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- Herausgeber: libreka classics
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!
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Seitenzahl: 231
Veröffentlichungsjahr: 2019
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Titel: An Attic Philosopher in Paris — Complete
von Augustus J. Thebaud, Charles Kingsley, Henry James, Thomas Hardy, Kate Douglas Smith Wiggin, Joseph Butler, John D. Barry, William Allan Neilson, Henry Rider Haggard, Rudolf Erich Raspe, Paul Heyse, Carl Russell Fish, Tom Taylor, Margaret Pedler, Homer, John Kendrick Bangs, John Burroughs, Juanita Helm Floyd, Maurice Liber, Anthony Trollope, William Morris, Mark Twain, Charles Dudley Warner, Thomas Hobbes, Winfried Honig, Albrecht Dürer, Militia of Mercy . Gift Book Committee, Ella Wheeler Wilcox, Andrew Lang, Katharine Pyle, Sir Samuel White Baker, Frederic William Moorman, the Younger Pliny, Samuel Butler, William Dean Howells, Harold MacGrath, Joseph Crosby Lincoln, Ralph Connor, Various, Oliver Wendell Holmes, Abraham Lincoln, John Galsworthy, Ian Maclaren, Charlotte Mary Yonge, Sir Owen Morgan Edwards, Robert J. C. Stead, Harold Bell Wright, Eleanor H. Porter, Richard Le Gallienne, Ann Ward Radcliffe, Mark Rutherford, John Bunyan, Artemus Ward, John Hanning Speke, James Fenimore Cooper, Edmund Burke, Sir Arthur Conan Doyle, Francis Bacon, Gisela Engel, Edward Samuel Corwin, Washington Irving, Rafael Sabatini, Emma Lazarus, Bishop of Hippo Saint Augustine, Christian Friedrich Hebbel, Adam Smith, Upton Sinclair, Michael Earls, John Hargrave, Charles Hose, William McDougall, Albert Ernest Jenks, marquis de Jean-François-Albert du Pouget Nadaillac, Robert Sewell, 16th cent. Fernão Nunes, 16th cent. Domingos Paes, Inez Haynes Gillmore, Charles Warren Stoddard, Will Irwin, Vivia Hemphill, J. Hampton Moore, Philip Gibbs, Sir Richard Steele, Joseph Addison, L. Mühlbach, Leroy Scott, Mrs. Henry Wood, Ottilie A. Liljencrantz, Algernon Charles Swinburne, Thomas Bulfinch, Bernard Shaw, Confucius, Samuel Pepys, Luís Vaz de Camões, Walter Bigges, Theodore Roosevelt, Émile Gaboriau, fl. 1580. Edward Hayes, Eugène Sue, Earl of Philip Dormer Stanhope Chesterfield, Robert Smythe Hichens, Bliss Perry, Isabella L. Bird, Stewart Edward White, Roald Amundsen, Viscount James Bryce Bryce, Francis Hopkinson Smith, Annie Hamilton Donnell, Mary Wollstonecraft, Jean-Henri Fabre, Marcus Andrew Hislop Clarke, Marietta Holley, W. E. Gladstone, Ellis Parker Butler, Booth Tarkington, G. A. Henty, E. L. Voynich, Anonymous, Francis Leggett, Charles Alfred Tyrrell, Josef Cohen, Jules Verne, Zane Grey, Mary Baker Eddy, Albert Bigelow Paine, Mary Roberts Rinehart, Ouida, Joseph Furphy, Harry Leon Wilson, Sir Hugh Walpole, Edgar Rice Burroughs, Fay Inchfawn, E. Pauline Johnson, Abraham Merritt, James Sheridan Knowles, Herbert George Jenkins, Richard Hakluyt, Georges Victor Legros, J. M. Barrie, Dana Gatlin, Padraic Colum, Lucy Fitch Perkins, Heinrich Heine, Louisa May Alcott, John Ceiriog Hughes, Henry Van Dyke, Laurence Housman, Ludwig van Beethoven, Stephen Leacock, Watkin Tench, E. Nesbit, Edward William Bok, graf Leo Tolstoy, Giacomo Casanova, Oliver Goldsmith, Raffaello Carboni, Orville O. Hiestand, Abraham Cowley, Louis Antoine Fauvelet de Bourrienne, Louis Constant Wairy, Michel de Montaigne, Edward Salisbury Field, Guy de Maupassant, Doris Stevens, Hamilton Brock Fuller, Anna Chapin Ray, Wilkie Collins, Robert Tressell, Victoria Cross, William Guthrie, Alexandre Dumas père, Mary Jane Holmes, Charles Darwin, J. Hartley Manners, Sir James George Frazer, Sir Adolphus William Ward, James Hamilton, Theodore Dreiser, Kathleen Thompson Norris, William Henry Knight, Arnold Bennett, Cosmo Hamilton, Voltaire, Molière, Winston Churchill, Alexander Mackenzie, Joseph A. Altsheler, Maria Edgeworth, Florence L. Barclay, Mary E. Bamford, Frank Harris, Harold Bindloss, Alfred Henry Lewis, Charles Reade, United States. Central Intelligence Agency, Charles Ives, Conrad Ferdinand Meyer, Marion Polk Angellotti, Steele Rudd, Louis Stone, J. C. F. Johnson, Pierre Loti, Henry Martyn Cist, Howard Pyle, Saki, Franz Liszt, H. G. Wells, Dante Gabriel Rossetti, Ben Jonson, William Cowper, Lord Dufferin, Dion Boucicault, Ethel C. Pedley, Robert Alexander Wason, Gertrude Franklin Horn Atherton, O. Henry, Rufus Phillips Williams, Friedrich Heinrich Karl Freiherr de La Motte-Fouqué, Ambrose Bierce, Francis Parkman, Gene Stratton-Porter, Addison B. Poland, John H. Haaren, Giovanni Boccaccio, Henry Handel Richardson, Oliver T. Osborne, Victor [pseud.] Appleton, Nikolai Vasilievich Gogol, Thomas Paine, Maria Thompson Daviess, Gilbert Parker, Lodovico Ariosto, Jean-Jacques Rousseau, Ethel Dench Puffer Howes, Walter De la Mare, P. G. Wodehouse, Van Tassel Sutphen, Esaias Tegnér, Earl of Beaconsfield Benjamin Disraeli, H. E. Marshall, Edna St. Vincent Millay, James Smith, Horace Smith, Henry Edward Krehbiel, Sir Charles Lyell, John S. C. Abbott, Georgina Pell Curtis, Logan Marshall, G. P. R. James, Bram Stoker, John Buchan, Maksim Gorky, Mabel Thorne, Paul Thorne, Henry Kingsley, Mrs. Inchbald, J. Cuthbert Hadden, James Lane Allen, Emma Dorothy Eliza Nevitte Southworth, Lucius Annaeus Seneca, L. M. Montgomery, R. H. Gronow, of Youghal the younger Joseph Fisher, Benedictus de Spinoza, Henry Seton Merriman, J. H. Patterson, Clinton W. Gilbert, Evelyn Blantyre Simpson, F. Marion Crawford, Louis Becke, K. Langloh Parker, Gotthold Ephraim Lessing, Frederick Lawton, Marie Corelli, Frederick Jackson Turner, Lord Frederick Spencer Hamilton, William John Locke, James Elroy Flecker, Richard Wagner, Johann David Wyss, King of France consort of Henry IV Queen Marguerite, Jean François Paul de Gondi de Retz, marquise de Françoise-Athénaïs de Rochechouart de Mortemart Montespan, duchesse d' Charlotte-Elisabeth Orleans, duc de Louis de Rouvroy Saint-Simon, princesse de Marie Thérèse Louise de Savoie-Carignan Lamballe, Mme. Du Hausset, Jeanne Louise Henriette Campan, Lewis Goldsmith, Georges Ohnet, Anatole France, Gustave Droz, Jules Claretie, marquis de Philippe Massa, André Theuriet, Alfred de Musset, Octave Feuillet, Alfred de Vigny, Ludovic Halévy, François Coppée, Paul Bourget, Th. Bentzon, René Bazin, Alphonse Daudet, Charles de Bernard, Hector Malot, Émile Souvestre
ISBN 978-3-7429-3858-9
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Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.
AN "ATTIC" PHILOSOPHER
(Un Philosophe sous les Toits)
By Emile Souvestre
With a Preface by JOSEPH BERTRAND, of the French Academy
Contents
EMILE SOUVESTRE
No one succeeds in obtaining a prominent place in literature, or in surrounding himself with a faithful and steady circle of admirers drawn from the fickle masses of the public, unless he possesses originality, constant variety, and a distinct personality. It is quite possible to gain for a moment a few readers by imitating some original feature in another; but these soon vanish and the writer remains alone and forgotten. Others, again, without belonging to any distinct group of authors, having found their standard in themselves, moralists and educators at the same time, have obtained undying recognition.
Of the latter class, though little known outside of France, is Emile Souvestre, who was born in Morlaix, April 15, 1806, and died at Paris July 5, 1854. He was the son of a civil engineer, was educated at the college of Pontivy, and intended to follow his father's career by entering the Polytechnic School. His father, however, died in 1823, and Souvestre matriculated as a law-student at Rennes. But the young student soon devoted himself entirely to literature. His first essay, a tragedy, 'Le Siege de Missolonghi' (1828), was a pronounced failure. Disheartened and disgusted he left Paris and established himself first as a lawyer in Morlaix. Then he became proprietor of a newspaper, and was afterward appointed a professor in Brest and in Mulhouse. In 1836 he contributed to the 'Revue des Deux Mondes' some sketches of life in Brittany, which obtained a brilliant success. Souvestre was soon made editor of La Revue de Paris, and in consequence early found a publisher for his first novel, 'L'Echelle de Femmes', which, as was the case with his second work, Riche et Pauvre', met with a very favorable reception. His reputation was now made, and between this period and his death he gave to France about sixty volumes—tales, novels, essays, history, and drama.
A double purpose was always very conspicuous in his books: he aspired to the role of a moralist and educator, and was likewise a most impressive painter of the life, character, and morals of the inhabitants of Brittany.
The most significant of his books are perhaps 'Les Derniers Bretons (1835-1837, 4 vols.), Pierre Landais (1843, 2 vols.), Le Foyer Breton (1844, 2 vols.), Un Philosophe sons les Toits, crowned by the Academy (1850), Confessions d'un Ouvrier (1851), Recits et Souvenirs (1853), Souvenirs d'un Vieillard (1854); also La Bretagne Pittoresque (1845), and, finally, Causeries Historiques et Litteraires (1854, 2 vols.)'. His comedies deserve honorable mention: 'Henri Hamelin, L'Oncle Baptiste (1842), La Parisienne, Le Mousse, etc'. In 1848, Souvestre was appointed professor of the newly created school of administration, mostly devoted to popular lectures. He held this post till 1853, lecturing partly in Paris, partly in Switzerland.
His death, when comparatively young, left a distinct gap in the literary world. A life like his could not be extinguished without general sorrow. Although he was unduly modest, and never aspired to the role of a beacon-light in literature, always seeking to remain in obscurity, the works of Emile Souvestre must be placed in the first rank by their morality and by their instructive character. They will always command the entire respect and applause of mankind. And thus it happens that, like many others, he was only fully appreciated after his death.
Even those of his 'confreres' who did not seem to esteem him, when alive, suddenly found out that they had experienced a great loss in his demise. They expressed it in emotional panegyrcs; contemporaneous literature discovered that virtue had flown from its bosom, and the French Academy, which had at its proper time crowned his 'Philosophe sons les Toits' as a work contributing supremely to morals, kept his memory green by bestowing on his widow the "Prix Lambert," designed for the "families of authors who by their integrity, and by the probity of their efforts have well deserved this token from the Republique des Lettres."
AN "ATTIC" PHILOSOPHER
BOOK 1.
CHAPTER I. NEW-YEAR'S GIFTS
January 1st
The day of the month came into my mind as soon as I awoke. Another year is separated from the chain of ages, and drops into the gulf of the past! The crowd hasten to welcome her young sister. But while all looks are turned toward the future, mine revert to the past. Everyone smiles upon the new queen; but, in spite of myself, I think of her whom time has just wrapped in her winding-sheet. The past year!—at least I know what she was, and what she has given me; while this one comes surrounded by all the forebodings of the unknown. What does she hide in the clouds that mantle her? Is it the storm or the sunshine? Just now it rains, and I feel my mind as gloomy as the sky. I have a holiday today; but what can one do on a rainy day? I walk up and down my attic out of temper, and I determine to light my fire.
Unfortunately the matches are bad, the chimney smokes, the wood goes out! I throw down my bellows in disgust, and sink into my old armchair.
In truth, why should I rejoice to see the birth of a new year? All those who are already in the streets, with holiday looks and smiling faces—do they understand what makes them so gay? Do they even know what is the meaning of this holiday, or whence comes the custom of New-Year's gifts?
Here my mind pauses to prove to itself its superiority over that of the vulgar. I make a parenthesis in my ill-temper in favor of my vanity, and I bring together all the evidence which my knowledge can produce.
(The old Romans divided the year into ten months only; it was Numa Pompilius who added January and February. The former took its name from Janus, to whom it was dedicated. As it opened the new year, they surrounded its beginning with good omens, and thence came the custom of visits between neighbors, of wishing happiness, and of New-Year's gifts. The presents given by the Romans were symbolic. They consisted of dry figs, dates, honeycomb, as emblems of "the sweetness of the auspices under which the year should begin its course," and a small piece of money called stips, which foreboded riches.)
Here I close the parenthesis, and return to my ill-humor. The little speech I have just addressed to myself has restored me my self-satisfaction, but made me more dissatisfied with others. I could now enjoy my breakfast; but the portress has forgotten my morning's milk, and the pot of preserves is empty! Anyone else would have been vexed: as for me, I affect the most supreme indifference. There remains a hard crust, which I break by main strength, and which I carelessly nibble, as a man far above the vanities of the world and of fresh rolls.
However, I do not know why my thoughts should grow more gloomy by reason of the difficulties of mastication. I once read the story of an Englishman who hanged himself because they had brought him his tea without sugar. There are hours in life when the most trifling cross takes the form of a calamity. Our tempers are like an opera-glass, which makes the object small or great according to the end you look through.
Usually, the prospect that opens out before my window delights me. It is a mountain-range of roofs, with ridges crossing, interlacing, and piled on one another, and upon which tall chimneys raise their peaks. It was but yesterday that they had an Alpine aspect to me, and I waited for the first snowstorm to see glaciers among them; to-day, I only see tiles and stone flues. The pigeons, which assisted my rural illusions, seem no more than miserable birds which have mistaken the roof for the back yard; the smoke, which rises in light clouds, instead of making me dream of the panting of Vesuvius, reminds me of kitchen preparations and dishwater; and lastly, the telegraph, that I see far off on the old tower of Montmartre, has the effect of a vile gallows stretching its arms over the city.
My eyes, thus hurt by all they meet, fall upon the great man's house which faces my attic.
The influence of New-Year's Day is visible there. The servants have an air of eagerness proportioned to the value of their New-Year's gifts, received or expected. I see the master of the house crossing the court with the morose look of a man who is forced to be generous; and the visitors increase, followed by shop porters who carry flowers, bandboxes, or toys. Suddenly the great gates are opened, and a new carriage, drawn by thoroughbred horses, draws up before the doorsteps. They are, without doubt, the New-Year's gift presented to the mistress of the house by her husband; for she comes herself to look at the new equipage. Very soon she gets into it with a little girl, all streaming with laces, feathers and velvets, and loaded with parcels which she goes to distribute as New-Year's gifts. The door is shut, the windows are drawn up, the carriage sets off.
Thus all the world are exchanging good wishes and presents to-day. I alone have nothing to give or to receive. Poor Solitary! I do not even know one chosen being for whom I might offer a prayer.
Then let my wishes for a happy New Year go and seek out all my unknown friends—lost in the multitude which murmurs like the ocean at my feet!
To you first, hermits in cities, for whom death and poverty have created a solitude in the midst of the crowd! unhappy laborers, who are condemned to toil in melancholy, and eat your daily bread in silence and desertion, and whom God has withdrawn from the intoxicating pangs of love and friendship!
To you, fond dreamers, who pass through life with your eyes turned toward some polar star, while you tread with indifference over the rich harvests of reality!
To you, honest fathers, who lengthen out the evening to maintain your families! to you, poor widows, weeping and working by a cradle! to you, young men, resolutely set to open for yourselves a path in life, large enough to lead through it the wife of your choice! to you, all brave soldiers of work and of self-sacrifice!
To you, lastly, whatever your title and your name, who love good, who pity the suffering; who walk through the world like the symbolical Virgin of Byzantium, with both arms open to the human race!
Here I am suddenly interrupted by loud and increasing chirpings. I look about me: my window is surrounded with sparrows picking up the crumbs of bread which in my brown study I had just scattered on the roof. At this sight a flash of light broke upon my saddened heart. I deceived myself just now, when I complained that I had nothing to give: thanks to me, the sparrows of this part of the town will have their New-Year's gifts!
Twelve o'clock.—A knock at my door; a poor girl comes in, and greets me by name. At first I do not recollect her; but she looks at me, and smiles. Ah! it is Paulette! But it is almost a year since I have seen her, and Paulette is no longer the same: the other day she was a child, now she is almost a young woman.
Paulette is thin, pale, and miserably clad; but she has always the same open and straightforward look—the same mouth, smiling at every word, as if to court your sympathy—the same voice, somewhat timid, yet expressing fondness. Paulette is not pretty—she is even thought plain; as for me, I think her charming. Perhaps that is not on her account, but on my own. Paulette appears to me as one of my happiest recollections.
It was the evening of a public holiday. Our principal buildings were illuminated with festoons of fire, a thousand flags waved in the night winds, and the fireworks had just shot forth their spouts of flame into the midst of the Champ de Mars. Suddenly, one of those unaccountable alarms which strike a multitude with panic fell upon the dense crowd: they cry out, they rush on headlong; the weaker ones fall, and the frightened crowd tramples them down in its convulsive struggles. I escaped from the confusion by a miracle, and was hastening away, when the cries of a perishing child arrested me: I reentered that human chaos, and, after unheard-of exertions, I brought Paulette out of it at the peril of my life.
That was two years ago: since then I had not seen the child again but at long intervals, and I had almost forgotten her; but Paulette's memory was that of a grateful heart, and she came at the beginning of the year to offer me her wishes for my happiness. She brought me, besides, a wallflower in full bloom; she herself had planted and reared it: it was something that belonged wholly to herself; for it was by her care, her perseverance, and her patience, that she had obtained it.
The wallflower had grown in a common pot; but Paulette, who is a bandbox-maker, had put it into a case of varnished paper, ornamented with arabesques. These might have been in better taste, but I did not feel the attention and good-will the less.
This unexpected present, the little girl's modest blushes, the compliments she stammered out, dispelled, as by a sunbeam, the kind of mist which had gathered round my mind; my thoughts suddenly changed from the leaden tints of evening to the brightest colors of dawn. I made Paulette sit down, and questioned her with a light heart.
At first the little girl replied in monosyllables; but very soon the tables were turned, and it was I who interrupted with short interjections her long and confidential talk. The poor child leads a hard life. She was left an orphan long since, with a brother and sister, and lives with an old grandmother, who has "brought them up to poverty," as she always calls it.
However, Paulette now helps her to make bandboxes, her little sister Perrine begins to use the needle, and her brother Henry is apprentice to a printer. All would go well if it were not for losses and want of work—if it were not for clothes which wear out, for appetites which grow larger, and for the winter, when you cannot get sunshine for nothing. Paulette complains that her candles go too quickly, and that her wood costs too much. The fireplace in their garret is so large that a fagot makes no more show in it than a match; it is so near the roof that the wind blows the rain down it, and in winter it hails upon the hearth; so they have left off using it. Henceforth they must be content with an earthen chafing-dish, upon which they cook their meals. The grandmother had often spoken of a stove that was for sale at the broker's close by; but he asked seven francs for it, and the times are too hard for such an expense: the family, therefore, resign themselves to cold for economy!
As Paulette spoke, I felt more and more that I was losing my fretfulness and low spirits. The first disclosures of the little bandbox-maker created within me a wish that soon became a plan. I questioned her about her daily occupations, and she informed me that on leaving me she must go, with her brother, her sister, and grandmother, to the different people for whom they work. My plan was immediately settled. I told the child that I would go to see her in the evening, and I sent her away with fresh thanks.
I placed the wallflower in the open window, where a ray of sunshine bid it welcome; the birds were singing around, the sky had cleared up, and the day, which began so loweringly, had become bright. I sang as I moved about my room, and, having hastily put on my hat and coat, I went out.
Three o'clock.—All is settled with my neighbor, the chimney-doctor; he will repair my old stove, and answers for its being as good as new. At five o'clock we are to set out, and put it up in Paulette's grandmother's room.
Midnight.—All has gone off well. At the hour agreed upon, I was at the old bandbox-maker's; she was still out. My Piedmontese
fixed the stove, while I arranged a dozen logs in the great fireplace, taken from my winter stock. I shall make up for them by warming myself with walking, or by going to bed earlier.
My heart beat at every step that was heard on the staircase; I trembled lest they should interrupt me in my preparations, and should thus spoil my intended surprise. But no!—see everything ready: the lighted stove murmurs gently, the little lamp burns upon the table, and a bottle of oil for it is provided on the shelf. The chimney-doctor is gone. Now my fear lest they should come is changed into impatience at their not coming. At last I hear children's voices; here they are: they push open the door and rush in—but they all stop in astonishment.
At the sight of the lamp, the stove, and the visitor, who stands there like a magician in the midst of these wonders, they draw back almost frightened. Paulette is the first to comprehend it, and the arrival of the grandmother, who is more slowly mounting the stairs, finishes the explanation. Then come tears, ecstasies, thanks!
But the wonders are not yet ended. The little sister opens the oven, and discovers some chestnuts just roasted; the grandmother puts her hand on the bottles of cider arranged on the dresser; and I draw forth from the basket that I have hidden a cold tongue, a pot of butter, and some fresh rolls.
Now their wonder turns into admiration; the little family have never seen such a feast! They lay the cloth, they sit down, they eat; it is a complete banquet for all, and each contributes his share to it. I had brought only the supper: and the bandbox-maker and her children supplied the enjoyment.
What bursts of laughter at nothing! What a hubbub of questions which waited for no reply, of replies which answered no question! The old woman herself shared in the wild merriment of the little ones! I have always been struck at the ease with which the poor forget their wretchedness. Being used to live only for the present, they make a gain of every pleasure as soon as it offers itself. But the surfeited rich are more difficult to satisfy: they require time and everything to suit before they will consent to be happy.
The evening has passed like a moment. The old woman told me the history of her life, sometimes smiling, sometimes drying her eyes. Perrine sang an old ballad with her fresh young voice. Henry told us what he knows of the great writers of the day, to whom he has to carry their proofs. At last we were obliged to separate, not without fresh thanks on the part of the happy family.
I have come home slowly, ruminating with a full heart, and pure enjoyment, on the simple events of my evening. It has given me much comfort and much instruction. Now, no New-Year's Day will come amiss to me; I know that no one is so unhappy as to have nothing to give and nothing to receive.
As I came in, I met my rich neighbor's new equipage. She, too, had just returned from her evening's party; and, as she sprang from the carriage-step with feverish impatience, I heard her murmur "At last!"
I, when I left Paulette's family, said "So soon!"
CHAPTER II. THE CARNIVAL
February 20th
What a noise out of doors! What is the meaning of these shouts and cries? Ah! I recollect: this is the last day of the Carnival, and the maskers are passing.
Christianity has not been able to abolish the noisy bacchanalian festivals of the pagan times, but it has changed the names. That which it has given to these "days of liberty" announces the ending of the feasts, and the month of fasting which should follow; carn-ival means, literally, "farewell to flesh!" It is a forty days' farewell to the "blessed pullets and fat hams," so celebrated by Pantagruel's minstrel. Man prepares for privation by satiety, and finishes his sin thoroughly before he begins to repent.
Why, in all ages and among every people, do we meet with some one of these mad festivals? Must we believe that it requires such an effort for men to be reasonable, that the weaker ones have need of rest at intervals? The monks of La Trappe, who are condemned to silence by their rule, are allowed to speak once in a month, and on this day they all talk at once from the rising to the setting of the sun.
Perhaps it is the same in the world. As we are obliged all the year to be decent, orderly, and reasonable, we make up for such a long restraint during the Carnival. It is a door opened to the incongruous fancies and wishes that have hitherto been crowded back into a corner of our brain. For a moment the slaves become the masters, as in the days of the Saturnalia, and all is given up to the "fools of the family."
The shouts in the square redouble; the troops of masks increase—on foot, in carriages, and on horseback. It is now who can attract the most attention by making a figure for a few hours, or by exciting curiosity or envy; to-morrow they will all return, dull and exhausted, to the employments and troubles of yesterday.
