The Myth of the Birth of the Hero: A psychological interpretation of mythology
The Myth of the Birth of the Hero: A psychological interpretation of mythologyIntroductionSargonMosesKarnaŒdipusParisTelephosPerseusGilgamosKyrosTristanRomulus.Hercules [60]JesusSiegfriedLohengrinFOOTNOTES:Copyright
The Myth of the Birth of the Hero: A psychological interpretation
of mythology
Otto Rank
Introduction
The prominent civilized nations, such as the Babylonians,
Egyptians, Hebrews, and Hindoos, the inhabitants of Iran and of
Persia, the Greeks and the Romans as well as the Teutons and
others, all began at an early stage to glorify their heroes,
mythical princes and kings, founders of religions, dynasties,
empires or cities, in brief their national heroes, in a number of
poetic tales and legends. The history of the birth and of the early
life of these personalities came to be especially invested with
fantastic features, which in different nations even though widely
separated by space and entirely independent of each other present a
baffling similarity, or in part a literal correspondence. Many
investigators have long been impressed with this fact, and one of
the chief problems of mythical research still consists in the
elucidation of the reason for the extensive analogies in the
fundamental outlines of mythical tales, which are rendered still
more enigmatical by the unanimity in certain details, and their
reappearance in most of the mythical groupings.[1]The mythological theories, aiming at the explanation of these
remarkable phenomena, are, in a general way, as
follows:(1) The “Idea of the People,” propounded by Adolf
Bastian[2][1868]. This theory assumes the existence ofelementary thoughts, so that the
unanimity of the myths is a necessary sequence of the uniform
disposition of the human mind, and themanner of its manifestation, which within certain limits is
identical at all times and in all places. This interpretation was
urgently advocated by Adolf Bauer[3][1882], as accounting for the wide distribution of the hero
myths.(2) The explanation by original community, first applied by
Th. Benfey [Pantschatantra, 1859] to the widely distributed
parallel forms of folklore and fairy tales. Originating in a
favorable locality [India] these tales were first accepted by the
primarily related [namely the Indo-Germanic] peoples, then
continued to grow while retaining the common primary traits, and
ultimately radiated over the entire earth. This mode of explanation
was first adapted to the wide distribution of the hero myths by
Rudolf Schubert[4][1890].(3) The modern theory of migration, or borrowing, according
to which the individual myths originate from definite peoples
[especially the Babylonians], and are accepted by other peoples
through oral tradition [commerce and traffic], or through literary
influences.[5]The modern theory of migration and borrowing can be readily
shown to be merely a modification of Benfey’s theory, necessitated
by newly discovered and irreconcilable material. The profound and
extensive research of modern investigations has shown that not
India, but rather Babylonia, may be regarded as the first home of
the myths. Moreover the mythic tales presumably did not radiate
from a single point, but travelled over and across the entire
inhabited globe. This brings into prominence the idea of the
interdependence of mythical structures, an idea which was
generalized by Braun[6][1864], as the basic law of the nature ofthe human mind: Nothing new is ever discovered as long as it
is possible to copy. The theory of the elementary thoughts, so
strenuously advocated by Bauer over a quarter of a century ago, is
unconditionally declined by the most recent investigators
[Winckler,[7]Stucken], who maintain the migration and purloining
theory.There is really no such sharp contrast between the various
theories, and their advocates, for the theory of the elementary
thoughts does not interfere with the claims of the primary common
possessions and the migration. Furthermore, the ultimate problem is
not whence and how the material reached a certain people; but the
question is,where did it come from to begin
with?All these theories would only explain the
variability and distribution, but not the origin of the myths. Even
Schubert, the most inveterate opponent of Bauer’s view,
acknowledges this truth, by stating that all these manifold sagas
date back to a single very ancient prototype. But he is unable to
tell us anything of the origin of this prototype. Bauer likewise
inclines to this mediating[8]view and points out repeatedly that in spite of the multiple
origin of independent tales, it is necessary to concede a most
extensive and ramified purloining, as well as an original community
of the concepts, in related peoples. The same conciliatory attitude
is maintained by Lessmann, in a recent publication[9][1908], in which he rejects the assumption of the elementary
thoughts, but admits that primary relationship and purloining do
not exclude one another. As pointed out by Wundt, it must be kept
in mind, however, that the appropriation of mythical contents
always represents at the same time an independent mythical
construction; because only that can be permanently retained which
corresponds to the purloiner’s stage of mythological ideation.
Thefaint recollections of preceding narratives would hardly
suffice for the re-figuration of the same material, without the
persistent presence of the underlying motives; but precisely for
this reason, such motives may produce new contents, which agree in
their fundamental motives, also in the absence of similar
associations. (Völker-Psychologie, II Vol., 3 Part,
1909).Leaving aside for the present the enquiry as to the mode of
distribution of these myths, the origin of the hero myth in general
is now to be investigated, fully anticipating that migration, or
borrowing, will prove to be directly and fairly positively
demonstrable, in a number of the cases. When this is not feasible,
other view points will have to be conceded, at least for the
present, rather than barricade the way to further progress by the
somewhat unscientific attitude of Winckler,[10]who says: When human beings and products, exactly
corresponding to each other, are found at remote parts of the
earth, we must conclude that they have wandered thither; whether we
have knowledge of the how or when makes no difference in the
assumption of the fact itself. Even granting the migration of all
myths, the provenance of the first myth would still have to be
explained.[11]Investigations along these lines will necessarily help to
provide a deeper insight into the contents of the myths. Nearly all
authors who have hitherto been engaged upon the interpretation of
the myths of the birth of heroes find therein a personification of
the processes of nature, following the dominant mode of natural
mythological interpretation. The new born hero is the young sun
rising from the waters, first confronted by lowering clouds, but
finally triumphing over all obstacles [Brodbeck, Zoroaster,
Leipzig, 1893, p. 138]. The taking of all natural, chiefly the
atmospheric phenomena into consideration, as was done by the
firstrepresentatives of this method of myth
interpretation;[12]or the regarding of the myths in a more restricted sense, as
astral myths [Stucken, Winckler and others]—is not so essentially
distinct, as the followers of each individual direction believe to
be the case. Nor does it seem to be an essential progress when the
purely solar interpretation as advocated especially by
Frobenius[13]was no longer accepted and the view was held that all myths
were originally lunar myths, as done by G. Hüsing, in his
“Contributions to the Kyros Myth” [Berlin, 1906], following out the
suggestion of Siecke, who [1908][14]claims this view as the only legitimate obvious
interpretation also for the birth myths of the heroes, and it is
beginning to gain popularity.[15]The interpretation of the myths themselves will be taken up
in detail later on, and all detailed critical comments on the above
mode of explanation are here refrained from. Although significant,
and undoubtedly in part correct, the astral theory is not
altogether satisfactory and fails to afford an insight into the
motives of myth formation. The objection may be raised that the
tracing to astronomical processes does not fully represent the
content of these myths, and that much clearer and simpler relations
might be established through another mode of interpretation. The
much abused theory of elementary thoughts indicates a practically
neglected aspect of mythological research. At the beginning as well
as at the end of his contribution, Bauer points out how much more
natural and probable it would be to seek the reason for
thegeneral unanimity of these myths in very general traits of
the human psyche, than in a primary community or in migration. This
assumption appears to be more justifiable as such general movements
of the human mind are also expressed in still other forms, and in
other domains, where they can be demonstrated as
unanimous.Concerning the character of these general movements of the
human mind, the psychological study of the essential contents of
these myths might help to reveal the source from which has
uniformly flowed at all times, and in all places, an identical
content of the myths. Such a derivation of an essential
constituent, from a common human source, has already been
successfully attempted with one of these legendary motives. Freud,
in his “Dream Interpretation,”[16]reveals the connection of the Œdipus fable [where Œdipus is
told by the oracle that he will kill his father and marry his
mother, as he unwittingly does later on] with the two typical
dreams of the father’s death, and of sexual intercourse with the
mother, dreams which are dreamed by many now living. Of King Œdipus
he says that “his fate stirs us only because it might have been our
own fate; because the oracle has cursed us prior to our birth, as
it did him. All of us, perhaps, were doomed to direct the first
sexual emotion towards the mother, the first hatred and aggressive
desire against the father; our dreams convince us of this truth.
King Œdipus, who has murdered his father Laios, and married his
mother Iokaste, is merely the wish fulfilment of our
childhood.”[17]The manifestation of the intimate relation between dream and
myth,—not only in regard to the contents, but also as to the form
and motor forces of this and many other, more particularly
pathological psyche structures,—entirely justifies the
interpretation of the myth as a dream of the masses of the people,
which I have recently shown elsewhere(“Der Künstler,” 1907). At the same time, the transference of
the method, and in part also of the results, of Freud’s technique
of dream interpretation to the myths would seem to be justifiable,
as was defended and illustrated in an example, by Abraham, in his
paper on “Dreams and Myths” [1909].[18]The intimate relations between dream and myth find further
confirmation in the following circle of myths, with frequent
opportunity for reasoning from analogy.The hostile attitude of the most modern mythological tendency
[chiefly represented by the Society for Comparative Mythological
Research] against all attempts at establishing a relation between
dream and myth[19]is for the most part the outcome of the restriction of the
parallelization to the so-called nightmares [Alpträume], as
attempted in Laistner’s notable book, “The Riddle of the Sphinx,”
1889, and also of ignorance of the relevant teachings of Freud. The
latter help us not only to understand the dreams themselves, but
also show their symbolism and close relationship with all psychic
phenomena in general, especially with the day dreams or phantasies,
with artistic creativeness, and with certain disturbances of the
normal psychic function. A common share in all these productions
belongs to a single psychic function, the human imagination. It is
to this imaginative faculty—of humanity at large rather than
individual—that the modern myth theory is obliged to concede a high
rank, perhaps the first, for the ultimate origin of all myths. The
interpretation of the myths in the astral sense, or more accurately
speaking as “almanac tales,” gives rise to the query, according to
Lessmann,—in view of a creative imagination of humanity,—if the
first germ for the origin of such tales is to be sought precisely
in the processes in theheavens;[20]or if, on the contrary, readymade tales of an entirely
different [but presumably psychic] origin were only subsequently
transferred to the heavenly bodies. Ehrenreich (General Mythology,
1910, p. 104) makes a more positive admission: The mythologic
evolution certainly begins on a terrestrian soil, in so far as
experiences must first be gathered in the immediate surroundings
before they can be projected into the heavenly universe. And Wundt
tells us (loc. cit., p. 282) that the theory of the evolution of
mythology according to which it first originates in the heavens
whence at a later period it descends to earth, is not only
contradictory to the history of the myth, which is unaware of such
a migration, but is likewise contradictory to the psychology of
myth-formation which must repudiate this translocation as
internally impossible. We are also convinced that the
myths,[21]originally at least, are structures of the human faculty of
imagination, which at some time were projected for certain reasons
upon the heavens,[22]and may be secondarily transferred to the heavenly bodies,
with their enigmatical phenomena. The significance of the
unmistakeable traces which this transference has imprinted upon the
myths, as the fixed figures, and so forth, must by no means be
underrated, although the origin of these figures was possibly
psychic in character, and they were subsequently made the basis of
the almanac and firmament calculations, precisely on account of
this significance.In a general way it would seem as if those investigators who
make use of an exclusively natural mythological mode of
interpretation, in any sense, were unable, in their endeavor to
discover the original sense of the mythical tales, to get entirely
away from a psychological process, such as must be assumed likewise
for the creators of the myths.[23]The motive is identical, and ledto the same course in the myth creators as well as in the
myth interpretorsIt is most naïvely uttered by one of the founders
and champions of comparative myth investigation, and of the natural
mythological mode of interpretation, for Max Müller points out in
his “Essays” [1869] [20] that this procedure not only invests
meaningless legends with a significance and beauty of their own,
but it helps to remove some of the most revolting features of
classical mythology, and to elucidate their true meaning. This
revolt, the reason for which is readily understood, naturally
prevents the mythologist from assuming that such motives as incest
with the mother, sister or daughter; murder of father, grandfather
or brother could be based upon universal phantasies, which
according to Freud’s teachings have their source in the infantile
psyche, with its peculiar interpretation of the external world and
its denizens. This revolt is therefore only the reaction of the
dimly sensed painful recognition of the actuality of these
relations; and this reaction impels the interpreters of the myths,
for their own subconscious rehabilitation, and that of all mankind,
to credit these motives with an entirely different meaning from
their original significance. The same internal repudiation prevents
the myth-creating people from believing in the possibility of such
revolting thoughts, and this defence probably was the first reason
for the projecting of these relations to the firmament. The
psychological pacifying through such a rehabilitation, by
projection upon external and remote objects, can still be realized,
up to a certain degree, by a glance at one of these
interpretations, for instance that of the objectionable Œdipus
fable, as given by arepresentative of the natural mythological mode of
interpretation. Œdipus, who kills his father, marries his mother,
and dies old and blind, is the solar hero who murders his
procreator, the darkness; shares his couch with the mother, the
gloaming, from whose lap, the dawn, he has been born, and dies
blinded, as the setting sun [Goldziher, 1876].[24]It is intelligible that a similar interpretation is more
soothing to the mind than the revelation of the fact that incest
and murder impulses against the nearest relatives are found in the
phantasies of most people, as remnants of the infantile ideation.
But this is not a scientific argument, and revolt of this kind,
although it may not always be equally conscious, is altogether out
of place, in view of existing facts. One must either become
reconciled to these indecencies, provided they are felt to be such,
or one must abandon the study of psychological phenomena. It is
evident that human beings, even in the earliest times, and with a
most naïve imagination, never saw incest and parricide in the
firmament on high,[25]but it is far more probable that these ideas are derived from
another source, presumably human. In what way they came to reach
the sky, and what modifications or additions they received in the
process, are questions of a secondary character, which cannot be
settled until the psychic origin of the myths in general has been
established.At any rate, besides the astral conception, the claims of the
part played by the psychic life must be credited with the same
rights for myth formation, and this plea will be amply vindicated
by the results of our method of interpretation. With this object we
shall first take up the legendary material on which such a
psychological interpretation is to be attempted for the first time
on a large scale; selecting from the mass[26]of these chiefly biographical hero myths those which are the
best known, and some which are especially characteristic. These
myths will be given in abbreviated form as far as relevant for this
investigation, with statements concerning the provenance. Attention
will be called to the most important, constantly recurrent motives
by a difference in print.
Sargon
Probably the oldest transmitted hero myth in our possession
is derived from the period of the foundation of Babylon (about 2800
B.C.), and concerns the birth history of its founder, Sargon the
First. The literal translation of the report—which according to the
mode of rendering appears to be an original inscription by King
Sargon himself—is as follows:
[27]
“ Sargon, the mighty king, King of Agade, am I.My mother was a vestal, my father I knew not,
while my father’s brother dwelt in the mountains. In my city
Azupirani, which is situated on the bank of the Euphrates, my
mother, the vestal, bore me.In a hidden place she
brought me forth. She laid me in a vessel made of reeds, closed my door with pitch, anddropped me down
into the river, which did not drown me. The river
carried me to Akki,
the water carrier. Akki the water carrier lifted me up in the
kindness of his heart, Akki the water carrier raised me as his own
son, Akki the water carrier made of me his gardener. In my work as
a gardener I was beloved by Istar, I became the king, and for 45
years I held kingly sway.”
Moses
The biblical birth history of Moses, which is told in Exodus,
chapter 2, presents the greatest similarity to the Sargon legend,
even an almost literal correspondence of individual traits.
[28]
Already the first chapter (22) relates that Pharaoh commanded
his people to throw into the water all sons which were born to
Hebrews, while the daughters were permitted to live; the reason for
this order being referred to the overfertility of the Israelites.
The second chapter continues as follows:
“ And there went a man of the house of Levi, and took to wife
a daughter of Levi
[29]
. And the woman conceived, and bare a son: and when she saw
him that he was a goodly child, she hid him three months. And when
she could no longer hide him, she took for him an ark of bulrushes,
and daubed it with slime and with pitch, and put the child therein;
and she laid it in the flags by the river’s brink. And his sister
stood afar off to wit what would be done to him. And the daughter
of Pharaoh came down to wash herself at the river; and her maidens
walked along by the river’s side and when she saw the ark among the
flags, she sent her maid to fetch it. And when she opened it, she
saw the child, and behold the babe wept. And she had compassion on
him, and
said, this is one of the Hebrews’ children. Then said his
sister to Pharaoh’s daughter, Shall I go and call to thee a nurse
of the Hebrew women, that she may nurse the child for thee? And
Pharaoh’s daughter said to her, Go. And the maid went and called
the child’s mother. And Pharaoh’s daughter said unto her, Take this
child away, and nurse it for me, and I will give thee wages. And
the woman took the child, and nursed it. And the child grew, and
she brought him unto Pharaoh’s daughter, and he became her son. And
she called his name Moses:
[30]
and she said, Because I drew him out of the water.”