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- Herausgeber: Olympia Press
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2016
Henry Miller's Rosy Crucifixion, his second major trilogy, took more than 10 years for the author to complete. Beginning in 1949 with Sexus, a work so controversial all of Paris was abuzz with L'Affaire Miller, (and publisher Maurice Girodias saw himself threatened with jail), following in 1952 with Plexus, and finally concluding with 1959's Nexus, the three works are a dazzling array of scenes, sexual encounters and ideas, covering Miller's final days in NY, his relationship with June Miller and her lover, his take on the arts, his favorite writers, his thoughts, his insights, his days and his nights, finally ending with a glorious farewell to the life he'd known and an anticipation of the life he would lead.
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Sexus
Published in August 1949
Plexus
Published in April 1952
Nexus
Published in October 1959
2004 OlympiaPress.com
ISBN: 978-1-60872-825-1
The Olympia Press. A Dvision of Disruptive Publishing, Inc.
SEXUS: THE ROSY CRUCIFIXION, BOOK I
VOLUME ONE
1
It must have been a Thursday night when I met her for the first time—at the dance hall. I reported to work in the morning, after an hour or two’s sleep, looking like a somnambulist. The day passed like a dream. After dinner I fell asleep on the couch and awoke fully dressed about six the next morning. I felt thoroughly refreshed, pure at heart, and obsessed with one idea—to have her at any cost. Walking through the park I debated what sort of flowers to send with the book I had promised her (Winesburg, Ohio). I was approaching my thirty-third year, the age of Christ crucified. A wholly new life lay before me, had I the courage to risk all. Actually there was nothing to risk: I was at the bottom rung of the ladder, a failure in every sense of the word.
It was a Saturday morning, then, and for me Saturday has always been the best day of the week. I come to life when others are dropping off with fatigue; my week begins with the Jewish day of rest. That this was to be the grand week of my life, to last for seven long years, I had no idea of course. I knew only that the day was auspicious and eventful. To make the fatal step, to throw everything to the dogs, is in itself an emancipation: the thought of consequences never entered my head. To make absolute, unconditional surrender to the woman one loves is to break every bond save the desire not to lose her, which is the most terrible bond of all.
I spent the morning borrowing right and left, dispatched the book and flowers, then sat down to write a long letter to be delivered by a special messenger. I told her that I would telephone her later in the afternoon. At noon I quit the office and went home. I was terribly restless, almost feverish with impatience. To wait until five o’clock was torture. I went again to the park, oblivious of everything as I walked blindly over the downs to the lake where the children were sailing their boats. In the distance a band was playing; it brought back memories of my childhood, stifled dreams, longings, regrets. A sultry, passionate rebellion filled my veins. I thought of certain great figures in the past, of all that they had accomplished at my age. What ambitions I may have had were gone; there was nothing I wanted to do except to put myself completely in her hands. Above everything else I wanted to hear her voice, know that she was still alive, that she had not already forgotten me. To be able to put a nickel in the slot every day of my life henceforth, to be able to hear her say hello, that and nothing more was the utmost I dared hope for. If she would promise me that much, and keep her promise, it wouldn’t matter what happened.
Promptly at five o’clock I telephoned. A strangely sad, foreign voice informed me that she was not at home. I tried to find out when she would be home but I was cut off. The thought that she was out of reach drove me frantic. I telephoned my wife that I would not be home for dinner. She greeted the announcement in her usual disgusted way, as though she expected nothing more of me than disappointments and postponements. «Choke on it, you bitch,» I thought to myself as I hung up, «at least I know that I don’t want you, any part of you, dead or alive.» An open trolley was coming along; without a thought of its direction I hopped aboard and made for the rear seat. I rode around for a couple of hours in a deep trance; when I came to I recognized an Arabian ice cream parlor near the water-front, got off, walked to the wharf and sat on a string-piece looking up at the humming fret-work of the Brooklyn Bridge. There were still several hours to kill before I dared venture to go to the dance hall. Gazing vacantly at the opposite shore my thoughts drifted ceaselessly, like a ship without a rudder.
When finally I picked myself up and staggered off I was like a man under an anaesthetic who has managed to slip away from the operating table. Everything looked familiar yet made no sense; it took ages to coordinate a few simple impressions which by ordinary reflex calculus would mean table, chair, building, person. Buildings emptied of their automatons are even more desolate than tombs; when the machines are left idle they create a void deeper than death itself. I was a ghost moving about in a vacuum. To sit down, to stop and light a cigarette, not to sit down, not to smoke, to think, or not to think, breathe or stop breathing, it was all one and the same. Drop dead and the man behind you walks over you; fire a revolver and another man fires at you; yell and you wake the dead who, oddly enough, also have powerful lungs. Traffic is now going East and West; in a minute it will be going North and South. Everything is proceeding blindly according to rule and nobody is getting anywhere. Lurch and stagger in and out, up and down, some dropping out like flies, others swarming in like gnats. Eat standing up, with slots, levers, greasy nickels, greasy cellophane, greasy appetite. Wipe your mouth, belch, pick your teeth, cock your hat, tramp, slide, stagger, whistle, blow your brains out. In the next life I will be a vulture feeding on rich carrion: I will perch on top of the tall buildings and dive like a shot the moment I smell death. Now I am whistling a merry tune—the epigastric regions are at peace. Hello, Mara, how are you? And she will give me the enigmatic smile, throwing her arms about me in warm embrace. This will take place in a void under powerful Klieg lights with three centimeters of privacy marking a mystic circle about us.
I mount the steps and enter the arena, the grand ball-room of the double-barrelled sex adepts, now flooded with a warm boudoir glow. The phantoms are waltzing in a sweet chewing gum haze, knees slightly crooked, haunches taut, ankles swimming in powdered sapphire. Between drum beats I hear the ambulance clanging down below, then fire engines, then police sirens. The waltz is perforated with anguish, little bullet holes slipping over the cogs of the mechanical piano which is drowned because it is blocks away in a burning building without fire escapes. She is not on the floor. She may be lying in bed reading a book, she may be making love with a prize-fighter, or she many be running like mad through a field of stubble, one shoe on, one shoe off, a man named Corn Cob pursuing her hotly. Wherever she is I am standing in complete darkness; her absence blots me out.
I inquire of one of the girls if she knows when Mara will arrive. Mara? Never heard of her. How should she know anything about anybody since she’s only had the job an hour or so and is sweating like a mare wrapped in six suits of woolen underwear lined with fleece. Won’t I offer her a dance—she’ll ask one of the other girls about this Mara. We dance a few rounds of sweat and rose-water, the conversation running to corns and bunions and varicose veins, the musicians peering through the boudoir mist with jellied eyes, their faces spread in a frozen grin. The girl over there, Florrie, she might be able to tell me something about my friend. Florrie has a wide mouth and eyes of lapis lazuli; she’s as cool as a geranium, having just come from an all-afternoon fucking fiesta. Does Florrie know if Mara will be coming soon? She doesn’t think so... she doesn’t think she’ll come at all this evening. Why? She thinks she has a date with some one. Better ask the Greek—he knows everything.
The Greek says yes, Miss Mara will come... yes, just wait a while. I wait and wait. The girls are steaming, like sweating horses standing in a field of snow. Midnight. No sign of Mara. I move slowly, unwillingly, towards the door. A Porto Rican lad is buttoning his fly on the top step.
In the subway I test my eyesight reading the ads at the farther end of the car. I cross-examine my body to ascertain if I am exempt from any of the ailments which civilized man is heir to. Is my breath foul? Does my heart knock? Have I a fallen instep? Are my joints swollen with rheumatism? No sinus trouble? No pyorrhea? How about constipation? Or that tired feeling after lunch? No migraine, no acidosis, no intestinal catarrh, no lumbago, no floating bladder, no corns or bunions, no varicose veins? As far as I know I’m sound as a button, and yet... Well, the truth is I lack something, something vital...
I’m love-sick. Sick to death. A touch of dandruff and I’d succumb like a poisoned rat.
My body is heavy as lead when I throw it into bed. I pass immediately into the lowest depth of dream. This body, which has become a sarcophagus with stone handles, lies perfectly motionless; the dreamer rises out of it, like a vapor, to circumnavigate the world. The dreamer seeks vainly to find a form and shape that will fit his ethereal essence. Like a celestial tailor, he tries on one body after another, but they are all misfits. Finally he is obliged to return to his own body, to reassume the leaden mould, to become a prisoner of the flesh, to carry on in torpor, pain and ennui.
Sunday morning. I awaken fresh as a daisy. The world lies before me, unconquered, unsullied, virgin as the Arctic zones. I swallow a little bismuth and chloride of lime to drive away the last leaden fumes of inertia. I will go directly to her home, ring the bell, and walk in. Here I am, take me—or stab me to death. Stab the heart, stab the brain, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ he left alive you are doomed—doomed to be mine, forever, in this world and the next and all the worlds to come. I’m a desperado of love, a scalper, a slayer. I’m insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your tooth brush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me—I want to lick the flesh from her bones.
Riding towards the ocean, towards the marsh land where a little house was built to hatch a little egg which, after it had assumed the proper form, was christened Mara. That one little drop escaping from a man’s penis should produce such staggering results! I believe in God the Father, in Jesus Christ his only begotten Son, in the blessed Virgin Mary, the Holy Ghost, in Adam Cadmium, in chrome nickel, the oxides and the mercurichromes, in water-fowls and water-cress, in epileptoid seizures, in bubonic plagues, in Devachan, in planetary conjunctions, in chicken tracks and stick throwing, in revolutions, in stock crashes, in wars, earthquakes, cyclones, in Kali Yuga and in hula-hula. I believe. I believe. I believe because not to believe is to become as lead, to lie prone and rigid, forever inert, to waste away... Looking out on the contemporary landscape. Where are the beasts of the field, the crops, the manure, the roses that flower in the midst of corruption? I see railroad tracks, gas stations, cement blocks, iron girders, tall chimneys, automobile cemeteries, factories, warehouses, sweat shops, vacant lots. Not even a goat in sight. I see it all clearly and distinctly: it spells desolation, death, death everlasting. For thirty, years now I have worn the iron cross of ignominious servitude, serving but not believing, working but taking no wages, resting but knowing no peace. Why should I believe that everything will suddenly change, just having her, just loving and being loved? Nothing will be changed except myself. As I approach the house I see a woman in the back-yard hanging up clothes. Her profile is turned to me; it is undoubtedly the face of the woman with the strange, foreign voice who answered the telephone. I don’t want to meet this woman, I don’t want to know who she is, I don’t want to believe what I suspect. I walk round the block and when I come again to the door she is gone. Somehow my courage too is gone.
I ring the bell hesitantly. Instantly the door is yanked open and the figure of a tall, menacing young man blocks the threshold. She is not in, can’t say when she’ll be back, who are you, what do you want of her? Then good-bye and bang! The door is staring me in the face. Young man, you’ll regret this. One day I’ll return with a shot-gun and blow your testicles off... So that’s it! Everybody on guard, everybody tipped off, everybody trained to be elusive and evasive. Miss Mara is never where she’s expected to be, nor does anybody know where she might be expected to be. Miss Mara inhabits the airs: volcanic ash blown hither and thither by the Trade winds. Defeat and mystery for the first day of the Sabbatical year. Gloomy Sunday amongst the Gentiles, amongst the kith and kin of accidental birth. Death to all Christian brethren! Death to the phoney status quo!
A few days passed without any sign of life from her. In the kitchen, after my wife had retired, I would sit and write voluminous letters to her. We were living then in a morbidly respectable neighborhood, occupying the parlor floor and basement of a lugubrious brown stone house. From time to time I had tried to write but the gloom which my wife created around her was too much for me. Only once did I succeed in breaking the spell which she had cast over the place; that was during a high fever which lasted for several days when I refused to see a doctor, refused to take any medicine, refused to take any nourishment. In a corner of the room upstairs I lay in a wide bed and fought off a delirium which threatened to end in death. I had never really been ill since childhood and the experience was delicious. To make my way to the toilet was like staggering through all the intricate passages of an ocean liner. I lived several lives in the few days that it lasted. That was my sole vacation in the sepulchre which is called home. The only other place I could tolerate was the kitchen. It was a sort of comfortable prison cell and, like a prisoner, here I often sat alone late into the night planning my escape. Here too my friend Stanley sometimes joined me, croaking over my misfortune and withering every hope with bitter and malicious barbs.
It was here I wrote the maddest letters ever penned. Any one who thinks he is defeated, hopeless, without resources, can take courage from me. I had a scratchy pen, a bottle of ink and paper—my sole weapons. I put down everything which came into my head, whether it made sense or not. After I had posted a letter I would go upstairs and lie down beside my wife and, with eyes wide open, stare into the darkness, as if trying to read my future. I said to myself over and over that if a man, a sincere and desperate man like myself, loves a woman with all his heart, if he is ready to cut off his ears and mail them to her, if he will take his heart’s blood and pump it out on paper, saturate her with his need and longing, besiege her everlastingly, she cannot possibly refuse him. The homeliest man, the weakest man, the most undeserving man must triumph if he is willing to surrender his last drop of blood. No woman can hold out against the gift of absolute love.
I went again to the dance hall and found a message waiting for me. The sight of her handwriting made me tremble. It was brief and to the point. She would meet me at Times Square, in front of the drug store, at midnight the following day. I was to please stop writing her to her home.
I had a little less than three dollars in my pocket when we met. The greeting she gave me was cordial and brisk. No mention of my visit to the house or the letters or the gifts. Where would I like to go, she asked after a few words. I hadn’t the slightest idea what to suggest. That she was standing there in the flesh, speaking to me, looking at me, was an event which I had not yet fully grasped. «Let’s go to Jimmy Kelly’s place», she said, coming to my rescue. She took me by the arm and walked me to the curb where a cab was waiting for us. I sank back into the seat, overwhelmed by her mere presence. I made no attempt to kiss her or even to hold her hand. She had come—that was the paramount thing. That was everything.
We remained until the early hours of the morning, eating, drinking, dancing. We talked freely and understandingly. I knew no more about her, about her real life, than I knew before, not because of any secrecy on her part but rather because the moment was too full and neither past nor future seemed important.
When the bill came I almost dropped dead.
In order to stall for time I ordered more drinks. When I confessed to her that I had only a couple of dollars on me she suggested that I give them a check, assuring me that since she was with me there would be no question about its acceptance. I had to explain that I owned no check book, that I possessed nothing but my salary. In short, I made a full clearance.
While confessing this sad state of affairs to her an idea had germinated in my crop. I excused myself and went to the telephone booth. I called the main office of the telegraph company and begged the night manager, who was a friend of mine, to send a messenger to me immediately with a fifty dollar bill. It was a lot of money for him to borrow from the till, and he knew I wasn’t any too reliable, but I gave him a harrowing story, promising faithfully to return it before the day was out.
The messenger turned out to be another good friend of mine, old man Creighton, an ex-minister of the gospel. He seemed indeed surprised to find me in such a place at that hour. As I was signing the sheet he asked me in a low voice if I was sure I would have enough with the fifty. «I can lend you something out of my own pocket», he added. «It would be a pleasure to be of assistance to you.»
«How much can you spare?» I asked, thinking of the task ahead of me in the morning.
«I can give you another twenty-five», he said readily.
I took it and thanked him warmly. I paid the bill, gave the waiter a generous tip, shook hands with the manager, the assistant manager, the bouncer, the hat check girl, the door man, and with a beggar who had his mitt out. We got into a cab and, as it wheeled around, Mara impulsively climbed over me and straddled me. We went into a blind fuck, with the cab lurching and careening, our teeth knocking, tongue bitten, and the juice pouring from her like hot soup. As we passed an open plaza on the other side of the river, just at daybreak, I caught the astonished glance of a cop as we sped by. «It’s dawn, Mara,» I said, trying gently to disengage myself. «Wait, wait», she begged, panting and clutching at me furiously, and with that she went into a prolonged orgasm in which I thought she would rub my cock off. Finally she slid off and slumped back into her corner, her dress still up over her knees. I leaned over to embrace her again and as I did so I ran my hand up her wet cunt. She clung to me like a leech, wiggling her slippery ass around in a frenzy of abandon. I felt the hot juice trickling through my fingers. I had all four fingers up her crotch, stirring up the liquid moss which was tingling with electrical spasms. She had two or three orgasms and then sank back exhausted, smiling up at me weakly like a trapped doe.
After a time she got out her mirror and began powdering her face. Suddenly I observed a startled expression on her face, followed by a quick turn of the head. In another moment she was kneeling on the seat, staring out of the back window. «Some one’s following us,» she said. «Don’t look!» I was too weak and happy to give a damn. «Just a bit of hysteria,» I thought to myself, saying nothing but observing her attentively as she gave rapid, jerky-orders to the driver to go this way and that, faster and faster. «Please, please!» she begged him, as though it were life and death. «Lady,» I heard him say, as if from far off, from some other dream vehicle. «I can’t give her any more... I’ve got a wife and kid... I’m sorry.»
I took her hand and pressed it gently. She made an abortive gesture, as if to say—«You don’t know... you don’t know... this is terrible.» It was not the moment to ask her questions. Suddenly I had the realization that we were in danger. Suddenly I put two and two together, in my own crazy fashion. I reflected quickly... nobody is following us... that’s all coke and laudanum... but somebody’s after her, that’s definite... she’s committed a crime, a serious one, and maybe more than one... nothing she says adds up... I’m in a web of lies... I’m in love with a monster, the most gorgeous monster imaginable... I should quit her now, immediately, without a word of explanation... otherwise I’m doomed... she’s fathomless, impenetrable... I might have known that the one woman in the world whom I can’t live without is marked with mystery... get out at once... jump... save yourself!
I felt her hand on my leg, rousing me stealthily. Her face was relaxed, her eyes wide open, full, shining with innocence... «They’ve gone,» she said, «it’s all right now.»
Nothing is right, I thought to myself. We’re only beginning. Mara, Mara, where are you leading me? It’s fateful, it’s ominous, but I belong to you body and soul, and you will take me where you will, deliver me to my keeper, bruised, crushed, broken. For us there is no final understanding. I feel the ground slipping from under me...
My thoughts she was never able to penetrate, neither then nor later. She probed deeper than thought: she read blindly, as if endowed with antennae. She knew that I was meant to destroy, that I would destroy her too in the end. She knew that whatever game she might pretend to play with me she had met her match. We were pulling up to the house. She drew close to me and, as though she had a switch inside her which she controlled at will, she turned on me the full incandescent radiance of her love. The driver had stopped the car. She told him to pull up the street a little farther and wait. We were facing one another, hands clasped, knees touching. A fire ran through our veins. We remained thus for several minutes, as in some ancient ceremony, the silence broken only by the purr of the motor.
«I’ll call you to-morrow,» she said, leaning forward impulsively for a last embrace. And then in my ear she murmured—«I’m falling in love with the strangest man on earth. You frighten me, you’re so gentle. Hold me tight... believe in me always... I feel almost as if I were with a god.»
Embracing her, trembling with the warmth of her passion, my mind jumped clear of the embrace, electrified by the tiny seed she had planted in me. Something that had been chained down, something that had struggled abortively to assert itself ever since I was a child and had brought my ego into the street for a glance around, now broke loose and went sky-rocketing into the blue. Some phenomenal new being was sprouting with alarming rapidity from the top of my head, from the double crown which was mine from birth.
After an hour or two’s rest I got to the office which was already jammed with applicants. The telephones were ringing as usual. It seemed more than ever senseless to be passing my life away in the attempt to fill up a permanent leak. The officials of the cosmococcic telegraph world had lost faith in me and I had lost faith in the whole fantastic world which they were uniting with wires, cables, pulleys, buzzers and Christ only knows what. The only interest I displayed was in the pay check—and the much talked of bonus which was due any day. I had one other interest, a secret, diabolical one, and that was to work off a grudge which I had against Spivak, the efficiency expert whom they had brought in from another city expressly to spy on me. As soon as Spivak appeared on the scene, no matter in what remote, outlying office, I was tipped off. I used to lie awake nights thinking it out like a safe-cracker— how I would trip him up and bring about his dismissal. I made a vow that I would hang on to the job until I had knifed him. It gave me pleasure to send him phoney messages under false names in order to give him a bum steer, covering him with ridicule and causing endless confusion. I even had people write him letters threatening his life. I would get Curley, my chief stooge, to telephone him from time to time, saying that his house was on fire or that his wife had been taken to the hospital—anything that would upset him and start him off on a fool’s errand. I had a gift for this underhanded sort of warfare. It was a talent that had been developed since the tailoring days. Whenever my father said to me—«Better cross his name off the books, he’ll never pay up!» I interpreted it very much as would a young Indian brave if the old chief had handed him a prisoner and said— «Bad pale face, give him the works!» (I had a thousand different ways of annoying a man without running foul of the law. Some men, whom I disliked on principle, I continued to plague long after they had paid their petty debts. One man, whom I especially detested, died of an apoplectic fit upon receiving one of my anonymous insulting letters which was smeared with cat shit, bird shit, dogshit and one or two other varieties, including the well-known human variety.) Spivak consequently was just my meat. I concentrated all my cosmococcic attention on the sole plan of annihilating him. When we met I was polite, deferential, apparently eager to cooperate with him in every way. Never lost my temper with him, though every word he uttered made my blood boil. I did everything possible to bolster his pride, inflate his ego, so that when the moment came to puncture the bag the noise would be heard far and wide.
Towards noon Mara telephoned. The conversation must have lasted a quarter of an hour. I thought she’d never hang up. She said she had been rereading my letters; some of them she had read aloud to her aunt, or rather parts of them. (Her aunt had said that I must be a poet. She was disturbed about the money I had borrowed. Would I be able to pay it back all right or should she try and borrow some? It was strange that I should be poor—I behaved like a rich man. But she was glad I was poor. Next time we would take a trolley ride somewhere. She didn’t care about night clubs; she preferred a walk in the country or a stroll along the beach. The book was wonderful—she had only begun it this morning. Why didn’t I try to write? She was sure I could write a great book. She had ideas for a book which she would tell me about when we met again. If I liked, she would introduce me to some writers she knew—they would be only too glad to help me...
She rambled on like that interminably. I was thrilled and worried at the same time. I had rather she put it down on paper. But she seldom wrote letters, so she said. Why I couldn’t understand. Her fluency was marvellous. She would say things at random, intricate, flame-like, or slide off into a parenthetical limbo peppered with fireworks—admirable linguistic feats which a practiced writer might struggle for hours to achieve. And yet her letters—I remember the shock I received when I opened the first one—were almost childlike.
Her words, however, produced an unexpected effect. Instead of rushing out of the house immediately after dinner that evening, as I usually did, I lay on the couch in the dark and fell into a deep reverie. «Why don’t you try to write?» That was the phrase which had stuck in my crop all day, which repeated itself insistently, even as I was saying thank you to my friend MacGregor for the ten-spot which I had wrung from him after the most humiliating wheedling and cajoling.
In the darkness I began to work my way back to the hub. I began to think of those most happy days of childhood, the long Summer days when my mother took me by the hand, led me over the fields to see my little friends, Joey and Tony. As a child it was impossible to penetrate the secret of that joy which comes from a sense of superiority. That extra sense, which enables one to participate and at the same time to observe one’s participation, appeared to me to be the normal endowment of every one. That I enjoyed everything more than other boys my age I was unaware of. The discrepancy between myself and others only dawned on me as I grew older.
To write, I meditated, must be an act devoid of will. The word, like the deep ocean current, has to float to the surface of its own impulse. A child has no need to write, he is innocent. A man writes to throw off the poison which he has accumulated because of his false way of life. He is trying to recapture his innocence, yet all he succeeds in doing (by writing) is to inoculate the world with the virus of his disillusionment. No man would set a word down on paper if he had the courage to live out what he believed in. His inspiration is deflected at the source. If it is a world of truth, beauty and magic that he desires to create, why does he put millions of words between himself and the reality of that world? Why does he defer action—unless it be that, like other men, what he really desires is power, fame, success. «Books are human actions in death,» said Balzac. Yet, having perceived the truth, he deliberately surrendered the angel to the demon which possessed him.
A writer woos his public just as ignominiously as a politician or any other mountebank; he loves to finger the great pulse, to prescribe like a physician, to win a place for himself, to be recognized as a force, to receive the full cup of adulation, even if it be deferred a thousand years. He doesn’t want a new world which might be established immediately, because he knows it would never suit him. He wants an impossible world in which he is the uncrowned puppet ruler dominated by forces utterly beyond his control. He is content to rule insidiously—in the fictive world of symbols—because the very thought of contact with rude and brutal realities frightens him. True, he has a greater grasp of reality than other men, but he makes no effort to impose that higher reality on the world by force of example. He is satisfied just to preach, to drag along in the wake of disasters and catastrophes, a death-croaking prophet always without honor, always stoned, always shunned by those who, however unsuited for their tasks, are ready and willing to assume responsibility for the affairs of the world. The truly great writer does not want to write: he wants the world to be a place in which he can live the life of the imagination. The first quivering word he puts to paper is the word of the wounded angel: pain. The process of putting down words is equivalent to giving oneself a narcotic. Observing the growth of a book under his hands, the author swells with delusions of grandeur. «I too am a conqueror—perhaps the greatest conqueror of all! My day is coming. I will enslave the world—by the magic of words...»» Et cetera ad nauseam.
The little phrase—Why don’t you try to write?— involved me, as it had from the very beginning, in a hopeless bog of confusion. I wanted to enchant but not to enslave; I wanted a greater, richer life, but not at the expense of others; I wanted to free the imagination of ail men at once because without the support of the whole world, without a world imaginatively unified, the freedom of the imagination becomes a vice. I had no respect for writing per se any more than I had for God per se. Nobody, no principle, no idea has validity in itself. What is valid is only that much—of anything, God included—which is realized by all men in common. People are always worried about the fate of the genius. I never worried about the genius: genius takes care of the genius in a man. My concern was always for the nobody, the man who is lost in the shuffle, the man who is so common, so ordinary, that his presence is not even noticed. One genius does not inspire another. All geniuses are leeches, so to speak. They feed from the same source—the blood of life. The most important thing for the genius is to ,make himself useless, to be absorbed in the common stream, to become a fish again and not a freak of nature. The only benefit, I reflected, which the act of writing could offer me was to remove the differences which separated me from my fellow-man. I definitely did not want to become the artist, in the sense of becoming something strange, something apart and out of the current of life.
The best thing about writing is not the actual labor of putting word against word, brick upon brick, but the preliminaries, the spade work, which is done in silence, under any circumstances, in dream as well as in the waking state. In short, the period of gestation. No man ever puts down what he intended to say: the original creation, which is taking place all the time, whether one writes or doesn’t write, belongs to the primal flux: it has no dimensions, no form, no time element. In this preliminary state, which is creation and not birth, what disappears suffers no destruction; something which was already there, something imperishable, like memory, or matter, or God, is summoned and in it one flings himself like a twig into a torrent. Words, sentences, ideas, no matter how subtle or ingenious, the maddest flights of poetry, the most profound dreams, the most hallucinating visions, are but crude hieroglyphs chiselled in pain and sorrow to commemorate an event which is (intransmissible. In an intelligently ordered world there would be no need to make the unreasonable attempt of putting such miraculous happenings down. Indeed, it would make no sense, for if men only stopped to realize it, who would be content with the counterfeit when the real is at every one’s beck and call? Who would want to switch in and listen to Beethoven, for example, when he might himself experience the ecstatic harmonies which Beethoven so desperately strove to register? A great work of art, if it accomplishes anything, serves to remind us, or let us say to set us dreaming, of all that is fluid and intangible. Which is to say, the universe. It cannot be understood; it can only be accepted or rejected. If accepted we are revitalized; if rejected we are diminished. Whatever it purports to be it is not: it is always something more for which the last word will never be said. It is all that we put into it out of hunger for that which we deny every day of our lives. If we accepted ourselves as completely, the work of art, in fact the whole world of art, would die of malnutrition. Every man Jack of us moves without feet at least a few hours a day, when his eyes are closed and his body prone. The art of dreaming when wide awake will be in the power of every man one day. Long before that books will cease to exist, for when men are wide awake and dreaming their powers of communication (with one another and with the spirit that moves all men) will be so enhanced as to make writing seem like the harsh and raucous squawks of an idiot.
I think and know all this, lying in the dark memory of a Summer’s day, without having mastered, or even half-heartedly attempted to master, the art of the crude hieroglyph. Before ever I begin I am disgusted with the efforts of the acknowledged masters. Without the ability of the knowledge to make so much as a portal in the facade of the grand edifice, I criticize and lament the architecture itself. If I were only a tiny brick in the vast cathedral of this antiquated facade I would be infinitely happier; I would have life, the life of the whole structure, even as an infinitesimal part of it. But I am outside, a barbarian who cannot make even a crude sketch, let alone a plan, of the edifice he dreams of inhabiting. I dream a new blazingly magnificent world which collapses as soon as the light is turned on. A world that vanishes but does not die, for I have only to become still again and stare wide-eyed into the darkness and it reappears... There is then a world in me which is utterly unlike any world I know of. I do not think it is my exclusive property —it is only the angle of my vision which is exclusive in that it is unique. If I talk the language of my unique vision nobody understands; the most colossal edifice may be reared and yet remain invisible. The thought of that haunts me. What good will it do to make an invisible temple?
Drifting with the flux—because of that little phrase. This is the sort of thinking that went on whenever the word writing came up. In ten years of sporadic efforts I had managed to write a million words or so. You might as well say—a million blades of grass. To call attention to this ragged lawn was humiliating. All my friends knew that I had the itch to write—that’s what made me good company now and then: the itch. Ed Gavarni, for example, who was studying to become a priest: he would have a little gathering at his home expressly for my benefit, so that I could scratch myself in public and thus make the evening somewhat of an event. To prove his interest in the noble art he would drop around to see me at more or less regular intervals, bringing cold sandwiches, apples and beer. Sometimes he would have a pocketful of cigars. I was to fill my belly and spout. If he had had an ounce of talent he would never have dreamed of becoming a priest... There was Zabrowskie, the crack telegraph operator of the Cosmodemonic Telegraph Company of North America: he always examined my shoes, my hat, my overcoat, to see if they were in good condition. He had no time for reading, nor did he care what I wrote, nor did he believe I would ever get anywhere, but he liked to hear about it. He was interested in horses, mud-larks particularly. Listening to me was a harmless diversion and worth the price of a good lunch or a new hat, if needs be. It excited me to tell him stories because it was like talking to the man in the moon. He could interrupt the most subtle divagations by asking whether I preferred strawberry pie or cold pot cheese for dessert... There was Costigan, the knuckle-duster from Yorkville—another good stand-by and sensitive as an old sow. He once knew a writer for the Police Gazette; that made him eligible to seek the company of the elect. He had stories to tell me, stories that would sell, if I would come down off my perch and lend an ear. Costigan appealed to me in a strange way. He looked positively inert, a pimple-faced old sow with wiry bristles all over; he was so gentle, so tender, that if he had disguised himself as a woman you would never know that he was capable of shoving a guy against a wall and pummeling his brains out. He was the sort of tough egg who can sing falsetto and get up a fat collection to buy a funeral wreath. In the telegraph business he was considered to be a quiet, dependable clerk who had the company’s interest at heart. In his off hours he was a holy terror, the scourge of the neighborhood. He had a wife whose maiden name was Tillie Jupiter; she was built like a cactus plant and gave plenty of rich milk. An evening with the two of them would set my mind to work like a poisoned arrow.
Of friends and supporters I must have had around fifty. Of the lot there were three of four who had some slight understanding of what I was trying to do. One of them, a composer named Larry Hunt, lived in a little town in Minnesota. We had once rented him a room and he had proceeded to fall in love with my wife—because I treated her so shamefully. But he liked me even better than my wife, and so, upon his return to the sticks, there began a correspondence which soon became voluminous. He was hinting now of coming back to New York for a little visit. I was hoping that he would come on and take the wife off my hands. Years ago, when we had just begun our unhappy affair, I had tried to palm her off on her old sweetheart, an up-State boy called Ronald. Ronald had come to New York to ask her hand in marriage. I use that high-flown phrase because he was the sort of fellow who could say a thing like that without looking foolish. Well, the three of us met and we had dinner together in a French restaurant. I saw from the way he looked at Maude that he cared more for her, and had more in common with her, than I would ever have. I liked him immensely; he was clean-cut, honest to the bone, kind, considerate, the type who would make what is called a good husband. Besides, he had waited for her a long time, something which she had forgotten, or she would never have taken up with a worthless son-of-a-bitch like myself who could do her no good... A strange thing happened that evening, something she would never forgive me for were she ever to learn of it. Instead of taking her home I went back to the hotel with her old sweetheart. I sat up all night with him trying to persuade him that he was the better man, telling him all sorts of rotten things about myself, things I had done to her and to others, pleading with him, begging him to claim her. I even went so far as to say that I knew she loved him, that she had admitted it to me. «She only took me because I happened to be around», I said. «She’s really waiting for you to do something. Give yourself a break». But no, he wouldn’t hear of it. It was like Gaston and Alphonse of the comic strip. Ridiculous, pathetic, altogether unreal. It was the sort of thing they still do in the movies and people pay to see it... Anyway, thinking of Larry Hunt’s coming visit I knew I wouldn’t repeat that line. My one fear was that he might have found another woman in the meantime. It would be hard to forgive him that.
There was one place (the only place in New York) that I enjoyed going to, particularly if I were in an exalted mood, and that was my friend Ulric’s studio uptown. Ulric was a lecherous bird; his profession brought him in contact with stripteasers, cock-teasers, and all sorts of sexually bedeviled females. More than any of the glamorous lanky swans who walked into his place to undress I liked the colored maids whom he seemed to change frequently. To get them to pose for us was not an easy job. It was even more difficult, once we had persuaded them to try it, to get them to drape a leg over an arm-chair and expose a little salmon-colored meat. Ulric was full of lecherous designs, always thinking up ways to get his end in, as he put it. It was a way of emptying his mind of the slops he was commissioned to paint. (He was paid handsomely to make beautiful cans of soup, or corn on the cob, for the back covers of the magazines.) What he really wanted to do was to make cunts, rich, juicy cunts that you could plaster over the bath-room wall and so bring about a pleasant, agreeable bowel movement. He would have made them for nothing if some one had kept him in food and pin money. As I was saying a moment ago, he had an extraordinary flair for dark meat. When he had arranged the model in some outlandish position—bending over to pick up a hairpin, or climbing a ladder to wash a spot off the wall —I would be given a pad and pencil and told off to some advantageous spot where, pretending to draw a human figure (something beyond my powers), I would feast my eyes on the choice anatomical portions offered me whilst covering the paper with birdcages, checker-boards, pineapples and chicken tracks. After a brief rest we would elaborately aid the model to regain her original position. This necessitated some delicate maneuvering, such as lowering or raising the buttocks, lifting one foot a little higher, spreading the legs a little more, and so on. «I think that’s about got it, Lucy», I can hear him say, as he deftly manipulated her into an obscene position. «Can you hold that now, Lucy?» And Lucy would let out a niggerish whine signifying that she was all set. «We won’t keep you long, Lucy», he would say, giving me a sly wink. «Observe the longitudinal vagination», he would say to me, employing a high-falutin’ jargon which Lucy found impossible to follow with her rabbit ears. Words like vagination had a pleasing, magical tintinnabulation for Lucy’s ears. Meeting him in the street I heard her say to him one day—«Any vagination exercises to-day, Mister Ulric?»
I had more in common with Ulric than with any of my other friends. For me he represented Europe, its softening, civilizing influence. We would talk by the hour of this other world where art had some relation to life, where you could sit quietly in public watching the passing show and think your own thoughts. Would I ever get there? Would it be too late? How would I live? What language would I speak? When I thought about it realistically it seemed hopeless. Only hardy, adventurous spirits could realize such dreams. Ulric had done it—for a year— by dint of hard sacrifice. For ten years he had done the things he hated to do, in order to make his dream come true. Now the dreams was over and he was back where he had started. Farther back than ever, really, because he would never again be able to adapt, himself to the treadmill. For Ulric it had been a Sabbatical leave: a dream which turns to gall and wormwood as the years roll by. I could never do as Ulric had done. I could never make a sacrifice of that sort, nor could I be content with a mere vacation however long or short it might be. My policy has always been to burn my bridges behind me. My face is always set toward the future. If I make a mistake it is fatal. When I am flung back I fall all the way back—to the very bottom.
My one safeguard is my resiliency. So far I have always bounced back. Sometimes the rebound has resembled a slow motion performance, but in the eyes of God speed has no particular significance.
It was in Ulric’s studio not so many months ago that I had finished my first book—the book about the twelve messengers. I used to work in his brother’s room where some short time previously a magazine editor, after reading a few pages of an unfinished story, informed me cold-bloodedly that I hadn’t an ounce of talent, that I didn’t know the first thing about writing—in short that I was a complete flop and the best thing to do, my lad, is to forget it, try to make an honest living. Another nincompoop who had written a highly successful book about Jesus-the-carpenter had told me the same thing. And if rejection slips mean anything there was simple corroboration to support the criticism of these discerning minds. «Who are these shits?» I used to say to Ulric. «Where do they get off to tell me these things? What have they done, except to prove that they know how to make money?»
Well, I was talking about Joey and Tony, my little friends. I was lying in the dark, a little twig floating in the Japanese current. I was getting back to simple abracadabra, the straw that makes bricks, the crude sketch, the temple which must take on flesh and blood and make itself manifest to all the world. I got up and put on a soft light. I felt calm and lucid, like a lotus opening up. No violent pacing back and forth, no tearing the hair out by the roots. I sank slowly into a chair by the table and with a pencil I began to write. I described in simple words how it felt to take my mother’s hand and walk across the sun-lit fields, how it felt to see Joey and Tony rushing towards me with arms open, their faces Learning with joy. I put one brick upon another like an honest brick-layer. Something of a vertical nature was happening—not blades of grass shooting up but something structural, something planned. I didn’t strain myself to finish it; I stopped when I had said all I could. I read it over quietly, what I had written. I was so moved that the tears came to my eyes. It wasn’t something to show an editor: it was something to put away in a drawer, to keep as a reminder of natural processes, as a promise of fulfillment.
Every day we slaughter our finest impulses. That is why we get a heart-ache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. There is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.
What happened to me in writing about Joey and Tony was tantamount to revelation. It was revealed to me that I could say what I wanted to say—if I thought of nothing else, if I concentrated upon that exclusively—and if I were willing to bear the consequences which a pure act always involves.
2
Two or three days later I met Mara for the first time in broad daylight. I was waiting for her in the Long Island depot over in Brooklyn. It was about six in the afternoon, daylight saving time, which is a strange sun-lit rush hour that enlivens even such a gloomy crypt as the waiting room of the Long Island Railroad. I was standing near the door when I spotted her crossing the car tracks under the elevated line; the sunlight filtered through the hideous structure in shafts of powdered gold. She had on a dotted Swiss dress which made her full figure seem even more opulent; the breeze blew lightly through her glossy black hair, teasing the heavy chalk-white face like spray dashing against a cliff. In that quick lithe stride, so sure, so alert, I sensed the animal breaking through the flesh with flowery grace and fragile beauty. This was her daytime self, a fresh, healthy creature who dressed with utter simplicity, and talked almost like a child.
We had decided to spend the evening at the beach. I was afraid it would be too cool for her in that light dress but she said she never felt the cold. We were so frightfully happy that the words just babbled out of our mouths. We had crowded together in the motorman’s compartment, our faces almost touching and glowing with the fiery rays of the setting sun. How different this ride over the roof-tops from the lonely anxious one that Sunday morning when I set out for her home! Was it possible that in such a short span of time the world could take on such a different hue?
That fiery sun going down in the West—what a symbol of joy and warmth! It fired our hearts, illumined our thoughts, magnetized our souls. Its warmth would last far into the night, would flow back from below the curved horizon in defiance of the night. In this fiery blaze I handed her the manuscript to read. I couldn’t have chosen a more favorable moment or a more favorable critic. It had been conceived in darkness and it was being baptized in light. As I watched her expression I had such a strong feeling of exaltation that I felt as if I had handed her a message from the Creator himself. I didn’t need to know her opinion, I could read it on her face. For years I cherished this souvenir, reviving it in those dark moments when I had broken with every one, walking back and forth in a lonely attic in a foreign city, reading the freshly written pages and struggling to visualize on the faces of all my coming readers this expression of unreserved love and admiration. When people ask me if I have a definite audience in mind when I sit down to write I tell them no, I have no one in mind but, the truth is that I have before me the image of a great crowd, an anonymous crowd, in which perhaps I recognize here and there a friendly face: in that crowd I see accumulating the slow, burning warmth which was once a single image: I see it spread, take fire, rise into a great conflagration. (The only time a writer receives his due reward is when some one comes to him burning with this flame which he fanned in a moment of solitude. Honest criticism means nothing: what one wants is unrestrained passion, fire for fire.)
When one is trying to do something beyond his known powers it is useless to seek the approval of friends. Friends are at their best in moments of defeat—at least that is my experience. Then they either fail you utterly or they surpass themselves. Sorrow is the great link—sorrow and misfortune. But when you are testing your powers, when you are trying to do something new, the best friend is apt to prove a traitor. The very way he wishes you luck, when you broach your chimerical ideas, is enough to dishearten you. He believes in you only in so far as he knows you; the possibility that you are greater than you seem is disturbing, for friendship is founded on mutuality. It is almost a law that when a man embarks on a great adventure he must cut all ties. He must take himself off to the wilderness, and when he has wrestled it out with himself, he must return and choose a disciple. It doesn’t matter how poor in quality the disciple may be: it matters only that he believe implicitly. For a germ to sprout, some other person, some one individual out of the crowd, has to show faith. Artists, like great religious leaders, show amazing perspicacity in this respect. They never pick the likely one for their purpose, but always some obscure, frequently ridiculous person.
What aborted me in my beginnings, what almost proved to be a tragedy, was that I could find no one who believed in me implicitly, either as a person or as a writer. There was Mara, it is true, but Mara was not a friend, hardly even another person, so closely did we unite. I needed some one outside the vicious circle of false admirers and envious denigrators. I needed a man from the blue.
