Ukulele For Dummies - Alistair Wood - E-Book

Ukulele For Dummies E-Book

Alistair Wood

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Beschreibung

Learn everything ukulele—from chord progressions to playing pop, folk, and holiday favorites—and, yes, even Hawaiian music!

The ukulele is hot. The season one finale of Glee featured a ukulele. The recent hit song "Hey Soul Sister" by Train includes the dulcet tones of a uke. Not to mention the runaway success of the Ukulele Orchestra of Great Britain. For anyone wishing to master this fun, surprisingly versatile instrument, Ukulele For Dummies covers all the basics—from chords and strumming patterns to guidance on finger-picking.

  • The print version of the book includes a CD with audio tracks of the entire musical notation in the book—creating a total musical instruction package
  • Offers instruction in a variety of styles—including pop, folk, holiday favorites, and Hawaiian music
  • Features a buying guide for the novice—with tips on purchasing a ukulele plus other necessary accessories

With its simple and clear instruction, and inspiration on every page, Ukulele For Dummies will have fans and first-time musicians making beautiful music—as they tiptoe through the tulips—in no time.

 

Note: CD files are available to download after purchasing the e-Book version

 

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Seitenzahl: 308

Veröffentlichungsjahr: 2011

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Ukulele For Dummies®

Visit www.dummies.com/cheatsheet/ukuleleuk to view this book's cheat sheet.

Table of Contents

Introduction
About This Book
What You’re Not to Read
Conventions Used in This Book
Foolish Assumptions
How This Book Is Organised
Part I: Introducing Ukulele Basics
Part II: Starting Out With Chords and Strumming
Part III: Picking and Single-Note Playing
Part IV: Discovering Genres and Styles
Part V: Buying and Looking After Your Ukulele
Part VI: The Part of Tens
Part VII: Appendixes
Icons Used in This Book
Where to Go From Here
Part I: Introducing Ukulele Basics
Chapter 1: Exploring the Ukulele
Understanding the Uke’s Advantages
Loving the sound
Joining a vibrant community
Appreciating the uke’s practicality
Sizing Up the Ukulele
Meeting the family: Daddy uke, mummy uke and baby uke
Deciding which uke is best for you
Taking a Tour: The Anatomy of the Ukulele
Becoming a Well-Versed Ukulele Player
Strumming along to hula in Hawaii
Swinging and picking across the USA
Rockin’ and rollin’, and getting down with the blues
Diversifying into ever more styles
Chapter 2: Tuning Up to Sound Great
Knowing Some Musical Terms
Notes as letters
Half steps and whole steps
Chords and scales
Major and minor
Pitching Into Tuning Basics
Unravelling Tunings for Your Instrument
Exploring the most common tuning: gCEA
Using other tunings
Choosing a Tuning Method
Going hi-tech: Tuning with an electronic tuner
Listening and repeating: Tuning to the audio track
Stringing along: Tuning to a guitar
Seeing in black and white: Tuning to a piano or keyboard
Tuning your uke to itself
Chapter 3: Discovering How to Handle Your Ukulele
Holding On to Your Ukulele
Positioning yourself to play
Standing up
Sitting down
Holding your uke left-handed
Developing Your Strumming
Strumming in the right spot
Strumming in the right way
Refusing to use a pick!
Pressing On to Fretting
Positioning your fretting hand
Locating where to fret
Discovering how strongly to fret
Adjusting when things don’t sound right
Playing and pain
Part II: Starting Out With Chords and Strumming
Chapter 4: Playing Your First Ukulele Chords and Songs
Playing Music without Reading Music
Reading chord diagrams
Deciphering chord diagrams for lefties
Playing a Song Using Two Chords
Creating a C chord
Fingering an F chord
Starting your first song: ‘Li’l Liza Jane’
Developing Your First Strumming Patterns
Using strumming notation
Filling in with ups and downs
Finding an easy way to follow rhythms
Discovering Seven Chords
Getting to grips with G7
Adding the E7 chord
Taking off with your second song: ‘I’ll Fly Away’
Practising Minor Chords
Attempting A minor
Moving on to D minor
Majoring in E minor
Playing your first minor-chord song
Chapter 5: Drumming Up More Strumming Patterns
Pocketing the Ever-useful Swiss Army Strum
Adding Pep with Some Strumming Variations
Changing chords within bars
Strumming strongly and weakly
Introducing the time signature
Checking out chnks
Strumming for Various Genres
Getting down with blues strumming: The shuffle
Becoming upbeat about the reggae off-beat
Rocking without strumming
Rolling your strums
Deciding on an Appropriate Strumming Pattern
Chapter 6: Meeting the Chords and Their Families
Getting to Know Chord Families
Practising the Three-chord Trick: The I–IV–V Progression
Fingering Barre Chords
Going flat-out for B flat
Deciding to play D7
Playing B minor
Moving Chord Shapes
Budging up barre chords
Discovering new moveable chord shapes
Inviting Round More Chord Families
Geeing up the G chord family
Finding out about the F chord family
Playing according to the A chord family
Discovering the D chord family
Attempting More Complex Chords
Making melancholy minor 7 chords
Relaxing with major 7 chords
Getting cool with diminished chords
Remaining unresolved with suspended chords
Part III: Picking and Single-Note Playing
Chapter 7: Getting to Grips with Tabs and Notation
Tapping into Tabs
Stringing notes along in tabs
Fretting notes in tab
Sequencing notes in tab
Playing simultaneous notes in tab
Chording in tab
Strumming in tab
Reading Rhythms
Splitting into quarter notes
Holding on for half and whole notes
Dividing further: Eighth and sixteenth notes
Dotting and tying notes
Resting and Repeating
Taking a rest
Repeating . . . and repeating
Putting Everything Together
Starting with a simple tune
Moving up the neck
Shifting positions
Chapter 8: Discovering Fingerpicking Patterns
Introducing the Fingerpicking Technique
Picking Up Some Picking Patterns
Getting the lowdown on the up pattern
Rising and falling: The up and down pattern
Playing all together: The simultaneous picking pattern
Thumbing around: The alternate picking pattern
Chapter 9: Combining Melodies and Chords When Playing Solo
Strumming Melody and Chords Together
Thumb-strumming the melody
Using up strums
Strumming between the melody
Finger-strumming the melody
Picking Out Melodies and Chords
Faking a strum
Fingerpicking to combine melody and chords
Chapter 10: Picking Up Some Soloing Techniques
Getting Articulated on the Frets
Hammering-on
Pulling-off
Sliding between notes
Bending notes
Producing vibrato
Putting everything together
Picking Your Way to Great Solos
Being all fingers and thumbs (in a good way!)
Picking alternately: The running man
Using a pick
Strum blocking
Inventing Solos the Easy Way
Soloing using chord shapes
Playing all the chord shapes
Soloing with scales
Part IV: Discovering Genres and Styles
Chapter 11: Rocking Out With Your Uke
Rocking Out With Chords
Keeping it simple: Three-chord punk
Adding a fourth chord
Powering up with 5 chords
Building tension: Suspended chords
Strumming Rock and Punk Rhythms
Bo Diddling
Iggy Popping
Riffing Your Way to Rock Heaven
Working with chord riffs
Strengthening your single-note riffs
Combining chords and single notes
Discovering Rock Soloing Techniques
Double stopping
Shifting position with slides
Making Your Uke Talk: Soloing Tips
Phrasing like speaking
Articulating questions and answers
Moving up the fretboard for tension and release
Chapter 12: Playing the Blues to Lift Your Spirits
Playing Blues Chord Progressions
Performing a simple 12-bar blues
Varying the 12-bar blues
Shuffling the blues
Turning the Blues Around
Leading the Blues
Soloing with the Blues Scale
Discovering the first position blues scale
Using the second position blues scale
Scaling the heights with solos
Chapter 13: Saying ‘Aloha’ to the Hawaiian Style
Strumming in the Hawaiian Way
Turning Around, Hawaiian-style
Progressing to the Hawaiian turnaround
Soloing the Hawaiian turnaround
Stretching Out to Play ‘Alekoki’
Chapter 14: Jazzing Up Your Uke Playing
Turning Around, Jazz-Style
Using Hot Jazzy Chords
Extending your chords
Stretching chords even further
Altering your chords
Strumming in that Jazzy Way
Playing a ragtime tune
Hitting the split stroke
Faking a Jazz Solo
Chapter 15: Strumming Up the Jawaiian Style
Starting Up Some Jawaiian Strumming
Practising the touch strum
Drumming up the thumb ’n’ strum style
‘Jamming’ with Bob Marley
Going ‘One Step Beyond’: Skanking
Chapter 16: Getting Classy: Classical Masterpieces for Ukulele
Conjuring Chords for Classics
Strumming Up the Classics
Picking the Classics – Classical Guitar Pieces for Ukulele
Playing Campanella Style
Part V: Buying and Looking After Your Ukulele
Chapter 17: Weighing Up Your Options When Buying a Ukulele
Buying Your First Uke
Assessing how much to spend
Picking a size
Avoiding problems
Deciding Where to Buy
Buying from a shop
Purchasing online
Obtaining Your Second (and Third, Fourth, Fifth . . .) Ukulele
Thinking about solid versus laminated
Considering types of wood
Plugging In: Electric Ukuleles
Chapter 18: Splashing Out on Essentials and Accessories
Picking the Right Strings
Getting Hold of Optional Accessories
Clipping on a tuner
Bagging a case
Recording your performance
Leaving it standing up or hanging down?
Strapping on your uke
Capturing the right capo
Feeling for a pick – if you really must
Computing Your Way to Better Playing
Keeping time with a metronome
Recording tunes
Tuning up
Charting a way to uke chords
Producing chord sheets
Making tabs
Training by ear
Chapter 19: Restringing, Maintaining and Adjusting Your Uke
Restringing Your Ukulele
Deciding when to restring
Removing the strings
Tying the strings at the bridge
Looping the strings round the tuning pegs
Stretching the strings
Maintaining Your Ukulele
Cleaning after playing
Storing your ukulele
Tackling humidity
Diagnosing and Solving Uke Problems
Deciding that the strings are too high: Lowering the action
Fixing a buzzing sound: Raising the action
Fighting against out-of-tune strings high up the fretboard
Adjusting strings that go out of tune
Part VI: The Part of Tens
Chapter 20: Ten (Plus) Ukulele Players to Know
Ernest Ka‘ai (1881–1962)
May Singhi Breen (1895–1970)
Roy Smeck (1900–1994)
George Formby (1904–1961)
The Ukulele Orchestra of Great Britain (1985–)
Israel Kamakawiwo‘ole (1959–1997)
Jake Shimabukuro (1976–)
James Hill (1980–)
Zach Condon (1986–)
Julia Nunes (1989–)
Chapter 21: Ten Ways to Get Involved in the Ukulele Scene
Joining a Ukulele Club
Visiting a Ukulele Festival
Making a Video
Playing Live
Going Online
Spreading the Uke News
Entering a Contest
Teaching Someone
Writing Your Own Songs
Seeing a Show
Chapter 22: Ten (Or So) Tips for Improving Your Playing
Playing Very Slowly
Refusing to Rush Things
Recording Yourself
Playing With and For Others
Practising in Sections
Knowing When to Stop Practising
Stealing From Everyone
Varying Your Inversions and Verying Your Invarsions
Opening Your Ears
Enjoying Yourself
Busting a Rut
Part VII: Appendixes
Appendix A: Chord Charts
Appendix B: Reading Standard Musical Notation
Coming across accidentals: Sharps, flats and naturals
Understanding the key signature
Tying notes together
Dotting notes
Taking a rest
Cranking it up or bringing it down: Dynamics
Getting the speed right: Tempo
Following directions
Appendix C: Audio Tracks
Cheat Sheet
Download Additional Content

Ukulele For Dummies®

by Alistair Wood

Ukulele For Dummies®

Published byJohn Wiley & Sons, LtdThe AtriumSouthern GateChichesterWest SussexPO19 8SQEngland

E-mail (for orders and customer service enquires): [email protected]

Visit our Home Page on www.wiley.com

Copyright © 2011 John Wiley & Sons, Ltd, Chichester, West Sussex, England

Published by John Wiley & Sons, Ltd, Chichester, West Sussex

All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, Saffron House, 6-10 Kirby Street, London EC1N 8TS, UK, without the permission in writing of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, England, or emailed to [email protected], or faxed to (44) 1243 770620.

Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: The publisher, the author, AND ANYONE ELSE INVOLVED IN PREPARING THIS WORK make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read.

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British Library Cataloguing in Publication Data: A catalogue record for this book is available from the British Library

ISBN: 978-0-470-97799-6 (paperback), ISBN 978-0-470-97910-5 (ebook), ISBN 978-0-470-97911-2 (ebook), ISBN 978-1-119-97604-2 (ebook)

Printed and bound in Great Britain by TJ International, Padstow, Cornwall

10 9 8 7 6 5 4 3 2 1

About the Author

Alistair Wood is a ukulele enthusiast, arranger, and writer. He first picked up a ukulele at the age of 16 and spent five years working out which way round the strings were supposed to go. Once that hurdle was leapt, he quickly became a devote and launched the website UkuleleHunt.com in 2007.

Since then, UkuleleHunt.com has gone on to be the most popular ukulele blog on the net, attracting over 6 million views and becoming the online hub of the ukulele scene. His expertise on the current ukulele boom has lead to his opinions being sought by The Guardian, The New York Times, and BBC News.

If you have any questions or comments about the book, or ukulele playing in general, you can contact Alistair at [email protected]>.

Dedication

For Trefor Wood (1940–2009).

Author’s Acknowledgments

If you find this book helpful, grammatically correct, and not at all offensive, that outcome is entirely due to the skill, patience, and hard work of the team at Wiley. I’d like to thank Mike Baker, Steve Edwards, Jen Bingham, and Rachael Chilvers for all their work. And thanks to Arch Larizza for ironing out the technical foul-ups.

I owe more thanks than I could possibly say to Mum, Dad, and Gaz, who’ve supported everything I’ve ever done – even my bright idea of packing in a steady job in favour of writing about ukuleles on the internet.

Huge thanks go to Jenny Sokol (who has been a rock of support) and to Armelle Aaserod, Lou Armer, and Lorraine Bow. I’d also like to thank my fellow ukulele bloggers Gary Peare and Craig Robertson at Ukulelia, Mike Dickison at Kiwi Ukulele, and Bertrand Saint-Guillain at Ukulele.fr for their help and encouragement when I started out. My thanks also go to everyone who has supported me with kind comments and emails.

Finally, thanks to all the musicians who’ve made the ukulele an instrument worth writing about.

Publisher’s Acknowledgements

We’re proud of this book; please send us your comments through our Dummies online registration form located at www.dummies.com/register/.

Some of the people who helped bring this book to market include the following:

Commissioning, Editorial, and Media Development

Project Editor: Steve Edwards

Commissioning Editor: Mike Baker

Assistant Editor: Ben Kemble

Development Editor: Andy Finch

Copy Editor: Kate O’Leary

Technical Editor: Arch Larizza

Proofreader: Charlie Wilson

Production Manager: Daniel Mersey

Cover Photos: © iStock/David Cannings-Bushell

Cartoons: Rich Tennant (www.the5thwave.com)

Composition Services

Project Coordinator: Kristie Rees

Layout and Graphics: Samantha K. Cherolis, Lavonne Roberts, Corrie Socolovitch

Indexer: Potomac Indexing, LLC

Special Art: Alistair Wood

Interior Photographer: Max Cisotti

Proofreader: Jessica Kramer

Special Help

Brand Reviewer: Jennifer Bingham

Publishing and Editorial for Consumer Dummies

Diane Graves Steele, Vice President and Publisher, Consumer Dummies

Kristin Ferguson-Wagstaffe, Product Development Director, Consumer Dummies

Ensley Eikenburg, Associate Publisher, Travel

Kelly Regan, Editorial Director, Travel

Publishing for Technology Dummies

Andy Cummings, Vice President and Publisher, Dummies Technology/General User

Composition Services

Debbie Stailey, Director of Composition Services

Introduction

I’d like to share with you the best piece of ukulele playing advice I ever read: ‘make a joyful noise . . . make a loud noise.’ The aim of this book is to help you do both these two things. (In fact, the quote comes from the Bible (Psalms 98:4, King James Version), which I think proves beyond doubt that God plays ukulele.)

Most people who pick up the ukulele don’t do so with dreams of rock-star fame or recognition as a virtuoso, but simply to have fun making music. This book doesn’t go deep into the theory or insist on you practising endless scales. Instead, you get the confidence and knowledge you need to start enjoying making music as quickly as possible.

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!