the unanimity of the myths is a necessary sequence of the
uniform disposition of the human mind, and themanner
of its manifestation, which within certain limits is identical at
all
times and in all places. This interpretation was urgently advocated
by Adolf Bauer[3][1882],
as accounting for the wide distribution of the hero
myths.(2)
The explanation by original community, first applied by Th. Benfey
[Pantschatantra, 1859] to the widely distributed parallel forms of
folklore and fairy tales. Originating in a favorable locality
[India]
these tales were first accepted by the primarily related [namely
the
Indo-Germanic] peoples, then continued to grow while retaining the
common primary traits, and ultimately radiated over the entire
earth.
This mode of explanation was first adapted to the wide distribution
of the hero myths by Rudolf Schubert[4][1890].(3)
The modern theory of migration, or borrowing, according to which
the
individual myths originate from definite peoples [especially the
Babylonians], and are accepted by other peoples through oral
tradition [commerce and traffic], or through literary
influences.[5]The
modern theory of migration and borrowing can be readily shown to be
merely a modification of Benfey’s theory, necessitated by newly
discovered and irreconcilable material. The profound and extensive
research of modern investigations has shown that not India, but
rather Babylonia, may be regarded as the first home of the myths.
Moreover the mythic tales presumably did not radiate from a single
point, but travelled over and across the entire inhabited globe.
This
brings into prominence the idea of the interdependence of mythical
structures, an idea which was generalized by Braun[6][1864],
as the basic law of the nature ofthe
human mind: Nothing new is ever discovered as long as it is
possible
to copy. The theory of the elementary thoughts, so strenuously
advocated by Bauer over a quarter of a century ago, is
unconditionally declined by the most recent investigators
[Winckler,[7]Stucken],
who maintain the migration and purloining theory.There
is really no such sharp contrast between the various theories, and
their advocates, for the theory of the elementary thoughts does not
interfere with the claims of the primary common possessions and the
migration. Furthermore, the ultimate problem is not whence and how
the material reached a certain people; but the question is,
where did it come from to begin with?
All these theories would only explain the variability and
distribution, but not the origin of the myths. Even Schubert, the
most inveterate opponent of Bauer’s view, acknowledges this truth,
by stating that all these manifold sagas date back to a single very
ancient prototype. But he is unable to tell us anything of the
origin
of this prototype. Bauer likewise inclines to this mediating[8]view
and points out repeatedly that in spite of the multiple origin of
independent tales, it is necessary to concede a most extensive and
ramified purloining, as well as an original community of the
concepts, in related peoples. The same conciliatory attitude is
maintained by Lessmann, in a recent publication[9][1908],
in which he rejects the assumption of the elementary thoughts, but
admits that primary relationship and purloining do not exclude one
another. As pointed out by Wundt, it must be kept in mind, however,
that the appropriation of mythical contents always represents at
the
same time an independent mythical construction; because only that
can
be permanently retained which corresponds to the purloiner’s stage
of mythological ideation. Thefaint
recollections of preceding narratives would hardly suffice for the
re-figuration of the same material, without the persistent presence
of the underlying motives; but precisely for this reason, such
motives may produce new contents, which agree in their fundamental
motives, also in the absence of similar associations.
(Völker-Psychologie, II Vol., 3 Part, 1909).Leaving
aside for the present the enquiry as to the mode of distribution of
these myths, the origin of the hero myth in general is now to be
investigated, fully anticipating that migration, or borrowing, will
prove to be directly and fairly positively demonstrable, in a
number
of the cases. When this is not feasible, other view points will
have
to be conceded, at least for the present, rather than barricade the
way to further progress by the somewhat unscientific attitude of
Winckler,[10]who
says: When human beings and products, exactly corresponding to each
other, are found at remote parts of the earth, we must conclude
that
they have wandered thither; whether we have knowledge of the how or
when makes no difference in the assumption of the fact itself. Even
granting the migration of all myths, the provenance of the first
myth
would still have to be explained.[11]Investigations
along these lines will necessarily help to provide a deeper insight
into the contents of the myths. Nearly all authors who have
hitherto
been engaged upon the interpretation of the myths of the birth of
heroes find therein a personification of the processes of nature,
following the dominant mode of natural mythological interpretation.
The new born hero is the young sun rising from the waters, first
confronted by lowering clouds, but finally triumphing over all
obstacles [Brodbeck, Zoroaster, Leipzig, 1893, p. 138]. The taking
of
all natural, chiefly the atmospheric phenomena into consideration,
as
was done by the firstrepresentatives
of this method of myth interpretation;[12]or
the regarding of the myths in a more restricted sense, as astral
myths [Stucken, Winckler and others]—is not so essentially
distinct, as the followers of each individual direction believe to
be
the case. Nor does it seem to be an essential progress when the
purely solar interpretation as advocated especially by
Frobenius[13]was
no longer accepted and the view was held that all myths were
originally lunar myths, as done by G. Hüsing, in his “Contributions
to the Kyros Myth” [Berlin, 1906], following out the suggestion of
Siecke, who [1908][14]claims
this view as the only legitimate obvious interpretation also for
the
birth myths of the heroes, and it is beginning to gain
popularity.[15]The
interpretation of the myths themselves will be taken up in detail
later on, and all detailed critical comments on the above mode of
explanation are here refrained from. Although significant, and
undoubtedly in part correct, the astral theory is not altogether
satisfactory and fails to afford an insight into the motives of
myth
formation. The objection may be raised that the tracing to
astronomical processes does not fully represent the content of
these
myths, and that much clearer and simpler relations might be
established through another mode of interpretation. The much abused
theory of elementary thoughts indicates a practically neglected
aspect of mythological research. At the beginning as well as at the
end of his contribution, Bauer points out how much more natural and
probable it would be to seek the reason for thegeneral
unanimity of these myths in very general traits of the human
psyche,
than in a primary community or in migration. This assumption
appears
to be more justifiable as such general movements of the human mind
are also expressed in still other forms, and in other domains,
where
they can be demonstrated as unanimous.Concerning
the character of these general movements of the human mind, the
psychological study of the essential contents of these myths might
help to reveal the source from which has uniformly flowed at all
times, and in all places, an identical content of the myths. Such a
derivation of an essential constituent, from a common human source,
has already been successfully attempted with one of these legendary
motives. Freud, in his “Dream Interpretation,”[16]reveals
the connection of the Œdipus fable [where Œdipus is told by the
oracle that he will kill his father and marry his mother, as he
unwittingly does later on] with the two typical dreams of the
father’s death, and of sexual intercourse with the mother, dreams
which are dreamed by many now living. Of King Œdipus he says that
“his fate stirs us only because it might have been our own fate;
because the oracle has cursed us prior to our birth, as it did him.
All of us, perhaps, were doomed to direct the first sexual emotion
towards the mother, the first hatred and aggressive desire against
the father; our dreams convince us of this truth. King Œdipus, who
has murdered his father Laios, and married his mother Iokaste, is
merely the wish fulfilment of our childhood.”[17]The
manifestation of the intimate relation between dream and myth,—not
only in regard to the contents, but also as to the form and motor
forces of this and many other, more particularly pathological
psyche
structures,—entirely justifies the interpretation of the myth as a
dream of the masses of the people, which I have recently shown
elsewhere(“Der
Künstler,” 1907). At the same time, the transference of the
method, and in part also of the results, of Freud’s technique of
dream interpretation to the myths would seem to be justifiable, as
was defended and illustrated in an example, by Abraham, in his
paper
on “Dreams and Myths” [1909].[18]The
intimate relations between dream and myth find further confirmation
in the following circle of myths, with frequent opportunity for
reasoning from analogy.The
hostile attitude of the most modern mythological tendency [chiefly
represented by the Society for Comparative Mythological Research]
against all attempts at establishing a relation between dream and
myth[19]is
for the most part the outcome of the restriction of the
parallelization to the so-called nightmares [Alpträume], as
attempted in Laistner’s notable book, “The Riddle of the Sphinx,”
1889, and also of ignorance of the relevant teachings of Freud. The
latter help us not only to understand the dreams themselves, but
also
show their symbolism and close relationship with all psychic
phenomena in general, especially with the day dreams or phantasies,
with artistic creativeness, and with certain disturbances of the
normal psychic function. A common share in all these productions
belongs to a single psychic function, the human imagination. It is
to
this imaginative faculty—of humanity at large rather than
individual—that the modern myth theory is obliged to concede a high
rank, perhaps the first, for the ultimate origin of all myths. The
interpretation of the myths in the astral sense, or more accurately
speaking as “almanac tales,” gives rise to the query, according
to Lessmann,—in view of a creative imagination of humanity,—if
the first germ for the origin of such tales is to be sought
precisely
in the processes in theheavens;[20]or
if, on the contrary, readymade tales of an entirely different [but
presumably psychic] origin were only subsequently transferred to
the
heavenly bodies. Ehrenreich (General Mythology, 1910, p. 104) makes
a
more positive admission: The mythologic evolution certainly begins
on
a terrestrian soil, in so far as experiences must first be gathered
in the immediate surroundings before they can be projected into the
heavenly universe. And Wundt tells us (loc. cit., p. 282) that the
theory of the evolution of mythology according to which it first
originates in the heavens whence at a later period it descends to
earth, is not only contradictory to the history of the myth, which
is
unaware of such a migration, but is likewise contradictory to the
psychology of myth-formation which must repudiate this
translocation
as internally impossible. We are also convinced that the
myths,[21]originally
at least, are structures of the human faculty of imagination, which
at some time were projected for certain reasons upon the
heavens,[22]and
may be secondarily transferred to the heavenly bodies, with their
enigmatical phenomena. The significance of the unmistakeable traces
which this transference has imprinted upon the myths, as the fixed
figures, and so forth, must by no means be underrated, although the
origin of these figures was possibly psychic in character, and they
were subsequently made the basis of the almanac and firmament
calculations, precisely on account of this significance.In
a general way it would seem as if those investigators who make use
of
an exclusively natural mythological mode of interpretation, in any
sense, were unable, in their endeavor to discover the original
sense
of the mythical tales, to get entirely away from a psychological
process, such as must be assumed likewise for the creators of the
myths.[23]The
motive is identical, and ledto
the same course in the myth creators as well as in the myth
interpretorsIt is most naïvely uttered by one of the founders and
champions of comparative myth investigation, and of the natural
mythological mode of interpretation, for Max Müller points out in
his “Essays” [1869] [20] that this procedure not only invests
meaningless legends with a significance and beauty of their own,
but
it helps to remove some of the most revolting features of classical
mythology, and to elucidate their true meaning. This revolt, the
reason for which is readily understood, naturally prevents the
mythologist from assuming that such motives as incest with the
mother, sister or daughter; murder of father, grandfather or
brother
could be based upon universal phantasies, which according to
Freud’s
teachings have their source in the infantile psyche, with its
peculiar interpretation of the external world and its denizens.
This
revolt is therefore only the reaction of the dimly sensed painful
recognition of the actuality of these relations; and this reaction
impels the interpreters of the myths, for their own subconscious
rehabilitation, and that of all mankind, to credit these motives
with
an entirely different meaning from their original significance. The
same internal repudiation prevents the myth-creating people from
believing in the possibility of such revolting thoughts, and this
defence probably was the first reason for the projecting of these
relations to the firmament. The psychological pacifying through
such
a rehabilitation, by projection upon external and remote objects,
can
still be realized, up to a certain degree, by a glance at one of
these interpretations, for instance that of the objectionable
Œdipus
fable, as given by arepresentative
of the natural mythological mode of interpretation. Œdipus, who
kills his father, marries his mother, and dies old and blind, is
the
solar hero who murders his procreator, the darkness; shares his
couch
with the mother, the gloaming, from whose lap, the dawn, he has
been
born, and dies blinded, as the setting sun [Goldziher,
1876].[24]It
is intelligible that a similar interpretation is more soothing to
the
mind than the revelation of the fact that incest and murder
impulses
against the nearest relatives are found in the phantasies of most
people, as remnants of the infantile ideation. But this is not a
scientific argument, and revolt of this kind, although it may not
always be equally conscious, is altogether out of place, in view of
existing facts. One must either become reconciled to these
indecencies, provided they are felt to be such, or one must abandon
the study of psychological phenomena. It is evident that human
beings, even in the earliest times, and with a most naïve
imagination, never saw incest and parricide in the firmament on
high,[25]but
it is far more probable that these ideas are derived from another
source, presumably human. In what way they came to reach the sky,
and
what modifications or additions they received in the process, are
questions of a secondary character, which cannot be settled until
the
psychic origin of the myths in general has been
established.At
any rate, besides the astral conception, the claims of the part
played by the psychic life must be credited with the same rights
for
myth formation, and this plea will be amply vindicated by the
results
of our method of interpretation. With this object we shall first
take
up the legendary material on which such a psychological
interpretation is to be attempted for the first time on a large
scale; selecting from the mass[26]of
these chiefly biographical hero myths those which are the best
known,
and some which are especially characteristic. These myths will be
given in abbreviated form as far as relevant for this
investigation,
with statements concerning the provenance. Attention will be called
to the most important, constantly recurrent motives by a difference
in print.