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A beautifully illustrated collection of famous poems written about birds to read and cherish as a source of comfort and joy. Poets have long looked to birds for inspiration and this anthology of 65 poems is an ode to the myriad of way that these creatures bring us joy and solace. The poets here represented are amongst the greatest who have ever lived, and their joint celebration of a common theme has resulted in an enchanting book. Amongst the poets whose work is included are Blake, Shakespeare and Wordsworth; Tennyson, Keats and Shelley; twentieth-century writers, amongst them Yeats, Laurie Lee and Ted Hughes; and such American poets as Thoreau, Emily Dickinson, Robert Frost and Theodore Roethke. Each poem is illustrated by iconic artworks by JJ Audubon, creating a beautiful book to cherish for years to come.
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Seitenzahl: 66
Veröffentlichungsjahr: 2023
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From Paradise Lost, Book VII
Mean while the tepid Caves, and Fens and shoares
Thir Brood as numerous hatch, from the Egg that soon
Bursting with kindly rupture forth disclos’d
Thir callow young, but feathered soon and fledge
They summ’d thir Penns, and soaring th’ air sublime
With clang despis’d the ground, under a cloud
In prospect; there the Eagle and the Stork
On Cliffs and cedar tops thir Eyries build;
Part loosly wing the Region, part more wise
In common, rang’d in figure wedge thir way,
Intelligent of seasons, and set forth
Thir Aierie Caravan high over Sea’s
Flying, and over Lands with mutual wing
Easing their flight; so stears the prudent Crane
Her annual Voiage, born on Windes; the Aire
Floats, as they pass, fann’d with unnumber’d plumes:
From Branch to Branch the smaller Birds with song
Solac’d the Woods, and spred thir painted wings
Till Ev’n, nor then the solemn Nightingal
Ceas’d warbling, but all night tun’d her soft layers:
Others on Silver Lakes and Rivers Bath’s
Thir downie Brest; the Swan with Arched neck
Between her white wings mantling proudly, Rowes
Her state with Oaries feet: yet oft they quit
The Dank, and rising on stiff Pennons, towre
John Milton (1608–1674)
A parrot, from the Spanish main,
Full young and early caged came o’er,
With bright wings, to the bleak domain
Of Mullah’s shore.
To spicy groves where he had won
His plumage of resplendent hue,
His native fruits, and skies, and sun,
He bade adieu.
For these he changed the smoke of turf,
A heathery land and misty sky,
And turned on rocks and raging surf
His golden eye.
But petted in our climate cold,
He lived and chattered many a day:
Until with age, from green and gold
His wings grew grey.
At last when blind, and seeming dumb,
He scolded, laugh’d, and spoke no more,
A Spanish stranger chanced to come
To Mullah’s shore;
He hail’d the bird in Spanish speech,
The bird in Spanish speech replied;
Flapp’d round the cage with joyous screech,
Dropt down, and died.
Thomas Campbell (1777–1844)
Fair Princess of the spacious Air,
That hast vouchsaf’d acquaintance here
With us are quarter’d below stairs,
That can reach Heav’n with nought but Pray’rs,
Who, when our activ’st wings we try,
Advance a foot into the Sky.
Bright Heir t’ th’ bird Imperial,
From whose avenging penons fall
Thunder and Lightning twisted Spun;
Brave Cousin-german to the Sun,
That didst forsake thy Throne and Sphere,
To be a humble Pris’ner here,
And for a pirch of her soft hand,
Resign the Royal Woods command.
How often woulds’t thou shoot Heav’ns Ark,
Then mount thy self into a Lark;
And after our short faint eyes call,
When now a Fly, now nought at all;
Then stoop so swift unto our Sence,
As thou wert sent Intelligence!
Richard Lovelace (1618–1657)
From The Merchant of Venice
The crow doth sing as sweetly as the lark
When neither is attended, and I think
The nightingale, if she should sing by day,
When every goose is cackling, would be thought
No better a musician than the wren.
William Shakespeare (1564–1616)
Merry, merry sparrow!
Under leaves so green
A happy blossom
Sees you, swift as arrow,
Seek your cradle narrow,
Near my bosom.
Pretty, pretty robin!
Under leaves so green
A happy blossom
Hears you sobbing, sobbing,
Pretty, pretty robin,
Near my bosom.
William Blake (1757–1827)
A hundred wings are dropt as soft as one,
Now ye are lighted! Pleasing to my sight
The fearful circle of your wondering flight,
Rapid and loud, and drawing homeward soon;
And then, the sober chiding of your tone,
As there ye sit, from your own roofs arraigning
My trespass on your haunts, so boldly done,
Sounds like a solemn and a just complaining:
O happy, happy race! for though there clings
A feeble fear about your timid clan,
Yet are ye blest! with not a thought that brings
Disquietude,—while proud and sorrowing man,
An eagle, weary of his mighty wings,
With anxious inquest fills his little span!
Charles Tennyson Turner (1808–1879)
Within a thick and spreading hawthorn bush
That overhung a molehill large and round,
I heard from morn to morn a merry thrush
Sing hymns to sunrise, and I drank the sound
With joy; and often, an intruding guest,
I watched her secret toil from day to day –
How true she warped the moss to form a nest,
And modelled it within with wood and clay;
And by and by, like heath-bells gilt with dew,
There lay her shining eggs, as bright as flowers,
Ink-spotted over shells of greeny blue;
And there I witnessed, in the sunny hours,
A brood of nature’s minstrels chirp and fly,
Glad as the sunshine and the laughing sky.
John Clare (1793–1864)
O blackbird! sing me something well:
While all the neighbours shoot thee round,
I keep smooth plats of fruitful ground,
Where thou may’st warble, eat and dwell.
The espaliers and the standards all
Are thine; the range of lawn and park:
The unnetted black-hearts ripen dark,
All thine, against the garden wall.
Yet, tho’ I spared thee all the spring,
Thy sole delight is, sitting still,
With that gold dagger of thy bill
To fret the summer jenneting.
A golden bill! the silver tongue,
Cold February loved, is dry:
Plenty corrupts the melody
That made thee famous once, when young:
And in the sultry garden-squares,
Now thy flute-notes are changed to coarse,
I hear thee not at all, or hoarse
As when a hawker hawks his wares.
Take warning! he that will not sing
While yon sun prospers in the blue,
Shall sing for want, ere leaves are new,
Caught in the frozen palms of Spring.
Alfred Lord Tennyson (1809–1892)
Ghost-grey the fall of night,
Ice-bound the lane,
Lone in the dying light
Flits he again;
Lurking where shadows steal,
Perched in his coat of blood,
Man’s homestead at his heel,
Death-still the wood.
Odd restless child; it’s dark;
All wings are flown
But this one wizard’s—hark!—
Stone clapped on stone!
Changeling and solitary,
Secret and sharp and small,
Flits he from tree to tree,
Calling on all.
Walter de la Mare (1873–1956)
In early summer moonlight I have strayed
Down pass and wildway of the wooded hill
With wonder as again the sedge-bird made
His old, old ballad new beside the mill.
And I have stolen closer to the song
That, lisped low, would swell and change and shrill,
Thick, chattered cheeps that seemed not to belong
Of right to the frail elfin throat that threw
Them on the stream, their waker. Their among
The willows I have watched as over flew
A noctule making zigzag round the lone,
Dark elm whose shadow clipt grotesque the new
Green lawn below. On softest breezes blown
From some far brake, the crusing fern-owl’s cry
Would stay my steps; a beetle’s nearing drone
Would steal upon my sense and pass and die.
There have I heard in that still, solemn hour
The quickened thorn from slaving weeds untie
A prisoned leaf for furled bloom, whose dower
Of incense yet burned in the warm June night;
By darkness cozened from his grot to crower
And curve the night long, that shy eremite
The lowly, banded eft would seek his prey;
And thousand worlds my silent world would light
Till broke the babel of the summer day.
Ralph Hodgson (1871–1962)
From Upon Appleton House
So when the Shadows laid asleep
From underneath these Banks do creep,
And on the River as it flows
With ebon shuts begin to close;
The modest Halcyon comes in sight,