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Becoming an INTERIOR DESIGNER Here is the completely updated guide to today's interior design careers--a clear and concise survey of the interior design field covering: History of the profession Educational preparation Interviews with designers Certification and licensing The design process Where the jobs are Owning your own firm Design specialties * Residential * Commercial * Sustainable design * Corporate * Hospitality * Retail * Healthcare * Institutional * Entertainment * Restoration and adaptive use "Becoming an Interior Designer is the go-to book for an inside look at the profession of interior design today. The advice from a broad range of practitioners and educators about the professional requirements and business of interior design make it an invaluable tool for those contemplating an interior design career. The added bonus is Christine's ability to draw out from her interviewees the common passion for improving quality of life, which is a rarely referenced quality of a successful interior designer." --Suzan Globus, FASID, LEED AP, 2007 ASID National President
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Seitenzahl: 604
Veröffentlichungsjahr: 2011
Table of Contents
Title Page
Copyright
Dedication
Preface
Acknowledgments
Chapter 1: An Introduction to the Interior Design Profession
What Do Interior Designers Do?
Is Interior Design for You?
History
Sustainable Design
Professional Associations
Interior Design Registration and Licensing
Chapter 2: Educational Preparation
High School Preparation
Choosing an Educational Program
Four-Year Educational Preparation
The Importance of Internships
Two-Year Associate Degree
Postgraduate Education in Interior Design
NCIDQ Examination
Continuing Education
Chapter 3: Where the Jobs Are
Career Decisions
Independent Design Firms
Architectural Offices
Furniture Retailers
Office Furnishings Dealers
Interior Design on a Global Stage
Facility Planning and Design
Sole Practitioner Work Environments
Job-Seeking Tools
Chapter 4: Design Specialties
Residential Design
Aging in Place
Commercial
Sustainable Design
Corporate and Professional Offices
Hospitality
Entertainment and Recreation
Retail Facilities
Healthcare
Senior Living
Institutional
Restoration and Adaptive Use
Related Career Options
Chapter 5: The Design Process
Project Development
Programming
Schematic Design
Design Development
Contract Documents
Contract Administration
Project Management
Working Relationships
Chapter 6 Interior Design as a Business
Business Formations
Marketing Methods
Contracts
Interior Design Revenue
Legal Issues
Chapter 7: The Future
Interior Design Resources
CIDA-Accredited Interior Design Programs in the United States and Canada
Interior Design References
Interior Designers
Index
This book is printed on acid-free paper.
Copyright © 2009 by Christine M. Piotrowski. All rights reserved.
Published by John Wiley & Sons, Inc., Hoboken, New Jersey.
Published simultaneously in Canada.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750–8400, fax (978) 646–8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748–6011, fax (201) 748–6008, or online at www.wiley. com/go/permissions.
Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.
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Library of Congress Cataloging-in-Publication Data
Piotrowski, Christine M., 1947-
Becoming an interior designer: a guide to careers in design / Christine Piotrowski.—2nd ed.
p. cm.
Includes bibliographical references and index. ISBN 978-0-470-11423-0 (pbk.)
1. Interior decoration—Vocational guidance. I. Title. NK2116.P56 2009
747.092—dc22
2008018564
DISCLAIMER
This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher and the author are not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.
All photographs, documents, and forms are proprietary to the organization, design firm, designer, or author. None of the figures in this text may be reproduced without the expressed written permission of the appropriate copyright holder.
To Martha and Casmier, looking down from above.
With love, Christine
A truly committed decision is the force that changes your life.
ANONYMOUS
Preface
The profession of interior design has received a lot of media attention over the years. Network television has portrayed interior designers as characters in major shows and featured them as experts on cable's various home decorating programs. Movies have even included interior designers or decorators as part of the cast. You have no doubt looked at one or more of the magazines related to interior design on the newsstands. The media attention, of course, doesn't necessarily help someone learn all that is involved in pursuing this profession.
This book is about the profession of interior design and the professional interior designer. If you are a student in high school or a postsecondary student who is considering interior design as a career, this book helps you understand what the profession entails. Maybe you have lost interest in your current career and are looking for a way to express your creative side. This book can assist you in understanding how interior design may help you achieve that goal. It will not, however, explain how to establish a practice or actually teach you how to do interior design.
The interior design profession has two broad segments of specialization. Residential interior design, primarily the design of private residences, is the area most familiar to the public. Commercial interior design is the other large segment of the profession. This specialty involves the interior design of businesses such as offices, hotels, stores, restaurants—even airports, sports stadiums, and prisons. Within each of these broad areas, designers might focus on one or more subareas— condominiums and retail stores, for example.
The profession has changed significantly over the last 45 years or so. Here are just some of the ways in which it is different: building and safety codes are emphasized; sustainable design in both residential and commercial interior design has gained importance; the growing complexity of projects and the design process means interior designers must be better educated and trained; licensing and legal responsibilities focus added attention on project management and contract administration; and the aging population has brought an increased awareness of the design of spaces for seniors.
These challenges and others have brought about critical changes in the profession through greater educational preparation, increased technical skills, broader knowledge requirements, and the measurement of professional competency via testing. Thus, today's professional interior designer works in a profession raised to a higher level than that of the stereotypical decorator. Interior design in the 21st century is much more than selecting colors and arranging furniture.
Helping you understand this exciting creative profession and career is the purpose of this second edition. This award-winning book has been revised and updated to include new information on sustainable design, aging in place, and interior design on the global stage, as well as other topics and comments from dozens of additional practitioners at many levels in their career. Numerous new designer profiles with examples of their project work have been added throughout the book.
Additional highlights to the second edition begin in Chapter 1, which provides an overview of the profession of interior design with a brief look at its history and such considerations as licensing, and other general topics. A new section discusses the role of interior designers and poses the question “What do interior designers do?” to dozens of practitioners. Chapter 2 describes the educational requirements of interior designers. A section has been added concerning high school preparation to help younger potential practitioners understand what can be done at that level. Chapter 3 looks at the various environments in which interior designers work. For example, some designers work by themselves from home offices, while others work as team members in large design firms—and everything in between. Note that all the information on job seeking such as résumés and portfolios has been moved to this chapter. Chapter 4 offers insights into the opportunities for various specializations in the field through interviews with practitioners currently working in them. This chapter also includes additional information and comments from designers about the importance of sustainable design and design for seniors. Chapter 5 describes the activities that occur between the inception of a project and its completion. It also discusses working relationships with allied professionals and the project management process. Chapter 6 presents an overview of the business side of the profession. This chapter briefly discusses how interior designers find clients through marketing activities, the importance of contracts in defining proposed services, and how interior designers earn revenue. Chapter 7 is a compilation of comments from practitioners on what they feel is the future of the interior design profession.
Indeed, I think you will find what practitioners have to say interesting and exciting. Included are quotes and commentaries by nearly 100 professionals who are practicing interior design or have been involved in this exciting profession in other ways. Interior designers in many specialties and career stages have provided insights to help you discover what this profession is like. Their responses to questions and points of view comprise a special feature found within and at the end of each chapter. This feature is unique among career books and will help you understand what interior design is like from people doing professional work every day.
The initials that follow the names of many interior designers represent the appellations of professional organizations and are included because attaining professional association membership is an important milestone for professional interior designers, as it is with any design professional. The following list provides a key to identifying these organizations:
AIA—American Institute of Architects
ARIDO—Association of Registered Interior Designers of Ontario
ASID—American Society of Interior Designers
CAPS—Certified Aging in Place Specialist
CID—Certified Interior Designer
CMG—Color Marketing Group
IDC—Interior Designers of Canada
IDEC—Interior Design Educators Council
IES—Illuminating Engineers Society
IFDA—International Furnishings and Design Association
IFMA—International Facility Management Association
IIDA—International Interior Design Association
ISP—Institute of Store Planners
LEED-AP—Leadership in Energy and Environmental Design—Accredited Professional
NCARB—National Council of Architectural Registration Boards
NKBA—National Kitchen and Bath Association
RIBA—Royal Institute of British Architects
RID—Registered Interior Designer USGBC—United States Green Building Council
If an appellation begins with F, as in FASID, the member has earned a fellowship, which is the highest national honor of his or her association. Also note that some designers are required to place their state code before the CID or RID designations. An example is KYCID for Kentucky Certified Interior Designer.
Updated selected references in “Interior Design References” at the end of the book provide further reading on the topics covered in this book. “Interior Designers” in these back pages provides contact information for the various professional organizations and designers mentioned in the text.
I hope you will find this second edition of Becoming an Interior Designer a valuable source for learning about the exciting career of professional interior designer. This creative, multidisciplinary profession is a satisfying way to express your talent while providing functional and aesthetic solutions to a client's projects. Because the field offers so many avenues of work, you can find a niche that is stimulating and satisfying to you as it has been for the thousands who have come before you. These are exciting times for the interior design profession. I welcome you to it!
—Christine M. Piotrowski, FASID, IIDA
Acknowledgments
I would like to thank the many interior designers, educators, and other design professionals who have contributed material to this book. Many of them I have known for many years. They graciously shared their insights, experiences, and passions about the profession as well as their project photos and drawings for this book. All these professionals are listed at the back of the book under “Interior Designers.”
I also want to thank several people at John Wiley & Sons for their assistance and guidance. Of course, special thanks go to my editor, John Czarnecki, for patiently seeing this book to completion. I want to acknowledge Raheli Millman and Sadie Abuhoff for their assistance on the second edition and Lauren Olesky for her assistance on the first. Lastly, I want to thank my long-time friend Amanda Miller for encouraging me to do this book in the first place.
Chapter 1
An Introduction to the Interior Design Profession
We spend over 90 percent of our day in interior spaces. Despite this, most people take interiors for granted, barely noticing the furniture, colors, textures, and other elements—let alone the form of the space—of which they are made. Sometimes, of course, the design of the interior does catch our attention. Maybe it's the pulsing excitement of a casino, the rich paneling of an expensive restaurant, or the soothing background of a religious facility.
As you are reading this book, you obviously have an interest in interiors and interior design. It might be because you have always enjoyed rearranging the furniture in your home. Maybe you like to draw imaginative floor plans for houses. It could be that a relative or friend is a contractor and you have been involved in the actual construction of a building in some way. Perhaps you saw a program on television and it inspired you to learn more about the profession.
The interior design profession is a lot more than what you see portrayed on various television programs. The profession of interior design has been defined by educators and professionals. This widely accepted definition is provided to help you understand what the profession is all about:
Interior design is a multi-faceted profession in which creative and technical solutions are applied within a structure to achieve a built interior environment. These solutions are functional, enhance the quality of life and culture of the occupants, and are aesthetically attractive. Designs are created in response to and coordinated with the building shell, and acknowledge the physical location and social context of the project. Designs must adhere to code and regulatory requirements and encourage the principles of environmental sustainability. The interior design process follows a systematic and coordinated methodology, including research, analysis and integration of knowledge into the creative process, whereby the needs and resources of the client are satisfied to produce an interior space that fulfills the project goals.1
Professional interior designers are not interior decorators and interior decorators are not professional interior designers, although the public generally does not see any difference. “Interior design is not the same as decoration. Decoration is the furnishing or adorning a space with fashionable or beautiful things. Decoration, although a valuable and important element of an interior, is not solely concerned with human interaction or human behavior. Interior design is all about human behavior and human interaction.”2
Although a professional interior designer might provide interior decoration services, an interior decorator does not have the education and experience to perform the many other services of a professional interior designer. A decorator is primarily concerned with the aesthetic embellishment of the interior and rarely has the expertise, for example, to produce the necessary drawings for the construction of nonload-bearing walls and certain mechanical systems that are routinely produced by a professional interior designer.
What Do Interior Designers Do?
Interior design professionals provide the owners of homes and many kinds of businesses with functionally successful and aesthetically attractive interior spaces. An interior designer might specialize in working with private residences or with commercial interiors such as hotels, hospitals, retail stores, offices, and dozens of other private and public facilities. In many ways, the interior design profession benefits society by focusing on how space—and interior environment—should look and function.
The professional interior designer uses his or her educational preparation and training to consider how the design affects the health, safety, and welfare of occupants. Many projects today include careful consideration of sustainable design in the selection of furniture and materials used in the interior. Planning the arrangement of partition walls, selection of furniture, and specifying aesthetic embellishments for the space are all tasks the designer uses to bring the interior to life. A set of functional and aesthetic requirements expressed by the client becomes reality.
In planning a residence or any type of commercial interior, the professional interior designer engages in many tasks using a wide variety of skills and knowledge gained through education and practice. The professional interior designer must consider building and life safety codes, address environmental issues, and understand the basic construction and mechanical systems of buildings.
He or she must effectively communicate design concepts through precisely scaled drawings and other documents used in the industry. Another critical responsibility concerns how to manage all the tasks that must be accomplished to complete a project as large as a 1,000-room casino hotel or as small as someone's home. The interior designer must also have the business skills to complete projects within budget for the client while making a profit for the design firm. And, of course, the interior designer selects colors, materials, and products so that what is supposed to actually occur in the spaces can.
This book helps you see clearly what the profession is about and what the real work of interior designers is like in the 21st century. It includes comments from professional interior designers in many specialties, sizes of companies, and areas of the country. These responses are presented to help you get an idea of what working professionals think about the profession. I posed the question “What do interior designers do?” to many of the designers whose work or other comments are in this book. “Problem solving” is a common response, but many other tasks and responsibilities are also mentioned.
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