Misogynies E-Book

Joan Smith

• Herausgeber: The Westbourne Press
• Kategorie: Geisteswissenschaft
• Sprache: Englisch

Veröffentlichungsjahr: 2013

Beschreibung

Misogynies is one of the most celebrated feminist texts by a British author. First published in 1989, it created shock waves with its analyses of history, literature and popular culture. Joan Smith drew on her own experience as one of the few women reporting the Yorkshire Ripper murders and looked at novels, slasher movies, Page Three and Princess Diana, teasing out the attitudes that brought them together. A feminist classic, Smith's exploration of fear and hatred of women resonates to this day.

Leseprobe

MISOGYNIES

Joan Smith

Joan Smith is a novelist, columnist and human rights activist. She has been involved in campaigns for free expression, authors’ rights, and literacy in Sierra Leone. She currently speaks for Hacked Off, the organisation which represents victims of phone hacking. She is an honorary associate of the National Secular Society and supports Republic, the campaign for an elected head of state.

http://politicalblonde.com/ @polblonde

ALSO BY JOAN SMITH

Fiction

A MASCULINE ENDING WHY AREN’T THEY SCREAMING? DON’T LEAVE ME THIS WAY WHAT MEN SAY FULL STOP WHAT WILL SURVIVE

Non-Fiction

CLOUDS OF DECEIT HUNGRY FOR YOU DIFFERENT FOR GIRLS MORALITIES FEMMES DE SIECLE (ed) THE PUBLIC WOMAN

For Gill Williams

CONTENTS

Preface to the 2013 Edition

Introduction

Doubting Thomas

M’Learned Friends

Touch Me

He Knows He Can Make Money Out of You

Hype, Hype, Hooray

The Frog Princess

Immaculate Misconceptions

Patum Peperium

Women in Togas

Men Only

Czech Mate

Gentlemen Prefer Dead Blondes

Holocaust Girls

A Visit from the Gas Man

Crawling from the Wreckage

Prima Donna

There’s Only One Yorkshire Ripper

Postscript: Boys Will Be Boys?

Notes

Is it not really remarkable (we ask ourselves in amazement), when one considers the overwhelming mass of this transparent material, that so little recognition and attention are paid to the fact of men’s secret dread of women?

Karen Horney, The Dread of Women, 1932

Women have very little idea of how much men hate them.

Germaine Greer, The Female Eunuch, 1970

It’s then I think on’t Ripper an what e did an why, an ow mi mates ate women, an ow Pete med em die

Blake Morrison, ‘The Ballad of the Yorkshire Ripper’, 1985

PREFACE TO THE 2013 EDITION

Thousands of books are published every year. Some become bestsellers, many more are forgotten except for occasional copies which turn up in second-hand book shops. I have been very lucky: Misogynies was first published in 1989 and is still being talked about, often these days on social networking sites such as Twitter. It’s a curious and moving experience to get messages from strangers, telling me how the book affected them. When I wrote it, I wanted readers to recognise this entity, misogyny, which seemed to me to have distorted relations between men and women for centuries.

What I didn’t expect was the number of people who said it was the experience of reading the book that turned them into feminists. I have been a feminist as far back as I can remember. I think it came out of being an only child with a clever and politically-engaged father, who wanted his daughter to have all the opportunities he had missed. He left school at 14 and became a gardener, and as I grew up I was the person he talked to about ideas and politics. I thought it was quite normal to discuss Marx and Mao at home, to go to meetings and hear politicians speak, and oppose the Vietnam War. Without knowing the word, I was brought up with an assumption of equality and it never occurred to me that I was ‘just’ a girl. That seemed to be the automatic assumption of a lot of people, however, so my experience in my teens and 20s was one of perpetual astonishment. Even when I arrived in the offices of a national newspaper, where I’d got a dream job with a team of investigative journalists, half the readers who called seemed to assume I was their secretary.

I said in the original introduction to this book, which I’ve kept for this edition, that it began with the Yorkshire Ripper murders. That’s true, in the sense that it brought a lot of my ideas about men and women into focus. The murders seemed to me a pure manifestation of misogyny, the consequence in one disturbed individual of the suspicion and dislike for women which I saw all around me. Peter Sutcliffe’s hatred of women was extreme but it wasn’t unique, which was one of the reasons why the police had such trouble catching him. They thought he would stand out and I thought exactly the opposite: that he could hide quite easily in a culture which often displayed casual contempt for women. It later emerged that Sutcliffe had been interviewed ten times without ever becoming a serious suspect.

My experience of the police inquiry was so searing that I had nightmares about it for years. To begin with I thought about writing a book about the murders but I gradually realised I needed to do more than describe the shortcomings of the investigation. I hadn’t heard the phrase ‘conducive context’ in those days but I wanted to write about the assumptions which allowed someone like Sutcliffe to come into existence. Misogyny isn’t just hatred or fear of women, although both those emotions are involved, but a whole series of slighting and dismissive attitudes. At the heart of it is the idea that women are defined and limited by gender in a way men aren’t, and that they’re right to distrust us as a result. It’s an outright rejection of the assumption of equality I enjoyed as a child, and I knew it wasn’t confined to popular culture; my training as a Classicist allowed me to trace its roots back thousands of years. Once I started writing, the words poured onto the page, even though it wasn’t unusual to get blank looks when I mentioned what I was writing about.

That all changed when the first edition of the book was published by Faber & Faber. The first print run sold out before publication and suddenly everyone was talking about misogyny. I was praised and attacked; in a bizarre inversion, sections of the right-wing press accused me of hating men. But the nightmares stopped and I began getting letters from readers of both sexes who said the book had explained anxieties they’d had for years. They understood that what I was calling for was an end to all this rancour between the sexes, which was based on age-old but profoundly wrong ideas about the nature of women.

Since then, things have got better and worse. The idea of gender equality is much more widely accepted, written into domestic laws and international treaties, but we’re also having to deal with phenomena such as sex-trafficking and ‘honour’ crimes. I’ve written about them in a new book, The Public Woman, which is being published at the same time as this re-issue of Misogynies. The new book develops ideas in the original text, responding to the changed circumstances of the twenty-first century, but Misogynies seems as relevant as ever. So here it is, with a couple of chapters I added for the American edition in 1992. I won’t say I hope you enjoy it because it’s not that kind of book. But I am convinced feminism matters as much as ever and if it reaches a new generation of women and men, I’ll be very happy.

Joan SmithLondon, January 2013

INTRODUCTION

If this book has a single starting-point, it is the case of the multiple murderer Peter Sutcliffe, universally known as the Yorkshire Ripper. Ten years ago, in 1978, I arrived at a radio station in Manchester as an enthusiastic but inexperienced journalist. I was twenty-five, keen to get on, and new to the city. I expected life to be packed with exciting news stories, which it was, and one of them happened to be the continuing saga of the Yorkshire Ripper. By that time he was thought to have killed ten women, two of them—in spite of the nickname—in Manchester. A few months later, in April 1979, Josephine Whitaker, a building society clerk, was savagely murdered in Halifax. I was sent to a police press conference where I interviewed George Oldfield, head of the band of West Yorkshire detectives known as the Ripper Squad, and was dismayed by his masculine bluster and the unhealthy scarlet that suffused his round face. As yet, my lack of confidence in him was unformed, built on little more than a fleeting impression, and I was more deeply affected by the nightmare horror of the case: eleven women dead in a manner which had not been revealed but was rumoured to involve terrible mutilations; several others alive but haunted by memories of their terrible ordeal at the hands of the killer. Like other women working at the radio station, I was constantly aware of my dual role of reporter and potential victim; by day I reported the latest developments in the story, by night I could not sleep when I returned to the Manchester suburb where I lived alone. One off the early victims had died in her own home, and my professional status was no protection; I already doubted the police’s strongly I held conviction that the murderer’s prime target was prostitutes. Why I felt this I cannot really say, other than that it seemed too glib, too ‘psychological’ an explanation. What I was struck by, I suppose, was the fact that these were crimes directed against women. I must already have been half-aware of the theories outlined in this book, and it seemed to me that the crimes expressed a simple, virulent loathing of the female which did not need fancy explanations like those arrived at by the police.

When Barbara Leach, a student at Bradford University, became the next victim in September 1979, I was close to despair. In this I was not alone. I vividly remember the faces of the other women in the newsroom when we heard that another Ripper murder had taken place, their faces wiped of all expression except the sudden blankness of shock and fear. I did not believe that the detectives of the Ripper Squad were capable of catching the killer, and in this I was proved right. When Peter Sutcliffe finally appeared at the Old Bailey in 1981, he owed his arrest to two South Yorkshire policemen who had spotted the false number plates on his car while they were on a routine patrol. That the Yorkshire Ripper was finally behind bars was an immense relief, even though I was no longer living in the north of England, but the interpretation of the case at which I had gradually arrived offered me little comfort. For many years I had assumed that I was living in a society that was unfair to women, an environment that was sometimes hostile to them, but that this was no more than a hangover from history, an unthinking allegiance to an outdated way of organizing everyday affairs. Now that women, especially feminist women in Britain and the United States, were challenging the old assumptions, standing up for their rights, it would not be long before people recognized the disadvantages under which they laboured and things changed for the better. Peter Sutcliffe made me realize that I was wrong; that only a culture which nurtured and encouraged a deep-seated hatred of women could produce a mass killer of his type, and that when it did, it was hardly to be wondered at that its agents were unable to distinguish him from the mass of its products. The discrimination and denigration and violence that women suffer are no historical accident but linked manifestations of this hatred; I inhabit a culture which is not simply sexist but occasionally lethal for women. Misogyny wears many guises, reveals itself in different forms which are dictated by class, wealth, education, race, religion, and other factors, but its chief characteristic is its pervasiveness. So powerful is it that society is organized along lines which sanction the separation of the sexes to an extraordinary degree. Nor is woman-hating found only in the male half of the human race. We are all exposed to the prevailing ideology of our culture, and some women learn early that they can prosper by aping the misogyny of men; these are the women who win provisional favour by denigrating other women, by playing on male prejudices, and by acting the ‘man’s woman’. The rest of us get by as best we can, often denying what we know because it is painful to admit that we live in circumstances which not only restrict our freedom but physically threaten us if we step out of line: in this culture, the penalty for being a woman is sometimes death.

The excuse, the only justification for this shocking state of affairs, comes from those who claim that, flawed though it is, unfortunate as are some of its consequences, the present organizational structure of society has a ‘natural’, biological basis. To accept this notion of inescapable difference between men and women denies us both a discussion of its consequences and of the possibility of change. Therefore the question I would put to proponents of the anatomy-is-destiny theory is this: are you happy with this state of affairs? Can you shrug off the fact that women are routinely denigrated, despised, segregated, raped, mutilated and murdered? Are you saying, in fact, that it is natural for men to hate and fear women?

I do not believe that this is the case, and I remain unimpressed by the arguments of anatomy-is-destiny theorists. For that reason I can allow myself to hope; without hope, faint as it is, I could not have written this book. I have called it Misogynies, both because the manifestations of the phenomenon I have addressed take so many forms, and because I owe the book’s structure to another and more eloquent piece of social analysis, Mythologies by Roland Barthes. Writing it has been a difficult, frequently painful and occasionally uplifting experience, in which I have benefited enormously from discussions with and support from many people. The theory and analysis in the book are mine alone, as are its faults, but it could not have been written without Carol Baker, Anthony Barnett, Anita Bennett, Frances Coady, Judith Herrin, Ian Irvine, Judy Jackson, Linda Lewis, Imogen Parker, Jane Shilling and Stuart Weir (in all of whom I have thus far failed to detect evidence of the morbid attitudes about which I have been writing). To Rosemary Goad I owe a special debt of thanks, one which I here acknowledge with heartfelt gratitude.

Steeple Aston, May 1988

DOUBTING THOMAS

In October 1991 the House of Lords removed a centuries-old right from the men of England and Wales: it stopped them raping their wives.

I exaggerate, of course. Even the highest court in the land cannot prevent husbands from forcing their wives to have sex against their will, but it did remove the immunity from prosecution they had enjoyed since 1736. In that year a ruling by a seventeenth-century judge, Sir Matthew Hale, was published and accepted as a definitive statement of law; according to Hale, a woman agreed to sex when she married and could never, ever change her mind. He said:

A husband cannot be guilty of a rape committed by himself upon his lawful wife, for by their mutual matrimonial consent and contract the wife hath given herself up in this kind unto her husband which she cannot retract.

Even the English law lords, all male and by no means radical, found this hard to stomach in 1991. Upholding the conviction of a 38-year-old man jailed for assaulting and attempting to rape his estranged wife, they agreed that Hale’s ruling was an ‘anachronistic and offensive’ fiction. Yet their opinion, sensible as it may seem, did not meet with universal approval. Neil Lyndon, the biographer of Armand Hammer, denounced the ruling in the Spectator as a victory for a ‘totalitarian group’ motivated by a ‘terror of Eros’. The law lords, according to Lyndon, were the dupes of a ‘feminist orthodoxy’ which ‘insists that male sexuality is actively antagonistic to women’:

When their Lordships shifted the law on rape in marriage, they acceded to and gave established respectability to the idea that normal men are rapists. We may wish that they endure many hours of brow-beating perplexity in conducting this principle through the courts.1

The interesting thing about Lyndon’s claim is its illogicality: the long campaign for a change in the law on rape in marriage rested on the assumption that there is a difference between rape and consensual sex, and that most people understand it. A few paragraphs later Lyndon moved on to another case turning on sexual mores, that of the United States Senate hearings into the nomination of Judge Clarence Thomas to the Supreme Court, which he construed as a partial victory for phallophobic feminists.

The hearings, according to Lyndon, ‘revealed another measure of the extent to which the intolerant attitudes of the sisterhood have penetrated the life of the West, not so much in the evidence which was given as in the commentaries upon the case’. Specifically:

Editors and columnists everywhere thundered the news that men must adjust their moral bearing to the new realities of professional and commercial life, in which women as equal colleagues had a right to pursue their work without unseemly leerings from the water-cooler and indecent boasting about the pleasures they were missing. These admonitions seem to be inherently decent and incontestable; but they do not take account of the deeply altered state of affairs at work for men and women: they do not allow for the truth that all places of work which include men and women in roughly equal numbers are hectic cockpits of sexual interest, flirtation, intrigue and scheming, in which women are just as likely as men to make advances and, if they are spurned, to be spiteful in revenge.

For Lyndon, the presence of women in the workplace transforms it from a neutral into a sexual space. No longer a refuge from women—apart from those safely clustered at the bottom of the hierarchy—the office is reconstituted as a stage for sexual games in which women participate as enthusiastically as men. Some women welcome this notion of themselves as predators in a sexual contest; the Irish writer Mary Kenny, commenting on the Thomas hearings in the ultraconservative Sunday Telegraph, bemoaned the fact that she had not been sexually harassed at work and commended women who use their ‘sex appeal’ to ‘get on in life’:

. . . plenty of women like being seductive and exercising powers of sexuality over men. It’s fun. It’s amusing seeing otherwise purposeful men being reduced to the supplicating male; just watch a skilfully seductive woman turn the sex game into cat-and-mouse play; she, of course, being the feline.2

There is a cavalier, all’s-fair-in-love-and-war attitude here that misses an important point it assumes that men and women are equal, willing players in any ‘sex game’ that goes on at work. Women who complain, by this token, are bad losers—which is precisely the charge laid against Clarence Thomas’s accuser, Professor Anita Hill, by his second wife, Virginia Lamp Thomas. She told People magazine:

. . . what’s scary about her allegations is that they remind me of the movie Fatal Attraction or, in her case, what I call the fatal assistant. In my heart, I always believed she was probably someone in love with my husband and never got what she wanted.3

Or, in the words of the young black man overheard in a Harlem restaurant by writer and editor Rosemary L. Bray, ‘Clarence got jungle fever, and [Anita Hill] got mad’.4 Judging by opinion polls, the notion of Professor Hill as a woman scorned, weaving malicious fantasies to get revenge, seems to have appealed to a majority of Americans; a poll carried out for the New York Times5 and CBS News shortly after she gave evidence suggested that 58 percent were sceptical of her claim that Judge Thomas had pestered her for dates, boasted of his sexual prowess and described the content of pornographic films. Less than a quarter of those polled—24 percent—thought she was the more credible witness. Yet it is hard to imagine a worse forum than the Senate Judiciary Committee for eliciting the truth of Anita Hill’s allegations. Members of the committee who questioned Hill and Thomas during lengthy, televised proceedings were out to prove preexisting opinions formed largely on party lines—which produced, among other incongruities, the comic spectacle of Senator Ted Kennedy in the role of feminist champion. ‘It would not be easy’, wrote Nicholas von Hoffman, ‘to find 14 other men in America less suited by birth, wealth and life experience to fathom the motives of an Anita Hill’.6 Faced with two professional people, each of them a credible, compelling witness, how was the Judiciary Committee—and the vast majority of senators who weren’t even on it—to come to a decision?

The figures show that most senators simply made up their minds on party lines. All but two of the 43 Republicans voted for the nomination, and 46 Democrats against. Eleven Democrats voted yes, seven of them from Southern states where they depend on the black vote for survival. In that sense, the confirmation of Judge Thomas by a majority of only two was neither a declaration of his innocence nor a crushing blow to Professor Hill’s credibility. What it did do was split the black community, infuriate women’s groups, and encumber the Supreme Court with a lame duck nominee for anything up to the next four decades.

It also, and this is the only positive outcome of the case, stimulated a fierce debate about sexual conduct at work on both sides of the Atlantic. Newspapers commissioned polls which appeared to show a startlingly high incidence of sexual harassment in offices, shops and factories—the Independent on Sunday suggested immediately after the hearings that ‘nearly two million working women’7 in Britain had been victims. The same paper reported that the problem was now taken seriously by ‘a clear majority of both men and women,’ and that there was broad agreement on what kind of behaviour constituted harassment. In that sense, it is hardly surprising if male sexual supremacists like Neil Lyndon are starting to panic, for they are right in thinking they have all but lost the argument. The sympathetic stance of a wide range of commentators on sexual harassment, and the law lords’ ruling on marital rape, are symptoms of the same trend—of women successfully challenging rules of sexual conduct in the home and at work in whose making they had little or no say.