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Beschreibung

Six Months at the White House with Abraham Lincoln are the recollections of F.B. Carpenter, a painter. He published these memoirs in 1866.

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SIX MONTHS AT THE WHITE HOUSE WITH ABRAHAM LINCOLN

..................

F.B. Carpenter

LACONIA PUBLISHERS

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All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

Copyright © 2016 by F.B. Carpenter

Interior design by Pronoun

Distribution by Pronoun

TABLE OF CONTENTS

PREFACE.

SIX MONTHS AT THE WHITE HOUSE

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXV.

XXXVI.

XXXVII.

XXXVIII.

XXXIX.

XL.

XLI.

XLII.

XLIII.

XLXV.

XLV.

XLVI.

XLVII.

XLVIII.

XLIX.

L.

LI.

LII.

LIII.

LIV.

LV.

LVI.

LVII.

LVIII.

LIX.

LX.

LXI.

LXII.

LXIII.

LXIV.

LXV.

LXVI.

LXVII.

LXVIII.

LXIX.

LXX.

LXXI.

LXXII.

LXXIII.

LXXIV.

LXXV.

LXXVI.

LXXVII.

LXXVIII.

LXXIX.

LXXX.

SIX MONTHS

AT

THE WHITE HOUSE

WITH

ABRAHAM LINCOLN.

The Story of a Picture.

BY

F. B. CARPENTER

PREFACE.

..................

IN OFFERING THIS VOLUME TO the public I shall attempt no apology for its shortcomings, other than to say that its production is the result of the unexpected popularity of the series of articles, relating to the illustrious subject of whom it mainly treats, which were commenced in the New York “Independent” soon after the assassination.

Written in a spirit of enthusiasm and affection, which there has been no effort to disguise, the book is, nevertheless, a simple matter-of-fact record of daily experience and observation, fragmentary, but true, in all essential particulars. There has been no disposition to select from, embellish, or suppress, any portion of the material in my possession. The incidents given were not in any sense isolated exceptions to the daily routine of Mr. Lincoln’s life. My aim has been throughout these pages to portray the man as he was revealed to me, without any attempt at idealization.

In addition to my own reminiscences, I have woven into the book various personal incidents, published and unpublished, which bear intrinsic evidence of genuineness,—attaching in these instances, where it seemed necessary and proper, the sources of such contributions.

I am not one of those inclined to believe that Mr. Lincoln, in the closing months of his career, reached the full measure of his greatness. Man may not read the future: but it is my firm conviction, that, had he lived through his second term, he would have continued to grow, as he had grown, in the estimation and confidence of his countrymen; rising to a grander moral height with every emergency, careful always to weigh every argument opposed to his convictions, but, once mounted upon those convictions, grounded in righteousness, as immovable as one of the giant ranges of our own Rocky Mountains!

Aspiring in no sense to the dignity of a biography, this volume will fulfil its object if it helps to any better knowledge of one, who, apart from the reverence with which he ever will be regarded for his connection with the cause of human Freedom, was the best product and exemplar which the world has yet seen of American soil and institutions; the study of whose character, illustrating as it did the highest form of statesmanship, founded upon truth, justice, and solid integrity, combining the deepest wisdom with a child-like freshness and simplicity,—will be of perpetual interest and value.

F. B.C.

96 West 45th Street, New York.

SIX MONTHS AT THE WHITE HOUSE

..................

I.

..................

I LEAVE TO OTHER AND abler pens the proper estimate of Abraham Lincoln as a ruler and statesman,—his work and place in history. Favored during the year 1864 with several months of personal intercourse with him, I shall attempt in these pages to write the story of that association; not for any value which the record will have in itself, but for the glimpses it may afford of the person and character of the man,—every detail of whose life is now invested with enduring interest for the American people.

II.

..................

THAT ART SHOULD AIM TO embody and express the spirit and best thought of its own age seems self-evident. If it fails to do this, whatever else it may accomplish, it falls short of its highest object. It cannot dwell always among classic forms, nor clothe its conceptions in the imagery of an old and worn-out world. It must move on, if it is to keep pace with that “increasing purpose which through the ages runs,” and its ideals must be wrought out of the strife of a living humanity.

It has been well said by a recent writer: “The record of the human family to the advent of Christ, was the preparation of the photographic plate for its image. All subsequent history is the bringing out of the divine ideal of true manhood.” Slowly, but surely, through the centuries, is this purpose being accomplished. Human slavery has been the material type or expression of spiritual bondage. On the lowest or physical plane, it has symbolized the captivity and degradation of our higher nature; with the breaking in of new light, and the inspiration of a deeper life, it is inevitably doomed. That man, to attain the full development of the faculties implanted in him, must be in spiritual and physical freedom, is a principle which lies at the foundation of all government; and the enfranchisement of a race to-day thus becomes the assertion and promise of a true and coming Emancipation for all men.

III.

..................

WHEN ABRAHAM LINCOLN, CALLED FROM the humblest rank in life to preside over the nation during the most momentous period of its history, uttered his Proclamation of Freedom,—shattering forever the chains which bound four millions of human beings in slavery; an act unparalleled for moral grandeur in the history of mankind,—it was evident to all who sought beneath the surface for the cause of the war that the crisis was past,—that so surely as Heaven is on the side of Right and Justice, the North would triumph in the great struggle which had assumed the form of a direct issue between Freedom and Slavery.

In common with many others, I had from the beginning of the war believed that the government would not be successful in putting down a rebellion based upon slavery as its avowed corner-stone, without striking a death-blow at the institution itself. As the months went on, and disappointment and disaster succeeded one another, this conviction deepened into certainty. When at length, in obedience to what seemed the very voice of God, the thunderbolt was launched, and, like the first gun at Concord, “was heard around the world,” all the enthusiasm of my nature was kindled. The “beast” Secession, offspring of the “dragon” Slavery, drawing in his train a third part of our national stars, was pierced with the deadly wound which could not be healed. It was the combat between Michael and Satan of Apocalyptic vision, reenacted before the eyes of the nineteenth century.

IV.

..................

TO PAINT A PICTURE WHICH should commemorate this new epoch in the history of Liberty, was a dream which took form and shape in my mind towards the close of the year 1863,—the year made memorable in its dawn by the issue of the final decree. With little experience to adapt me for the execution of such a work, there had nevertheless come to me at times glowing conceptions of the true purpose and character of Art, and an intense desire to do something expressive of appreciation of the great issues involved in the war. The painters of old had delighted in representations of the birth from the ocean of Venus, the goddess of love. Ninety years ago upon this Western continent had been witnessed—no dream of fable, but a substantial fact—the immaculate conception of Constitutional Liberty; and at length through great travail its consummation had been reached. The long-prayed—for year of jubilee had come; the bonds of the oppressed were loosed; the prison doors were opened. “Behold,” said a voice, “how a Man may be exalted to a dignity and glory almost divine, and give freedom to a race. Surely Art should unite with Eloquence and Poetry to celebrate such a theme.”

I conceived of that band of men, upon whom the eyes of the world centred as never before upon ministers of state, gathered in council, depressed, perhaps disheartened at the vain efforts of many months to restore the supremacy of the government. I saw, in thought, the head of the nation, bowed down with his weight of care and responsibility, solemnly announcing, as he unfolded the prepared draft of the Proclamation, that the time for the inauguration of this policy had arrived; I endeavored to imagine the conflicting emotions of satisfaction, doubt, and distrust with which such an announcement would be received by men of the varied characteristics of the assembled councillors.

For several weeks the design of the picture was slowly maturing, during which time, however, no line was drawn upon paper or canvas. Late one evening, absorbed in thought upon the subject, I took up an unframed photograph lying carelessly in my room, and upon the blank side of this, roughly and hastily sketched, was embodied the central idea of the composition as it had shaped itself in my mind.

To one disposed to look for coincidences in daily life, and regard its events as no mere succession of accidents, there must often come those which wear a deep significance. In seeking a point of unity or action for the picture, I was impressed with the conviction that important modifications followed the reading of the Proclamation at the suggestion of the Secretary of State, and I determined upon such an incident as the moment of time to be represented. I was subsequently surprised and gratified when Mr. Lincoln himself, reciting the history of the Proclamation to me, dwelt particularly upon the fact that not only was the time of its issue decided by Secretary Seward’s advice, but that one of the most important words in the document was added through his strenuous representations.

The central thought of the picture once decided upon and embodied, the rest naturally followed; one after another the seven figures surrounding the President dropped into their places. Those supposed to have held the purpose of the Proclamation as their long conviction, were placed prominently in the foreground in attitudes which indicated their support of the measure; the others were represented in varying moods of discussion or silent deliberation.

A few evenings after the completion of the design I went to see a friend who I knew was intimate with the Hon. Schuyler Colfax and Hon. Owen Lovejoy, through whom I hoped to obtain Mr. Lincoln’s assent to my plan. I revealed to him my purpose, and asked his assistance in carrying it into effect. During the following week he went to Washington, and in company with Mr. Colfax called upon the President, and laid before him my project. He kindly listened to the details, and then said: “In short, if I understand you, you wish me to consent to sit to this artist for the picture?” My friends acknowledged this to be the object of their errand. Mr. Lincoln at once, with his accustomed kindness, promised his cooperation.

The last day of the year the Hon. Mr. Lovejoy, whom I had never met, but who had become warmly interested in the execution of the work, being in New York, called at my studio with the wife of my friend, who had been my earnest advocate. At the close of the interview he remarked, in his quaint way, taking me by the hand, “In the words of Scripture, my good friend, I can say now I believe, not on account of the saying of the woman, but because I have seen for myself.”

V.

..................

IMPRACTICABLE AS MY SCHEME HAD at first seemed, the way was thus opened for its execution. When fairly committed to the purpose, however, the want of means and the magnitude of the undertaking almost disheartened me. My original plan embraced a canvas sufficiently large for a life-size group of the President and entire Cabinet; to paint such a picture would consume many months, perhaps years. Enthusiasm alone would never accomplish the work. The few friends to whom I should have felt at liberty to apply for help were not wealthy. Who outside of these could be persuaded that a work of the character and proportions contemplated, undertaken by an artist of no experience in historical studies, would not end in utter failure?

I had left my home at the usual hour one morning, pondering the difficulty which, like Bunyan’s lions, seemed now to block the way. As one alternative after another presented itself to my mind and was rejected, the prospect appeared less and less hopeful. I at length found myself in Broadway at the foot of the stairs leading up to my studio. A gentleman at this moment attracted my attention, standing with his back towards me, looking at some pictures exposed in the window of the shop below. Detecting, as I thought, something familiar in his air and manner, I waited until he turned his face, and then found I was not mistaken; it was an old acquaintance who five years before lived near me in Brooklyn, engaged in a similar struggle for a livelihood with myself, though his profession was law instead of art.

We had both changed our residences and had not met for years. After a cordial greeting, he accepted my invitation to ascend to the studio. I had heard that he had been successful in some business ventures, but the matter made but little impression upon me, and had been forgotten. Suddenly there seemed to come into my mind the words: “This man has been sent to you.” Full of the singular impression, I laid before him my conception. He heard me through, and then asked if I was sure of President Lincoln’s consent and cooperation. I informed him of the pledge which had been given me. “Then,” said he, “you shall paint the picture. Take plenty of time,—make it the great work of your life,—and draw upon me for whatever funds you will require to the end.”

VI.

..................

ON THE EVENING OF FEBRUARY 4th, 1864, I went to Washington. Shortly after noon of the following day, I rang the bell at Mr. Lovejoy’s residence on Fifteenth Street. To my sorrow, I found him very ill; but it was hoped by his friends that he was then improving. Though very feeble, he insisted upon seeing me, and calling for writing materials, sat up in bed to indite a note introducing me to the President. This, handed to me open, I read. One expression I have not forgotten, it was so like Mr. Lincoln himself, as I afterward came to know him. “I am gaining very slowly.—It is hard work drawing the sled up-hill.” And this suggests the similarity there was between these men. Lovejoy had much more of the agitator, the reformer, in his nature, but both drew the inspiration of their lives from the same source, and it was founded in sterling honesty. Their modes of thought and illustration were remarkably alike. It is not strange that they should have been bosom friends. The President called repeatedly to see him during his illness; and it was on one of these occasions that he said to him, “This war is eating my life out; I have a strong impression that I shall not live to see the end.” Mr. Lovejoy’s health subsequently improved, and for a change he went to Brooklyn, N. Y., where, it will be remembered, he had a relapse, and died, universally mourned as one of the truest and most faithful of our statesmen. Mr. Lincoln did not hear from him directly after he left Washington. Through a friend I learned by letter that he was lying at the point of death. This intelligence I communicated to the President the same evening, in the vestibule of the White House,—meeting him on his way to the War Department. He was deeply affected by it. His only words were, “Lovejoy was the best friend I had in Congress.”

To return from this pardonable digression,—I took the note of introduction at once to the White House; but no opportunity was afforded me of presenting it during the day. The following morning passed with the same result, and I then resolved to avail myself of Mrs. Lincoln’s Saturday afternoon reception—at which, I was told, the President would be present—to make myself known to him. Two o’clock found me one of the throng pressing toward the centre of attraction, the “blue” room. From the threshold of the “crimson” parlor as I passed, I had a glimpse of the gaunt figure of Mr. Lincoln in the distance, haggard-looking, dressed in black, relieved only by the prescribed white gloves; standing, it seemed to me, solitary and alone, though surrounded by the crowd, bending low now and then in the process of handshaking, and responding half abstractedly to the well-meant greetings of the miscellaneous assemblage. Never shall I forget the electric thrill which went through my whole being at this instant. I seemed to see lines radiating from every part of the globe, converging to a focus at the point where that plain, awkward-looking man stood, and to hear in spirit a million prayers, “as the sound of many waters,” ascending in his behalf. Mingled with supplication I could discern a clear symphony of triumph and blessing, swelling with an ever-increasing volume. It was the voice of those who had been bondmen and bondwomen, and the grand diapason swept up from the coming ages.

It was soon my privilege, in the regular succession, to take that honored hand. Accompanying the act, my name and profession were announced to him in a low tone by one of the assistant private secretaries, who stood by his side. Retaining my hand, he looked at me inquiringly for an instant, and said, “Oh yes; I know; this is the painter.” Then straightening himself to his full height, with a twinkle of the eye, he added, playfully, “Do you think, Mr. C——, that you can make a handsome picture of me?” emphasizing strongly the last word. Somewhat confused at this point-blank shot, uttered in a tone so loud as to attract the attention of those in immediate proximity, I made a random reply, and took the occasion to ask if I could see him in his study at the close of the reception. To this he responded in the peculiar vernacular of the West, “I reckon,” resuming meanwhile the mechanical and traditional exercise of the hand which no President has ever yet been able to avoid, and which, severe as is the ordeal, is likely to attach to the position, so long as the Republic endures.

VII.

..................

THE APPOINTED HOUR FOUND ME at the well-remembered door of the official chamber,—that door watched daily, with so many conflicting emotions of hope and fear, by the anxious throng regularly gathered there. The President had preceded me, and was already deep in Acts of Congress, with which the writing-desk was strewed, awaiting his signature. He received me pleasantly, giving me a seat near his own arm-chair; and after having read Mr. Lovejoy’s note, he took off his spectacles, and said, “Well, Mr. C——, we will turn you in loose here, and try to give you a good chance to work out your idea.” Then, without paying much attention to the enthusiastic expression of my ambitious desire and purpose, he proceeded to give me a detailed account of the history and issue of the great proclamation.

“It had got to be,” said he, “midsummer, 1862. Things had gone on from bad to worse, until I felt that we had reached the end of our rope on the plan of operations we had been pursuing; that we had about played our last card, and must change our tactics, or lose the game! I now determined upon the adoption of the emancipation policy; and, without consultation with, or the knowledge of the Cabinet, I prepared the original draft of the proclamation, and, after much anxious thought, called a Cabinet meeting upon the subject. This was the last of July, or the first part of the month of August, 1862.” (The exact date he did not remember.) “This Cabinet meeting took place, I think, upon a Saturday. All were present, excepting Mr. Blair, the Postmaster-General, who was absent at the opening of the discussion, but came in subsequently. I said to the Cabinet that I had resolved upon this step, and had not called them together to ask their advice, but to lay the subject-matter of a proclamation before them; suggestions as to which would be in order, after they had heard it read. Mr. Lovejoy,” said he, “was in error when he informed you that it excited no comment, excepting on the part of Secretary Seward. Various suggestions were offered. Secretary Chase wished the language stronger in reference to the arming of the blacks. Mr. Blair, after he came in, deprecated the policy, on the ground that it would cost the Administration the fall elections. Nothing, however, was offered that I had not already fully anticipated and settled in my own mind, until Secretary Seward spoke. He said in substance: ‘Mr. President, I approve of the proclamation, but I question the expediency of its issue at this juncture. The depression of the public mind, consequent upon our repeated reverses, is so great that I fear the effect of so important a step. It may be viewed as the last measure of an exhausted government, a cry for help; the government stretching forth its hands to Ethiopia, instead of Ethiopia stretching forth her hands to the government.’ His idea,” said the President, “was that it would be considered our last shriek, on the retreat.” (This was his precise expression.) “ ‘Now,’ continued Mr. Seward, ‘while I approve the measure, I suggest, sir, that you postpone its issue, until you can give it to the country supported by military success, instead of issuing it, as would be the case now, upon the greatest disasters of the war!’ ” Mr. Lincoln continued: “The wisdom of the view of the Secretary of State struck me with very great force. It was an aspect of the case that, in all my thought upon the subject, I had entirely overlooked. The result was that I put the draft of the proclamation aside, as you do your sketch for a picture, waiting for a victory. From time to time I added or changed a line, touching it up here and there, anxiously watching the progress of events. Well, the next news we had was of Pope’s disaster, at Bull Run. Things looked darker than ever. Finally, came the week of the battle of Antietam. I determined to wait no longer. The news came, I think, on Wednesday, that the advantage was on our side. I was then staying at the Soldiers’ Home, (three miles out of Washington.) Here I finished writing the second draft of the preliminary proclamation; came up on Saturday; called the Cabinet together to hear it, and it was published the following Monday.”

At the final meeting of September 20th, another interesting incident occurred in connection with Secretary Seward. The President had written the important part of the proclamation in these words:—

“That, on the first day of January, in the year of our Lord one thousand eight hundred and sixty-three, all persons held as slaves within any State or designated part of a State, the people whereof shall then be in rebellion against the United States, shall be then, thenceforward, and forever free; and the Executive Government of the United States, including the military and naval authority thereof, will recognize the freedom of such persons, and will do no act or acts to repress such persons, or any of them, in any efforts they may make for their actual freedom.” “When I finished reading this paragraph,” resumed Mr. Lincoln, “Mr. Seward stopped me, and said, ‘I think, Mr. President, that you should insert after the word ‘recognize’, in that sentence, the words “and maintain.” ’ I replied that I had already fully considered the import of that expression in this connection, but I had not introduced it, because it was not my way to promise what I was not entirely sure that I could perform, and I was not prepared to say that I thought we were exactly able to “maintain” this.”

“But,” said he, “Seward insisted that we ought to take this ground; and the words finally went in!”

“It is a somewhat remarkable fact,” he subsequently remarked, “that there were just one hundred days between the dates of the two proclamations issued upon the 22d of September and the 1st of January. I had not made the calculation at the time.”

Having concluded this interesting statement, the President then proceeded to show me the various positions occupied by himself and the different members of the Cabinet, on the occasion of the first meeting. “As nearly as I remember,” said he, “I sat near the head of the table; the Secretary of the Treasury and the Secretary of War were here, at my right hand; the others were grouped at the left.”

At this point, I exhibited to him a pencil sketch of the composition as I had conceived it, with no knowledge of the facts or details. The leading idea of this I found, as I have stated on a previous page, to be entirely consistent with the account I had just heard. I saw, however, that I should have to reverse the picture, placing the President at the other end of the table, to make it accord with his description. I had resolved to discard all appliances and tricks of picture-making, and endeavor, as faithfully as possible, to represent the scene as it actually transpired; room, furniture, accessories, all were to be painted from the actualities. It was a scene second only in historical importance and interest to that of the Declaration of Independence; and I felt assured, that, if honestly and earnestly painted, it need borrow no interest from imaginary curtain or column, gorgeous furniture or allegorical statue. Assenting heartily to what is called the “realistic” school of art, when applied to the illustration of historic events, I felt in this case, that I had no more right to depart from the facts, than has the historian in his record.

When friends said to me, as they frequently did, “Your picture will be bald and barren,” my reply was, “If I cannot make the portraiture of the scene itself sufficiently attractive without the false glitter of tapestry hangings, velvet table-cloths, and marble columns, then I shall at least have the satisfaction of having failed in the cause of truth.” I reasoned in this way: The most important document submitted to a cabinet during our existence as a nation is under discussion. A spectator permitted to look in upon that scene would give little thought and small heed to the mere accessories and adjuncts of the occasion. His mind would centre upon the immortal document,—its anxious author, conscious of his solemn responsibility, announcing his matured and inflexible purpose to his assembled councillors. He would listen with unparalleled eagerness to the momentous sentences uttered for the first time in the ears of men, and to the discussion upon them, impatient of mere formalities and technicalities. Should a thought be sprung of important bearing, or an overlooked contingency be brought forward, how intently would its effect be watched. What varying emotions, consequent upon peculiarities of temperament and character, would be expressed in the countenances of the different individuals composing the group. How each in turn would be scanned. Above all, the issues involved:—the salvation of the Republic—the freedom of a Race. “Surely,” I said, “such a scene may be painted, and abiding if not absorbing interest secured, without the aid of conventional trappings. The republican simplicity of the room and furniture, with its thronging associations, will more than counterbalance the lack of splendor, and the artistic mania for effect. I will depend solely for my success upon the interest of the subject, and its truthfulness of representation.” And this purpose I carried with me to the end.

VIII.

..................

THE FIRST SKETCH OF THE composition, as it was afterward placed upon the canvas, was matured, I believe, the same afternoon, or the following Monday after the interview recorded above, upon the back of a visiting card; my pockets affording evidence of the employment of all loose material at hand in leisure moments, in the study of the work. The final arrangement of the figures was the result of much thought and many combinations, though the original conception as to the moment of time and incident of action was preserved throughout. The general arrangement of the group, as described by the President, was fortunately entirely consistent with my purpose, which was to give that prominence to the different individuals which belonged to them respectively in the Administration. There was a curious mingling of fact and allegory in my mind, as I assigned to each his place on the canvas. There were two elements in the Cabinet, the radical and the conservative. Mr. Lincoln was placed at the head of the official table, between two groups, nearest that representing the radical, but the uniting point of both. The chief powers of a government are War and Finance: the ministers of these were at his right,—the Secretary of War, symbolizing the great struggle, in the immediate foreground; the Secretary of the Treasury, actively supporting the new policy, standing by the President’s side. The Army being, the right hand, the Navy may very properly be styled the left hand of the government. The place for the Secretary of the Navy seemed, therefore, very naturally to be on Mr. Lincoln’s left, at the rear of the table. To the Secretary of State, as the great expounder of the principles of the Republican party, the profound and sagacious statesman, would the attention of all at such a time be given. Entitled to precedence in discussion by his position in the Cabinet, he would necessarily form one of the central figures of the group. The four chief officers of the government were thus brought, in accordance with their relations to the Administration, nearest the person of the President, who, with the manuscript proclamation in hand, which he had just read, was represented leaning forward, listening to, and intently considering the views presented by the Secretary of State. The Attorney-General, absorbed in the constitutional questions involved, with folded arms, was placed at the foot of the table opposite the President. The Secretary of the Interior and the Postmaster-General, occupying the less conspicuous positions of the Cabinet, seemed to take their proper places in the background of the picture.

When, at length, the conception as thus described was sketched upon the large canvas, and Mr. Lincoln came in to see it, his gratifying remark, often subsequently repeated, was, “It is as good as it can be made.”

IX.

..................

I HAVE THUS REVEALED, STEP by step, the mental process by which the picture of which I write came into being. Whether the story bears any analogy to that by which the works of others have been produced, or the composition conforms to established rules and precedents in art or not, is to me a matter of indifference. I was true to my intuitions, and endeavored to adhere as faithfully as practicable to the facts.

It is not my purpose to follow in detail the progress, thenceforward, of the work. As the thread upon which are strung my memories of the late President, allusions to it will be unavoidable throughout these pages; but hereafter I intend that they shall be subordinate and incidental to matters of more general interest. It is not too much to say that the enthusiasm in which the work was conceived, flagged not to the end. The days were too short for labor upon it. Lighting at nightfall the great chandelier of the state dining-room, which was finally assigned me for a studio instead of the library, where the windows were shaded by the portico, the morning light frequently broke in upon me still standing pencil or palette in hand, before the immense canvas, unable to break the spell which bound me to it.

X.

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“WE WILL TURN YOU IN loose here,” proved an “open sesame” to me during the subsequent months of my occupation at the White House. My access to the official chamber was made nearly as free as that of the private secretaries, unless special business was being transacted. Sometimes a stranger, approaching the President with a low tone, would turn an inquiring eye toward the place where I sat, absorbed frequently in a pencil sketch of some object in the room. This would be met by the hearty tones of Mr. Lincoln,—I can hear them yet ringing in my ears,—“Oh, you need not mind him; he is but a painter.” There was a satisfaction to me, differing from that of any other experience, in simply sitting with him. Absorbed in his papers, he would become unconscious of my presence, while I intently studied every line and shade of expression in that furrowed face. In repose, it was the saddest face I ever knew. There were days when I could scarcely look into it without crying. During the first week of the battles of the Wilderness he scarcely slept at all. Passing through the main hall of the domestic apartment on one of these days, I met him, clad in a long morning wrapper, pacing back and forth a narrow passage leading to one of the windows, his hands behind him, great black rings under his eyes, his head bent forward upon his breast,—altogether such a picture of the effects of sorrow, care, and anxiety as would have melted the hearts of the worst of his adversaries, who so mistakenly applied to him the epithets of tyrant and usurper. With a sorrow almost divine, he, too, could have said of the rebellious States, “How often would I have gathered you together, even as a hen gathereth her chickens under her wings, and ye would not!” Like another Jeremiah, he wept over the desolations of the nation; “he mourned the slain of the daughter of his people.”

Surely, ruler never manifested so much sympathy, and tenderness, and charity. How like the last words of the Divine one himself, “Father, forgive them, for they know not what they do,” will the closing sentences of his last inaugural address resound in solemn cadence through the coming centuries. Truly and well says the London “Spectator” of that address: “We cannot read it without a renewed conviction that it is the noblest political document known to history, and should have for the nation and the statesmen he left behind him something of a sacred and almost prophetic character. Surely, none was ever written under a stronger sense of the reality of God’s government. And certainly none written in a period of passionate conflict ever so completely excluded the partiality of victorious faction, and breathed so pure a strain of mingled justice and mercy.”

XI.

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THE FOLLOWING TUESDAY I SPENT with Mr. Lincoln in his study. The morning was devoted to the Judge-Advocate-General, who had a large number of court-martial cases to submit to the President. Never had I realized what it was to have power, as on this occasion. As case after case was presented to Mr. Lincoln, one stroke of his pen confirmed or commuted the sentence of death. In several instances Judge Holt referred to extenuating circumstances,—extreme youth, previous good conduct, or recommendations to mercy. Every excuse of this kind, having a foundation in fact, was instantly seized upon by the President, who, taking the document containing the sentence, would write upon the back of it the lightest penalty consistent with any degree of justice. As he added the date to one of these papers, he remarked casually, varying the subject of conversation, “Does your mind, Judge Holt, associate events with dates? Every time this morning that I have had occasion to write the day of the month, the thought has come up, ‘This was General Harrison’s birthday.’ ” One of the cases brought forward at this time I recollect distinctly. The man’s name was Burroughs; he had been a notorious spy; convicted and sentenced to death, a strong effort had been made in his behalf by powerful friends. It was an aggravated case, but an impression had evidently been made upon the President by the strength and pertinacity of the appeal. As Judge Holt opened the record, he stated that a short time previous Burroughs had attempted to escape from confinement, and was shot dead in the act by the sentinel on guard. With an expression of relief, Mr. Lincoln rejoined, “I ought to be obliged to him for taking his fate into his own hands; he has saved me a deal of trouble.”

During a brief absence of the President, Judge Holt told me that the atrocities of some of the criminals condemned, surpassed belief. “A guerilla leader in Missouri,” said he, “by the name of Nichols, was in the habit of filling the ears of wounded Unionists who fell into his hands with gunpowder, setting fire to it, and blowing their heads to pieces. When captured, a number of human ears were found upon his person.” Referring to Mr. Lincoln’s disposition to pardon or commute the majority of the death sentences, he remarked, “The President is without exception the most tender-hearted man I ever knew.”

Judge Holt, it will be remembered, was called into Mr. Buchanan’s cabinet towards the close of his administration. Glancing around the room,—incidentally referring to my errand there,—he said, “This room was the theatre of some very exciting scenes during the last months of Mr. Buchanan’s term.” He spoke, warmly of the courage and fearlessness of Stanton, on those occasions, who did not hesitate to call traitors and treason by their right names.

When the clock struck twelve, Mr. Lincoln drew back from the table, and with a stretch of his long arms, remarked, “I guess we will go no farther with these cases to-day; I am a little tired, and the Cabinet will be coming in soon.” “I believe, by the by,” he added, “that I have not yet had my breakfast,—this business has been so absorbing that it has crowded everything else out of my mind.”

And so ended the work of one morning; simple in its detail, but pregnant with hope and joy, darkness and death, to many human beings.

XII.

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AS THE DIFFERENT MEMBERS OF the Cabinet came in, the President introduced me, adding in several instances,—“He has an idea of painting a picture of us all together.” This, of course, started conversation on the topic of art. Presently a reference was made by some one to Jones, the sculptor, whose bust of Mr. Lincoln was in the crimson parlor below. The President, I think, was writing at this instant. Looking up, he said, “Jones tells a good story of General Scott, of whom he once made a bust. Having a fine subject to start with, he succeeded in giving great satisfaction. At the closing sitting he attempted to define and elaborate the lines and markings of the face. The General sat patiently; but when he came to see the result, his countenance indicated decided displeasure. ‘Why, Jones, what have you been doing?’ he asked. ‘Oh,’ rejoined the sculptor, ‘not much, I confess, General; I have been working out the details of the face a little more, this morning.’ ‘Details?’ exclaimed the General, warmly; ‘—— the details! Why, my man, you are spoiling the bust!’ ”

At three o’clock the President was to accompany me, by appointment, to Brady’s photographic galleries on Pennsylvania Avenue. The carriage had been ordered, and Mrs. Lincoln, who was to accompany us, had come down at the appointed hour, dressed for the ride, when one of those vexations, incident to all households, occurred. Neither carriage or coachman was to be seen. The President and myself stood upon the threshold of the door under the portico, awaiting the result of the inquiry for the coachman, when a letter was put into his hand. While he was reading this, people were passing, as is customary, up and down the promenade, which leads through the grounds to the War Department, crossing, of course, the portico. My attention was attracted to an approaching party, apparently a countryman, plainly dressed, with his wife and two little boys, who had evidently been straying about, looking at the places of public interest in the city. As they reached the portico, the father, who was in advance, caught sight of the tall figure of Mr. Lincoln, absorbed in his letter. His wife and the little boys were ascending the steps. The man stopped suddenly, put out his hand with a “hush” to his family, and, after a moment’s gaze, he bent down and whispered to them,—“There is the President!” Then leaving them, he slowly made a half circuit around Mr. Lincoln, watching him intently all the while. At this point, having finished his letter, the President turned to me, and said: “Well, we will not wait any longer for the carriage; it won’t hurt you and me to walk down.” The countryman here approached very diffidently, and asked if he might be allowed to take the President by the hand; after which, “Would he extend the same privilege to his wife and little boys?” Mr. Lincoln good-naturedly approached the latter, who had remained where they were stopped, and, reaching down, said a kind word to the bashful little fellows, who shrank close up to their mother, and did not reply. This simple act filled the father’s cup full. “The Lord is with you, Mr. President,” he said reverently; and then, hesitating a moment, he added, with strong emphasis, “and the people too, sir; and the people too!”

The walk, of a mile or more, was made very agreeable and interesting to me by a variety of stories, of which Mr. Lincoln’s mind was so prolific. Something was said soon after we started about the penalty which attached to high positions in a democratic government—the tribute those filling them were compelled to pay to the public. “Great men,” said Mr. Lincoln, “have various estimates. When Daniel Webster made his tour through the West years ago, he visited Springfield among other places, where great preparations had been made to receive him. As the procession was going through the town, a barefooted little darkey boy pulled the sleeve of a man named T., and asked,—‘What the folks were all doing down the street?’ ‘Why, Jack,’ was the reply, ‘the biggest man in the world is coming.’ Now, there lived in Springfield a man by the name of G.,—a very corpulent man, Jack darted off down the street, but presently returned, with a very disappointed air. ‘Well, did you see him?’ inquired T. ‘Yees,’ returned Jack; ‘but laws—he ain’t half as big as old G.’ ”

Shortly afterward, he spoke of Mr. Ewing, who was in both President Harrison’s and President Taylor’s cabinet. “Those men,” said he, “were, you know, when elected, both of advanced years,—sages. Ewing had received, in some way, the nickname of ‘Old Solitude.’ Soon after the formation of Taylor’s cabinet, Webster and Ewing happened to meet at an evening party. As they approached each other, Webster, who was in fine spirits, uttered, in his deepest bass tones, the well-known lines,—

“ ‘O Solitude, where are the charms

That sages have seen in thy face?’ ”

The evening of Tuesday I dined with Mr. Chase, the Secretary of the Treasury, of whom I painted a portrait in 1855, upon the close of his term as United States Senator. He said during the dinner, that, shortly after the dedication of the cemetery at Gettysburg, the President told this story at a cabinet meeting. “Thad. Stevens was asked by some one, the morning of the day appointed for that ceremony, where the President and Mr. Seward were going. ‘To Gettysburg,’ was the reply. ‘But where are Stanton and Chase?’ continued the questioner. ‘At home, at work,’ was the surly answer; ‘let the dead bury the dead.’ ” This was some months previous to the Baltimore Convention, when it was thought by some of the leaders of the party, that Mr. Lincoln’s chances for a re-nomination were somewhat dubious.

Levee night occurring weekly, during the regular season, was always a trying one to the President. Whenever sympathy was expressed for him, however, he would turn it off playfully, asserting that the tug at his hand was much easier to bear than that upon his heartstrings for all manner of favors beyond his power to grant, to which he had daily to submit. As I took his hand at the levee, which closed my first day’s experiences with him, he said in his homely way, “Well, C., you have seen one day’s run;—what is your opinion of it?”

XIII.

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WEDNESDAY MORNING WAS DEVOTED TO the continued examination of the court-martial cases, to the great vexation of a score of political applicants, whom I could hear impatiently pacing the floor of the hall and waiting-room. At one o’clock, however, the doors were thrown open, and the throng admitted and dismissed, as rapidly as possible. I was much amused and interested, later in the day, in a variety of characters who presented themselves. First was an elderly lady, plainly but comfortably dressed, whose son was a prisoner in Baltimore. Her story, spun out to some length, was briefly this: Her son had been serving in the Rebel army. He heard that his sister was lying dead at home, and his mother at the supposed point of death. He determined to see them, and succeeded in getting through our lines undiscovered. He found his mother better. Before he got ready to return, he became very ill himself. She said she hid him in the house until he recovered, and on his way back to his regiment he was captured. He was now anxious to take the oath, and his mother assured the President that he should henceforth “have nothing to do with the Rebels.” Mr. Lincoln sat quietly through the story, his face in half shadow. As she finished he said, with some impatience,—“Now this is a pretty story to come to me with, isn’t it? Your son came home from fighting against his country; he was sick; you secreted him, nursed him up, and when cured, started him off again to help destroy some more of our boys. Taken prisoner, trying to get through our lines, you now want me to let him off upon his oath.” “Yes,” said the woman, not in the least disconcerted, “and I give you my word, Mr. President, he shall never have anything more to do with the Rebels—never—I was always opposed to his joining them.” “Your word,” rejoined Mr. Lincoln dryly, “what do I know about your word?” He finally took the application, and writing something upon the back of it, returned it to her with the words, “Now, I want you to understand that I have done this just to get rid of you!” “Oh,” said she, “Mr. President, I have always heard that you were such a kind-hearted man, and now I know it is true.” And so, with much apparent satisfaction, she withdrew.

The party that followed consisted of a lady and two gentlemen. She had come to ask that her husband, who was also a prisoner of war, might be permitted to take the oath and be released from confinement. To secure a degree of interest on the part of the President, one of the gentlemen claimed to be an acquaintance of Mrs. Lincoln; this, however, received but little attention, and the President proceeded to ask what position the lady’s husband held in the Rebel service. “Oh,” said she, “he was a captain.” “A captain!” rejoined Mr. Lincoln, “indeed!—rather too big a fish to set free simply upon his taking the oath. If he was an officer, it is proof positive that he has been a zealous rebel; I cannot release him.” Here the lady’s friend reiterated the assertion of his acquaintance with Mrs. Lincoln. Instantly the President’s hand was upon the bell-rope. The usher in attendance answered the summons. “Cornelius, take this man’s name to Mrs. Lincoln, and ask her what she knows of him.” The boy presently returned, with the reply that “the Madam” (as she was called by the servants) knew nothing of him whatever. The man said it was very strange. “Well, it is just as I suspected,” said the President. The party made one more attempt to enlist his sympathy, but without effect. “It is of no use,” was the reply; “I cannot release him;” and the trio withdrew, the lady in high displeasure.