When we dead awaken E-Book

Henrik Ibsen

• Herausgeber: Maria
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2017

Beschreibung

Ibsen’s last play and his most confessional work, it is an examination of the problem that had obsessed him throughout his career: the struggle between art and life. Arnold Rubek, a famous sculptor, is vacationing at a mountain resort. There he meets Irene von Satow, a former model of his, whose love he had rejected years ago because of his plan to consecrate his life to his art.

Leseprobe

Table of Contents

INTRODUCTION

WHEN WE DEAD AWAKEN

ACT FIRST

ACT SECOND

ACT THIRD

Table of Contents

INTRODUCTION

WHEN WE DEAD AWAKEN

ACT FIRST

ACT SECOND

ACT THIRD

WHEN WE DEAD AWAKEN

BY

HENRIK IBSEN

First digital edition 2018 by Maria Ruggieri

INTRODUCTION

From Pillars of Society to John Gabriel Borkman, Ibsen’s plays had followed each other at regular intervals of two years, save when his indignation over the abuse heaped upon Ghosts reduced to a single year the interval between that play and An Enemy of the People. John Gabriel Borkman having appeared in 1896, its successor was expected in 1898; but Christmas came and brought no rumour of a new play. In a man now over seventy, this breach of a long-established habit seemed ominous. The new National Theatre in Christiania was opened in September of the following year; and when I then met Ibsen (for the last time) he told me that he was actually at work on a new play, which he thought of calling a “Dramatic Epilogue.” “He wrote When We Dead Awaken,” says Dr. Elias, “with such labour and such passionate agitation, so spasmodically and so feverishly, that those around him were almost alarmed. He must get on with it, he must get on! He seemed to hear the beating of dark pinions over his head. He seemed to feel the grim Visitant, who had accompanied Alfred Allmers on the mountain paths, already standing behind him with uplifted hand. His relatives are firmly convinced that he knew quite clearly that this would be his last play, that he was to write no more. And soon the blow fell.”

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